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#like all things out of season
axoqiii · 22 days
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🍁 i bring to u life series nitw au and a gem doodle
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steddiealltheway · 1 month
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Something that is canon in my mind that I forget to tell people:
The reason why Steve can’t get bitches in his Scoops Ahoy era is because there’s a rumor going around that he’s gay (probably because someone caught him hooking up with Eddie)
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alleycatchitchat · 3 months
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did anyone else notice how physically protective shadow was in this episode
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freckleslikestars · 8 months
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Claudia Black as Aeryn Sun in FARSCAPE 1.03 | Back and Back and Back to the Future
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saltpepperbeard · 7 months
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WE'RE IN THE SINGLE DIGITS RANGE NOW, Y'ALL. NINE DAYS. HOW ARE WE FEELING 😀😀😀
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anna-scribbles · 3 months
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had a conversation last week with a 10 year old girl about the s5 finale and i can’t stop thinking about it. she said nathalie is the best because she loves adrien enough to lie to him about his father so that he stays happy. completely convinced that emilie was resurrected at the end and shocked when i suggested otherwise. i’ve been dying to know what the children think happened and it’s so interesting
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gayofthefae · 17 days
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We don't envision season 5 right when we talk because what is that actually gonna be like? This isn't a romcom. Mike finds out about the painting but Will is like throwing up blood and slugs in the corner.
edit: to clarify I wasn't saying "no time for romance" I was saying "it's horror show with raises stakes and angst. Mike will have to figure out how to bring up this truth bomb he discovered when more important things are clearly going on and there aren't the most conversational opportunities". I mean MORE juice, not less.
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yache-berries · 9 months
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Average Buddy Holly Enjoyers
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I am seeing some of the WORST takes about tdp season 4. Sweet, sweet tumblr users. This season was a lot of set up, not everything was supposed to be explained or resolved, or even "should" have been. Season 4 had to do the heavy leg work of re-establishing characters and arcs and the plot moving foreword. It just needs a little time to be able to act on everything it's now established. It did a good job building off of arc 1, and now we are fully indoctrinated into arc 2!
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sampilled · 4 months
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whenever sam brings up his childhood, its always like "awww so cute <3333" followed by "JESUS FUCKING CHRIST" approximately 2 seconds later
like "awww he had an imaginary friend, thats so sweet! i love sully!" and then "oh jesus, his imaginary friend is real and was there to fill in the gaps so that sam didn't fall through them :((("
or "aww sam had a dog friend" followed by "sam lived with his dog friend in an abandoned house cause he ran away for TWO WEEKS, apparently one of his happiest childhood memories wtf"
or "awww dean read to him" and then "oh the whole time he was thinking about how he was dirty and wrong haha 0_0"
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biblicalhorror · 5 months
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The yj subreddit is a cesspool of bad takes most of the time but I just saw someone make the connection between the strawberry lube and the fact that Shauna is shown eating "strawberries" when she's eating Jackie and I'm vibrating
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wisecrackingeric-2 · 1 year
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You know you wanna vote for him. You wanna vote for him sooooo badly. That man is on twitter and twitch BEGGING to win. You wouldn’t let Joe Hills down, would you?
Also my partner described him as “looking like what an awesome guitar riff sounds like” if that’s not convincing enough idk what is
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ivyithink · 6 months
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CONGRATS TO ME PERSONALLY ON SEASON 2 OF TGCF
doodle for the occasion + some older pieces I’ve never posted…
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mikimeiko · 3 months
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For All Mankind | Season 1 (2019), Ronald D. Moore
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franklespine · 4 months
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You know I think you guys might be on to something when you call Sam woman coded cause - genuinely - how do you, as writers of a show, be so misogynistic as to not include any female characters asides from damsels and hookups (specifically referring to the early seasons), and yet need so desperately to have a outlet for macho masculine patriarchy power dynamics that you have an adult male character experience misogyny?? How do you mess up that badly??
It's like, although they thought that putting female characters in the narrative other than to exist as sexy distressed lamps wouldn't appeal to the true blooded 2000s American audience. But yet it was completely necessary for there to be a bottom rung in the masculinity pyramid because - well how else can we as a society function!!
