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percheduphere · 4 months

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LET'S TALK ABOUT THE LOKI SERIES' ROMANTIC TROPES AND JANE AUSTEN

I am going to compare the relationships and romantic undertones of Loki, Sylvie, and Mobius with my all-time favorite Jane Austen adaptation because the character archetypes and plot-points are strikingly similar with Ang Lee and Emma Thompson's 1995 Sense and Sensibility.

This sounds cracked, but stay with me. Tropes are tropes for a reason. They are often repeated in writing subconsciously because they are very old and near-universal story arcs regardless of the literary genre we are discussing.

Please note that this is not a 1-to-1 comparison. This is an analysis of basic archetypes, tropes, and plot-points: the barebones skeleton of story structure. With that said, let's dig in:

Loki = Kate Winslet's Marianne Dashwood

Sylvie = Greg Wise's John Willoughby

Mobius = Alan Rickman's Colonel Brandon

For those of you who have not seen (or read) Sense & Sensibility, the story is about a family of women who are rendered near-destitute when the patriarch passes away and, due to English law at the time, all the family finances fall to the only son. The only hope for the women to escape the edges of poverty is to marry into wealth.

The Loki series’ main storyline is a far cry from that of Sense & Sensibility. It is first and foremost a sci-fi action-adventure, but don’t let that genre fool you. Well-written stories are always character-driven. The setting serves to establish the rules of the world and the tangible challenges the characters must confront to achieve their goal. The end goal for Loki is his ascension to the God of Stories (and time). Therefore, his character arc must follow a trajectory that prepares him for that ascension.

Love, above all else, is essential for Loki’s journey. In order to understand and be capable of love, Loki must experience love in all its forms including but not limited to romantic. I've seen a lot of social media posters mocking shippers with comments saying, "the story is not about romance." I wholeheartedly disagree. While romance is not the main concern of the series, romance does serve Loki's character development.

It is critical that we remember romance does not require physical contact or even blatant declarations of love. If that were true, unrequited love would not be thought of as romantic, which we know is not the case. Further, it is possible for physical intimacy to exist without any romance at all. One does not require the other.

While dismantling HWR’s old regime is the Loki series’ “Plot A” thread, Loki’s emotional experience serves as the series’ “Plot B” thread. Love and romance exist in Plot B.

THE CHARACTERS & THEIR ARCHETYPES

LOKI & MARIANNE

Within Sense & Sensibility’s plot, one of the main heroines, Marianne, has the archetype of the mercurial, passionate, and freewheeling spirit. She is rebellious at heart, chaffing at society’s rigid expectations of emotional repression and polite rather than fiery courtship. Much like Loki with Sylvie, Marianne is drawn to John Willoughby because his temperament, values, interests, and talents very closely mirror her own.

Like Loki, Marianne is emotional. Her emotions drive many of her decisions, some of which are rash and socially unacceptable for her era.

Like Loki, Marianne detests social norms. Refusing to contain her nature for anyone, she is unafraid of the stares and judgment of others.

Like Loki, Marianne is poetic, a lover of words and metaphor.

Like Loki, Marianne is a hedonist. She will follow where her heart takes her regardless of the consequences. Just as Loki runs after Sylvie through the portal door, Marianne chases after Willoughby.

SYLVIE & WILLOUGHBY

Willoughby fulfills the archetype of the ideal lover at first sight. He is young, handsome, strong, deeply romantic, and a lover of poetry, pleasure, and unfettered emotion. I will not go into the deeper details of his character and plot here as I don't find them relevant for the purposes of this analysis. The key point to remember is that Willoughby is meant to be Marianne's perfect match by virtue of similarity.

Like Sylvie, Willoughby is emotional and consequently chaotic in nature. At his worst, Willoughby is unafraid of hurting others in the pursuit of his desires.

Like Sylvie, Willoughby chooses absolute freedom over the genuine love and care he has for Marianne (Loki).

Like Sylvie, Willoughby views institutions with social authority with contempt.

Like Sylvie, Willoughby judges character based on association with institutions rather than the individuals themselves. He holds repugnance for Brandon’s (Mobius’s) association with the military (the TVA). Fair enough, both the TVA and the military (especially the British military) are institutions that have committed horrific global atrocities.

Like Sylvie, Willoughby is unable to separate the institution from the individual people living and working within it, who are capable of goodness.

