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murasaki-cha · 7 months

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I'm rereading TLT because I have horrible impulse control and i will never get over the stark contrast of the Lotus Casino scenes of both the movie and book

Because movie Percy's like:

Percy: *high on lotus flowers having the time of his life* This is amazing~

Poseidon: *godly whispera in his brain* Percy you're in trouble get out of there

Percy: Oh sh*t he's right! We gotta go

Meanwhile the absolute perfection book Percy goes:

Percy: *while playing games* Oh man I having a great time! I feel warm and happy and relaxed and safe and enjoying life! I have not felt this amazing in years!

Percy:.....

Percy: something's horribly wrong

#I've talked too much about the movies in the past two days #ew #put the casino scene is iconic you gotta admit #pjo #percy jackson #percy jackon and the olympians #percy jackson and the olympians #lotus casino #the lightning thief

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mydairpercabeth · 4 months

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what if i jumped off something very high

#THIS WAS THE MOST PERCABETH EPISODE IVE EVER SCENE #THEY ARE BREAKING MY HEART #REAL LOVE IS BACK #PERCABETH YOUR CROWN IS SECURE #percy jackson #annabeth chase #percabeth #percy and annabeth #percy jackon and the olympians #percy jackson the lightning thief #pjo #pjo tv #percy series #pjo tv show #walker scobell #leah sava jeffries #leah jeffries

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diamondsunbursts-and-marblehalls · 3 months

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do you- do you think that maybe, sometimes when Sally's feeling sad or overwhelmed she makes an offering and Poseidon sends rain to let her know she's not alone?

#i 100% think that's what was happening in the first scene #the implications of the rain starting right when she drops the match in the milkshake are insane #don't mind me #i'll just be over here bawling my eyes out #they are actually one of the greatest love stories in these books #percy jackson #percy jackson and the olympians #percy jackon and the olympians #pjo #pjo tv show #the lightning thief #pjo tv series #sally jackson #poseidon #sally and poseidon #episode 7

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sneezypeasy · 2 months

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The Lightning Scene, How Azula Targeted Katara (of All People), and the Doylist Reason Why That Matters

Mention Zuko's sacrifice for Katara in Sozin's Comet Part 3 as part of a pro-Zutara talking point, and invariably you'll get a Pavlovian response of:

"But Zuko would have taken the lightning for anyone."

(Not to be confused with the similar-sounding Pavlovan response, which is "Zuko's sacrifice ain't shit compared to a mouth-watering, strawberry-topped meringue dessert"*, which is actually the only valid counter-argument to how the lightning scene is a bona fide Zutara treasure, but I digress.)

Now, I've talked in depth about how the lightning scene is framed far more romantically than it had any right to be, regardless of how you might interpret the subject on paper; this is an argument which I still stand by 100%. That Zuko would have gotten barbecued for anyone, and that he was at the stage of his arc where his royal kebab-ness represented his final act of redemption, doesn't change the fact that the animators/soundtrack artists decided to pull out all the stops with making this scene hit romantic film tropes bingo by the time it played out on screen.

(I mean, we stan.)

There's also a deeper level to this conundrum, a layer which creeps up on you when you're standing in your kitchen at night, the fridge door open in front of you, your hungry, sleep-deprived brain trying to decide on what to grab for a midnight snack, and quite inexcusably you're struck with the question: Okay, Zuko may indeed have taken the lightning for just anyone, but would Azula have shot the lightning at just anyone?

But there's yet a deeper layer to this question, that I don't recall ever seeing anyone discuss (though if somebody has, mea culpa). And that is: would you have written Zuko taking the lightning for anyone else?

Or in other words, who Zuko would have taken the lightning for is the wrong question to be asking; the question we ought to be asking is who Zuko should have taken the lightning for, instead.

Get your pens out, your Doylist hats on, and turn to page 394. It's time to think like an author for a hot minute.

(If you don't know what I mean by Watsonian vs. Doylist analyses, and/or if you need a refresher course, go have a skim of the first section of this 'ere post and then scoot your ass back to this one.)

