#like even knowing that cas is there. but like. its the actual cas and no he can't have him bc he's the reason cas is dead. | Explore Tumblr Posts and Blogs

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#like even knowing that cas is there. but like. its the actual cas and no he can't have him bc he's the reason cas is dead.

weirdbabs · 10 months

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do you think buffy woke up in a post 9/11 america?

like i know season 6 aired on 10/2/01 so technically yes but that doesnt necessarily mean it was the same day in universe. buffy came back 147 days after she died (148 the day she came back) which is a little shy of 5 months. her mom died during spring break which would be the end of march, and then things started moving pretty quickly from there. you figure that was 3ish episodes where only a couple days passed between them, then there was a break where they were trying to fall into a routine, and then 4 episodes where i think 3 days passed. so there was at least like. 10 days maybe between her mother dying and her dying, but thats literally trying to take the least. that puts us at early april, which puts us right around 9/11/01

so did she wake up post 9/11 and which is funnier?

1. she wakes up post 9/11 and is trying to figure out why people are suddenly so patriotic and talking about terrorists, struggling to figure out how everything couldve changed so much in so little time

2. she was up pre 9/11 and feels even more so like shes trapped in hell with horrible violence all around her when it happens

or 3. she wakes up on 9/11. she had her own personal 9/11 on 9/11

#honestly the funniest is 3 #i was 5 when it happened and in ca so like. it really didnt affect me or mean anything to me sorry if i seem callous about it #i dont even remember what it was like before so. im trying to go by what ive gathered from the internet?#buffy the vampire slayer #anyway i doubt she woke up in october bc of that school thing buffybot went to #but i dont actually know when thatd be happening so. it means nothing in the long run #OKAY its been pointed out to me its at least pre 9/11 bc the scoobies reached giles terminal #still leaves the possiblity that she came back on 9/11 however unlikely

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quietwingsinthesky · 6 months

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im too tired to expand on this fully but consider: s10-11 au constructed around chuck not showing up late in s11 but instead joining up with the winchesters after Fan Fiction. specifically as chuck, not as god, though he is still that and not only a prophet anymore. but sam and dean don’t need to know that. they just know there’s a prophet-shaped hole at the bunker.

chuck being a reoccuring character in the background of s10. talking about the mark with sam, getting badgered by charlie about the books, helping to translate the book of the damned. as it becomes more and more clear that sam’s really going to destroy the mark, he. doesn’t do anything to stop sam. but there’s more and more times where chuck just looks uncomfortable. an emotion that’s a mixture of nausea and fear, that the winchesters can write off as ‘nervous weird prophet dude having an episode’.

watching sam and dean a lot, too. in a voyeuristic way, obviously, this is his whole deal, he set them up to be interesting to him, but there’s something else there. grief, maybe. jealousy, definitely.

i just think the whole ‘oh yeah he’s actually god for real btw’ set-up would be better if he was actually around for a bit more recently not being god. or pretending not to be god.

#and also because the tragic sibling enjoyer (<- me) wants to see him be fucked up about amara more #also because it would be so so funny for sam to be like I Am Getting Visions From God Right Now while chuck is just. sitting there. like 😬#also also. because it would mean castiel gets to meaningfully interact with him. even if its not as god exactly.#but there’s something there.#also also also because this would be directly self-indulgent for my ‘god possessed chuck’ theory. at some point he should just flat out say #‘well yeah there was a guy here before me. you met him. he’s still kind of here because im him but he’s also dead in every way that matters’#v nonchalantly. like this is normal and not horrifying.#bonus points if lucifer and/or cas are there when he says it and have Reactions to the implication of a vessel being taken by their father #without that vessel technically consenting to it. whether that’s frustratioj at him imposing a rule on them he doesn’t abide follow. or #horror at even their lackluster understanding of consent being fully ignored. or even jealousy that he gets a vessel so easy #chuck shurley #spn #he’s just a fucked up little guy. he should be around more.#i know theres the samulet that glows with god nearby but uh consider. it doesn’t actually work and never did.#and chuck just makes it glow when its time for his convenient reveal because he set that up and he can’t not fire chekov’s gun.#he’s a hack writer but he’s not incompetent