MOBIUS & COLONEL BRANDON

Colonel Brandon, a decorated military officer, fulfills the trope of the “dark horse” in love. He is Willoughby’s opposite: older, "less physically attractive", reserved, practical, and orderly. The main character (Loki/Marianne) appreciates his friendship yet does not feel any romantic affection for him (Mobius/Brandon) until the primary love interest (Sylvie/Willoughby) abandons the relationship for absolute freedom.

Like Mobius, Brandon is drawn to intelligent, artistic, footloose nonconformists.

Like Mobius, Brandon accepts and loves Marianne exactly as she is, including her faults. He does not want her to change against her will and gently reprimands her older sister, Elinor, at such a suggestion.

Like Mobius, Brandon serves an institution with significant influence on the lives of others.

Like Mobius, Brandon accepts that his love is not returned yet continues to express his love through his support of Marianne’s (Loki's) wishes, including his romantic rival Willoughby (Sylvie).

Like Mobius, Brandon is seen as a dear friend rather than a potential romantic partner in the first 2/3rds of the story.

Like Mobius, Brandon’s personal desires are secondary to Marianne’s (Loki’s) happiness.

THE ROMANTIC PLOT

It is understood by the audience that love is not only a feeling; it is also an action that requires incredible responsibility. In that responsibility, both lovers must choose to take into consideration the feelings, wants, and needs of the other.

The trope of a main character meeting their perfect match and falling quickly in love informs the audience that conflict must lie ahead, and that the third party of the love triangle will be tested for their worthiness as a romantic partner.

Loki & Sylvie and Marianne & Willoughby possess a fast, passionate, and explosive love.

Loki & Mobius and Marianne & Brandon posses a slow, steady, and gently burning love.

These two relationships, which are BOTH valid AND romantic, are set against one another to contrast each suitor's strengths and weaknesses, as well as to shed light on which suitor best meets the feelings, needs, and wants of the main character.

The main character's (Loki/Marianne) love interests inevitably collide in a tense confrontation. Being the Georgian Era, Brandon and Willoughby do not discuss their dislike for one another directly but with Marianne's older sister, Elinor.

Sylvie, on other hand, is not afraid to tear into Mobius, saying exactly what she thinks of him. Both directors of photography frame their shots in a near-identical fashion, demonstrating who are at odds and the individual (present or not) who is between them.

Whether in the realm of fiction or reality, the act of love inherently requires some degree of self-sacrifice.

While Sylvie performs self-sacrifice by pruning herself in hopes of finding and rescuing Loki from the Void, that self-sacrifice does not extend to her personal values and beliefs with respect to free will. She therefore fights Loki, ultimately kissing him farewell before kicking him through a time door to get what she wants.

Likewise, Willoughby, cut-off from his family's estate due to indiscretions he refuses own, prioritizes wealth over his relationship with Marianne in order to continue his lifestyle of luxury and absolute freedom. Willoughby therefore marries the exceptionally wealthy Miss Grey to achieve this end, abandoning Marianne and breaking her heart in the process.

At the midpoint of each storyline (where the narrative turns), both Loki and Marianne have lost the person they felt most strongly about because they were not that's person's priority.

Marianne's quote in the above gif is significant. It is a poem she and Willoughby recited together when they first met. She recites it again, alone, as she looks upon the estate Willoughby has married into in the rain. The poem is as follows:

"Love is not love which alters when it alteration finds, or bends with the remover to remove. Oh, no. It is an ever-fixed mark that looks upon tempests and is never shaken."

This poem defines love as not fickle but persistent in the face of challenges and "never shaken".

THE DARK HORSE IN LOVE

Brandon, who falls for Marianne first, establishes himself as not only a friend of Marianne's but her whole family's. All of his actions throughout the film are performed out of love for Marianne, but these actions are not read as romantic by Marianne because there is no fast-burning fire and (seemingly) little commonality between them.

Marianne's mother cautions her, pointing out that the romances she cites all meet pitiful ends. In return, Marianne describes such love as not pitiful but "glorious."

Brandon and Mobius express their love for Marianne and Loki through practical means. Their actions are predominantly viewed as marks of friendship rather than marks of romantic love. It should be noted that in both cases, no verbal declaration of love, nor any physical declaration of love, such as a kiss, is ever made by either Mobius or Brandon on screen. Brandon's unrequited love, however, is readily apparent to everyone (the characters and the audience) due his presentation of the opposite gender.

