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even-disco-baby · 1 year

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SMOKER ON THE BALCONY — “Hello again, gendarme.” He smiles at you— not from his usual post, but from one of the cafeteria tables. A small sketchbook is laid out in front of him, along with some odd gray sticks.

ENCYCLOPEDIA — Compressed graphite. Not quite as bold or blendable as charcoal, but certainly less messy.

EMPATHY — Garte will appreciate it.

“I’d like to talk about the case again.”

“You moved! I didn’t know you could do that.”

“What are you drawing?”

SMOKER ON THE BALCONY — “That’s the question, isn’t it?” His smile turns a little rueful. “I found one of my old sketchbooks and thought I’d like to fill the last few empty pages, but I’m finding myself a little… uninspired.”

CONCEPTUALIZATION — The accursed artist’s block. Staring down an empty page only for it to stare back, mocking you.

EMPATHY — He is unsure of himself. He said this was an old sketchbook. Maybe he’s afraid of drawing something new beside his old work and seeing that nothing has changed.

“Ah, yes. Artist’s block. I know it well. In fact, I don’t know when the last time that I actually *made* any art was.”

“You could draw the cafeteria.”

“You could draw one of the other diners.”

SMOKER ON THE BALCONY — “A life drawing exercise, huh? And who would you pick as a subject, gendarme?”

“I don’t know. You’re the artist.”

“Maybe Garte? The skua could be a fun challenge.”

“You should draw the guy with the wig and sunglasses over there. He looks pretty funny.”

“Lena! She’d probably love to model for you. It would take her mind off things.”

“Kim, how about you pose for him?”

[Suggestion - Medium 10] “Why not me?”

KIM KITSURAGI — “No.”

He has nothing more to say on the matter.

“Aw, why not? You’d make a great model!”

Let it go.

KIM KITSURAGI — “I do not get paid to model for portraits. I get paid to solve murders. Such as the one we came here to investigate. Several days ago. Which has not been solved yet, for some mysterious reason.”

ESPIRIT DE CORPS — In case you couldn’t tell, that was sarcasm.

“Come on, Kim. You’re the perfect subject! A true man of the people. And there’s this sort of radiance about you… I can see the portrait already, just looking at you. Really clearly, actually.”

Maybe don’t say that. He’s just not gonna get it.

SMOKER ON THE BALCONY — He shrugs. “Sorry, gendarme. It’s not right to use someone’s image without permission, you know? Maybe some other time.”

KIM KITSURAGI — “No.” And then, a little awkwardly, “But thank you.”

“I don’t know. You’re the artist.”

“How about Garte? Though, you’d have to draw the skua, too…”

“You should draw the guy with the wig and sunglasses over there. He looks pretty funny.”

“Lena! She’d probably love to model for you. It would take her mind off things.”

“Kim, how about you pose for him?”

[Suggestion - Medium 10] “Why not me?”

CHECK SUCCESS

YOU — “Why not me?”

SMOKER ON THE BALCONY — He considers you with some amusement, but still, he does consider. “You’re not too busy?”

“On second thought, you’re right, I have some work to do right now. Another time, maybe?”

“Nope. Not at all.”

KIM KITSURAGI — The lieutenant sighs audibly.

ESPIRIT DE CORPS — What did I *just* say?

SMOKER ON THE BALCONY — He chuckles to himself, apparently quite tickled by the little comedy act you two are making of yourselves. “Beautiful. Why not? Have a seat. I’ll try not to keep you too long.”

KIM KITSURAGI — “Much appreciated,” he says drily.

YOU — [Take a seat.]

SAVOIR FAIRE — Time to strike a pose. Let’s go with something cool. Something that really captures what you’re all about.

ENDURANCE — But make sure it’s something that you’ll be able to hold comfortably.

Wink and shoot him your signature finger guns.

Look at him with big sad eyes like a shamed puppy.

Look thoughtfully into the middle distance, as if contemplating your own future masterpiece.

Stare straight at him with eyes that have seen how this world will end.

Hold your head up high. With *honor.*

Just sit and act natural. No need to put on airs.

SMOKER ON THE BALCONY — He looks you up and down, thumbing his bottom lip. His eyes look brighter and more alert than you have ever seen them. And then, he picks up his graphite and begins to work.

His eyes dart between you and the page, his hand sweeping across the page in bold, practiced strokes. All traces of his earlier hesitation have vanished.

VOLITION — Sometimes, a little push is all we need.

SMOKER ON THE BALCONY — Every now and then, he pauses to look up at you, and it’s almost unnerving to be the subject of whatever calculations are going on behind his eyes. He holds out his graphite, squinting just slightly.