So. You're the author. You've written almost the entirety of an animated series (look at you!!) and now you're at the climax, which you've decided is going to be an epic, hero-villain showdown. Classic. Unlike previous battles between these two characters, your hero is going to have a significant advantage in this fight - partly due to his own development as a hero at the height of his strength and moral conviction, and partly because your villain has gone through a bit of a Britney Spears 2007 fiasco, and isn't quite at the top of her game here. If things keep going at this pace, your hero is going to win the fight fairly easily - actually, maybe even too easily. That's okay though, you're a talented writer and you know just what will raise the stakes and give the audience a well-timed "oh shit" moment: you're going to have the villain suddenly switch targets and aim for somebody else. The hero will be thrown off his groove, the villain will gain the upper hand, the turns will have indubitably tabled. Villains playing dirty is the number 1 rule in every villain handbook after all, and each of the last two times your hero's braved this sort of fight he's faced an opponent who ended up fighting dishonourably, so you've got a lovely Rule of Three perfectly lined up for the taking. Impeccable. The warm glow of triumph shines upon you, cherubs sing, your English teachers clap and shed tears of pride. (Except for that one teacher you had in year 8 who hated everybody, but she's a right bitch and we're not talking about her today.)

Now here's the thing: your hero is a hero. Maybe he wasn't always a hero, but he certainly is one now. If the villain goes after an innocent third party, there's basically no-one your hero wouldn't sacrifice himself for. He's a hero! Heroes do be like that, it's kind of their thing. The villain could shoot a bolt of lightning at Bildad the Shuhite, and the only thing that'd stop our boy Redeemed Paladin Bravesoul McGee from shielding his foxy ass is the fact that Bildad the Shuhite has the audacity to exist in a totally different show (disgusten.)

But. You're holding the writer's pen. Minus crossover shenanigans you don't have the licensing or time-travel technology to achieve, you have full control over how this scene plays out. You get to decide which character to target to deliver the greatest emotional impact, the juiciest angst, the most powerful cinematic suspense. You get to decide whose life you'll put at risk, to make this scene the most intense spine-chilling heart-stopper it can possibly be.

This is the climax we're talking about, after all - now is not the time to go easy on the drama.

So.

Do you make the villain target just anyone?

Or do you make the villain target someone the hero cares about?

Perhaps, someone he cares about... a lot?

Maybe even, someone he cares about... more than anybody else?

You are the author. You are the God of this universe. You get to choose.

What would deliver the strongest punch?

If you happen to make the inadvisable decision of browsing through these tropes on TV tropes, aside from wasting the rest of your afternoon (you're welcome), you'll find that the examples listed are littered with threatened and dead love interests, and, well, there's a reason for that. For better or worse, romantic love is often portrayed by authors, and perceived by audiences, as a "true" form of love (often even, "the" true form of love). Which is responsible for the other is a chicken/egg situation, one I'm not going to go into for this post - and while I'm certainly not here to defend this perspective as objectively good, I do think it's worth acknowledging that it not only exists but is culturally rather ubiquitous. (If you're playing the love interest in a story with a hero v. a villain, you might wanna watch your back, is what I'm saying.)

Regardless of whether the vibe you're aiming for is romantic or platonic however, one thing is for certain: if you want maximum oomph, the way to achieve that is by making the villain go after the player whose death would hit the hero the hardest.

And like I said, this doesn't have to be played romantically (although it so often is). There are platonic examples in those trope pages, though it's also important to note that many of the platonic ones do show up in stories where a love interest isn't depicted/available/there's a strong "bromance" element/the hero is low-key ace - and keep in mind too that going that route sometimes runs a related risk of falling into queer-bait territory *coughJohnLockcough*

That said, if there is a canon love-interest available, one who's confessed her love for the hero, one who has since been imprisoned by the villain, one who can easily be written as being at the villain's disposal, and who could quite conveniently be whipped out for a mid-battle surprise round - you might find you have some explaining to do if you choose to wield your authorly powers to have the villain go after... idk, some other sheila instead.

