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#life isn’t what it used to be

gayforbagels · 2 years

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Pouring one out for Afghanistan and Anguilla and Antigua and Aoteoroa and Barbuda and Australia and the Bahamas and Bahrain and Bangladesh and Barbados and Belize and Bermuda and Botswana and Brazil and Brunei and Canada and the Cayman Islands and Cornwall and Cyprus and Dominica and Egypt and the Islas Malvinas and Fiji and Gambia and Georgia (the country) and Ghana and Gibraltar and Grenada and Guyana and Hong Kong and India and Iraq and Ireland and Jamaica and Jordan and Kenya and Kiribati and Kuwait and Lesotho and Malawi and Malaysia and Maldives and Malta and Mauritius and Montserrat and Myanmar and Nauru and Nigeria and Pakistan and Palestine and the Pitcairn Islands and Qatar and St Lucia and Saint Kitts and Nevis and Saint Helena and Ascension and Tristan da Cunha and St Vincent and Grenadina and Scotland and Seychelles and Sierra Leone and Singapore and the Solomon islands and Somaliland and South Africa and Sri Lanka and Sudan and Swaziland and Tanzania and Tonga and Trinidad and Tobago and Turks and Caicos and Tuvalu and Uganda and United Arab Emirates and United States and Vanuatu and Wales and Yemen and Zambia and Zimbabwe tonight

#text #op #dancing crabs #and many more #sorry if I missed you trust me when I say I am still popping the FATTEST bottle for u TONIGHT #edit: guys I copy pasted a shit ton of countries from fucking Wikipedia for a shitpost it’s not that deep #edit: the amount of y’all that are tagging this as ‘except us and Canada’ are missing the fucking point #it isn’t cute lol #EDIT: WHATS UP GUYS IT’S ME YA BOY COMING LIVE FROM. GLASS ONE OF WINE #I CHANGED MY MIND FUCK IT IM ADDING EVERYONE I MISSED INTO THE OP #AND ANOTHER THING #SOME OF YALL HAVE TO REMEMBER THERE ARE INDIGENOUS PEOPLE IN CANADA AND THE USA TOO #SAYING THE USA AND CANADA DOESNT DESERVE TO POP BOTTLES IS DISMISSIVE OF EVERY INDIGENOUS LIFE DAMAGED BY THE BRITISH EMPIRE #AUSTRALIA TOO #THE MONARCHY HAD A VERY PROMINENT ROLE ALONGSIDE THE CATHOLIC CHURCH IN RESIDENTIAL SCHOOLS AND COLONIAL VIOLENCE #IN SETTLER HISTORY #ALSO TO ANY OF MY BRITISH HOMOES I AM SO SORRY YALL HAVE TO GO THROUGH THAT PROPAGANDA MACHINE RN #GFGFGFFGGG I’m not changing that

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millenianthemums · 26 days

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parents of disabled kids will be like “we know our kid is disabled but we just won’t tell them about it. we don’t want them to think they’re less valuable than other kids. we don’t want them to feel limited by their disability, we want them to know they’re capable of anything.”

meanwhile those kids are growing up thinking “why is everything so much harder for me than it is for everyone else? there’s no reason i shouldn’t be able to just do this. i guess i’m just a failed, broken person.”

#text post #ableism #like if you don’t want to get your kid diagnosed with something then that’s one thing #but not KNOWING what’s wrong with them isn’t gonna make the problem just magically disappear #and just personally speaking. SO MANY things i do that i used to feel such deep shame about?#i now realize they were because i’m autistic #the meltdowns the social awkwardness etc #and i feel so much better to know i wasn’t just being whiny or difficult or weird for no reason #i feel like my whole life i’ve been gaslighted into not knowing what i really feel #because everyone always told me i was being ‘dramatic’ or ‘too sensitive’ and eventually i decided they must be right #so now i literally can’t tell what i’m feeling sometimes #because i dismiss my own feelings as stupid and wrong