VISUAL CALCULUS — This is called sighting. He’s roughly measuring the relative proportions of your figure and checking them against his sketch.

KIM KITSURAGI — Even the lieutenant is watching now, interested in spite of himself.

“Are portraits your specialty?”

“Have you been drawing anything for school lately?”

Better not distract him.

SMOKER ON THE BALCONY — “Hmm…” He ponders this for a moment, not looking up from his work. “Not exactly. I’m more interested in the graphic arts than this sort of thing. But it’s best to build a strong foundation before branching out, you know?”

YOU — “Graphic arts? Like what?”

SMOKER ON THE BALCONY — “Printmaking.” A small smile tugs at the corner of his mouth as he speaks, seemingly without him even noticing. “Monotype, especially.”

ENCYCLOPEDIA — Monotype is a printmaking technique that is singular from other techniques, in that it produces only *one* unique print, rather than an edition of multiple prints.

YOU — What, really? What’s the point of printing it, then?

ENCYCLOPEDIA — I don’t know. I didn’t invent it.

“Why monotype? Wouldn’t a different technique be more… practical?”

“I see.” [Drop the subject.]

SMOKER ON THE BALCONY — He shrugs slightly, smudging a bit of graphite with a bare finger. “Depends on how you define practical, I suppose. If I had my own studio, and I was selling my prints, then maybe. But we make do with what we have, gendarme.”

EMPATHY — And what he has is very little.

SMOKER ON THE BALCONY — “Besides, I think monotype has its charms.”

The young man does not elaborate, instead focusing on the work at hand. He picks up an eraser that has been shaved down to a point for fine detail work, and begins on what are likely the finishing touches.

EMPATHY — He has already talked at uncharacteristic length about this. It’s making him a little uncomfortable.

SAVOIR FAIRE — He doesn’t like to share too much about himself because it makes him feel *uncool.* He prefers to maintain an air of mystery.

RHETORIC — It’s safer, too, that way. He’s learned that passion exists to be exploited. False promises and admiration are the offerings of Sunday friends.

“If you say so.” [Back off.]

“What kind of charms?” [Press on.]

SMOKER ON THE BALCONY — His eyes flit back to you, sizing you up now in a different way. And then he looks back down at the page with a quiet bre ath.

“Well, it doesn’t take as much time or labor as other methods. Or expensive tools, or dangerous chemicals. Just paper, a plate, ink, and something to apply it with. And I can use the same plate over and over again, even use it to create different layers for the same print.”

RHETORIC — In other words, it’s cheap and can be done from home. An attractive option.

SMOKER ON THE BALCONY — “And with monotype, it’s not so hard to go back and change your mind. You can start over as many times as you’d like, right up until the moment you lay the page on the plate.”

INLAND EMPIRE — That really does sound attractive. To be able to wipe the slate clean, over and over again…

SMOKER ON THE BALCONY — “There aren’t as many limits on what kind of textures you can create, too. Brushstrokes and fingerprints… They can really come out beautiful.”

His brow creases a little, and he picks his graphite back up to rework a particular area.

DRAMA — He’s still holding out on you, sire. Too self-conscious to admit what he really likes about the medium.

YOU — Which is what?

EMPATHY — Fragility.

CONCEPTUALIZATION — An image which is only complete after being mirrored and translated, never to be recreated except as a ghostly afterimage. An exercise in surrendering to chance. What will be, will be. And then the moment will pass, and it will be time to start the next piece.

VOLITION — This man knows disappointment intimately. It is his closest companion. He has learned to make peace with it. He passes the time with his Sunday friends, lays his paper on the plate and hopes, despite himself, for the best.

YOU — Is that… a good thing?

VOLITION — …It’s hard to say. But we make do with what we have.

SMOKER ON THE BALCONY — “There.” The young man sits up straight, and it’s only now that you realize just how close he brought himself to his work.

DRAMA — His face may not betray him, but the body does not lie. He was having *fun,* my liege.

SMOKER ON THE BALCONY — “All done.” He tears the page from his book and holds it out to you with a small smile.

ITEM GAINED: Portrait of a Disco Holdover

SMOKER ON THE BALCONY — “Hope I didn’t keep you too long.”

KIM KITSURAGI — “Don’t worry about it,” Kim says, rather resignedly.

ESPIRIT DE CORPS — If you’d declined, the lieutenant thinks, my partner would have just found some other way to get sidetracked.

KIM KITSURAGI — Still, he cannot stop himself from glancing at the portrait over your shoulder.