Brandon, upon seeing Marianne struggle cutting reeds for weaving, offers her his pocketknife. Mobius, knowing that confrontation with Sylvie at Roxxcart will be dangerous, offers Loki his daggers for protection.

Brandon, recognizing Marianne’s need for artistic pursuits, gifts her a piano. Mobius, recognizing Loki’s need for validation, provides him with words of affirmation, encouraging Loki’s talents in magic and cunning.

Brandon, acknowledging Marianne’s love for Willoughby, invites Willoughby to a picnic at his estate despite his distaste for him. Mobius, acknowledging Loki’s love for Sylvie, frees Loki and is pruned despite his jealousy of her.

Marianne, out in the rain and in distress over her loss of Willoughby, succumbs to a deadly fever. Loki, kicked through a time door and in distress over his loss of Sylvie, succumbs to time-slipping.

Brandon and Mobius actively make themselves available in response to their loved one's individual break-ups with ZERO expectation of having their love returned.

Brandon, concerned that Marianne's illness may kill her, rides nonstop for hours to retrieve her mother during a storm. Mobius, concerned for Loki's wellbeing, risks his life on the loom's gangway, risking exposure to temporal radiation and death.

In the end, both Brandon and Mobius are the triumphant winners of Marianne's and Loki's hearts.

Indeed, Brandon reads poetry to Marianne, and when he announces he must "away", Marianne worriedly asks "where?", demonstrating her desire for him to stay. Brandon teases her, fulfilling Marianne's need for romance and excitement by saying, "it is a secret."

Mobius, meanwhile, begins to open himself up to worldly pleasures, allowing himself to drop the strict, no-nonsense behavior he exhibited in S1. Loki, in turn, begins to provide him with the type of emotional support Mobius has consistently given him since the beginning (yes, he has a jealous meltdown, but he recovers relatively quickly).

The outcome of their successes, however, diverge due to their gender presentation.

Whereas Brandon happily marries Marianne ...

... Loki returns Mobius's selfless love with a sacrifice of his own, and they are separated.

#lokius #loki #mobius #loki series #loki season 2 #lgbt representation #lgbtqia #queer representation #lgbtqia representation #loki meta #loki analysis #my meta #my analysis #jane austen #sense and sensibility

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archivomeow · 1 month

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BISEXUAL CHARACTER OF THE DAY [ 9/∞ ]

name: Sea-Hawk

fandom: She-Ra

status: canon

#sea hawk #sea-hawk #she ra #she ra and the princesses of power #bi #bi rep #bisexual #biromantic #bisexual representation #bi representation #lgbtq #lgbtqia representation #lgbtq representation #bi pride

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louisapennyfeather2021 · 2 years

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CAN WE JUST MAKE A DATING APP FOR ARO ACE PEOPLE PLEEEEEASE

LIKE THAT'S ALL I NEED

AN APP WHERE I CAN GO "Hey, I don't like nor do I ever want to have sex, but I really want a romantic relationship with someone who I can love and cherish and give the world to☺️"

IS THAT TOO MUCH TO ASK?!?!

Sincerely, a Polyamorous Panromantic Asexual person✌️

Disclaimer: This is from the perspective of an asexual person which is why the above quote references a romantic relationship. It's why i added the "Sincerely..." at the end. If this were from the perspective of an aro person, the wording would be platonic relationship or whatever someone's preferences are. It's not meant to erase aro identity or put aros and allos together, the quoted phrase is just from my own personal perspective as this post was made in a moment of irritation and wasn't expected to be seen by others. Usually my ace rants don't get notes at all, so the fact that this has a lot of a attention is unexpected. Again, why I used the words "An app where I can go..." was because this was my POV. Aro people are valid and don't need a romantic relationship to be seen and heard.

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garrettauthor · 10 months

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Hey y'all!

This is a reminder that I write fantasy books. They're cool as fuck, they deal with themes of family and antifascism and the nature of responsibility, and they also happen to be REALLY queer.

For, like, the whole first LONG part of my writing career, I was on an exclusive deal with Amazon. I wasn't allowed to publish or distribute my ebooks on other websites.

That's no longer the case. I'm free!

So, I'm putting all my books on my Patreon. That's THIRTEEN books and counting.

Full-size books, not novellas. (Nothing wrong with novellas. We love'em. Just...this is a lotta books and I need you to understand that).

