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#let’s just take a little look at this entire episode
thefrogdalorian · 2 days
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I know there is this widely held perception that Season 3 of The Mandalorian had silly moments and made some comically strange story choices, which I can totally admit myself. I mean the bit in 03x04 where they all scatter to eat, but Bo is allowed to remain sitting by the fire was kind of hilarious and blatantly just because they wanted a helmetless scene in that episode.
And I won't complain too much because more Katee Sackhoff on my screen is never a bad thing.
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But come on! The Mandalorian has always had goofy, unserious moments that if you contemplate for more than a second, your head threatens to fly off because of how daft it can be, at times.
For instance, in 1x04 Sanctuary, when Din removes his helmet on Sorgan in froNT OF AN OPEN WINDOW?!!?!
I know they did it for dramatic effect, to demonstrate how long he has worn his helmet, but if one of those kids looked around it would've been CURTAINS FOR HIM. Okay it might have been dark, sure, whatever but I cannot imagine someone as devout as Din would even take that risk! The Creed is everything to him.
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Also, this man who we have seen for an entire season being such a competent and capable warrior has apparently never had a jetpack before Chapter 8. The best bounty hunter in the parsec cannot fly?! Then, immediately after getting it from The Armorer, with no training, he conveniently uses it immediately to blow up a TIE fighter and (seemingly) defeat Moff Gideon?!!?!
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Not to mention how silly it is Gideon survived that initial skirmish... and probably survives in Season 3 too but we'll deal with that when it comes to it.
It isn't just Season One, either. There are also some parts of Season 2 which leave me scraching my head slightly, like in The Believer when the terminal needs to scan a face. Not a specific face, just any face. It doesn't make much sense. Again, not complaining, more Pedro Pascal on my screen is never a bad thing.
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Not to mention how convenient Din getting the beskar spear was right before his duel with Gideon for the Darksaber. A weapon which is coincidentally one of the few which can parry the sacred blade!
Anyway, I don't hate any of these moments at all, I just feel like fans used to be so much more lenient.
Of course season 3 has some hmmmmm moments too, but there have always been questionable decisions right from the start. Star Wars fans are always going to nitpick and it mostly comes from a good place. I just wish there could be a bit more of a ¯\_(ツ)_/¯ attitude sometimes.
Nothing is perfect, but this show has had so many enjoyable moments and such compelling characters that I can let some silliness slide. Star Wars should always be a little goofy and silly and for me, long may that continue!
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casismybestfriend · 3 days
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https://www.tumblr.com/casismybestfriend/748500910553120768/genuine-question-did-we-all-collectively-decide
Because it lines up perfectly with multiple things. The biggest being the set up and Tim himself. Tim has said in one of his interviews that he ended up leaving OG to go focus on LS because the network wouldn’t let him make certain decisions he wanted to make. He left at the end of season 4. Episode 1 of season 5 was his final episode. Which leads us into the set up.
The entire way season 4 ran leading up to the shooting, and then following the shooting, with the Ana of it all, the little longing looks and heart eyed looks and moments between Buck and Eddie we got, the can’t you both be good cop scene, the entire domestic scene at the Diaz house with Buck Eddie and Chris and the technology freak out, the follow your heart talk, the shooting itself and it being framed in what is still considered today to be one of the most romantically coded shot scenes in the show, Eddie reaching for Buck, the are you hurt, the stay with me, the Chris Buck talk and breakdown, the Will reveal which we now have Ryan saying was a love confession with his I love you to the core talk, and the Will reveal and Chris Buck talk were also both scenes Tim stepped in to ensure made it into the show, all following to season 5 episode 1 which was Tim’s final episode before he left. Which introduced us to eddie and his panic attacks over his girlfriend. It was all set up so perfectly to lead into buddie.
Now with this new information of when things got shut down by the network, taking it all into account, The network changing their mind, Tim’s very sudden departure form OG, and the way the story very much veered off into another direction that left the fandom scratching their heads and Buck and Eddie were barely even allowed to breath near each other for the next two seasons. It fully tracks that the shooting was supposed to be when things kicked off.
thank you so much for this informative answer, anon, i greatly appreciate it! 💕
i do see it, it lines up quite well, i just wanted to be sure if there was any actual word-of-god confirmation about the timing 👍
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teddynivvy · 2 days
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i’m nothing if not a sucker for ted fluff
i know you wrote about sleepy morning ted but imagine like after you get out of bed and just being in each other’s presence 💕 imagine hugging him from behind it sounds so comfy
anon i will literally never not write about sleepy ted bc he lives rent free in my head!
a rainy sunday morning in LA. no plans of any kind for the entire day, just soft rain pattering against the window as you both sleep in, enveloped in one another
ted finally stirs, noticing your sleeping form and smiling to himself before deciding to kiss your forehead and face to wake you up
you'd protest by pushing him away gently, which causes him to just pull you in closer and pet your hair, which makes you open one eye and groan at him
"why are you waking me up at the crack of dawn on a sunday?"
"it's 11, babe."
you huffed. "oh."
after a little while just cuddling in bed, basking in his warmth, you finally pulled the covers off and rubbed your eyes to make your way to the kitchen together
wearing one of his shirts and a pair of shorts, he cant help but blush at how gorgeous you look
"waffles?" he'd ask, and you'd nod enthusiastically while getting the coffee ready
even tho he was busy preparing breakfast and cooking away at the stove, he still took the time to come up behind you and pepper your back and neck with kisses
you'd grab around his middle and lay your head against his broad back, putting your hands down the front of his pajama pants and up to touch his lil tummy :')
"you're so warm and comfy... why'd you make me get out of bed again?"
he'd just huff, putting a few of the fresh waffles on a plate and pushing it over to you. "we'd lay in bed all day and do nothing."
you'd step in front of him, a coy smile on your face as you played with the hem of his shirt and looked into his eyes
"what if i wanna do that?"
he just laughed, taking a strawberry from the bowl behind you and popping the cut-up piece into his mouth
"we can do that. but i wanted waffles first."
you ate breakfast together cuddled on the couch, watching an episode of your favourite tv show
once you took the time to clean up after, he lead you back upstairs to your room, where you cracked the window slightly to let in the sounds of the rain and put on a movie
but it wasn't long before you fell back to sleep in each other's arms :)
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swampjawn · 2 months
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Time to talk an unnecessary amount about floors!
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Episode 6 of Dungeon Meshi was produced in collaboration with a smaller studio, Enishiya - and it went way harder than I expected, for being made up of two relatively simple and self contained stories focusing on one character each.
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And you can really see how those extra resources meant the animators could give full focus to both halves of the episode. Let's take a look at one piece that stole the show.
The first half was handled primarily by episode director/storyboard artist Keita Nagahara and co-animation director Hirotoshi (or Hiroaki? [1]) Arai. It's actually kinda insane how much of this section can be attributed to these two.
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But the real star of the show is the second half, Chilchuck vs the mimic, led by co-animation director Toya Ooshima in his first animation director role for TV anime!
And the biggest aspect that knocked my dang boots off was something that's very consistent with Ooshima's style: background animation!
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By animating the backgrounds rather than using painted still images, Ooshima and the team of other similarly skilled animators are able to create these beautiful dynamic camera movements that wouldn't be possible otherwise. Like these cuts by Takeshi Maenami where the camera becomes an expressive part of the scene, zipping forward and backward, and tilting to emphasize the speed of this murderous hermit crab. (Maenami's style is also very recognizable here - snappy timing and quick camera movements)
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Or this cut by the incredible Kaito Tomioka which cleverly combines a traditional background for the walls with a fully animated floor. The level of detail in these tiles is just completely insane, and used to great effect with this wide, diagonal angle, and the way the camera tentatively drifts forward before reversing direction, and the tiles blur out as it speeds up.
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I don't think I'm the only one caught off guard by how much they full-assed this little side story, but it was a pleasant surprise!
I broke down the entire episode in this video here. A lot of research went into this one, and I think it's the best one of these videos I've made so far, so if you're at all interested in more of this type of analysis in video form, I would really appreciate it if you checked it out, or re-blogged this post! Thanks
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[1] It's listed as Hirotoshi on Anime News Network, but Hiroaki on a key frame that Studio Trigger shared on Twitter, so I'm not sure which one is wrong.
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inkbybambi · 7 months
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bodyguard!simon riley who takes a bullet for you —
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words: 2.9k rating: e warnings: nightmares, guns/shooting, gunshot wound, hospitals, smut, creampie, cunnilingus, mentions of threats against reader, threat against reader, lowercase writing — please let me know if i missed any! notes: 18+ content, minors dni. warnings have been provided.
he's been assigned to you for two-ish years now. you weren't thrilled at first, and neither was he — but he didn't make it as obvious as you did.
"i don't need a babysitter," you had damn-near hissed when he was introduced.
"i wasn't hired to be one," he counters coolly, which only serves to irritate you further.
actively ignoring his presence — as much as you could when your company moved him into your apartment — even though you begrudgingly made room in the counters and fridge for his things, even going as far as investing into a better kettle so he could make his tea and clearing out an entire cabinet for all his tea, sugar, and steeper.
he trails you quietly as he was hired to; keeping close enough to always have you in his sights but far enough away that people wouldn't be able to clock his association to you — or so he thought.
six months into his contract with you — an unknown amount of time left, as price never answered and soon he stopped asking — he wakes in the middle of the night from a scream he never thought would come from you.
he rushes into your bedroom, gun in hand with his finger resting on the side and not the trigger. the front door is locked as he had left it, windows unbroken. he almost thinks he might've associated it with one of his own nightmares, until he sees you.
curled in on yourself, face tucked into your knees, fingers threaded through your hair as you struggle to breathe properly, hiccups and sobs breaking between your stuttered breaths.
he knocks gently on your door, not wanting to startle you. you jump just a little, regardless, but lift your head to look at him.