PORTRAIT OF A DISCO HOLDOVER — It’s you! Unfortunately. Not even the most masterful hand could make the Expression less unsettling to look at. Your posture is poor, your face is swollen and blotchy, your hair is thinning, your clothes are shabby and out of place… I could go on.

Oh god, you could?

Please don’t.

PORTRAIT OF A DISCO HOLDOVER — But, you know… it’s nice. The smoker’s technique is bold and rather lovely, broad strokes of graphite intersecting in just the right places to create surprising depths. Somehow, even though it’s you… it’s not hideous.

EMPATHY — Because you’re seeing yourself through another person’s eyes.

CONCEPTUALIZATION — There is an odd tenderness to the portrait. Something amusing in your grimace, a touch of sympathy in your hunched shoulders. With the eraser, he has lifted small spots of pigment from your face, as if it were illuminated by flecks of light from the karaoke disco ball.

There are no disco lights tonight, but still, he sees them when he looks at you. Your moment has passed, but it left quite the impression. A ghost print, superimposed over you.

“Not bad, but the bicep girth is off. Right, Kim?”

“Oh god, is that really what I look like?”

“Hmm. It’s okay, but you should consider a backup career plan.”

“Whoa, you’re amazing! Can you draw me again, but this time in the costume from the cover of Man from Hjelmdall and the Devil Woman? And like, with a really cool warhammer? And Queen Lydiaana standing in the background, all like, ‘boohoo, where will I ever find another man like Ha— I mean, the Man from Hjelmdall?’”

“Beautiful.”

SMOKER ON THE BALCONY — His smile climbs up into the corners of his eyes, warming his entire countenance.

CONCEPTUALIZATION — If you were to capture a portrait of him in this moment, it would be beautiful, too.

#disco elysium #harry du bois #the smoker on the balcony #kim kitsuragi #this one is. so self indulgent. i like the smoker i like to think abt him #and assign him my art student interests #anyway. oh the joy of making art and showing ppl what they rlly look like in your eyes #and oh the beauty of monotypes and printmaking and hoping for the best #GODDAMMIT I FUCKED UP THE FORMATTING AGAIN AND DIDNT CATCH IT UNTIL LIKE 12 HOURS LATER.#if you saw that. no you didn’t.

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factorialsotherfandoms · 7 months

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"Philza, can we be serious for a second?" Fit asks, one day.

"I'm listening." Philza turns, his attention granted once more

"If we ever get off this island, what are we going to do?" The question has been haunting Fit for some time; it is only right he asks one of his closest friends.

"… Go back to where we came from, I suppose." Philza, to his credit, seems melancholnic with the answer.

"But the kids, Phil," Fit's voice tenses on the words. "I can't take Ramon with me - you've seen where I live. I can't take a child there, never again."

"You've changed, mate."

"Philza."

It's not wrong, but its not what Fit wants to talk about. Not in the slightest, or at all - Philza has changed too, after all. For the more vulnerable, in both their cases.

There is silence a moment, before Philza sighs. "I get you," another pause. "I love my hardcore worlds, but… one life and you're dead. It's the thrill of it, it's the beauty of it, I'm sure I could make somewhere safe enough for my eggs, but… they shouldn't have to live in fear of death. Not ever, not any more, never again. Hell, not even Wil lives with me there, and he's an adult. Beautiful as it is its a solo world for a reason, you know?"

"Then you get me."

"Yeah, I get you."

Probably better than anyone else in the worlds.

There's silence again for a few moments, broken only by the sounds of using Phil and Missa's warp as a shortcut to spawn. Fit is quite content to let it sit, to simply know that the problem is shared, that he's not the only person both deseperate to escape and terrified of what that means.

The interruption, however, drives Philza to speak again. "Fit, what do you want to say?"

Does he want to say something else? Fit doesn't know, but assumes Philza must have some idea. "… I'm not sure," he says. "But I think some of the others don't have suitable homes either."

"Do any of them?" Philza replies. "I'm not even sure Wil /has/ a home at this point."

"Right. And the Brazilians. I don't know exactly, but Phil-" Fit pauses, unsure if he should finish that sentence, before deciding to hell with it, Philza will recognise it anyway. "Pac and Mike were using the boat to put distance between them and the law after their past caught up. Dunno about the others, but can't imagine its great if they shared a boat together."

Philza whistles, clearly not surprised. If anything, slightly impressed - FIt could always trust him with that. "Guess its a habit of theirs."

"I'm serious, Philza." Fit reminds him.