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deangirldisease · 2 years

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literally thee funniest thing the cw possibly couldve done after eleven years of All That was to go ok fine one of thems in gay love but its UNREQUITED and so destiel is NOT REAL. and then make the one in love be CASTIEL like it is so much more insane and gay and powerful for one of gods first and purest creatures to go through all these changes and die several times over and come back to life and defy his maker and his purpose and everything hes known in the MILLENIA of his existence just for the love of one man. a love which he didnt even UNDERSTAND or like acknowledge as a factor in his impartial angellic existence at first, a love he had to look for and learn and learn how to feel and to want. he wasnt even a man and you took the time to make him a GAY MAN and confirm it. because you thought somehow thatd be less gay than making dean sex addict winchester be a little non discriminate with his sexual partners genders… ok.

#spn #destiel #mine #like #its just so funny. dont even get me started on how they thought it would be believable that dean #who lives for affection belonging understanding and love and constantly begs for it in his little stunted ways #would see all this and go no thank you its unrequited bc your jaw is too square #literally nobody bought that babes. congratulations you played yourself #like if dean had tried to kiss cas or smth and theyd just made cas be all oh i dont care abt any of that #id honestly buy that. like yeah he loves dean and has a profound bond with him but hes a Creature you know #hes not gonna marry this dude romance and sex are useless to him #and that would actually kill destiel while acknowledging the nightmare corner you put yourself into #but the option you did choose… pure comedy

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colognedecigarette · 1 year

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i seem to have fallen into some kind of a rabbit hole and losing me mind at a worrying pace. people call wearing henna a cultural appropriation? when at this point it's been spread to so many different countries, all with their different takes of its usage and meaning?? why and how??? because as far as am aware the indian and arab* sailors and traders back in the day were happy to share what they got on pretty much every port they found themselves in, including henna, because ... that's kinda the point. like, yeah, am sure there are groups to whom henna holds a significant cultural and/or religious meaning, or at the very least have specific patterns that are. and there's bound to be just as many groups to whom henna is just a decorative kinda thing, to be worn for festivities or for fun, for those afternoons you're kinda bored and got too much time on your hands.

at this point you can't even call wearing henna a form of CA just based off one or two regions due to their specific meanings alone; there's like, a whole continent and a half to consider, with even the latest import happening, like, during the single or at most double-digit century. that's fucking old. not as old as like, egypt or even india sure, but still old enough to have fully be ingrained in their own cultures.

*singling out indians and arabs bc they were the two actors most relevant to how my people got introduced to henna in the first place. idk about others, lol.

#idk how to tag this am just way too baffled #like i don't like the question ''wheres the line?'' in topics pertaining to CA bc i've heard it's used mostly by people #who just outright don't see or even admit that CA is an actual issue and its many implications + negative effects #but for this one i really just start wondering: wheres the line?#if even stuff willingly shared -- from way back when even!! -- is considered CA bc the wearer doesn't fit the assumed owner #like it's hella petty but i really did genuinely start thinking like‚#'' what‚ you're going to call non-indian hindus/buddhist cultural appropriator too? or non-arab muslims?''#like mates ... i know it may seem hard to believe today ...#and am not saying that conquest and forced assimilation didn't happen back in the day ...#but people really did and do willingly and freely share aspects of their own cultures with others.#for no reason other than to be like ''hey isn't this thing of ours cool? ye want some?'' and the other party going ''hell yea lesgoooo''#like idk if you don't even have the surface-level knowledge of how things got where and why‚#then maybe you shouldn't be the arbitrer of what's CA and what isn't.#especially when claiming so inadvertently makes you step on other people's toes.#and by toes i do mean cultures.