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space-b33 · 1 year

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Maybe weird request, but could you draw Hunter wearing this:

Only if you like of cause but I saw it and could only think about Hunter's slutty little waist.😂

Not weird at all, I used this for a late night sketch to help me get sleepy. Thanks! :) (Hunter’s lil waist is often on my mind too lol)

#tbb #the bad batch #fanart #tbb hunter #it’s late and I’m having a hard time with life rn so I took used this prompt as a therapy sesh #modern au maybe?#bc hunter going on a jog that turns into a mc Donald’s run for his fam just makes sense to me #this probably isn’t what you were expecting but I hope it’s enjoyed nonetheless!#turns out hunters snatched waist is a temporary cure to sadness #I bet he orders the fish filet #also Chris evans has the perf hunter bod he’s what I used for inspo

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itspileofgoodthings · 1 year

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I love you’re on your own kid so much for so many reasons but one of the biggest ones is just that. there’s no turn, there’s no key change, there’s no moment of triumph or change. the same thing happens, the same structure is used, nothing gets better, things just get HARDER. but she endures. and as she endures there are so many elements of her situation that still don’t necessarily change but her perspective does. and it’s so subtle and matter of fact and un-dramatic but it’s everything?? I looked around in a blood-soaked gown and I saw something they can’t take away. I just. She articulates the shift from childhood into adulthood precisely, heartbreakingly, truthfully. and it’s not achieving success that accomplishes that shift, or reaching a specific goal, or even falling in love and seeing herself and reality anew in a beautiful light. it’s a completely internal, independent of anyone else, clear-eyed discovery of her own strength. and the peace in it is just the peace of facing reality in all its battered brokenness. and it just kills me every time.

#I’m saying this so badly but there is! No ! turn!!! there is no moment where things change!!!!!!#there is just the moment where she says ‘this is my life. this is what I have. and I will take it. all of it’#and of course with that comes the enormous change where her own desperate desire for belonging and love can’t hurt her the way it used to #and yet even that isn’t totally true because she can still BE hurt by it #but she knows she can face it #like. it’s that simple. and it makes me weep uncontrollably #taylor swift #you’re on your own kid

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daylighteclipsed · 1 year

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Posting my last tag rant because y’all had some great responses to it and I wanna continue this conversation.

Yes! I think it’s safe to say Vanitas has become his own person and has a heart of his own now, maybe. But that initial wanting to rejoin with Ventus is a good example of darkness wanting its light back — and I think this is something the novels touch on, the pain and confusion Vanitas feels when he’s first created/separated from Ventus.

It must be so… strange for the space you once made up in the universe to be filled by someone else. Vanitas can’t return to Ventus. Not only because Vanitas has become his own person but because Sora’s darkness became the new dark half to Ventus’ light half. Vanitas can’t return to his light. At least, not the way he used to. How… distressing. Painful. He has no choice but to develop his own light.

I think you can even compare this to Riku in KH1, his pain and distress at, in his eyes, being replaced by Sora’s new friends and lashing out at Sora when Riku really wants nothing more than to be with Sora again. Riku initially bases his identity heavily on his relationships to Sora and Kairi, and he has to readjust and redefine who he is as things (relationships, roles, people, desires) change.

Yeah, that reminds me of how all the humanoid bodies without hearts — the Nobodies — immediately sought a replacement after their heart was separated from their body. The body needs the heart. It’s incomplete without a heart. It’s the same as light and darkness.

You’re right, I don’t think they ever explain what happens to someone’s light when they become a heartless. I think light and darkness are like energy in that they can’t actually be created or destroyed. If I had to guess… maybe the light goes to the hearts of people the heartless is/was connected to.

Kind of like how when darkness overcomes the world’s light, the light persists in the hearts of children. And also like how Kairi’s heart of light camps out in Sora’s heart when it’s threatened by darkness. And also like how tracing the hearts of the guardians leads Sora to the pieces of Kairi’s heart of light. And also like how Riku’s light, represented by the Keyblade, goes to Sora when darkness is consuming Riku’s heart. Our light lives on in the people who love us.

