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#life doesn’t make sense
sixbucks · 1 year
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"I don't know why people expect art to make sense. Life doesn't make sense." - David Lynch
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oscorp-lawsuit · 10 months
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Headcanon that all spider people get what’s called the “Spider-Zoomies” (which is a sudden burst of energy but it’s expressed through Spider-like behavior) except for Miguel because he didn’t get bitten, so every time he makes the mistake of going to HQ in the middle of the night, he gets jump scared by at least one Spider-Man:
Scuttling across the ceiling (Pavitr)
Hissing into the void (Miles)
Bench pressing a building (Peter B)
Jumping fifty feet into the air without warning (Margo)
Building some intricate contraption in complete darkness (Hobie, emphasis on trap)
Running extremely fast without making a sound so you don’t know they’re there until it’s too late (wtf Mayday)
Or crouching into a corner, completely still like a predator watching its prey, and the moment he gets close to them, they whisper “Hey” making him scream so loud that he throws his empanadas in their face (Gwen)
It’s essentially like you’re walking through a building full of eldritch horrors, and you don’t know where any of them are, but they all know exactly where you are, and they win bonus points if they scare the shit out of you. Miguel hates it here.
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sableeira · 1 month
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Do you care for a cigarette?
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boywifesammy · 11 months
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i feel like the boys’ representation in “it’s a terrible life” is a really accurate and insightful look into how they work on an Instinctual level.
at first it seems like just a funny bit for dean to be the one dismissing the ghost thing, but dean wesson actually fits perfectly into dean’s personality. i mean, think about it. hunter dean is OBSESSED with the job. he lives breathes and sleeps hunting. he’s proud of who he is and what he does, and he enjoys being a part of something. this episode shows how that’s part of dean’s intrinsic personality. he needs order. structure. discipline.
sam is mischaracterized as ‘the emotional one’, but i think dean’s a lot more of a romantic than him. he likes the idea of a stable life, whether that’s hunting or a cushy corporate job. he wakes up at 6am everyday, has a distinct routine and a circle of friends. he does herbal detoxes and drinks frothy rice milk lattes.
life is a package for him. dean likes fitting in. he doesn’t like breaking status quo. he instinctively looks to blend in, whether that’s in a corporate environment or with his father and other hunters. dean likes the idea of family. connection. he needs people, people who are familiar and trustworthy. he’s very community/family oriented. he’s not a lone wolf.
but sam on the other hand, he’s intrinsically in tune with weird frequencies. he’s strange and he picks up strange things. he cares about people and appreciates connection but he values himself and his gut instinct more. he loves sticking his nose where it doesn’t belong. he doesn’t give a fuck about blending in. he didn’t as a hunter so he sure as hell doesn’t in a goddamn tech support cubicle.
sam straight up tells dean that everything about this feels wrong. and you can TELL that dean feels it as well. sam tells him that he thinks he should be doing more, it’s in his blood, he hates everything about this fake life. but dean deflects. no matter how uncomfortable he seems he pushes it down in favour of predictably and routine. even if deep down, he knows its wrong, it takes him a lot more time than sam to admit it.
this shows that sam is more than ‘hunting bad’ and dean is more than ‘hunting good’. it was never about hunting. sam refuses to turn a blind eye. he WANTS to rebel. it’s his nature. he instinctively looks for things that don’t line up and he calls that out. he doesn’t care about the backlash. dean needs stability. he needs people. he needs to feel like he’s a part of something. it’s why he brushes off that feeling of wrongness so quickly at the beginning of the episode, because he’s willing to overlook some of the bad for the benefits.
it’s just like how hunter dean is willing to defend john, defend the grisly violence of hunting, and convince himself into thinking this is his only choice. sam refuses to do that. he instead latches onto that feeling of otherness and rebels even though it costs him family and familiarity.
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bucklikethedollar · 5 months
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all the critiques of the “male presenting” bit in the star beast are valid and true (patronizing, kind of bioessentialist, etc) however i think we’ve been ignoring the funniest part of the whole thing which is like. he was a woman like three hours ago. you don’t need to give him a lecture about What Women Are Like. he knows. and even when he was a woman he still bottled shit up so your argument is moot anyway
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mischiefmanagers · 5 months
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when the fic warnings are like *major character death* but then also *angst with a happy ending* sign me THE FUCK up
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only-god-canstopme · 8 months
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aaron forgiving andrew for killing tilda when he has children of his own because he thinks that if she were around he never would’ve let her meet them.
(and if he didn’t want his children near her, or any children near her, that means that he, as a child, should’ve never been near her. and he gets what andrew did bc he would kill to keep these children safe too.)