"'m sorry," you mumble, voice rough, "i didn't mean to wake you."
and you hadn't. you thought you were done with these awful nightmares, the ones gnawing at the edges of your mind during the day.
"'s'alright," he replies, tucking the gun into the waistband of his sleep shorts, walking carefully towards your bed. "you okay?"
the look he receives damn near breaks his heart.
he learns, that night, that an attempt had been made on your life before. more than once.
they never got close enough to do any harm, you say, but then swallow thickly and clutch your bicep where simon sees a scar that he never took notice of previously. they didn't get close enough to do anything worse, you amend, chancing a look at him.
"i had security then, too," you explain, wiping your tears with your hand, playing with the blanket. "it didn't change anything."
something shifts after that.
he starts cooking for you — with you, when there's time — and you bring him a cup of tea each morning. the bookshelf in the living room, previously only half-filled, collects simon's books. you give him the login to all your streaming services, and ignore the pointed look he gives you when he sees some trashy reality tv show in your "continue to watch" queue.
he doesn't complain much when he stands behind you during an episode, arms crossed, asking a question here and there. you sigh, exasperated at having to explain everything, telling him to sit down and you start the series from the beginning.
nine months into his contract, your nightmares become more frequent, and worse. you don't understand why. you were getting better, you cry in simon's arms after a particularly rough night.
"sometimes these things happen," he tells you softly, gently carding his fingers through your hair, tucking you under his chin.
"make them stop, please," you beg, even though you know he can't. he wishes he could.
he starts sleeping in your bed.
he's so warm, your cheek pressed into his chest, feeling more secure than you have in months when the weight of his thick, tattooed arm slings around your waist. he presses a kiss to your forehead at night, and you burrow into his side.
he starts taking the balaclava off at night.
a morning where you blessedly don't have to be up early, grey clouds hang in the sky, the promise of a storm later.
"g'mornin'," he says, voice rough with sleep, feeling him flex and stretch beneath you, groaning as his body relaxes. a flash of heat snaps through you.
"morning," you reply, only half-awake, tilting your head up to drag your lips across his jaw, prickling with stubble.
his fingers are in your hair, thick and comforting, tilting you back until his mouth slants over yours. he cradles the back of your head as his tongue slips into your mouth, hot and heavy.
the sheets rustle as he moves to lay over you, free arm resting by your head as your legs hook on his hips, trying to draw him closer to you.
he nips at your bottom lip as he rolls his hips, the heat of his cock through his boxers frazzling your brain. you mewl, his tongue back in your mouth, moving his hand to grip your waist and drag you up against him, moaning low in his throat when he feels the wetness seeping through your panties.
"fuck," you breathe out as his mouth moves over your cheek, down your jaw, kissing the sensitive skin behind your ear.
"say please," he rumbles.
"simon, please," you whine, fingers curling at the base of his skull and scratching, and he snarls against your skin, sinking his teeth into the side of your neck as he tears your panties off, pushing his boxers down enough to free his cock.
you're so wet for him, slick coating your thighs as he drags his cock through your folds.
he usually takes his time — using his fingers and tongue to open them up first, wanting to feel the wet heat of their cunt and the spurt of their release to know they're relaxed and ready for him. he eats pussy like he'll die if he doesn't, will happily spend hours between your legs if you let him.
but you? he feels feral with need.
"it's big, sweet thing," he rasps into your skin, right above the mark he sucked into your skin, notching the head of his cock at your entrance. he's not trying to brag, it's just a fact.
you claw at him, the sting of open scratches burning his skin so pleasantly.
"it's okay, don't care," you pant, gripping him hard enough to leave deep crescent marks in his skin, angling your hips up to draw him into your cunt yourself.
he grips your hips with both hands, slowly pushing his thick length into you, nails digging even deeper the more he pushes in.
"feels so fucking good," he says, tongue laving over your throat to collect the thin sheen of sweat that coats your skin. "could fuck you forever," he groans, your breath hitching.
you make a strangled noise low in your throat. it's been awhile since you've fucked anyone, and you've never fucked anyone as big as him before.
the stretch feels so good, though. your cunt clenches around him as he sinks in deeper, mind glazing over as you focus only on him.
"fuck," he whines when he finally seats himself fully into you, nuzzling into your neck, overwhelmed by the heat and slick, "good fucking girl, taking me so well."
he swallows thickly, waiting a couple heartbeats to enjoy this — it's been awhile for him, too.
"think you can take it, love?" and his fucking voice. you would agree to do anything as long as you could hear that rough accent along your throat, teeth skimming your skin.
"yes," you breathe out harshly, moving to wrap your arms around his shoulders, needing him close, close, closer.
for a man of few words, simon has a filthy mouth as he fucks into you, accompanied by groans and growls into your collar.
"never had a cunt this perfect." "fuckin' made for me." "can't wait to get my tongue in you, feel you cum on my face." "no one else can have you." "you're mine."
and you, normally far more verbal than him, are reduced to nothing more than mewls and pleas and moans for more.
you mouth and nip at his jaw when you can, wanting to mark him just as much as he's marking you. you'll be his forever if he lets you, but you'll be damned if anyone else gets to have him either.
"simon — " is the only warning you give before you cum on his cock, head thrown back as you moan through the waves of pleasure, release coating his legnth and thighs.
"that's it, baby, good girl, give it to me," he says, blunt nails digging into your waist as he grinds himself deep into you. you feel so warm and pliant, the pleasure numbing your mind as he rocks himself into you.
"wanna feel you give me one more, angel," he bites at your throat on the other side, wanting to give you matching marks. he hooks your legs over his shoulders, fucking into you deeper, hitting that spot inside you that has you seeing stars and your toes curling.
you grip at him again, clawing as he fucks into you, the sound of your wet cunt taking each thrust creating a symphony with his groans and your cries. he feels so fucking good, splitting you open and making you whole, desperate for him to cum inside.
the way your nails dig into his shoulder is the sign that you're getting close, and he thrusts just a little harder, a little meaner, your cute whines growing more desperate as you walk the precipice of another orgasm.
no one's ever made you cum more than once — sometimes, not even once — and you've never been able to do it yourself either.
but simon? fucks a second orgasm out of you like it's his life mission, ankles tightening around his neck as pleasure lines your veins, shaking as he continues to hit that spot inside you as you cum, prolonging it as much as he can.
"baby — " he chokes out, sharp teeth on your shoulder, thrusts getting sloppy. the slick of your two releases sounds so loud in your bedroom, feeling the desperation as he thrusts, deeper, harder.
"cum inside," you mumble against his cheek, nails scratching at the base of his skull as he thrusts once, twice, three times — the warmth of his release flooding your cunt.
he fists the sheets in one hand, nails dragging down your thigh as he pumps deep into you, your slick and his release seeping out of your hole, dripping down his balls and your asshole.
you stay like that, lips brushing, breathing in each other's air as you slowly come down from the high.
simon gently — so gently — lowers your legs, carefully watching your face for any signs of discomfort, settling them on his hips, hands moving up and down your thighs. "y'alright?" he asks. you swallow thickly and nod, both hands now at the base of his skull, affectionately scratching at the nape of his neck.
he slowly pulls out, and you miss the stretch and the warmth immediately. you push up on your elbows, watching as the mixture of your pleasure leaks out of you, biting you lip.
"fuckin' beautiful," he says almost reverently, mesmerized.
he spends the next hour cleaning you up, and you think your nails create permanent marks on his shoulders.
time bleeds together.
his contract renews on the twelfth month.
he heard rumors that price might switch him out for another guard.
you're at the meeting — it's your bodyguard, after all, they figure you should get some input. price has two separate folders prepared. a sharp look from simon is all price needed to know about how he feels. the tongue lashing you give your higher ups has price raising his eyebrows, and simon sits forward a little more should he need to haul you out over his shoulder.
he wouldn't mind that too much, he thinks, but he'd rather not.
ten minutes later and you're angrily signing his renewal papers, a blotch of ink at the start of your name as you didn't even read the contract before signing, lungs burning from your rant about personal safety and what the fuck are you thinking and i didn't just buy an entirely new tea set for nothing.
you grip his wrist as soon as he signs himself, dragging him to the nearest bathroom.
his hand covers your mouth as he fucks you deep and slow.
"don't worry, darling, 'm not going anywhere."
eighteen months into his contract, and he's never felt so little control before in his life.
he's meticulous, prepared, tactile.
there's a gun in his holster for distance threats and a knife in his sheath for those who dare get too close.
he makes sure to memorize the exists before you even get to the venue, now making no effort to conceal himself.
he's like a shadow, or a guard dog.
you've never felt more secure. more protected.
until —
he doesn't know how it slipped past him.
he let his eyes linger a little too long on the curve of your neck, where a new diamond pendant lay with his initial engraved on the back. he admires the dip of the dress you wear, open-back that shows the enticing expanse of your back, the dress covering you above the curve of your ass. you look back at him briefly while whomever you're with speaks, eyes sparkling in the bright light of the room, a smile reserved just for him.
he hears the cock of a hammer and his eyes snap to a gentleman who brandishes a gun like he's never held one before in his life. his eyes, though. his eyes are like fire, black with rage, staring at you with such hatred.
you look one second too late.
simon is on you right after the click of the trigger, pushing you to the floor and caging you with his body.
"stay down and don't fucking move," he growls as he reaches for his own weapon, up in a flash.
you can't hear anything except white noise and screams that sound muffled, heart pounding and making it hard to breathe. two shots ring out, in tandem, and there's the telltale sign of a body hitting the floor.
simon is by your side, eyes scanning, frantic, looking for any signs of harm.
"you okay?" he asks, carefully outstretching his hands to let you stop him from touching you should you want. you don't.
"fine," your voice cracks, and you can't stop shaking.