(The fact that this ends up taking the hero out of the fight, and the person he sacrifices himself for subsequently throws herself into the arena risking life and limb to defeat the villain and rescue her saviour, also means the most satisfying way this plays out, narratively speaking, is if both of these characters happen to be the most important person in each other's lives - at least, as of that moment, anyway - but I think this post has gone on long enough, lol)

This is, by and large, a rebuttal post more than anything else, but the tl;dr here is - regardless of whether you want to read the scene as shippy or not, to downplay Zuko's sacrifice for Katara specifically as "not that deep™" because "Zuko would have taken the lightning for anyone anyway", suggests either that a) nobody should be reading into the implications of Katara being chosen as the person nearest and dearest to Zuko, so that putting her life in jeopardy can deliver the most powerful impact possible for an audience you'd bloody well hope are on the edge of their seats during the climax of your story or b) the writers made the inexplicable decision of having the villain threaten the life of... literally who the fuck ever, and ultimately landed on someone who's actually not all that important to the hero in the grand scheme of things - which is a cardinal writing sin if I ever saw one (even disregarding the Choice to then season it with mood lighting and sad violin music, on top of it all), and altogether something I'd be legitimately pissed about if my Zuko-OTP ship paired him with Mai, Sokka, or just about anybody else 😂

Most importantly c) I'm hungry, and I want snacks.

*The Aussies in the fandom will get this one. Everyone else can suffer in united confusion.

#zutara #anti anti zutara #lightning scene ramblings #meta #long post

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memequeme · 13 days

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Madeline Miller, The Song of Achilles // 9-1-1, Season 3, Episode 15, Eddie Begins // Homer (trans. Robert Fagles), The Iliad

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number-onekidqueen · 3 months

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Just a friendly reminder that Annabeth accidentally witnessed her older, big brother the boy she loved and trusted more than her own dad betray her and all she stood for and attack her friend.

Imagine how still she must’ve been in disbelief and pain.

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lowpolybread · 4 months

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You are frightened. It’s all right, Percy. Your father sent me to tell you, it’s all right. Just breathe. Your father is here. He’s always been here. It is so hard for him to stand back. To see you struggle. It is so hard for us all. But he’s here. And he’s so very proud. Trust him. Trust yourself. Just… breathe.

PERCY JACKSON AND THE OLYMPIANS 1x04: I Plunge to My Death

#bread stuff #sliced bread #pjo #percy jackon and the olympians #pjoedit #pjo tv show #pjo series #percy jackson tv show #percy jackson #the lightning thief #pjosource #pjotvedit #percyjacksonedit #tvedit #100 #sorry i HAVE to gif the st louis scenes #there is no greater joy than seeing the scene where percy falls from the arch #lol edited to move the text from the first gif to the second my bad #st louis

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shopcat · 11 months

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i think in the hamster wheel of my mind a big part of where people go wrong with eddie and his shitty garage band as an extension is that they for some bizarre reason think he's gene simmons metal when he's jack black metal. heavy metal. he's tenacious d metal. he's school of rock. he's stoner lord of the rings metal he nearly wore blue jeans and plaid. jack black literally in real life once said eddie was the best character bc he's heavy metal like him. LOOK AT THIS

#🍦#answer it's bc people think he's some mishmash of all alternative scenes without any actual knowledge of where the mashing occurs 😭#eddie is . a heavy metal guy. A cool one. a nice one even. he likes rock and roll #it's so funny when ppl try and describe it and they've never heard the stuff he actually listens to in their lives for some reason #literally so much of the appeal of eddie's character within his subculture is that its theatrical and dramatic but its still grounded #he's very alternative and Out There but he's still just some guy. he's not wearing spiked leather jackets #in fact he's not wearing any of the other kinds of leather jackets i've seen people say he would ... TO ME #sts #if u haven't seen the clip he then proceeds to air guitar the MoP melody then shouts heavy metal is everywhere #i don't even know how to explain this bc it's like ... okay #the general .. VIBE? aestheticsm? is kind of similar to what people sometimes portray but they're missing thst it's tongue in cheek #like it's like that buff poster of him being this anachronistic homage to heavy metal album covers #fire and satanic imagery and skulls and lightning and big drama and ROCK AND ROLL #it's rock and ROLL man...#and people r making him this weird sanitised dork LOL 😭 when he's a dork in a different more fun way.. imo #and it's not that those types of people don't exist and that they're not cool in their own way cuz they are sure but that's not THIS GUY #he is an 80S METALHEAD... and yeah i try and ground him in thinfs and poke and prod at it until it fits my own understanding of alternative #scenes better but that's bc i've had a hand in the punk scene for years and years #i dunno sometimes i feel like ppl r just not doing the full potential and then going way too hard in this super specific direction #and he ends up first of all usually just a massive douchebag not sure what that's about. But a guy who he would in canon HATE 😭#YOU ARE MAKING HIM A POSER. is what i'm saying #he is alwyas some guy before he's anything else and before he's that he's a 20 year old loser #you need to reflect this... You need to bottle it. ugh. ugh #so much of this reminds me of the time someone was like he would never wear PLAID #like are you kidding me. are you actually kidding me rn #ppl have this weird arstheticised mostly modern and mostly literallt just eboy Idea of what he'd wear it's crazy to me sorry #also it's ugly #i also think. this is so long lol . anyway . i also think going too ''authentic'' in the 80s metalhead direction also lands u w different #problems. my advice to people trying to write or draw alternative characters is they are People. before they are anything else #🍏