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rafeandonlyrafe · 5 days

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almost sweet music

words: 900

warnings: 18+ only, smut, thigh job, clit rubbing, brief tit play, childhood friends to lovers, kinda somnophilia?

your eyes are open, but they might as well be closed as you look at nothing but pure darkness. you shift ever so slightly, pressing further into rafes hold.

it's not the first time you've shared a bed. he's been your friend for years, and you used to have sleepovers every weekend before your bodies developed and it became awkward.

you would still occasionally fall asleep in rafes bed, usually when the movie he picked to watch was too boring, or when you were waiting around for him and ended up taking a nap enveloped in his scent.

tonight is different. even when you share a bed, rafe never cuddles so close to you like this. yeah, you'll wake up with your head on his chest or a leg slung over his, but rafe is pressed right against your back.

his chest is rising and falling in a steady rhythm, but you can't tell for certain if he's asleep or just relaxed having you against him.

you close your eyes, relaxing back into his hold. his soft breath fans over your shoulder, barely covered by your tank top strap.

you're about to fall asleep when you feel something poking you. your eyes open again, wider this time as rafes hip press forward.

his obvious erection grinds against your ass, slow movements fooling you into believing rafe must be asleep still, body acting on its own, much like yours does when you seek him out in your sleep.

rafe let's out a soft moan, then a mumble of your name, and now you're certain he must be awake since you've never heard him sleep talk before.

his hips begin to move faster, like he's testing out how far he can take it before you wake up. how much movement will it take for you to stir, testing how much he can get away with.

you stiffen for a brief moment before relaxing again. you squeeze your eyes shut as you try to keep your breathing regular. you don't want rafe to stop.

to others, it's been a clear (and long) game you've been playing, both pining after each other while claiming to just be best friends. this is the first time rafe has shown any clear evidence to you of his sexual attraction. what you don't see is his longing looks whenever your back is turned, or the way he's quick to go after any guy who looks at you for a little too long.

you let out a silent curse in your head. of course he's only doing this because he thinks your asleep as he moves faster against you, barriers of fabric in the way but not stopping his light moans, almost sweet music against your ears.

you wonder how long he's been pushing up against you before it woke you up. you consider your options. sit here silently, let him cum in his pants, or take action, show you're awake, and change your life forever.

you're done with the game as you reach down, startling rafe as he lets out a curse, but you simply pull your shorts down along with your underwear, revealing your bare ass as you spread your thighs, pussy on show and already starting to get wet.

you wait for rafe to continue. when it's clear he won't, you reach behind your back to pull his cock out of his pajama pants.

rafe follows your motions, taking your lead and going as far as you will allow as you rub his cock through your folds before closing your thighs around him.

“keep going.” you say.

the words is all the encouragement rafe needs as he begins to thrust, the slick between your thighs growing as he pushes against you.

a hand that was holding you close to him travels to your pussy, rubbing you with a single finger, the pad rough against your sensitive clit.

the sound of slapping skin is a telltale sign of what is happening in the dark, as rafes hips meet your ass with every thrust.

you long for him to press into your cunt, but you know you need to have an actual discussion about what this is before allowing him to fuck you properly. the thighs will have to do.

rafe rubs faster, with a clear purpose as his cock swells. you can tell he's not far off, and the pure excitement from finally being with rafe also has your high growing.

you press further into his chest as your thighs squeeze together as tight as you can force them, letting out a moan when rafe spills, cum spurting through the gap onto the bed sheet.

he leaves his cock to soften between your legs as his finger keeps working on you, free hand coming to grab your chest over your shirt, hand possessively gripping your tits until your back arches, a strangled moan leaving your lips as you cum.

rafes hands disappear from off of you. you turn to face him, but can't see his expression.

“im-im sorry.” his words are enough for you to pinpoint where his mouth is as you lean in, pressing your lips together in a heated kiss.

“we can talk about it in the morning.” you say, tucking yourself back into his side. “we will cuddle and sleep and be in a much clearer headspace.”

rafe hesitates for a second before pressing a kiss to the top of your head, a soft smile on his face as your breathing returns to normal, not allowing himself to fall asleep until he hears your gentle snores.