"you're okay, you're okay," he says, cradling your cheeks, thumbs wiping under your eyes. "i'm so fucking sorry," he adds, guilt heavy in his chest.
you grab his wrists lightly, tears streaming down your cheeks as you look him over. you gasp, unable to catch a real breath, unable to look away from his stomach.
"simon — " you say, horror laced in your voice.
he looks down, seeing the red seep through his shirt.
fuck.
at least it wasn't you, he tells himself.
nineteen months into his contract, and he isn't dead.
while he's been shot before — a fact he tells you, assuming it would comfort you, but only got him a venomous glare in return — it's been awhile.
the hospital, the stitches, the gauze and needles. he hated it then and he hates it now.
price comes to you in the hospital — they're keeping simon for a little, to make sure there's no complications with his healing — offering another guard in the interim while simon recovers.
you've never shot down a proposal so quickly in your life. the nerve.
twenty-two months into his contract, and the last of the moving boxes are taped shut and labeled. some of them in your writing, the others in his. the keys to your new house are tucked into his pocket, alongside a black velvet box.
"why do we have so much shit," you whine when packing, only two boxes deep and so many rooms left to go. you're too busy stuffing a manatee shaped steeper into a box — mana-tea, you giggled when he opened it, him rolling his eyes fondly in reply — and don't see him pause, looking at you softer, never hearing "we" before like that. never dreaming he could hear it like that.
a lot of stalling on your part and encouragement on his, and the last box is packed and placed in the back of the truck.
he laces your fingers together as you drive to the new house, a bottle of champagne already chilled.
twenty four months into his contract, and you come home with something hidden behind your back.
you smile like you have a secret, which would be a first.
it's awkward to bring around from your back, but there's a large german shepard puppy wiggling in your grip, tail wagging furiously.
he feels his heart stop for a moment, unable to take his eyes off the puppy, and then the band that's sitting around your finger. he touches his own subconsciously.
you set the ball of fur down, who immediately launches at simon, whining and wiggling and trying to give him kisses.
there's a collar and tag already there, and you watch with your heart beating faster than ever, unable to stop the smile on your lips, as he wrangles the pup enough to read it.
riley.
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bodhrancomedy · 4 months
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Guess who's on TV!
(Well, iPlayer until the 15th, that's when it airs on BBC One)
Hope Street episode 3.11, let's go!
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First of all, I'd say they did me dirty with this picture, but my university ID was exponentially worse.
Onto the spoilers!
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Our boy Matthew has arrived in Port Devine, looking a little concerned.
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For good reason when he's suddenly confronted by this lad, Dara.
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Ah, a fight which Matthew escapes by slipping out of his coat. (Pretty sure this is the take where we ripped it practically in two...)
Dara's questioned, he claims he's never met Matthew in his life. Hmm.
Police do some investigating (and some character stuff) before Dara makes his way to Matthew's mother (Louise)'s house to have a wee showdown.
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They both in a gang and Matthew's stolen a gun. Dara needs to get it back...
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Matthew's nay having it. "This is my way out. If they want the gun back, they have to let me go."
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Another fight. The gun goes off! (Poor Pete and I were convinced after take one to put some padding on. My arm looks bulky because I'm strapped up with squishy stuff and allergic to plasters so it has to be in a sock)
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Thank fuck no one was hurt. Dara gets the hell out of dodge -
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Leaving Matthew to contemplate his mortality. And other people's, but mostly his own.
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"Oh fuck, my bosses are gonna find me and murder me, oh shit. I'm far too young and pretty to die!"
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Time for Matthew and Louise to follow Dara's example and get the fuck out of here.
The police are now on the Halbridges' trail, but they discover the phone tracking them and leave it in a field.
Meanwhile, Dara's been arrested for drug dealing. He refuses to talk, clearly nervous.
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Ah, what's this on Dara's phone? So Matthew and Dara have been in a relationship for over a year now.
(The poor intimacy coordinator having to walk me through my just about second kiss in my entire life. And the third. And the fourth. And the fifth... Pete is a very sweet person. Made it all funny.) ("Relax your hand, Bodh. Just relax it. Open - open your fingers, just let me position your hand.")
They're both working for the same gang. Matthew was given the gun to hold onto by their bosses' and freaked out, running away with the weapon. His plan was to trade his freedom for the gun, but Dara was sent to get it back for the Brazier Brothers, notorious drug runners and gang leaders.
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These guys.
Unfortunately, now Dara's had to tell the Brazier Brothers that Matthew is refusing. They're going to kill Matthew and then Dara. Oh no.
But Dara has an idea where they might be hiding.
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At the caravan there's a standoff between the police and Halbridges. But when the Braizer Brothers are arrested, they're convinced to come out.
(Side note, my favourite picture of me, ever.)
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Oh no, the Halbridges are going to jail and Matthew's regretting his life choices.
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Matthew walked off to his new life inside a jail cell.
The end.
(This is where Niall Wright accidently sublexed my shoulder. To be fair to the man, I'd never mentioned it and he took his finger sliding in-between bone like a champ)
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Look, it's me!! I was on TV! Bit sad they cut pretty much all the uses of SSE (weren't allowed BSL because we still had to speak the lines), but I got to be queer and Deaf so that's pretty nice.
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irndad · 21 days
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a/n: continuation to this, but you don't necessarily have to read it first! all you need to know is reader got shot protecting maeve, and both survived. spencer has been in love with her the entire time.
“Have you called Maeve?” 
She asks it on a beautiful, rainy day, about five weeks after the event in question. She’s a little too nonchalant about the whole thing, has been from the start- Spencer’s been correcting for that. He’s been treating her like something fragile, a beautiful glass figure that was almost shattered. This is something he knows irritates her, but how can he not?
He tries not to think of it, but the memory of her in a hospital bed, bandages over her abdomen, the wooziness of giving her blood. He can’t help his caution, now. People assume, quite often that Spencer was unaware of the fact he’s in love with his best friend. Like it was something he didn’t know, didn’t have to live with. 
Spencer can be oblivious about a lot of things, but being in love with the person he’s shared a desk with for 4 years is not among them. 
“No,” he replies, looking up at her as she sits down, handing him the cup of tea she made him. They’re at his apartment. She’s been cleared for desk work, but Spencer had been nervous about the whole thing. They’ve fallen into a rhythm of her going to his apartment after work, and for how determined he is to tell her how he feels, he’s not really able to pluck up the courage.
“Spence,” she sighs, “You have to call her.”
“I did! When it happened, I called her. We talked. We just don’t talk anymore.”
She furrows her brow in an adorable way, and Spencer’s heart threatens to fall out of his chest. He’s been playing a game of she loves me, she loves me not in his mind for the. Past few weeks. 
Took a bullet to see me happy. She loves me. 
She stirs her ceramic spoon, the clink of it against the mug fills the silence. She bites her lip, clearly disappointed with his response. 
Wants me to call my not but kind-of ex. She loves me not.
She’s wearing this blue floral dress, and he is trying not to stare at where the fabric has ridden up, kissing the skin above her knee. She’s got lipstick on, and he tries not to read into how she’s sitting so close to him. Except he is kind of reading into it. 
Before she got hurt, he had tried to shove this feeling down- tried to ignore the swoop of his stomach when she walked by, or when she gave him a compliment, or when she let him do a card trick for her. He tried to shove down how much he fucking hated it the one time she had a date pick her up at the office. 
She’s just easy to be in love with. She writes little smiley faces on post-it notes and leaves them on his desk, and when the whole Emily thing had gone down, she’d spent weeks taking care of him through her own grief. 
She’s sitting on his couch. Five weeks ago, she was half-dead in a hospital bed, and now she is on his couch, in a beautiful dress after returning from the job they both share. 
He does not want to call Maeve. 
The comfortable silence turns tense as the episode of Doctor Who plays in the background, and he’s still a little gunshy- she’s breathing, she’s okay. He feels creepy, but he lets his eyes close for a moment so he can hear the sound of her breath, to know it’s still there.
“Spencer,” she says, after she pauses the show, and he turns fully to face her, “I am okay.” She grabs his hand, and he takes a couple of seconds to process the touch as she places it over her own wrist. ‘I am fine. They fixed me up. You are allowed to stop worrying.”
Her tone is even, but intentional. She’s giving him permission, as if his presence is some guilt-driven notion that’s stopping him from getting what he really wants. It’s true, though, that he doesn’t always believe she’s okay. Notices how she’ll wince when she bends a certain way, and the scar by her eyebrow is healing well, but he still searches for it in her face.
He savors the feeling of the soft skin of her wrist under his touch, running his fingers over the junction of her hand and wrist with delicate affection. How she hasn’t figured out he’s in love with her is anyone’s guess. 
He wonders what it would feel like to kiss her there.
“I know I can call her,” he manages to say back, meeting her warm gaze in a maybe too honestly in love glance, “I’m where I want to be.”
“Before I got hurt, you picked out an outfit, you asked for advice on dating, Spencer. You did that. I just-“ she sighs, moving her hand from his grasp and pinching the bridge of her nose in frustration, “The piece of you that wanted that is obviously still there. You don’t have to spend a Friday night with me in your apartment because you feel guilty that I got shot.”
“You’re not here because I’m guilty-“
“Then why-“
“You’re in my apartment right now because I am in love with you, and if you’re out of my sight for more than twelve hours than it’s like I forget that you’re still alive. That you didn’t get yourself killed before I ever got the chance to actually tell you.”
He’s not yelling. Well, he’s kind of yelling. Talking loudly, anyway. Her eyes widened and he’s hyperaware of how close she already was, is. She smells like lilies and her, and it’s all so present. She could have died. She might have never heard it. 
She’s heard it now, he supposes. All the weeks of agonizing, notebooks he’s managed to fill in the last few weeks trying to figure out a way to say it to her that could charm her into loving him back- all gone. He’s told her, now. 