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try-set-me-on-fire · 10 months

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Ok well i had the brief thought “what about an ER nurse Eddie au?” and then this popped fully formed into existence so fuck it Friday pt 2.. warnings for smoking and vague references to critically injured kids

“That doesn’t seem very healthy.”

Smoke curls up from the cigarette held loosely in Eddie’s hand. “It’s not, particularly.”

Buck’s hands are in his pockets as he strolls away from the glass doors out into the ambulance bay where Eddie is doing the mature, professional equivalent of playing hide and seek. He comes to a stop barely a foot or two away from where Eddie leans against grimy concrete. “Didn’t know you were a smoker.”

“I’m not,” Eddie sighs, “Particularly.” He looks over Buck’s face as he takes a drag, cataloging bruises and cuts. He hadn’t been the one to look him over before he was discharged, probably because he was out here avoiding having to do so. “Only when it’s- only after the bad shifts.” And only once a month, even if the bad shifts come again and again. He bought this pack in January, it’s stale as shit.

Buck’s eyes follow the smoke as it drifts skyward. “Rough one today?”

Eddie thinks he probably doesn’t have to explain to Buck that it’s sometimes better when a kid is dead on arrival so he doesn’t have to try his best to administer care he knows will be useless. He doesn’t have to explain a day where nothing goes right and he loses more people than he can save and he still has to walk away from someone’s parent or wife or sister, left behind forever in a waiting room on the worst day of their life, and go on to lose the next person too. Doesn’t have to explain why he’s out here, and not in there. “Mm. We’ve got this repeat customer, always hate to have him back.”

Buck’s eyes flick to his face before they settle somewhere around his elbow. “Yeah?”

“Yeah. He seems like a nice guy. I worry about him. He’s here too often.”

Buck doesn’t look up. “What was he in for this time?”

“Minor concussion. Bruising. Lacerations.” Eddie sucks cancer into his lungs. “Heard a house fell on him.” Exhales it into the night.

Buck does look up this time, eyes a darker blue out here in the shadows. “Part of a house. Just a staircase and the- like, the balcony, really.”

“Maybe he should stay away from those.”

“From houses?” Buck asks, half his mouth twitching into a smile.

Eddie rests his head on the wall behind him. “Guess that’s not really practical.”

“No.” Buck is quiet for a moment, one hand slipping out of his pocket and running through his hair. Eddie wonders what he looks like, when he’s not here. He’s more styled, sometimes, when things aren’t very bad. He wonders if he’s usually all gelled up and neat. Eddie kind of likes the loose curls. “I’m sorry.”

“For what?”

“Making your day worse.” Buck looks genuinely apologetic, and Eddie shakes his head.

“The guy made it out okay this time.” Buck is just close enough that Eddie can kick at his boot with his sensible orthopedic sneaker. “You didn’t even need stitches.”

“That’s good.” Eddie’s left foot is pressed along the inside of Buck’s right, and Buck is staring down at them. “His favorite nurse was on break. I would have missed you if someone else had to do them.”

Eddie laughs, just a few bursts of soundless oxygen. “You gotta find new ways to see me before something happens that I can’t fix.”

Buck moves, taking the few steps necessary to lean against the wall beside him. Carefully, he takes the cigarette from Eddie’s hand, holds it between two of his own fingers, and takes a drag. Eddie watches it happen like he’s monitoring somebody’s pulse ox, and when Buck coughs he laughs again, louder this time. “Fuck,” Buck says, laughing too. “Thought that would be cooler than it was.”

“Smoking isn’t cool, firefighter Buckley,” Eddie says, taking the cigarette back and pulling from it again between smiling lips.

“Hm,” Buck says, grinning out into the night. Then he sighs, and rolls his head along the concrete to look at Eddie. “I think there’s nothing you can’t fix.”