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vinceaddams · 8 months

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Early 18th (and late 17th) century fashions are so under-utilized in vampire media and I think it's a damn shame.

I don't actually think I've ever seen a single image of a vampire character in an early 18th century suit. Hardly any movies set in that era either, and hardly any historical costumers who do it. (Even my beloved gay pirate show set in 1717 takes nearly all of its 18th century looks from the second half of the century. Not enough appreciation for baroque fashion!!)

Yes I love late 18th century fashion as much as anyone, and 19th century formal suits are all very well and good, but if you want something that says old, dead, wealthy, and slightly dishevelled, then the 1690's-1730's are where it's at.

(Retrato del Virrey Alencastre Noroña y Silva, Duque de Linares, ca. 1711-1723.)

There was so much dark velvet, and so many little metallic buttons & buttonholes. Blood red linings were VERY fashionable in this era, no matter what the colour of the rest of the suit was.

(Johann Christoph Freiherr von Bartenstein by Martin van Meytens the Younger, 1730's.)

The slits on the front of the shirts are super low, they button only at the collar, and it's fashionable to leave most of the waistcoat unbuttoned so the shirt sticks out, as seen in the above portraits.

(Portrait of Anne Louis Goislard de Montsabert, Comte de Richbourg-le-Toureil, 1734.)

Waistcoats are very long, coats are very full, and the cuffs are huge. But the sleeves are on the shorter side to show off more of that shirt, and the ruffles if it has them! Creepy undead hands with long nails would sit so nicely under those ruffles.

(1720's-30's, LACMA)

Embroidery designs are huge and chunky and often full of metallic threads, and the brocade designs even bigger.

(1730's, V&A, metal and silk embroidery on silk satin.)

Sometimes they did this fun thing where the coat would have contrasting cuffs made from the same fabric as the waistcoat.

(Niklaus Sigmund Steiger by Johann Rudolf Huber, 1724.)

Tell me this look isn't positively made for vampires!

(Portrait of Jean-Baptiste de Roll-Montpellier, 1713.)

(Yeah I am cherry-picking mostly red and black examples for this post, and there are plenty of non-vampire-y looking images from this time, but you get the idea!)

And the wrappers (at-home robes) were also cut very large, and, if you could afford it, made with incredible brocades.

(Portrait of a nobleman by Giovanni Maria delle Piane, no date given but I'd guess maybe 1680's or 90's.)

(Circle of Giovanni Maria delle Piane, no date given but I'd guess very late 17th or very early 18th century.)

Now that looks like a child who's been stuck at the same age for a hundred years if I ever saw one!

I don't know as much about the women's fashion from this era, but they had many equally large and elabourate things.

(1730's, Museo del Traje.)

(Don't believe The Met's shitty dating, this is a robe volante from probably the 1720's.)

(Mantua, c. 1708, The Met. No idea why they had to be that specific when they get other things wrong by entire decades but ok.)

(Portrait of Duchess Colavit Piccolomini, 1690's.)

(Maria van Buttinga-van Berghuys by Hermannus Collenius, 1717.)

Sometimes they also had these cute little devil horn hair curls that came down on either side of the forehead.

(Viago in drag Portrait of a lady, Italian School, c. 1690.)

Enough suave Victorian vampires, I want to see Baroque ones! With huge wigs and brocade coat cuffs so big they go past the elbow!

#long post #vampires #fashion #history #18th century #17th century #someday. SOMEDAY I will make a black/red/dark orange/metallic gold 1720's suit #I've got nearly all the materials I just need to:#1. Learn how to make early 18th century metallic thread buttons‚ preferably without having to buy the super expensive kind of thread #2. get a wig and style it appropriately

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mimimui · 10 months

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hellooo i saw your 'genshin men asking for a kiss' and i loved it sm your writing is amazing <333

can i request relationship headcanons for the genshin men. specifically alhaitham but idm who else you add

stay cool and have a good day/night :)

genshin boys as your boyfriend

includes: alhaitham, scaramouche, kazuha, diluc, kaeya, childe, xiao

tags: established relationship, endearments, fluff, not proofread, non-mortal/adeptus reader in xiao's

a/n: thank you so much ♡⸜(˶˃ ᵕ ˂˶)⸝♡ aaaah i am back after being mia..! the writers block is beating me up so hard rn + its 3am :') i wrote each part in different time frames so the writing might seem inconsistent aghuahgu i hope its still ok :( anyways, as always .. enjoy !