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solargeist · 25 days
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Thinking abt 3rd life, thinking abt whether or not Scar can remember it in Hermitcraft
EvoAU Grian running away to Hermitcraft, unexpectedly meeting Scar there, remembering everything, but Scar doesn’t know him
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petitincendie · 2 months
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also i really appreciate the fandom has kind of absorbed the idea that pre-reanimation, the creature can hear and maybe feel but not see, like he’s in some sort of limbo
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aroanthy · 18 days
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kiryuu sibling stasis post-32 is so interesting to me. nanami tries to leave and is (temporarily but also, crucially, violently) prevented from doing so by touga and akio. after this experience she puts distance between herself and them: she leaves touga’s phone in the car, she resigns from the student council (though she dons her old uniform still), she repeatedly dismisses and undermines the authority of the rose code, of end of the world, of akio, of touga. but she’s still in ohtori, isn’t she? uncomfortable with the idea of leaving, uncertain if it’s really possible. she tried before, and it hurt her. deeply. it’s so interesting to me, nanami’s agency and how she limits her exertion of it after 32, when she realises it for what it is. contrast that with touga, who accepts this weird stalemate between them, who is, really, uninterested in having any relationship of any kind with nanami if he can’t gain something from her. he’s very passive with her after 32, compared to the passivity he’d always feigned towards her before in order to stoke reactions from her and then exploit them. i was thinking about how touga has always been able to sever his relationship with nanami, but chosen not to; first out of a sense of obligation (‘we should live to help each other’) then a realisation of how that could be exploited. i was thinking about how nanami has never realised her ability to leave, in part because it is limited by touga and the harm he does her. i was thinking about the desperation and confusion akio calls out to anthy with as she leaves. i was thinking about how different that is to the kiryuus’ strange semi-breakdown; touga doesn’t want or need nanami, and nanami might love her brother but she cannot trust him or feel safe around him, doesn’t want to see him anymore; she’s itching to leave, and just a little scared (you know, because last time she tried that her brother assaulted her), and he’s not doing anything because ignoring her means he doesn’t have to deal with the emotions of her leaving or staying. something something gendered power dynamics something something tragic siblings
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bloom161 · 1 year
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The Master is such a unique case. Cause all of the shit writing accidentally blended to create awesome characterization for them.
1. Missy was another one of Moffat’s femme fatales, yet it worked cause that’s exactly how the Master would perform femininity. Missy goes hyper feminine with her style and presentation cause it’s all a performance to her.
2. Master’s plan in Power of the Doctor was clearly just Chibnal trying to make a flashy grand finally without thinking through why the Master would actually do any of it. But again it works perfectly cause the master is just dramatic like that. He would cosplay Rasputin just to have the winter palace for the weekend.
3. Simm’s Master getting resurrected in the end of time with a horcrux thing like he’s bloody Voldemort, feels like it should be lazy writing. And maybe it is, but it workssss cause the Master is crazy enough to pull something like that.
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oldmanffucker · 3 months
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No but I really feel House - constantly saying how much he Doesn’t Care about stuff except for his job which is basically the one thing he’s Allowed to really care about.
This concept of earnestness being punished or frowned upon or struck down. The fear of being earnest, of letting people see how/how much you care, and knowing that the way you care is different from the way other people care. And being afraid that if people see the passion you have for the same things everyone else also has passion about, they’ll see you doing it Wrong or Too Much so it’s better not to care at all.
yes he can be passionate about work - no one else can do what he does, so his singleminded autistic passion and hyperfixation is okay, is safe. It’s weird but people accept it bc the results matter more than the method (basically). But caring about the smaller more every day things, the things that any and everyone else can also care about, means that the singleminded, over the top, autistic way he can approach things is more easily compared to the way people Should Act, and we know that not doing things as they’re expected to be done was punished growing up. Am I projecting? Shut up. Yes but that doesn’t mean I’m wrong!