Sora and Terra are the only examples of heartless getting their lights back, I think, and it seems to be because their lights are hanging out in the hearts of the people who love them. People who miss them as much as their light misses its darkness. So yeah, the light that a heartless once had retreats to the still complete hearts that heartless is connected to. If there are no connections, the light returns to the universe/enters the newest or nearest heart — which is maybe how you explain Ventus’ light connecting with Sora’s newborn heart? Final answer lol.

Sora’s heartless in Coded saying “Hearts to sate my hunger” literally haunts me wtf 😐 fucked up rage form Sora hungering for light, and thus hungering for hearts, because his own light is no longer enough. But the light from these other hearts is always fleeting. He can only hold onto the darkness in every heart he consumes. And losing the light just as soon as he starts to feel it, taste it, only carves a deeper, darker pit inside of him. Makes the hunger worse, the pain that much more unbearable. So he just keeps attacking and consuming, chasing this light he can’t have as his darkness grows stronger 😐

Anti/rage Sora consuming hearts like heartless do, like his own heartless tries to do in Coded, is such a cool concept. But it would wreck Sora. Even if the hearts he consumes are ultimately saved — which in a canon situation, they would absolutely have to be — the second he registers what he’s doing or has done… 😬. The image he has of himself would shatter. It would just go so against who he is expected to be and has tried to be and who he wanted to believe he was.

But it would be really, really cool.

#also sora’s a vampire in Halloween Town isn’t he 😐#the monster most known for feeding on the lifeblood of others 😐#kingdom hearts #i am in love w sora’s connection to heartless following his temporary death in kh1 #i love when death is not brushed away when it is used as an allegory for a traumatic experience #when the trauma leaves its mark when the character is not the same as they were before #and i love characters like sora who don’t accept it and as such don’t process it #don’t grieve for the way life used to be or for who they no longer are #they can’t grieve because they can’t accept the loss #and it slowly destroys them #until they start acting like what they hate start becoming like what or who hurt them #yeah #i had another train of thought here but i lost it #this isn’t it but like #if any of the foretellers saw sora consuming people’s hearts his ass would be on a hit list

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polysyndetonaddictsupportgroup · 3 months

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Just finished reading Pez Dispenser Debris (I don’t even go there but I am fueled by Wiki articles and a love for your storytelling) and first of all—amazing!!! 10/10, I think I need to watch this series now.

Second, I noticed that (while very much distinct) Yuuta & Izuku have a lot of similarities in the voice you gave them—maybe it’s the constant panic attacks or perhaps both of them placing blame for everything squarely on their own shoulders, but ough it makes for the perfect blend of gut-punching angst. I’d love to hear any ramblings you currently have about either of them. I am currently obsessed with both of them now and am placing the blame on you <3

I’m gonna pretty heavily discuss some spoilers for my hero academia in this. I figured that was okay since you’d already read my fanfic and the wiki so the cat is out of the metaphorical bag. That being said, maybe wait to read this answer if you want to not be spoiled for more details in my hero.

Yuuta and Izuku absolutely have the most similar voices out of all of my narrators and it is 90% because they are both completely insane and in violent need of a Xanax and a nice soothing cup of chamomile tea. God I love them both so much. They should each be heavily medicated.

My hero academia is a pretty great watch through the Shie Hassaikai arc. The concept is entertaining, the characters are GREAT, and the world building is really cool.

Then the story sort of. Went to shit.

I tried for a while after that, but eventually had to stop watching. My friends and I have a group chat named “horikoshi just call us” because we got so despondent at the writing decisions after that arc.

Horikoshi. If you’re out there. If you’re reading this. Just call us. We just want to help.

That being said, my love for the characters maintains its death grip on me. I simply adore them. They’re delights.