Anyway, ik reading too far into things is my special talent, and in most circumstances all of this stuff is just a joke in the show but wow they really had Dean poking fun of any of Sam's characteristics that don't fit into this Hyper True Blooded American Masculinity ideology as a butt of jokes for 15 years. The fact that he has longer hair, that he cares about his hair, that he's tidy, that he likes salads and isn't a big meat eater, that he's sympathetic, that he's a bitch. And of course these are just silly little jabs that Dean makes in sibling-like fashion but like wow 15 years. Damn.
And of course it's not only this that leads to the rather odd interpretation of a woman-coded Sam, but also the way he is treated directly by the narrative. Like, for example, being the family's possession, rather than an equal member. Dean has seen it as his job to look out for his little brother since he pulled him from the fire and the wellbeing of this infant was thrown onto his shoulders at age 4, and this has created a lot of ricocheting effects on both of them. This isn't to say that Dean doesn't love, care, respect, and value Sam, but it does mean that sometimes he treats him like a possession rather than a person. He makes a lot of crazy decisions in the show that he justifies as being for Sam's own good, even if it goes directly against Sam's wishes. After Sam leaves a note to Dean telling him he's going out for a bit to handle a case, Dean weasels his way in, not trusting him to handle it due to the mental issues Sam is facing at the time, and kills Amy, despite Sam begging him not to. Even though Dean knows Sam would never consent to an angle possessing him, he tricks him into it anyway. He does these things, and many others because he believes that he is acting in Sam's best interests, totally disregarding the fact that Sam has capacity to make judgements and handle the consequences himself, even going so far as to oppose what he directly knows or Sam tells him he wants.
Then of course there is the fact that the fear integral to his character - a loss of autonomy (bodily autonomy, but also autonomy to make his own decisions about his future, to be good, to be pure and faithful), is an explicitly feminine one. Then there is the strong subtext in his story of SA themes, I think in s4 a demon even refers to Sam as a 'whore' or that he's 'whoring it up' (with respect to Ruby), and the interesting prevalent idea of Sam questioning or going against the ideals/ideology of the masculine figure head (which would be Dean I guess) and getting punished for it. Sam suggests that maybe they take a more humanitarian approach with the cow blood drinking vampires in s2 and Dean punches him, Sam tries to get him to talk about their Dad and Dean punches him, Sam tries to get him to talk about Lisa and Ben and Dean punches him, Sam gets caught simply using his abilities and Dean punches him - twice. I think you get the picture.
Anyway. This post comes off as rather critical of Dean, which wasn't really my intention. It's more sort of a broader criticism of the rampant sexism that had its part in shaping the show - being one to come out of the early 2000s. Ideas such as this - you could really go on for hours as its fascinating how ideological frameworks are presented certain ways in media - and the way masculine and feminine social dynamics, to list only one, is presented in supernatural is definitely a can of worms.
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psalmsofpsychosis · 21 days
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not gonna lie homos and homies, there's something incredibly, incredibly depressing about Batmanverse and the concept of Batjokes in particular, and it's not the murder murder stab stab death plots.
It's the collective unmentioned canon agreement around these characters never being able to escape the confinements of their narrative.
they get pushed to the very edges of their predefined thresholds, they toe the lines of their stories, they poke it and probe it and sometimes even flirt with the possibility of crossing the bounds of their narratives, but they never break throught the structure. they never go over the line, always sorta of wiggling in place; batjokes in particular is the most enticing and intriguing stagnant 85+ years story i have ever seen.
There are unspoken rules around who Batman is, what he will and will not do, and those rules are rarely questioned, if ever. No matter what he does, he cannot be in love with a man, and he cannot ever love Joker in particular. He cannot experience mental and emotional peace. he cannot kill and he cannot show sincere emotional vulnurability, he cannot experience his love in an open and unashamed way. His narrative thresholds confine him to a socially sanctioned image that is meant to be familiar and tangible to the average straight dude, and it's quite frankly exhausting to witness. Whatever happens to Batman's story, he never arrives at physical emotional or mental peace and on a foundational level his tale never changes, not really. You can almost feel it when he constantly bumps into this unspoken narrative rules and stops in his tracks, each and every goddamn time, for 85+ years. It's like a keyed up nutcracker toy soldier bumping into a wall, stumble back two steps, bump into the walls, stumble back two steps, bumpt into the wall,
As someone who loves stories that love to question their own narrative points and break through them and do something different, staring at Batmanverse comics for too long at a time lowkey feels heartbreaking, nothing ever truly changes in this bitch.
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