All the cards are in her hands.
Her doe eyes almost sparkle at him, her head tipped to the side in a fond, loving gesture, and he wants to kiss her, wants to feel her faded-lipstick pout against his mouth. He wants his I love you to turn into I can have this. 
“Spence,” her voice is a trembling, insecure thing. One half of his mind wants to rage at him- there’s no way she’s going to tell him she loves him back, that someone like her could ever want someone like him. But the other half, one that seems dangerously like hope- she took a bullet for him. She didn’t even think twice. “You’re in love with me?”
It’s like it’s not even him who replies. Some bitter thing takes over his voice and speaks for him. 
“How could I not be? It’s you.”
It’s then he notices, that oh, she’s tearing up. 
A beat passes, and Spencer sucks in a deep breath before rambling an absurd amount. 
“You don’t have to- We can still be friends, obviously, you know that. But we can, I just- I needed to tell you because when you were in that hospital bed and you’d never heard me say it, I just couldn’t live with you never knowing. But now you do, and you don’t feel the same, and that’s okay-“
He doesn’t get to keep talking, because she grabs him by the collar of his shirt and kisses him. She’s warm and beautiful and her hair brushes up against his cheek and there’s something in him that takes over when he moves to  cradle her head between his hands, both desperate to keep her in his grasp and savor the moments he gets to hold her. She tastes like cherry chapstick and something completely undefinable. 
When she pulls away after a moment that feels entirely too short, heavy lidded eyes meeting his in affection, and Spencer thinks he’d like to do that for the rest of his life. 
“I love you too,” she says back, and he commits it to memory, the sound of her so-sweet voice wrapping around the words he’s fantasized about hearing since the first time she smiled at his joke about philosophy. “I’ve loved you a really, really long time, Spence. I just thought I lost my chance, you know with- with everything. I never really thought I had one.”
He can’t even speak, really. He doesn’t think he can wrap his head around the fact that she felt like he wouldn’t like her back. 
It doesn’t feel like a concern, now, when he leans in to kiss her again. She smiles into him, and Spencer memorizes the feel of her waist encircled in his arms, when he realizes that this is the heart he is able to hold without limits. 
She loves me too, he thinks. She is safe, she is okay, and she loves me back. 
On the following Monday, when Morgan sees the two of them with linked hands before Hotch gets to the office, he doesn’t say anything. 
He does hand Emily 20 dollars, though. 
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zanarkandskylines · 21 days
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₊✩‧₊⇢ had a depressive episode yesterday and just whipped this up to feel better. a little selfshipy but is suitable for anyone 💕
『 ෆ k.bakugo x fem!reader 』
“C’mere already,” Katsuki calls from his bed, arms outstretched as he lays on his back. “I’m not gonna ask again.”
You comply, stalking over from the doorway and crawling across the sheets into his embrace, face snug against his chest. He sighs into your hair, planting a few soft kisses onto the top of your head.
“Ya look like you needed some love, peach.”
It’s almost scary how well Katsuki can read your emotions. You hadn’t even told him that you were feeling down, he just knew by your mannerisms.
“How’d you know?” You ask sheepishly. You’d gotten to his apartment a few hours ago…how’d he read you so quickly? Well, it could have been that you showed up in sweatpants and his hoodie - your go-to comfort, low energy outfit.
“I jus’ do. ‘S like a sixth sense.”
“That’s for ghosts, dummy,” you giggle while idly fiddling with the material of his shirt.
You can practically hear the grin in his reply. “Got ya ‘ta laugh, didn’t it?” He gives you a light squeeze and kisses your forehead.
How can two people be so connected? It often left you wondering how you’ve gotten so lucky to have someone like Katsuki around, let alone adore and love you with his entire being.
“Any dinner requests?” He asks, shaking you out of your train of thought. “Y’gotta be hungry, I haven’t seen ya eat all day.”
You pull back from his embrace and pinch his cheek, bringing your lips to his for a gentle kiss. “Oh, is Chef Bakugo taking requests now?”
“Not if you’re gonna heckle me about it. And it’s Chef Dynamight, get it right!” he retorts with a huff.
“Whatever you were gonna make, I’m fine with.”
Katsuki sits up, releasing you from his hold and scoots to the edge of the bed. He motions for you to follow him.
Once the two of you are in the kitchen, he grabs you by the waist and tugs you over to an empty section of the countertop. Effortlessly, he picks you up and sits you on the marble. Katsuki shimmies between your legs, one hand on each thigh as he graces you with a sweet smile - a rare sight.
“Ya don’t gotta do anythin’, sweets. Your job is to look pretty while I cook for you, ‘kay?” He gives you a quick peck on the lips and pats your thighs before turning toward the cabinet to grab his cutting board and spices.
For the next hour, you silently watch Katsuki prep dinner for the two of you. He’s decided to make a chicken curry, one of your favorites, all from scratch. He’s got the sauce simmering on the stove while cutting up the vegetables and potatoes. You’ve tucked your legs up to your chest, resting your head on your knees as you watch him in his element, bouncing between tasks without breaking his concentration. Before Katsuki tosses the peppers he’s cut into the pot, he pops a small piece into his mouth and offers you one as well. You take it from him without hesitation - he loves to have you taste test and sample anything involving his cooking, even if it’s just a simple bell pepper.
After another 15 minutes passes, the ding! of the rice maker signals that everything is ready to eat. You slide off the counter and skip over to grab plates when Katsuki scoops you up by the waist from behind, bunching the hoodie up your midsection.
“Oh no ya don’t! Sit your stubborn ass down an’ let me get it.”
You sigh in defeat, closing the cabinet as he whisks you out of the kitchen and plops you onto the couch in the living room. Within a few minutes, Katsuki reappears with two full plates of curry. He sets them both on the coffee table and turns to grab the blanket off the back of the couch, unfolding it to drape over your legs.
He does a double take around the room while grabbing the TV remote. “Need anythin’ else, baby?”
You shake your head, responding with a soft “no.”
Katsuki joins you under the blanket and hands you your plate from the table. He settles in next to you, turning on a mindless reality show before kicking his feet up on the table and leaning into you - blissfully sinking into the cushions.
“This shit is so fuckin’ stupid, but it’s fun to hear the wild commentary you do,” Katsuki quips with a laugh. “Like how the fuck do these people even breathe on their own?”
“Beats me, and yet they’re richer than we’ll ever be,” you joke, digging into your curry with a satisfying hum.
Katsuki kisses you on the cheek before returning to his curry, fascinated with the stupidity of the reality show. He knows you’re thankful, never expecting a verbal ‘thank you’ in times like these. Your smile and laugh, along with the return of the twinkle in your eyes, was enough for him.
💥 tags; @slayfics ✨
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flanaganfilm · 1 year
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The Midnight Club - Season Two
I'm very disappointed that Netflix has decided not to pursue a second season of THE MIDNIGHT CLUB.
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My biggest disappointment is that we left so many story threads open, holding them back for the hypothetical second season, which is always a gamble.
So I'm writing this blog as our official second season, so you can know what might have been, learn the fates of your favorite characters, and know the answers to those dangling story threads from the first season.
So for those of you who want to know what we were planning to do, here's a look at what would have been season 2!
AMESH Season 2 would open with Amesh, his glioblastoma advancing quickly. He would tell the first story of the season, but would be struggling to make it through. We'd focus on his love story with Natsuki for those first few episodes as it becomes clear that Amesh's death is imminent.
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Meanwhile, Ilonka is trying to reconcile how she was fooled by Julia Jayne, all while falling further in love with Kevin, and she realizes he may be fading faster than he lets on.
Ilonka begins a serialized story in an effort to encourage him to "stay alive a little longer," like he did in season one. And the story she tells is... REMEMBER ME.
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This was the thing I was most excited about for this season.
REMEMBER ME is one of my all-time favorite Pike books - it tells the story of a teenage girl who is pushed off a balcony, and awakens as a ghost. She has to navigate being a spirit while trying to solve her own murder. We would have stretched this story out over 5 episodes. We were going to use it as a vehicle for Ilonka to try to come to terms with the fact that she is going to die, and to begin to trying to wrap her head around being a ghost... but this is the coolest part... the lead character of Ilonka's story wouldn't be played by Ilonka. She'd be played by...
Anya.
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Because this is how we live on, isn't it? In the minds of those we leave behind. And Ilonka would use REMEMBER ME as a way to imagine her dear friend Anya, waking up as a ghost, navigating the afterlife. And this sets up one of the best mechanisms of the show - even if a character dies, as long as they're remembered by members of the club, they live on in their stories.
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As the story starts to pick up steam, though, the group will have to deal with the death of Amesh, which he greets with grace and bravery.
In his final moments, he sees someone in his room - the Janitor from the first season, as played by Robert Longstreet, who says comforting things to Amesh even though he can't respond.
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In his final, final moments, the SHADOW descends upon Amesh, and he is engulfed into it, which reinforces the idea that the Shadow is DEATH...
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With Amesh's death comes something that upends the entire thing: a NEW PATIENT. We didn't work out too much about who this would be, but it would be a new roommate for Ilonka. Someone taking Anya's old bed. Ilonka would find herself being initially cold to her - just as Anya was when Ilonka arrived. Even feeling like this new girl shouldn't necessarily be ushered into the Club. But of course they would develop a beautiful friendship over the course of the season. The new girl joins the club, where something else exciting is happening - Cheri is telling a story. We hadn't decided which one, but I think it might have been MONSTER.
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Natsuki would be the next to die, which would be heartbreaking. And again, she would talk to the janitor just before it happened... and again, the Shadow would come in the final moments.
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For Spence, though, things would take a different turn.
The advancements in HIV treatment in the late 90's would come into play, and we'd see his prognosis change. The HIV cocktail came out in Dec 1995, and we really wanted to explore that.