Yuuta and Izuku, on their face, have a lot of similarities as protagonists. The aforementioned insanity and need of Xanax, of course, but the skeleton of the stories has a lot of common touchstones and themes, like:

Both characters have some kind of history with suicidal ideation or tendencies. In the second scene of JJK0, it’s established that Yuuta canonically tried to kill himself. In the first episode of BNHA, Izuku is told to kill himself by his bullies, in an act which appears to be common to izuku’s life, and the only reason Izuku comes up with to not do it is “then you’d get in trouble for telling me to do it.”

Both characters have severe self worth issues. Yuuta’s looking for a reason to be alive at the start of JJK0. He’s looking for a right to be alive. In a way, Izuku is too at the start of BNHA. At the open of action, he is told by everyone in his life that he is useless. His nickname is “Deku,” which uses some of the same kanji as “Dekunobo,” meaning blockhead. The most direct translation were given is that this is a way of calling him useless. He’s the powerless member of a society choked with superpower, and he’s been told his entire life that he can do nothing, that his dreams are pointless, and that he’s a burden who would be better off dead.

They’re both saddled with power they can’t fully control. Yuuta with Rika, and Izuku with One for All, a transferable power that’s too strong to be contained in his body.

They both have a close relationship with an impossibly strong mentor that they are implied to be the successor of. Yuuta with Gojo, as he’s second only to Gojo in the modern age, and Izuku with All Might (aka Toshinori Yaga), who he is more literally taking on the mantle of One for All from.

They both are chugging that Loving Their Friends Juice and have tried to kill grown men with their bare hands as a result

That all being said, they could not be more different characters and honestly aren’t all that similar.

I have this sort of lasting grievance with literary analysis when people take a list of common plot points or events and use them to make the argument that characters are similar or parallel one another. Like, that’s all facial. The real question is how do they substantively handle those events. How do their story arcs treat those things? How does their character react to them?

Yuuta and Izuku’s actual substantive characters don’t really react to those events in the same way at all. The analysis could go on all day in this respect, really, but the biggest difference is how their respective story arcs treat the cornerstone of their original conflicts.

Yuuta opens action with Rika as the cornerstone of his conflict. She’s who he wants to free, she’s who he’s chained to, and it’s her protection of him that makes him think he deserves to die. Izuku’s cornerstone, meanwhile, is his own Quirklessness. He desperately wants to be a hero, and everyone in his life tells him he can’t be because he is Quirkless. He’s useless because he’s Quirkless. He should kill himself because he’s Quirkless. He’s a burden and always will be because he’s Quirkless.

And while Yuuta’s arc reconciles him with his cornerstone, Izuku’s forgoes it entirely.

The story just. Forgets. That he’s Quirkless. They stop talking about it. It never comes up again. It doesn’t make any real big impact on his character or decisions. It’s one of my biggest axes to grind with how the story developed, and it’s actually one of the biggest reasons why I wrote pez dispenser debris.

Pez dispenser debris was actually inspired by this one piece of my hero academia art where Izuku is hugging his younger self. I don’t know if it was official art or fan art, and I have no idea where it is or where to find it because by god have I tried so I can find it and link it for credit/to boost it. I saw it literally years ago, thought “oh that’s cool,” wrote the original first scene of the fic (where Midoriya stops the bus and is hit by the Quirk), wasn’t feeling it, got distracted by other projects, went to law school, graduated law school, signed up to take the bar exam, and was suddenly electrified in the last fucking month of studying with this fugue state of feverish artistic inspiration. I have never written so easily or so compulsively in my life. I’d write for eight unbroken hours and it would be fucking magic every time. It was like an addiction. I was writhing with a need to create and had so much fucking anxiety about the test I was not studying for instead. The words could not be restrained.

Anyway I taught myself three subjects on the plane ride to the state I was taking it in and passed anyway so it’s fine we’re fine

The moral of the story is that this story has been cooking long enough for me to get two more diplomas than I had when I started it and I have no idea where to find that fucking piece of art that inspired it, but if I find it, I’ll reblog it so y’all can see it too.