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mothofprophecy · 6 months
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This will only make sense to the very small percentage of you who know both TMA and the life series but I present to you: distortion Grian
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flareboi · 1 month
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what if purple never calls him dad
#what if the word ‘dad’ is something purple doesn’t like.#what if it carries a bad connotation for them and a bitter reminder for mango.#family doesnt always have to look like one thing yknow? i dont think those two would have a traditional dynamic in that way#maybe purple does consider him their parent. they just dont call him ‘dad’ unless its in third person#and theyre fine with that and so is he#king is his father figure yes but he’s also a mom. a big brother. a sister. their dynamic just isnt captured in purple calling him ‘dad’#maybe his name is the best way they can say it. the best way they can appreciate him#because for purple a father is someone who hurts you. someone who leaves you#i think ‘purple calls him dad on accident’ is a cute idea#but honestly it would make more sense if they called him mom on accident instead. or if it happened when they were afraid. not comfortable#(this is presuming orchid is his mother and navy his father based on the pronouns used in the react vids iirc)#because why would purple refer to someone he sees as a parent with the title of the one that presumably did not raise them?#and on mangos end#i think u can kinda tell who in this fandom has never lost a loved one in how they characterize him#guys. grief doesnt leave. it never leaves.#you just learn to live with it!!!#mango is not okay just because he has a new kid to take care of. i would know this my bio mom passed and i have a stepmother!!!#she does not fill that void and i do not expect her to because it cannot be filled. but she brings a lot new to ease the pain and is a#wonderful part of my life#the same thing here#mango will never ever just .. go back to how he was#he will never be the same since gold died. and thats okay#purple will not change that. they will merely add something new#their dynamic can be beautiful and nontraditional and a showing of how grief can change you#it doesnt have to be ‘replacement dad and replacement son’#its so much more#oke. tag rant over#fett rambles#ava#uhh should i tag the chars
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darisu-chan · 11 months
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So after experiencing a terrible loss a few weeks ago, my brain decided to process my grief with some more IR thoughts bc of course it did
So y’know how people keep bitching about the poem “Can I keep up with it? The speed of the world without you in it” and saying it’s not about Rukia, but about Zangetsu? Even though we’ve established time and time again it makes no sense for it to be about just Ichigo’s powers?
Well, I was thinking that it’s not solely that Ichigo stopped seeing Rukia because he lost his powers. Let’s think about what that symbolizes. His powers involve seeing ghosts, spirits, dead people. Essentially, Ichigo lost Rukia to death. Because she’s dead and he’s not. Like he knows death is not the end, but without his powers, he won’t see Rukia again until he dies. And isn’t that just terribly painful? That horrible knowledge. He knows Rukia is okay, that she has a life in death, that she’s not alone. But the point still stands that he won’t see her. He’s stuck living his life until his heart stops beating and for all he knows, he might live a long life. Obviously if Rukia used a gigai, they could see each other and this is all a bit of a plot hole (what else is new in Bleach), but just the heart wrenching thought that he won’t see her again until he dies gives the poem a new meaning. Isn’t that what we all ask ourselves when our loved ones die? Beyond a breakup, or however else we can interpret it, this reads as “death parted them”. This is grief. Ichigo is mourning her.
And this isn’t the first time death has taken someone I love, but idk, I just really felt this poem in a whole another level. Can I keep going without this person I love? It’s terrifying when you just don’t see them anymore. This ache in your heart. And if you’re religious, you know you’ll see them again, or at least you hope for it, but seeing them again involves you dying and who knows when that’ll be. And I knew Ichigo was depressed, but putting this grief related to death into more perspective… he was destroyed, and that’s how that poem now feels for me. This extreme longing for someone who’s not alive. This great divide between them. They’ve always been about life and death in some ways, but now this very key relationship aspect seems even clearer to me.
It’s funny that in my darkest times, I find myself understanding another layer of this ship, one of the most painful ones, because the same can be said when Rukia was taken to the SS. Ichigo lost Rukia to death then too. It gives more perspective to the knowledge Ichigo’s second worst experience was Rukia going to the SS. It’s not quite death as he knew it, but it might as well have been without being able to see her, and then knowing she was going to be executed, dying yet again.
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itsalwaysforyou · 9 months
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jafar raised jay to be slippery and selfish but jay knew there was strength in numbers and decided to trust and love and hope despite everything else. and he protects these people that he finds, the only things his father can’t take from him, his own treasure he guards like the lion’s head at the cave of wonders.
he’s the last one out, there to watch their backs, as close to them all as their own shadows. he’s their third eye, always hyper-vigilant, always on the look out. he knows when to start a fight, and when it’s best to leave it alone. it’s nearly always best to leave it alone. he wrangles them all back in, keeping them safe so they don’t have to worry about injuries or repercussions or consequences. his job is to keep them safe, and keep them alive.
and yet, in auradon, with no brawls or street fights or leering parents or turf wars or rivals or enemies, what is there to protect them from? passive aggressive comments? pastels? afternoon tea? what is a guard dog with nothing to guard? jay has built his entire life, his entire self, around servitude. if it’s not his father, it’s his gang, always the helping hand and the shoulder to cry on (metaphorically, of course) and the reassuring presence. without any of that, he is nothing.
he is the thief that gives. the boy desperate to hold on to his only sense of purpose. it’s all he knows: give enough away and they might let you stick around. chameleonic, knowing exactly who to be where and when. the charmer, the heartthrob, the villain, the protector, the liar, the snake, the attacker. anything you need. he can be anything at all, as effortless as breathing.
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