"No same," Philza gestures a bit. "I don't know them like you do, but Pac and Mike... They deserve a chance, let alone Richarlyson."

So do all the children, Fit doesn't say. He's done crimes enough against children before.

Philza waits, and when Fit doesn't continue, does so himself, "I don't know much about the French before they came here, or Foolish, but Bad was already working multiple part time jobs, and if he had a home it wasn't best suited to a kid."

"Vegetta? Missa?" Fit asks. "Does Quackity have somewhere to go maybe?"

"Dunno about most. Missa's a bit like Wil, though," Philza smiles softly at the thought, before it turns a little sadder. "Never stays anywhere very long, and with the skeleton thing and his reaction to this shack… pretty sure it's not by /choice/ he's doing the travelling musician act. Wil at least has somewhere to return to, Missa nearly burst into tears at four walls made of fences and a cheap roof."

"Well shit."

"Definitely can't take Missa to hardcore, either," Philza continues the thought. "I could make an area safe for Tallulah. Missa? He'd die as soon as I looked away from him and I /can't/ loose him. Not now."

"Travelling musicians, ex-cons, men who live alone without any contact, old hands in an eternal wasteland... The Feds clearly picked people who wouldn't be missed," Fit frowns a little, struggling to think of anyone who bucks that trend.

Philza doesn't reply to that. Fit doesn't think it too odd but, after he doesn't respond for a while, he looks over. There's a clear look on Philza's face, one that has ended empires and built others anew.

"Philza?"

"I do have… a bit of a plan. Not a lot of one. But I've been thinking."

"Thinking, eh? Using that beautiful brain of yours?" Fit doesn't know if he should be terrified or excited, and so falls back on the oldest trick in the book - flirting.

"Oh shut up big boy," Philza waves one dismissive hand. "But, yeah. I'm pretty sure, if we could get out of here, I could manage to find some place uninhabited. A new island or world. Whitelist it just to us islanders and the eggs, maybe people's partners from elsewhere. Infinite lives, an empty but open world… Somewhere just for us. All of us."

"It'd be a lot of work, starting again from nothing. Can you even support this many people? I know there's your worlds, but it'd be a lot..." Fit wants to be excited, wants to see some hope in this tunnel - somewhere safe for him and his kid, somewhere to retire to. Maybe make trips back to the wasteland, but no longer live there. Never live there again.

"I can't talk to her here, not easily, but I bet Kristin would be willing to support it. I've heard a few other people have ties to gods, too, which would help. Not sure which, but once we /have/ a plan asking is easier." Philza muses a bit as he talks. "We discussed it once, before, for another group. Smaller than this, but with help... I reckon it'd work. Even if not, I could hold it together long enough for someone to make a better plan."

"Sounds nice. Too nice," is all Fit can really say.

"I've never wanted it before," Philza sighs with the words. "I was happy just with my solo worlds, but… I don't think i could loose this - everyone - now I've had them."

"Just like I cant leave Ramon."

"Exactly. We've got families now."

"Look at us, getting old and sentimental."

"Oh piss off mate you started it."

"I know, I know." Fit laughs, because what can he do but laugh in the end.

Philza has a plan, and Fit is included in it. It will work, or it will fail, and there's nothing they can do about it.

It's a pipe dream, anyway; they'd have to get off the island first, and Fit's pretty sure that won't be possible in his lifetime. The best he can do is enjoy what he has for the time it lasts, and leave worrying to people better suited to it.

If only the Federations would let them have their fun.

#qsmp fanfic #qsmp fitmc #qsmp philza #scribbled the dialogue out at like 1am #added the rest 12 hours later #I feel like a lot of small groups have similar discussions over time #worlds be nebulous etc

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inkskinned · 2 years

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i both firmly believe that self-diagnosing saved my life and i think that the way tiktok and instagram have recently been spreading misinformation about mental illness/neurodivergence is incredibly harmful.

people who are looking for answers are already people who are in a vulnerable situation.

much of the misinformation appears logically sound; and is presented as definitive fact (prefaced with claims such as "research shows"). it's imperative we remember correlation does not prove causation. it is incredibly dangerous to make definitive statements like "if X happened in your childhood, you now Z as an adult." real scientists will almost always use may or other less-definitive terms. similarly, equating one behavior/experience with any single condition is also unsafe. many conditions have overlapping symptoms; and many people "mask" their key symptoms, even to themselves.

we cannot discern from a singular data point any conclusion. in official diagnosis, for a behavior/experience to be considered a symptom, it must significantly influence your life. many people enjoy an organized space. that is a preference. disrupting your daily life even at personal cost in order to prioritize organization is more likely a symptom.