The thing is, the narrative sort of forcibly excluding Izuku’s past as Quirkless would make total sense to me if it was used as something Izuku himself was doing.

Izuku necessarily had to hide the truth of his former Quirkless status at the start of action—he needed to keep the secret of One for All. Like, he could not let people find out that a Quirk was transferrable, but you know, just the most powerful one, and also he had it, please come torture it out of him.

But as the narrative goes on, that rationale becomes less important. He has people he can trust with it. And yeah, eventually One for All becomes more known, but the discussion is all about him being all might’s successor. Him being Quirkless and how that affected him and still affects him isn’t really discussed or treated as important. And Izuku doesn’t act like it’s important to him either. He never really thinks about it.

And I just hated that. Like. He spent almost his entire life as a member of society who was spit on. He’s had a Quirk for less than a year. How are his experiences with Quirklessness not important to how he interacts with the world?

The other point of contention I had was Mirio.

Mirio is this superstar of a senpai who takes Izuku under his wing. He has an extremely powerful quirk that’s only as effective as it is because he put in the work and learned how to handle it. He’s a perfect, eternally smiling paragon of heroism. He’s flagged early as the one out of everyone, including heroes with established careers, who is most likely to replace All Might.

He’s also the one who was supposed to get One for All.

His mentor had found him and trained him to be All Might’s successor. Before All Might could meet him, however, he found this feral raccoon child in a sewer and said “oh my god I can’t not offer him incomprehensible power within the first three hours of meeting him” and tripped face first into fatherhood.

During a rescue mission, Mirio loses his Quirk in a way that’s borderline irreversible. There’s no known cure, and the only possible one is dependent on a little girl learning how to control an extremely volatile and dangerous quirk and using it in a way she never has before.

So surely, they’re going to commit to that writing decision, right? He’s Quirkless. We’re bringing back having Quirkless characters. It’s going to be this sick as hell juxtaposition between Izuku and Mirio. We are at least going to force Izuku to reflect on his own times as Quirkless or have some kind of discussion about how Mirio is treated differently now that he is Quirkless.

But no. He gets his Quirk back by the next season. We don’t talk about it much. It’s more of a minor inconvenience than anything.

It’s almost as if the show accepted as an actual rule that you couldn’t be a hero without a Quirk. And then just. Forgot. Everything it had to do with its literal protagonist.

Anyway, I hated it.

In contrast, I fucking loved how yuuta’s storyline with Rika ends. That scene where Yuuta’s turning back to Rika, thanking her for loving him, telling him they can die together? I’m obsessed with it. I recently moved across the country and listened to that theme song on loop during the drive.

Yuuta and Rika’s love was unhealthy. They hurt each other. But it wasn’t malicious.

They just didn’t know how to love each other in a way that didn’t hurt.

They were in shit circumstances. But the love was there.

Yuuta felt guilty for Rika’s love for him and his for her almost the entire narrative. He thought he cursed her with his love. He wanted to kill himself because of how she hurt people out of love for him. It’s why I have moments in sea glass gardens where Yuuta talks about begging Rika to stop loving him—he didn’t know why love had to hurt so goddamn bad, and he’s sorry for that, he really is. He wishes he was better at it than he was.

At the end of JJK0, Yuuta truly is the last person who remembers Rika as she was and still loves her for who she is. He’s faced with Geto, who wants to use her as a weapon. Everyone treats her as a threat or a tool, except for Yuuta.

Like. Just that moment. Of loving someone so genuinely, and being the last one who does, and knowing that everyone else will just use them. I’m obsessed with it.

Yuuta reconciles with his love for Rika and her love for him, and they’re both finally freed. It’s this perfect moment of acceptance that I adore. He comes to terms with his past. It doesn’t hurt him so much anymore.

I wrote pez dispenser debris to sort of force Izuku to have that kind of reconciliation. As it is, he hasn’t reconciled with his own Quirklessness and how that affected him. I wanted to give him something he couldn’t physically escape and had to face.