They’re very close. “There’s lots I can’t fix.”

Buck shrugs like he disagrees. “I also think I’d like to find other ways to see you.”

Buck’s eyes are even more in shadow at this angle, and they’re the color of the lake back in El Paso that he and a bunch of kids went to after graduation, drunk off beer somebody’s cousin got for them, skinny dipping with breathless terrified delight under bright constellations. “Then ask me.”

Buck inhales as Eddie exhales. “What time’s your shift end?”

“5:30 AM. So, probably 6:15.”

Buck traces the two fingers he’d used to hold the cigarette down Eddie’s arm. “You wanna get breakfast with me?”

“Yes. I would.”

Buck smiles, and Eddie snubs out the cigarette on the wall between them. “I’ll meet you here?”

“Alright.” He takes a step forward, then a step to the right so he’s standing in front of Buck. “Two hours.”

“Uh huh.”

He should really get back inside. They’re understaffed, as always, and there are too many patients, as always, and not enough beds, as always. “See you then.” He doesn’t make any move to leave.

“See you then,” Buck almost whispers. He leans forward, and Eddie still doesn’t move, so he presses a tiny kiss to the corner of his mouth for just a moment. His lips are warm. Eddie hadn’t noticed it was cold outside.

Buck pulls back and leans against the wall again. Eddie smiles, puts a hand in his pocket, and walks back toward the doors.

#my writing #fuck it Friday #i swear I’m going to finish trapped buck and Chris and work on proposal fic before i work on this more #but it would be a bunch of glimpses of Buck’s various hospital trips from Eddie’s nurse perspective #and maybe shuffle some events around? like maybe eddie still gets shot but by a disgruntled former patient this time and #so he does a stint in the maternity ward and buck shows up there #and Eddie is like you’re having a kid?#and bucks like no my sister is what are you doing here #and when buck gets the story he’s like fuck. shit. im sorry i wasnt there #and eddies like picturing seeing buck in that moment of violence and says im glad you weren’t #also Eddie could still be the one who restarts his heart after the lightning strike #this bit is maybe the last scene actually sorry for posting the end first #have a good breakfast boys #buddie #evan Buckley #eddie diaz #911 abc

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driedscones · 1 year

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“Son of the Sea God” 🌊

#art #illustration #drawing #digital art #digital #fanart #color #digital drawing #digital fanart #digital illustration #percy jackson fanart #percy jackson #pjo #pjo fanart #percy jackon and the olympians #the lightning thief #that one iconic scene

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mcqraw · 8 months

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#dungeons and dragons #dungeons & dragons: honor among thieves #edgin darvis #xenk yendar #holga kilgore #xenk x edgin #xedgin #chris pine #regé jean page #michelle rodriguez #rewatched yesterday and these two are so f funny together #i love this scene #but the lightning is awful 🫠#d&d #my stuff

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mydairpercabeth · 3 months

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T as in Tartarus

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starboysbrainrot · 3 months

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“Poseidon” Said Chiron. “Earthshaker, Stormbringer, Father of Horses. Hail, Perseus Jackson, Son of the Sea God.”

#percy jackon and the olympians #percy jackson #perseus jackson #okay look in my 19 years of living I HAD NEVER READ PJO #BUT NOW I JUST FINISHED READING THE FIRST BOOK AND #IT’S ABSOLUTELY FANTASTIC #so here’s a little fan art and my interpretation of that famous scene #fan art #digital art #pjo #percy jackson the lightning thief #pjo chiron #pjo fanart #pjo art #percy pjo #pjo percy #art #my art : pjo

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tsukouis · 6 months

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Background study from Cars.

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dam-bluecookies · 3 months

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MY BIGGEST COMPLAINT ABOUT EP 6 IS THAT PERCY DID NOT FREAKING TALK TO THE ZEBRA. AND THERE WAS NO PERCABETH TRUCK BONDING. WHY? WHAT CRIMES HAVE I COMMITTED TO NOT GET THOSE PRECIOUS SCENES

#EARTHSHAKER. STORMBRINGER. FATHER OF HORSES!! MY BOY PERCY DESERVED THAT SCENE #pjo #percy jackson #pjo tv series #pjo tv show #the lightning thief #annabeth chase #percabeth #las vegas truck ride #pjo tv adaptation #pjo tv spoilers

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themadknightuniverse · 9 months

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Tell me again

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