Spence would ride the swell of antiviral advancements, and by the end of the season, he'd no longer be classified as terminal. In the finale of season 2, Spence would leave Brightcliffe just like Sandra did in Season 1, heading off to manage his disease and live the rest of his life.
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But onto the BIG MYSTERIES of the season one... here are some answers: What is up with Dr. Stanton's tattoo and bald head? Well, a few things. First, Dr. Stanton is actually the daughter of the original Paragon cult leader, Aceso. Her nickname was Athena, she wrote the Paragon journal that Ilonka found in S1. She turned on her mother and helped the kids escape, but because she was part of the cult in her teenage years, she had the tattoo.
It was her initials that Ilonka found carved into the tree in season 1 (her maiden name was Georgina Ballard, hence the G.B. that Ilonka finds carved in the tree).
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She hated what her mother became, and the atrocities of the cult. She reclaimed the property after her mom was gone, and wanted to change it into a place that celebrated life. She was trying to undo her mother's legacy and leave something behind that was beautiful. She is wearing a wig at the end of S1 not because of a sinister reason, but because she is undergoing chemo. Dr. Stanton has cancer. Having helped so many people deal with disease, she now has to deal with it herself.
Her treatment would be successful, and she'd go into remission, but having to face that - while caring for the terminal kids at Brightcliffe - was going to be a very introspective arc for Stanton.
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What about the Living Shadow? It's Death, right? Well... no.
At the end of the season, Kevin will die... followed shortly by Ilonka. And as she is dying, two things will happen. First, she'll find herself talking to the Janitor, played by Robert Longstreet... and she'll make a discovery.
HE is Death. And nothing to be afraid of. It turns out no one else ever saw this character. Stanton has a cleaning service, and the Nurse practitioners make up the rooms - the only people who ever saw this mysterious Janitor were the patients. He is Death, and offers them kind words before they die. Then what was the Shadow?
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This is an idea we take directly from the book REMEMBER ME, and we'll see it play out in the final moments of Ilona's final tale. In Pike's book, Shari is pursued by a dark entity called The Shadow. When it finally catches her, though, it turns out it is not a bad thing at all.
The Shadow is THEMSELVES. It's the Unknown. As it engulfs someone, in the last moment of their life, it takes them through a place of understanding and catharsis, preparing them for the next step.
THIS is what happened to Anya in S1 when the Shadow finally reached her - that's why she fantasized a life beyond Brightcliffe, which ultimately let her find acceptance of her death. It looks different for everybody, depending on their mind-set - because it is simply an extension of themselves.
The Shadow is just the final catharsis, a return to our original form - it is a moment of true understanding, and once we experience it, we move on to the next place.
We see the Shadow in full effect when it finally comes for Kevin. KEVIN DIES with Ilonka at his side, and it leads to the biggest reveal of the season:
Who were the Mirror Man and the Cataract Woman?
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They were Stanley Oscar Freelan and his wife, who built Brightcliffe (fun trivia, he is named after the real-life Freelan Oscar Stanley, who built my favorite hotel in America - the Stanley Hotel. The Stanley is also the inspiration for THE SHINING!).
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But more than that... there's a reason that Ilonka only sees Stanley in the mirror, and sees the Cataract Woman whenever she looked at Kevin. This is something else we took from Pike's original book... these aren't ghosts, but glimpses of PAST LIVES.
Ilonka WAS Stanley Oscar Freelan, and Kevin WAS his wife. They've lived many lives this way, and are true SOUL MATES - they always find each other, and they always fall in love. In this life, they knew it would be a short one, so they agreed to find each other in the house they built. They've been "remembering" who they are, and glimpsing their former selves in reflections, and sometimes when they look at each other. This is also why Ilonka's very first words to Kevin in S1 were "Do I know you?" and why Kevin thought she was familiar as well. They are two souls who always find each other, again and again.
The story is this: Stanley was dying, and built this cliffside home hoping that the seaside air would help him. It did, and he far outlived his prognosis (this is also true of the real-life Freelan Stanley). However, his wife began to succumb to dementia.
She would wander the halls, looking for him ("Darling!") and would even forget to feed herself ("I'm starving...") and she eventually refused to leave the basement. Heartbroken for her, Stanley painted the walls to resemble the woodland view, and the ceiling to resemble the night sky, so that it would be a little more beautiful for her.
He also painted a labyrinth on the floor, which was a technique used to try to curb the effects of dementia. She'd walk the pattern of the maze and it was believed it could help her cognition. Eventually, she developed frightening cataracts, but Stanley loved her through it all.
They were soul mates.
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So while they seemed scary in season 1, that was just how Ilonka and Kevin's mind were trying to remember their pasts. We even had their faces distorting in ways consistent with how memories degrade over time. When the Shadow comes for Ilonka, and gives her this understanding - this "remembering" - she realizes she has nothing to fear. She and Kevin will shed these personas and be reborn, and have the joy of finding each other another way. The Shadow comes for her, Death takes her gently, and Ilonka goes off with Kevin back into the cosmos, ready for their next incarnation. The series would end with Cheri telling this story to a whole new table of patients, including our new series leads. Most of our original cast now would exist as stories, a story told to the next "class" of storytellers at the table, all of whom we will have met by the end of the season. A story called "The Midnight Club."
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Well, that's it... that was what we had in mind. It's a shame we won't get to make it, but it would be a bigger shame if you guys simply had to live with the unanswered questions and the cliffhanger ending. I loved making this show, and I am so proud of the cast and crew. Particularly our cast, who attacked this story with incredible spirit and bravery each and every day.
But for now, we'll put the fire out, and leave the library dark and quiet. To those before, and to those after. To us now, and to those beyond.
Seen or unseen, here but not here.
I'll always be grateful that I got to be part of this Club.
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rachalixie · 3 months
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a/n: my tiktok feed has been full of the orange peel theory and i know minho would be the perfect research participant for it.
“i really want an orange,” you sigh, nuzzling a little further into where you were buried into minho. he hums in agreement, eyes flickering to you for a moment before trailing back to the tv. 
“we just got some tangerines from jeju,” he strokes a hand up your arm. “they’re on the counter.”
“yeah,” you pout up at him, leaning forward and trying to catch his eye but he keeps them trained on the screen. “but i don’t want to peel them.”
“then i guess you’re not getting an orange,” he snarks, a smile twitching at the corners of his lips when you huff and relax back into him. you grumble a bit and he ignores you, the only inclination of his attention being the hand he continues to stroke up and down your arm. 
a few moments later he shuffles out from under you, leaving you hunched into the place in the couch he was just occupying. you shoot him a glance that’s half curious and half accusatory, a bubble of hope building up in you. 
“just gotta use the bathroom,” he explains, and the bubble bursts. right. 
“hurry back,” you tell him, and you’re sure you look a bit ridiculous sprawled out like you are. 
“okay, boss,” he rolls his eyes, leaving the room swiftly, and for the first time tonight your attention is fully on the tv. he really doesn’t know how distracting he is, even when he’s not doing anything. 
he comes back just as the episode is ending, and you can tell that it’s going to end on a cliffhanger. you don’t look away from the screen as you recap him on what he’s missed, filling in the details that have led to the scene right now that has your heartbeat in a chokehold. 
you let him slot himself next to you again, lifting yourself up so he could slide under you and settling your head down into his lap, your gaze not wandering from the tv for a single second. it’s only when the episode finishes and the tv screen turns black with end credits that you notice it. 
the smell of fresh oranges. 
you might have explained it by the scent of the fruity hand soap he keeps stocked in your bathroom, but that one is lemon scented, not orange. a quick flick of your eyes upwards fills in the gap, and you’re shooting up from his lap with a blinding grin on your face so quickly that your head spins. 
“careful!” he warns, balancing the plate of freshly peeled orange slices in one hand as he steadies you with the other. 
“you peeled me oranges!” you can’t stop smiling as you ignore his reprimand. 
“yeah? you said you wanted some,” he furrows his brow, looking a bit confused, which is entirely unfair. he knows that he has tsundere tendencies. 
“you passed the orange peel theory test,” you gush at him, taking a slice into your hands and holding it like it was something precious. 
“i passed the what?” 
“i’m going to eat these oranges,” you continue as if he wasn’t talking, popping the slice in your mouth and groaning at the taste immediately. it’s so good. “and then i’m going to make out with you. for a long time.”
“well if this is the reward i’m going to get, i’ll peel you oranges every day.”
soft hours
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phoenix-fell · 1 year
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As someone who is both an older sister and raised their younger sibling, let me tell you why this scene was so good
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It would be so easy to misinterpret Yang’s protectiveness over Blake here, but that’s not what’s happening. We’ve always seen Ruby as happy-go-lucky, follow-your-heart and do-the-right-thing, and it’s easy to forget that Yang raised Ruby, and the implied subtext there is that it *wasn’t* always sunshine and rainbows.
Yes, Yang is protective over her newfound relationship. Yes, she’ll maybe feel a little wounded that her sister is lashing out. But what we see here is Yang shifting ever so subtly into mother-mode. Yang knows this isn’t about Blake, or her and Blake’s relationship, she’s stepping in front of Blake to protect her before Ruby can say or do something she regrets. In essence, protecting both of them and trying to control the situation from escalating. Yang is stepping in front because she can take it, she’s GIVING her someone to yell at, because god knows she’s probably had to, at some point, take some lip in the past while the others have only ever known her as a strong, positive leader. She doesn’t shout at Ruby, she’s calm, lets her get it out and just looks sternly with a simple “Hey!” as in, ‘hey, that’s enough now’. 