Want a bi, robin-hood-meets-batgirl, young forest girl becomes master thief adventure? That's the Nightblade Epic.

Want a polyam, trans-friendly, wizard-school-meets-The-Godfather, mystery and intrigue series? That's the Academy Journals.

Want an ace-and-bi best friends, buddy revenge, monster hunter, Princess-Bride-meets-Supernatural-but-queer journey? That's Tales of the Wanderer.

Want a queer-platonic-but-also-SUCH-sapphic-yearning, reluctant chosen one, found family, mysterious past, LOTR-meets-Hot-Fuzz, heroic quest? That's the Resurrection Cycle.

And they're ALL in that post on my Patreon.

I'm trying hard to not only write my own books but publish more marginalized and underrepresented voices. I've already started. I'm planning to do a lot more.

So if you want to help make all of THAT happen...and also just, like, get thirteen new books right now...

Patreon?

#underrealm #queer books #lgbtqia representation #disability representation #fantasy books

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shoemakerobstetrician · 5 months

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I love that now in both Good Omens and Doctor Who we have people thinking that Aziraphale & Crowley and the 14th Doctor are gay, and their immediate conclusion is that they are totally safe.

Anathema:

Shaun Temple, Donna’s husband:

…shaun temple really took one look at them and thought fruit! there is absolutely no chance of this person making a move on my wife. and he was right. Tumblr - transguyhawkeye

#good omens #ineffable husbands #good omens 2 #good omens spoilers #crowly x aziraphale #aziraphale #crowley #gos2 spoilers #14th doctor #tennant doctor #doctor who 60th anniversary #doctor who #queer representation #queer good omens #queer doctor who #lgbtqia representation

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ninadove · 2 years

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Very sexy of Dana and the Owl Crew to furiously shove everything they wanted to show in S3 into the coolest montage ever, while making it as queer as possible. The biggest middle finger to Disney I’ve seen in a while.

#the owl house #toh #toh spoilers #luz noceda #amity blight #lumity #lgbtqia #lgbtqia representation #dana terrace #disney

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goinghostie · 1 year

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Stars Align delves into topics most anime wouldn't dare address , ie. Yuu's situation exploring their gender identity and Maki's well-communicated explanation of Shou being trans (FTM).

While Stars Align incorporates many stigmatized topics into its plot, it approaches them carefully and never shows the abusive side in a positive light. The scenes are raw, emotional, and incredibly realistic.

I have respect for Akane-sensei and the production team for tackling issues kids don't typically see in a series - ones that they may be struggling with themselves and aren't aware how negative an impact they can have on them since that is all they know.

Stars Align is a series you could say is ahead of its time. One that resonates with many who can relate to the issues & struggles presented. It isn't a show for escapism, like most anime out there. It is a series that faces real situations head-on.

To some, this is a weakness. But to me (and many others who resonated with a kindred spirit in the series), Stars Align is a series that makes us feel seen or heard. It shows that anyone can be struggling, even if they might not openly show it.

Stars Align's premature halting of production fits a little too well with an overarching theme on the show - the boy's soft tennis team was threatened to be shut down, and it takes a LOT of hard work for the kids to grow and save their team.

If even one scene resonated with you, please show support for Stars Align. While the odds of this series getting finished seem slim, support and attention can help the creator find a studio willing to finish the second half.

We need to come together and show support for a series that was cast aside, just like our favorite soft tennis team. To join together and fight for the second half of the story, in whatever way possible.

Spread the word - the more people who legally watch the series on Crunchyroll and Hulu will show streaming platforms that the anime means something to subscribers. Start conversations about the topics presented and the impact the series has!

Create content - art, fanfics, edits, theories...posting about the series helps spread the word to people who haven't heard of it or forgot to watch in the past. To this day, new fans are discovering Stars Align because of this! January is #MakeTheStarsAlign month - we have prompts each week to help inspire people to join in spreading the word!

Akane-sensei has thanked fans for continuing to support the series. He feels the best chance for a continuation will come from an overseas production studio, and so building our numbers is the first step of achieving some kind of renewal.

It can be hard to keep talking about a series, but the tendency to move on is exactly what makes support for a series fade away. The fight needs to continue, even if time passes! Shows can be brought back YEARS later, but support needs to still be there for that to happen.