again, a single data point is not an effective diagnostic tool. it is necessary and important work to catalogue and consider all unwanted/distressing behaviors in order to understand a complete picture of the person.

i will see creators in paid partnerships make generalized behavioral/emotional claims that apply to a large portion of a community, and then they will suggest that the "solution" to that behavior is through their paid partner/through their personal support. "follow for more psych tips/facts" is an incredibly evil marketing tactic. i very rarely see unpartnered/unbranded content on how to aid/comfort those behaviors and feelings.

much of the misinformation employs a subtle technique (called confirmation bias) of setting up a conclusion before "proving" the conclusion. "you know you have X when you experience A,B, and C." no person's experience of their conditions/behaviors will look exactly the same as another's. while knowing certain things might be a sign/symptom of a condition, it is irresponsible to consider it definitive.

confirmation bias is unfortunately extremely effective on tiktok specifically. the algorithm will notice that you interacted longer with the video that "proves" (through a singular video) that you "have" a condition. it will continue to feed you related videos that further confirm what you believe.

this is dangerous because we are, unfortunately, not good at knowing ourselves. i did not know it was unusual to vividly nightmare every night; i didn't consider it a symptom. i was similarly dismissive also of any other signs of my PTSD - i incorrectly assigned them to anxiety/adhd. on the small scale, this can mean a longer journey to healing. on the larger scale, it can mean people with extremely difficult situations are unable to get the help they need.

please, if you can, and you're looking to self-diagnose: be careful about what you assume about yourself. try to keep an honest journal of what you're thinking/feeling/doing for a few days.

do not go in with an assumption. try to keep an open mind. i think we all "suspect" we have something - but like i said, i completely missed my own PTSD symptoms, because i suspected the ADHD the most, and only "saw" those symptoms.

do your own research. if the tiktok says "research shows", google that research. figure out who paid for that research. do further research related to that study - has it ever been repeated? is it peer reviewed? do other researchers seem to accept it as conclusive?

if you feel you really resonate with the materials of one person's experience with a condition, find other examples. see if you relate to other creators who identify similarly.

and please - please do not stop once you come to a conclusion. i fully believe that the diagnostic process should be seen as a first step, not a destination. by knowing what you might be struggling with, you gain an incredibly powerful tool on how to gain peace with that condition.

if you feel yourself emotionally respond to a tiktok/etc that suggests something that might be true about yourself, i'm glad you had that experience. but it's also important to not relax into the "easy" answer. interrogate it. start googling what else that could mean; what ways you could work on healing that wound.

healing does not "belong" to any one condition. i want you to begin to look into healing no matter if you have "proven" you have a condition or not. it is never selfish to practice responsible self-care. even if you don't relate to having adhd, you are not harming me by using adhd-inspired study tips. it is not making my condition worse for you to seek peace by asking for more time on tests. even if it was - the fault would be with the system, not in your need of something the system makes inaccessible.

remind yourself that everything you experience is real. and because it is real, it is complicated. while things might be related - even sometimes clearly related - a stranger on the internet cannot make that discernment for you. you as a person deserve the work, attention, and care that goes into the process of unravelling the harm that has been done to you.

it makes me very, very upset to see how popular these videos have become, because they're so irresponsible. and they clearly are targeting a vulnerable group. for example, making generalized claims about children of unloving caretakers is targeting those who have experienced neglect. there is no way to use 30 second videos to correctly analyze what that neglect might have caused in your adult life. i'm sorry, but it's snake oil.

i know it is so powerful soothing to recognize that you aren't broken. that others exist like you out there. i want every person looking for answers to find their answer. i want you to feel seen and heard and understood. i want you to find your community.

i just want it to happen safely.

#every time i write this im like #i just want to say a short thing about this #and every time it ends up being 12 pages long #but since it keeps happening #and i keep seeing shit like this...#this isn't even everything i feel about this #i hope this is clear like #what im saying is #NOT ''you don't have it if u selfdiagnose''#it's instead....#you might!!! just don't let 1 or 2 videos confirm it!!#also!!! don't assume that symptom A belongs to condition X!!#even as someone who did eventually get diagnosed like #i still find myself being like - oh that's my adhd #only to figure out 12 hours later. nope that was a panic attack #also none of those videos are about how to HELP the behavior #also this doesn't talk about getting a therapist eventually but please get professional help if you can #it took me fucking forever tho #what im saying is that in the meantime #u can heal now #this is too long im posting it on a sunday so nobody reads it

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