Yang has expressed concern, and is concerned, but this is 100% Yang shifting into parent mode. This is brilliant because earlier in the episode and even last episode we’ve seen examples of Yang’s ‘concerned big sister’ side which is soft and supportive. There’s no malice in Yang’s expression, and it’s difficult to catch it because we haven’t had the best representations of ‘good mothers’ in the show, especially not ones that have had to chastise their kids at some point, but you can bet your ass that this is Yang’s parental mode stepping in to bring calm and stability to a chaotic situation. And that doesn’t always present as ‘let’s hug this out’, sometimes it’s stern, tough love and recognising that the younger one isn’t in the space to receive comfort, so the best you can do for them is diffuse the situation and be an authoritative voice of reason because she recognises her sister’s fragile mental state.
This is without going into how amazing Ruby’s portrayal was. Going after your sister’s new relationship is RAW, and personal, but it’s also what siblings do - they lash out sometimes when they’re under stress. The way Ruby says ‘we’re sOoOo happy for you by the way good for you’ - just SMACKS of younger sibling cutting loose and saying something they don’t mean, which makes Yang’s response all the more realistic for me. She recognises the tone, the almost-petulance and steps in before it can go any further.
It’s so subtle, but it SPOKE to me so massive kudos to Miles Luna and the animators for this. And god bless the clowns that use it as some sort of Anti-Bees discourse - the nuance is entirely lost on you.
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zegrasdrysdale · 5 months
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[ one day ] j. hughes
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paring : Jack Hughes x fem!reader
summary : (Y/N) accidentally distracts Jack while he’s being interviewed in their home for a day in the life of a Devils player documentary that's being filmed, and Jack brings up the idea of a proposal
warning(s) : a quick mention of suggestive content but no actual sex
author’s note : i don’t understand how this plot came to be and tbh it's kinda stupid but i’m taking it and running with it
༺═──────────────═༻
Jack being one of NHL's most popular players has it's pros and cons. Today is one of those cons that they both hate. Jack is being followed around for the day to film a Devils documentary that follows players during their off days. Jack being one of the Devils' star players means he had to do the documentary.
That was before (Y/N) talked him into it. She didn't realize how intense it would all be. An entire film crew has set up in their living room with big cameras and lighting. They have made themselves very much at home after knocking on their door at the crack of dawn.
The two of them were having a really good morning in bed together when the film crew came knocking. Lots of naked cuddles and kisses were exchanged when a knock rang out through their apartment. It ruined both of their moods.
They stand in their kitchen and watch the crew finish setting up from the island counter. Jack is now dressed in a dark grey Devils hockey t-shirt with black sweatpants that have a Devils logo on the pant leg.
"Do you want me in this?" (Y/N) questions. Jack looks over at her with a confused look on his face. "I mean, we've been mostly quiet about our relationship so I completely understand if you don't want me to be apart of your episode of the documentary."
Jack shakes his head as soon as the words pass her lips. "No, I want you in this, (Y/N)," he tells her. "It's a documentary about a day in my life and you're a really big part of my life so of course I want you in this. Just let me do the interview really quick then we can act like it's a normal day."
The woman doing the interview is one of the Devils reporters, but (Y/N) can't remember her name at the moment. She sits opposite Jack in the comfy chair. The camera over her shoulder is pointed at Jack.
While Jack is being interviewed, (Y/N) goes to her room to get ready for their insane day ahead. She needs to put on some actual clothes too. All she's been wearing since she got out of bed is one of Jack's t-shirts and a pair of really small shorts. Not exactly what she wants to be wearing if she's going to be followed around for most of the day by people that work for the Devils.
She can hear some of the questions being asked while she's getting changed. They're the usual questions. Asking about how the season is going for him, how he's been recovering from that shoulder injury that kept him off the ice for a handful of games, and how it's been having his brother on the team with him. Sometimes Jack's sassy side comes out. He's never been the one to hide how he's feeling when answering questions.
To mess with Jack a little bit, and to kind of surprise him when he's done with the interview, (Y/N) grabs Jack's Devils hoodie that he wears to practice sometimes. His number sits on her chest and it's a little too big. She pairs the black hoodie with a pair of jeans that are ripped at the knee. She throws her hair up into a high ponytail and puts on light makeup just to cover any blemishes or pimples that'll pop out on camera.
When she leaves their bedroom, Jack is talking about how amazing it is to be considered one of the league's best players.
"It's always the goal to be one of the best in whatever sport you play," Jack is saying as she walks through the living room. "I, um, didn't think it would happen, uh, so early on in my, um, career." (Y/N) looks over and sees that Jack has his eyes on her. "Sorry. Got distracted." There's a smile on his face when he sees what she's wearing.
The reporter turns and looks at (Y/N). "I didn't know your girlfriend lived with you, Jack," she says as she turns back to him. (Y/N) smiles and starts to make some coffee.
"One of the best decisions I have ever made," Jack says from the living room. "Getting to fall asleep with her in my arms and waking up with her wrapped around me is an honor. We've been together for over two years now and it's been incredible. My parents and brothers all love her, but not nearly as much as I do."
(Y/N) smiles to herself as the coffee brews. Her back is to him at the moment so he can't see the smile.
The way Jack talks about her sometimes makes her fall in love with him a little more. She talks about him like that all the time to friends and family, but knowing he's saying all of this in front of a camera for a documentary makes what he'[s saying a little more special. He isn't holding back because he's on camera.
"That's so cute," the interviewer says. "Could we be expecting a Jack Hughes proposal soon?"
"We'll see what happens," Jack replies. That causes her to spin around immediately and look at Jack. The smile that was on his face is still there as their eyes meet from two different rooms. Her smile grows bigger.
They've never talked about marriage. Both of them are very happy with where they are at in their relationship so they both not rushing to walk down the aisle. Plus, they're 21 and 22 respectively so they're still really young. They don't have to get married right now.
The interview goes by without another mention of marriage, or (Y/N). She's okay with that because this is about Jack and his accomplishments as NHL's rising star. He's come a long way since his rookie year.
(Y/N) was around that year but they weren't together. They were close friends at that point so she saw every day how Jack struggled his rookie year. He struggled with hockey and he struggled with what people were saying about him online. Calling him a NHL bust despite being drafted first overall.
They grew closer that year and it was during his sophomore season when they got together. She's been super supportive of him since he got drafted, but especially after his rookie year.
Jack quickly excuses himself before he gets mic'd up for the rest of the day. She's pouring coffee into two mugs for both of them when Jack comes up behind her and wraps his arms around his girlfriend.
"I know we never talked about it but-"
"Yes, I'd like to get married to you one day, Jack," (Y/N) interrupts as she turns in his arms. He presses her against the counter with one hand and takes his hot coffee in his other. "We don't have to rush into anything though. I'm happy with where we are and you're still trying to prove yourself in the NHL."
"So one day?" he asks.
She leans forward and kisses him softly and quickly. "One day."
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MASTERLIST
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grison-in-space · 5 months
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Listening to Artificial Condition again, it strikes me how much Murderbot uses empathy reflexively as a survival skill. Look at this bit.
Upon meeting it, ART allows it on board and then announces that it knows that Murderbot is rogue. Then ART threatens to destroy it if it hacks ART's own systems. Murderbot is immediately terrified and shuts down all inputs, gives serious thought to spending the entire three month journey unconscious, and then considers the potential avenues of damage from ART's drones. ART, not realizing why Murderbot had suddenly gone silent, tells it to quit sulking, which understandably pisses off the still-terrified Murderbot. It dumps a bunch of memories of coercive treatment into ART's feed, and ART goes silent.
Then this happens:
Then it said, I’m sorry I frightened you. Okay, well. If you think I trusted that apology, you don’t know Murderbot. Most likely it was playing a game with me. I said, “I don’t want anything from you. I just want to ride to your next destination.” I’d explained that earlier, before it opened the hatch for me, but it was worth repeating. I felt it withdraw back behind its wall. I waited, and let my circulatory system purge the fear-generated chemicals. More time crawled by, and I started to get bored. Sitting here like this was too much like waiting in a cubicle after I’d been activated, waiting for the new clients to take delivery, for the next boring contract. If it was going to destroy me, at least I could get some media in before that happened. I started the new show again, but I was still too upset to enjoy it, so I stopped it and started rewatching an old episode of Rise and Fall of Sanctuary Moon. After three episodes, I was calmer and reluctantly beginning to see the transport’s perspective. A SecUnit could cause it a lot of internal damage if it wasn’t careful, and rogue SecUnits were not exactly known for lying low and avoiding trouble. I hadn’t hurt the last transport I had taken a ride on, but it didn’t know that. I didn’t understand why it had let me aboard, if it really didn’t want to hurt me. I wouldn’t have trusted me, if I was a transport. Maybe it was like me, and it had taken an opportunity because it was there, not because it knew what it wanted.
The thing about Murderbot's survival is that it clearly involves quite a bit of negotiating with other constructs and bots. That's how it talks its way onto cargo hauler bots in the first place. It uses empathy--envisioning the emotional and cognitive context of the individuals it encounters--to work out what different kinds of people want, so that it can offer them fair trades. It also uses empathy to consider what humans might be looking for, so it can practice blending in and hide.
Murderbot would never have survived so long if it wasn't capable of assessing the individual desires of the people--human, bot, and construct--around it. It thinks about ART's probable fears and motivations so that it can consider whether ART is inherently an ongoing threat or a potential ally.
When your survival depends on evading detection, you get really good at assessing perceptual biases so that you can shape yourself to fit into them. People talk about murderbot being radically empathetic as a choice it makes, or as a feature of its personality that makes it a good person. But I think murderbot would be the the first person to tell you that this empathy is part of its threat assessment suite, a skill that was developed out of necessity in order to allow you to survive.
It is also a trait that makes murderbot a good person, of course: it chooses very carefully to try to survive by doing as little harm as possible and by offering things, like media, that buy it access to things it needs. But it started as a survival skill. It's part of hypervigilance.
I think one of the strengths of this series is that so many of the things we love about SecUnit are traits developed for survival in an inherently threatening world. The shape of its mind and heart have been changed by the trauma of its origin--but they don't make murderbot less good for being altered, even if that skill was developed in a traumatic context.