While 3 years have passed since episode 12 aired, please don't forget about this series or the emotions it made you feel. Continue to raise awareness and spread the word to show there is support for impactful series like Stars Align. 💙

#stars align #hoshiai no sora #星合の空 #make the stars align #anime #underrated anime #lgbtqia #lgbtqia representation #yuu asuka #maki katsuragi

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thesilliestofgals · 3 months

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oh and before I forget: I highly recommend listening to the cast recording of and/or find clips of How to Dance in Ohio, it's the first Broadway musical to cast autistic actors as autistic characters!! It's such an amazing show and is a HUGE step in autism representation in media, at least in my opinion!!

Addendum: from furthering my research, I discovered that there is also LGBTQIA+ rep, specifically nonbinary and gender-nonconforming rep, in it too!!

#nonny's nonsense #how to dance in ohio #htdio #autism #autism representation #autism rep #lgbtqia #lgbtqia representation

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peachesunited · 3 months

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ITS NOT AN OBSESSION IF A SHOW IS THAT GOOD.🍑

We’re still here fighting to save ‘A league of their own’ and we’re willing to team up with other queer fandoms! (Comment, send asks or reblog if you’re interested!)

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with-love-from-the-universe · 10 months

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perfect, that’s all i need to know

#nimona #nimona movie #nimona netflix #nimona 2023 #nimona film #ballister blackheart #ambrosius goldenloin #nd stevenson #nimona trailer #pride month #lgbtqia representation

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percheduphere · 4 months

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I check in on Reddit once in a while to gauge where the "general audience" is at with certain things, including shipping. Unsurprisingly, the majority of subredditors don't see Lokius as having any validity.

I mulled over why this is, and I've come to the conclusion that, as a society, we are very bad at understanding that the human experience is a fluid continuum. We get so bogged down with labels and separating things by those labels that we don't consider the fact that those labels are in and of themselves social constructs.

This may be why so many people have trouble wrapping their minds around being trans, gender fluidity, romantic friendships, gray asexuality--essentially anything that can be in flux. Ironic, since our lives are always in flux.

To tie this back to Lokius and shipping in general, heteronormative media relies on oblique cues for romance: falling onto a mattress, facing one another across a low-lit table and speaking in hushed voices, sharing a blanket, a kiss.

But the queer experience has been oppressed for so long that a heteronormative audience doesn't know how to look for queer romantic cues that are not overt (physically or verbally), and they don't know how to look for those cues precisely because they've never had to be hidden. They never lived that experience.

And this bias inevitably leads to the logical fallacy that heterosexual friends can absolutely fall in love, but two men who started out as friends shouldn't (read: "can't") fall in love because "friends and lovers are two different things".

Really? So by that definition, my lover can't also my friend? What?

"Why can't they just be friends?" That question signals the fear of men being mistaken as gay when showing another man affection. This fear doesn't really happen between women. At least, not often. I have yet to meet a woman who was offended for being mistaken as their best friend's lover.

This means that our media needs a queer male character who has BOTH a male romantic partner AND cis-straight male friends to show both can (and does) happen concurrently.

Gah, the rigidness of social constructs is worse than duct tape.

#loki #mobius #lokius #lgbtqai #lgbt representation #lgbtqia representation #thoughts

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starscorchedfingertips · 11 months

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My book baby is available for pre-order from https://www.android-press.com/product-page/star-scorched-fingertips-paperback

#star-scorched fingertips #queer books #science fantasy #science fiction #reproductive rights #lgbtqia representation #ecopunk #writers on tumblr #psychedelic mushrooms #cults

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gildeddlily · 6 months

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side characters ONly can be gay!!11!1! yep

I could write an essay about the way Marvel is just the reflection of how mass media deals with the queer representation "problem" nowadays

(I should study for my exam but fuck it I have time)

first of all, how many queer characters actually are part of mcu's big ass cast?

Searching on the internet they'll tell you about twenty- but it's enough to read who is queer to understand that they only care about seeming all woke and you know, kind and allies and all that good shit, but the truth is that if you're queer you'll get no more than five minutes of screen time

Loki is a bisexual genderfluid god, it's canon in the comics and in the shows/film, but does he actually acts on it? like, does he ever talk about the men he had a thing with? does he talk about his gender identity? no. and you know what, I don't want a long speech about feeling accepted and finding your place in the world and understanding yourself, I'd be ok with him being like "yk what, i feel like cunt today" and poof tom hiddleston is no more man.

we have a two second shot were he's labeled as genderfluid. that's it. he has a love story arc with his female alternative version.

like saying the bar can't get lower- all the time there's a man at his side, and they're so queer coded guys. they are so fucking queer coded. they'd have all the potential to be a good couple, and they prob could since Loki is canonically attracted to males too! but no.

let's choose the female you over the dilf grabbing your waist and telling you that you're more, that you matter and have a chance to be good.

can Loki count as representation? maybe.

it's shitty representation, tho.

then there's America.