I like that.
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cherry-cola-on-ice · 19 days
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Slashers with a sleepwalking s/o
AN: totally based off my personal experiences sleepwalking lol asked my friends and family what their favorite sleepwalking episode was.
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Jason Voorhees 🏕
Jason is already paranoid AF about you unknowingly wandering into a trap during the day.
But the first time he comes across you in the woods at night? When you should be asleep?
He is not a happy man. Many thoughts run through his mind. Are you trying to leave him? Trying to get yourself hurt? Would you rather die then be with him?
It takes him a good while and a lot of explaining for him to understand what's happening. That your not intentionally doing this. Science shit™️
He sets up a system. Maybe a bell or two. Something loud to let him know where you are. Maybe some trip wires.
Strangest thing he's seen you do: He watched you eat a entire sleeve of saltines while standing in the shower.
Michael Myers 🎃
Michael's seen some shit. So this is nothing. All those years in Smiths Grove have prepared him for this. So you sleepwalk? Cool, his neighbor at Smiths Grove used to eat cockroachs.
That being said, the closer you're relationship grows, the more worried he becomes. What if you fall down the stairs? What if you wander into the road? What if, what if, what if??
He doesn't have the foresight to set up traps, like Jason does.
Uses his fucked up sleep schedule to his advantage and often stands over your sleeping body. Jumpscare.
Will definitely tie a bell on you while you sleep. Totally not a collar what are you saying? Don't make it kinky.
The strangest thing he's seen you do: Put all of the remotes in the refrigerator because they needed batteries.
Thomas Hewitt 🥩
Poor sweet man. You're going to give him a heart attack one of these days.
However, he's probably one of the more better prepared of the lot. His house is set up to keep people in and out. So there isn't much danger you can get into.
Unless he forgets to lock up the basement. Which has happened once. And only once. You were fairly unharmed if not a little traumatized.
Has taken to locking your bedroom door. Also installs like 10 latches. AND puts a bell on the doorknob. And maybe sometimes you.
Look, he's already scared of losing you to somebody else, he doesn't want to have to worry him losing you to you.
Strangest thing he's seen you do: Him, Monty and Hoyt sat and watched you stand in front of the sink for a hour and a half. Just standing there. Menacingly
Brahms Heelshire 🐀
Oh, poor baby is confused. Especially at the start of your situation-ship. You don't know he's there, you just think you're babysitting a doll for a sad old couple. Not their grown ass son who lives in the walls.
The first time Brahms finds you sleepwalking, he's pissed. You trying to leave him, he knows you are. But... did you just snore?? Wait, you're asleep. He feels a little better about the situation.
Until you start walking towards the stairs. Boy's never moved so fast in his life. He knows if he wakes you up it's game over. So he gives you a gentle nudge back to your room.
Now after you find about the rat man in the walls, things are different. Brahms, even in the deepest REM cycle, will never let you go. Man is a koala and you are the tree he's clinging to for dear life. It's almost impossible to escape his arms at night.
Almost makes you sleep in the walls instead of the bedroom so you're safer. Like ain't no way you're getting out of those without him waking up.
Strangest thing he's seen you do: Sat up in bed, complaining about the maracas in your mouth??? He cried.
Billy Lenz 🎄
World's worst caretaker 👑
Especially before yall start dating because, at that point in time, he's still trying to decide if he wants to kill you. He won't lie, he very briefly thought about pushing you down the stairs.
But? After you win him over? Yeah still kinda sucks ass at keeping you from hurting yourself. He'll keep you alive, mind you, just a little worse for wear.
He asked you once if he could tie you down in bed. You didn't like the look in his eyes so you declined. Billy pouted for the next three days.
TBH he might do it anyways. Look he's just trying to keep your silly little self safe, S/O. Get your mind out of the gutter. Haha, jk...unless 😏?
The strangest thing he's seen you do is eat a entire bag of gummy bears while standing outside. He joined you.
Vincent Sinclair 🖌
Another prepared king 👑
His workshop is dangerous. Upstairs is dangerous. The whole town is health code violation. And bby cannot stand the idea of you hurting yourself.
But other then the constant anxiety that you'll some how end up falling off the stairs or falling into the wax or the any other number of things his brain comes up with, he's very level-headed.
Child safety locks. He buys that shit in bulk.
But hey, gives him a excuse to hold you at night. (Vincent, they're literally your s/o)
The strangest thing he's seen you do is stand over Bo's bed, chanting tomato. Bo almost cried.
Bo Sinclair 🔧
Definition of "Look at that idiot...oh wait that's my idiot!"
Honestly, probably the worst. Not like 'let's you just walk around' worst, but more like 'Imma gonna chain you to the bed' worst.
Dude's so scared of losing you, pretty much the best thing that ever happened to him, that his willing to go to drastic matters to keep you safe.
Don't try to explain the science behind it, you'll only give him a migraine. Just let him keep you safe. K, bby?
Bo's gonna lose sleep some nights, he's that scared. No doubt you will wake up to the feeling of someone watching you. Just comfort him, ok?
Strangest thing he's seen you do is sit up in bed and start singing 'Livin La Vida Loca'
Asa Emory 🪲
Number one prepared king™️
I'm not saying he may or may not, kinda sorta perhaps placed cameras around your living situation before you two even began dating. But yeah he did.
So he knows all about the crazy shenanigans you are up to at night.
He reads the books, watching online lectures 👏all👏the👏research. You can bet your sweet ass he knows exactly how to wake you up in case of emergency.
In the same breath, despite how much he does love you, science. Prepare to be studied like a bug under a microscope.
Strangest thing he's seen you do is standing with the refrigerator doors open, telling him how much you love this show.
Norman Bates 🚿
My poor sweet innocent murder bby. He doesn't know what to do.
Yeah, keep you safe, he's got that much down. But at what cost?
The hotel looks like a a daycare center now. Baby proofing everywhere (ask him about getting locked out of the bathroom, it's funny)
Suggested a collar once as a joke, wasn't expecting you to agree. Got flustered. Dropped his cup, maybe got a bone.
Another koala sleeper, so good luck escaping his embrace. Will go as far as following you to the bathroom to make sure you're actually awake.
Strangest thing he's seen you do is sit down in a fake potted plant in the living room and talk about dinosaurs.
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Text
Everyone jokes about Steve being the babysitter or the mom friend, but no one actually appreciates everything he does until he gets sick. Steve is the epitome of a doting parent; sure, he's only twenty and the seven kids he's adopted aren't actually his in any legal way, but those kids are his pride and fucking joy. Anyone who sees Steve with those kids can tell that he loves them deeply, which is why Steve is the only person in the Party that can convince their parents to allow anything- their parents KNOW that their kids will not only be well looked after, but they'll be genuinely enjoying themselves too.
Because he's a single mom except he's actually just barely out of his teenage years with no kids, he gets a lot of shit from everyone about it; he's known almost exclusively to the Party as Mama Steve (when he isn't in earshot of course). That's all fine by Steve, he always wanted a big family and now he has it. The problems start to appear when the Party realizes that Steve Harrington flat out ignores his own needs until they're so pressing that he's physically unable to do anything.
It all starts when Robin is told by Keith, of all people, that Steve has called in sick. Robin, of course, panics and calls him, and when he doesn't answer she calls Eddie to check on him. He and Steve had gotten closer since spring break, so it wasn't unusual for a member of the party to call either Eddie or Steve to check in on the other.
Eddie checks in to find Steve Harrington, badass warrior prince incarnate, sobbing from a blanket mountain on the couch in his living room. No one has ever actually seen Steve cry before, so Eddie freaks out, but it's just the result of a high fever and watching Old Yeller by himself. After calming the sick man, Eddie managed to coax some medicine into him and call Family Video to let Robin know that, yes, Steve is alive and no, he wasn't going to die of fever, but he only manages to get Steve to sleep by reading to him (Eddie finds it disgustingly adorable, even more so later when Nancy mentions that Steve loves stories but struggles with what he calls "moving letters"). And for the next two weeks, Steve is down for the count. Joyce and Claudia Henderson take turns making sure Steve is alright (Joyce because Steve is one of Her Kids, and Claudia because Steve is the Older Son she never had) while Eddie, Nancy, Jonathan, and Robin all try to take his place.
By the end of the first day, Nancy calls it quits: Mike is a bullheaded terror who only ever seems to like Will, El, or Eddie, and even then he doesn't always listen to them, so the Wheeler siblings fight even more ferociously than usual. She can't get El or Erica to listen, either; Erica is a force to be reckoned with, and El will only nod passively before doing what she wants anyway. By the end of day three, Jonathan is out. He won't say what happened, but he told Max to be nicer to the Party one time and, ten minutes later, he was tearfully saying that the kids were little monsters.
Robin lasts longer, almost an entire week, by chattering at the kids until they give up and listen to her. She meets her match when Dustin and Erica try to commandeer the Family Video computer again: Dusting sneaks past and almost breaks the computer just trying to get to it while Erica does Erica and argues until Robin the Rambler runs out of words. The morning of day seven is very dark for her.
Eddie, through what he believes to be the universe's acknowledgement of the depth of his affection for Steve and also sheer force of will, lasts the whole two weeks, but just barely. Mike argues over everything, no matter what; Will is skittish at the best of times and disappears constantly (thankfully, not like his Upside Down episodes - the boy just can't stop getting distracted and wandering away from the group), only to reappear directly behind Eddie and scaring him into an early grave; Lucas gets frustrated easily and can never seem to find the right words to communicate his thoughts and feelings, so he snarks and lashes out before awkwardly trying to mend the situation; Erica is so completely herself that it can be dizzying when the full force of that hurricane is directed towards Eddie; Dustin practically follows Eddie around like a little duckling, demanding updates on Steve or ranting about one of his many interests; El spends most of her time with the Party learning about how girls her age act through Max or practicing her braiding on Eddie. The worst of them all, though, is Max. Despite having healed up, she's still in physical therapy to rebuild her muscle strength and dexterity, and her eyesight is bad enough now that there's talk of her getting a service animal. It isn't that she needs a little extra attention that makes her the worst, though: it's that somehow, she still chases the most mischief. Eddie has only narrowly managed to keep her from assaulting no less that nine people in the two weeks that Steve is sick, and he knows she's definitely tried to commit arson at least twice that often.
Finally, after two weeks, Steve feels better enough to return to his usual activity, and Eddie begs him to never get sick again.
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pinknipszz · 2 months
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POUND TOWN!
modern au, 18+, mdni pls
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“sukuna,” you click your tongue, arms crossed over your chest as you stare at the tall, pink-haired man standing at your doorstep. he doesn’t look that different since you last saw him, wearing the same loose wife-beater tank top and grey sweatpants. your nose scrunches up when you catch a whiff of him, as if he can’t decide between cheap cologne, weed, or gym sweat. “what are you doing here?”
“got bored,” he deadpans, tilting his head slightly to catch a glimpse of your apartment through the gap, half-expecting a thing or two to look different. you only sigh and shake your head. sukuna has a strange habit of popping up out of nowhere, knocking on your door, stealing some food, and fooling around for a bit before disappearing for months. when you think sukuna is gone for good, he comes back. like a stray cat. 
you probably shouldn’t be taking in a stray so easily, especially one with claws, but how were you supposed to know that a simple conversation starter like “you smell like blue razz ice” would plant the seed of a beautiful friendship with the hottest plug in the city? it's a little unconventional but neither of you care. what irks you, though, is his shitty timing. “you can’t be here right now,” you say. “i’m busy with something.”
but instead of apologizing for disturbing your peace like any normal person, sukuna plants a foot against the door and pushes open with full-force. you yelp and jump back quickly before it slams against your face, but the drywall isn’t so lucky. you think you hear a loud crack. “what the hell is your–!” before you could finish, the bastard shoves past you and waltzes in like he owns the place. what a fucking bitch!
you lock the door, grumbling. seems like he hasn’t changed much in personality either. when you follow his trail and catch him digging through your fridge, you can’t bite back the sarcasm. “are you that much of a lousy deadbeat to go through girls’ apartments for food?” sukuna turns to flip you off before resuming his venture. “i know you have more than fucking vegetables in here,” he scoffs, “where is the— gotcha.”
he pulls out your familiar container for leftovers. you don’t even remember what you cooked. it could’ve been weeks old, but sukuna clearly doesn’t have half the mind to care as he rips off the lid and eats with his free hand. “eugh. you’re disgusting,” rolling your eyes, you leave the kitchen and make your way towards the couch to continue your show. you doubt you’ll even enjoy yourself with him around, but whatever.
you won’t let that guy get to your head. just pretend he isn’t there. it's not that serious. the knots in your shoulders loosen when you lean back against the couch and reach for the remote to adjust the volume until sukuna’s shuffling is reduced to nothing but background noise. and it works for the most part. you don’t know how much time passes, maybe an hour or two, until you almost forget he's even there.
a heavy weight precariously plops beside you. cheap cologne, weed, gym sweat. they overwhelm your senses entirely. “breaking bad? is this some kind of joke? thought you said you were busy,” sukuna throws an arm over your shoulder and pulls you close. he doesn’t budge when you try to shove him away, so you resort to pinching his side instead, earning a sharp yelp from the young man. “obviously i am. and don’t get so full of yourself. you don’t even cook.”
he mutters a few words under his breath, probably something vile and venomous, but you couldn’t care less and revert your attention back to the tv. you've waited this long for the show's season finale, and you'll be damned if you let this bastard distract you. but sukuna thinks more with his dick than his brain, evident in the way that the hand on your shoulder slides down and finds your waist, rubbing small circles and squeezes tight on the meat of your flesh.
the episode continues, but you don’t even know what’s happening anymore. when you decide that it's futile to watch without any knowledge of what happened prior, you sigh inwardly and glance to your side. sukuna isn't even looking at the tv.scrolling through his phone, he looks bored and uninterested, as if there's a million other things he could be doing right now. but he’s here with you, holding you close, which is entirely unbecoming for a man like him.
your heart twinges. no, you scold yourself, not for him. anyone but him. sukuna is a stray cat that takes and takes and takes. a storm that wreaks havoc, leaves chaos and destruction in his wake before disappearing like mist. there’s always an underlying motive with him, one that forces you to pick apart his words and play detective for a mystery not worth divulging. 
“relax,” he tuts. but you can’t. not when his hand travels lower down your side, poking and prodding, teasing the waistband of your shorts. and when his fingertips finally melt into unmarred flesh, heat pools deep in your stomach. “sukuna,” comes his only warning. the man of the hour merely flashes a shit-eating grin before he grabs your jaw and presses his mouth to yours.
you taste the earth on his tongue. it’s sweet and smokey and slightly bitter. with a hint of fruit and leftovers from your fridge. strong arms wrap around you properly, holding you close, so close that his heart beats against your own. you kiss him back eagerly. sukuna’s hands move with intent, relearning parts of your body that were forgotten throughout your time apart. when he bites your lips raw, you whimper.
“i know baby, i know,” he hushes in between wet kisses. he pushes until your back hits the cushions underneath. sukuna climbs over and grabs your thighs with two strong hands, cock twitching in his pants at how your flesh spills between his fingers. he positions them over his shoulders and leans down for another a searing kiss. you’re smothered like this, rendered useless under the weight of him and your knees against the sides of your head, pushed far beyond a mating press.
you moan in his mouth when he grinds against you. “i know how much you miss me, miss my cock,” sukuna snarls out, jaw clenching with impatience as he tears through your shorts. the cold air slams against your cunt like a sledgehammer. the ceiling spins overhead. “i’m here, i’ll take care of you.” it’s a salacious promise that he seals with a tender kiss against your temple. you’re writhing, slurring his name as you blink blearily through the blood rushing to your head. he makes a show of pulling himself out of his pants.
sukuna runs a thumb over your folds before smearing the lewd concoction of slick and precum with the tip of his cock. the sight of your sopping hole is obscene, no doubt about it, but that hardly matters now. “put it in already,” you whine with tears collecting in your lashes, the position too taxing for your body. and for once, sukuna listens. he leans forward, groaning as he feeds inch after inch of his hard length into your aching hole. there’s a ring of pink stretched taut around him when he pulls back just slightly. you dig your painted nails in his bicep, squealing.
no matter how many times he’s fucked you, with three fingers or more, cock or toys, it always feels like the first time. “s–slow down–” comes a mewl from underneath him when he pushes in too eagerly. sukuna's eyes flit down to take in the sight of you, flushed out and gorgeous, and decides to tease your pitiful sensitivity. a loud moan is ripped from your throat when he pinches your clit. you try to squirm away.
“oh come on. quit pretending you don’t like it when i do that,” sukuna snickers, readjusting his grip on your plush waist before plunging in. hard. you wail at the motion, eyes fluttering close as the lines of your body arch up to meet him. when you’re like this, soft and pliant, sukuna pounds into you easily, molding your walls into the shape of his cock until your wet heat is nothing but a furnace for him to melt into. 
and then you feel his lips against your jaw, dry and chapped and dragging harshly. the rhythm he sets is nothing short of violent. your moans and his, ladened with the sounds of skin-on-skin, blend together in a filthy cacophony that you can hardly register over the thick scent of sex that leaves your head spinning. in between mindless thrusts, a pink tongue darts out to sample the sheen of sweat on your skin. you drool deliriously at the sensation.
then sukuna pulls back to watch you, your legs remaining in their rightful place over his shoulders. a hand travels down to where you are connected and collects your slick between two fingers. he smears it all over, rubbing the rough pad of his thumb against your clit before spreading your folds apart. “look at her,” he coos, grinning wickedly as he watches your greedy cunt swallow each sizable inch with each poignant snap of his hips. “what a delicious looking thing.”
“sukuna,” your lips fall open at the praise so invitingly that it’d be a crime not to take the opportunity. it’s a clash of teeth when he finally kisses you. sloppy and hungry and urgent, like a man who’s been starved for years. he drinks your moans and savors them, brushing against your tongue and gliding over the roof of your mouth, hips never ceasing their violent rhythm. when you realize the strange intimacy in this position, you feel the familiar, guttural sensation just beneath our gut.
and sukuna feels it too, the way your walls tighten around him. growling with newfound fervor, he leaves a string of spit when he pulls away to angle your hips and hammer against your cervix, eager to finish with you. screams echo across your apartment. he pants quietly, eyes ablaze and lips swollen from your incessant teeth. your body shivers and twitches from carnal ecstasy, addicted to the thick intrusion that nudges the deep bundle of nerves within you. a spot that only sukuna can reach.
the thought does something to you, because your body decides then to tense up against him, clamping hard around his perimeter and soaking his cock in squirt. although his hips stutter, sukuna doesn't relent and fucks through your tight walls. you cry out and hold him close, digging deep scores down the broad expanse of his back before sukuna finally empties himself with one last thrust. a full-body shudder racks through your body. the sensation tears a second orgasm from your twitching cunt.
through the ringing in your ears, you heave a sigh of content. your companion chuckles and collapses on top of you without bothering to pull out. “i’m coming back next week. got kicked out of my old place,” he suddenly mumbles in the crook of your neck, barely audible. you register his words through post-coital bliss. when you don't respond, he turns his head, but you're already looking at him. studying the expression on his face.
"fine," you concede. "but you better get a real job."
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(masterlist) | (a/n: tell ur man to wash his pp before sex. idk if this gets a p.2)
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