America's a lesbian, daughter of two lesbian women, and they were proud of it probably- if it weren't for the fact that America's there, she live the adventure, and she has a lgbtqia pin. a pin. all her identity is expressed in a pin.

one could say, but the film is not ab America and her non-male partner, is about the story yk?

then why does every fucking marvel film features a man and a woman being in a relationship?

i guess that when it's about man Tony Stark and woman Pepper Potts everything's ok, you can give all the minutes you want to their sweet relationship- but if they're queer I'm sorry, the best thing you'll have is a pin.

then a few gays out there.

random man in endgame missing his bf. random girl in hawkeye mentioning her wife (slay). that one sexy dora milaje who has a sexier gf. slay you too ig. that Eternals guy who kissed his bf on screen (first time ever, and they feel revolutionary. fucking 2021).

the only thing that can be saved is Thor 3/4 because of Taika Waititi. the queerness is something Taika did because he wanted to.

Ragnarok's about this dude, his bi brother, this guy who flirts with both of them and has orgies with all kind of beings, a lesbian valkyrie and a gay rock. Love and Thunder is about this guy, his bamf ill girlfriend, a lesbian valkyrie who's trying to find some girl to eat out, a gay rock that ends up having strange sex with his bf, and greek people fainting after seeing said guy's naked body. (and that weird moment between Thor and Peter? that was made to be gay guys)

while it's not perfect, it's one step above everything else.

Taika Waititi's film's queerness is not there for looking more inclusive, it's there because gay people are there, we actually exist dude, and they deserve their space, and they should have it.

and like Taika Waititi's said, the world will be healed when people will stop saying "oh you know that new marvel series? yes, there's a gay gal in there", when people will treat queer people like the people they actually are.

it's like walking around in a forest and being like "oh look, a tree!". we aren't a different species ffs

representation is good, and of course gay characters sometimes are gonna be just there on the side cheering on the main character- because that's how life goes. I'm the cheering-from-the-side girl queer friend to my straight friend, and mcu stories are told by straight people, so it's kinda natural that we're kinda useless.

the thing that really, really makes me want to cry our is how they're able to destroy any queer "lead" they put here for us, for me, and I'm starting to believe behind those scripts there are some seriously repressed gay dude who can only express themselves by writing those things.

like Steve and Bucky? the classic we're best friends and we totally didn't have sex?

or Bucky and Sam?

why was the chair scene necessary? If i see something like that happening to a woman and a man my first thought is "they're a thing", and it was the first thing I thought with Sam and Bucky too- but ofc people will tell us "y are you making everyone gay?" it's not my fault princess it's the writers'

or, again, Loki and Mobius?

"you can be good, just in case no one ever told you" WHAT THE HELL DUDE

and you know, those things can be said between two friends too, but people gets disperate. I get disperate, after watching hours upon hours of two guys eye-fucking each other and ending up being all "yeah bro i love you this is my girlfriend amy". so I wrote, I draw, I think about them being "hey dude, d'you want to be the amy to my myself?" because the alternity is writing a fic about a random man who says he misses his husband on a three second scene.

(in a fandom like good omens I don't have to worry about it. I have my queer besties, my fav lesbian couple, and a lot of representation.)

so.

mcu's representation is bad representation.

every time they write a queer characters they're all "you see that? we did that!" like they did something special- but they didn't.

they write gays for the straight, in order to feel better about themselves and make straight racist sexist homophobic ppl (the "I'm inclusive guys!!!" kind of person) watching it feel better ab themselves.

(I'm not gonna start talking about the fact that this entire post talks more than anything else about the way the mcu treats women, bc it's a rabbit hole I'm not ready to talk ab cause I've been jumping in it for too many years.)

(sorry anon ily)

10/20 edit: valkyrie is bi my bad🧎‍♀️

#lgbtqia representation #lgbtq community #queer #marvel #i hate marvel #mcu #mcu loki #loki season 2 #america chavez #bucky barnes #mobius #lokius #sam wilson #bad representation #they make me so mad

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