ALHAITHAM

he asked you to be his s/o while you were playing tcg together. you were in the middle of your turn when he asked you, and it'd be an understatement to say you were shocked.

(y/n): i'll use this support ca- alhaitham: will you be my s/o? (y/n): what? (shocked) alhaitham: what? (questioning)

while alhaitham is a bit aloof, he does loves teasing you. he would hide your things and help you look for the lost item like he doesn't know where it is.

when you're eating outside, he would step on your feet under the table. you can confront him about it all you want, but he will keep acting innocent.

if he's standing behind you, be wary because he might just throw his coat over your head as a joke, and then act like he did nothing.

alhaitham: do you want help putting on my coat? (y/n): seriously, haitham? alhaitham: yes? i'm seriously asking if you want my help.

when it comes to cooking, he'd leave you to do it. alhaitham would rather look forward to a meal you cook rather than a meal he helped make.

dinners are usually quiet, but if you want to tell him about the person that skipped in front of you in line today, then he's all ears.

the first time he told you he loved you, you were giving him a gift. you were smiling so brightly when giving it to him that he didn't know whether to be thankful for the gift or for you.

or at least you think that was the first time he said he loved you.

it was actually when you were asleep the first time you slept over. a very meaningful "i love you" was whispered softly in your ear.

SCARAMOUCHE

he brought you somewhere with a nice view. he grabbed your hand without warning, and when you asked him where he was taking you, he said, "no need to be nervous, just want you to see something."

(y/n): thank you for bringing me here, scara. scaramouche: you're my s/o, there is no need to thank me. (y/n): i'm your s/o...? scaramouche: are you not informed about that or what?

it turns out that scaramouche planned to ask you a long time ago, and from the amount of times he's rehearsed in his head, his mind convinced him that he already asked you.

you laughed at him when you witnessed the moment he realized he forgot to actually ask you. he huffed at your reaction.

he acts annoyed whenever you ask to try on his hat, but his actions contradict his words as he places it on your head.

scaramouche: there are a lot of places where you can get hats, i don't even know (places hat on your head) why you want mine. (y/n): :D scaramouche: if it falls, i'll laugh at you. (y/n): >:(

scaramouche would make you food if you ask him to. he's glad to do it, but he wouldn't want you to thank him. he thinks thanking him for things he's happy to do is a waste of effort.

it's somewhat his unspoken rule to never leave you alone at the table. even if he doesn't join you for the meal, he'd sit down just to accompany you while you eat.

he denied it when you heard him tell you he loved you. the three words escaped his lips when you were busy picking fruits together. or, rather, you were the one picking fruits while he holds them.

you asked him to repeat what he said, but he was quick to reply with "it'd be a waste of effort to repeat what i said."

but he knows. and you know. you both know he loves you.

KAZUHA

while he was out on sea, he wrote you a letter asking you to be his. along with all the other letters he wrote you, he made sure this was was sent out especially.

(y/n): welcome back, kazuha! about your letter... kazuha: yes, what about it? (y/n): my answer is yes. kazuha: i'm glad. thank you, (y/n).

he loves taking you out on adventures. even when he doesn't have a certain goal in mind for the day, kazuha will always find an excuse to bring you along with him.

you will always find him surrounding himself in nature. thanks to his extraordinary sense of hearing, he enjoys being outside even more. the world has a lot to offer.

one day, you ask him what his favorite sound of nature is. immediately, without fail, his reply is 'your voice', which you're flustered by.

(y/n): that doesn't even make any sense... i asked about your favorite sound of nature. kazuha: the world is full of nature, correct? (y/n): your point being? kazuha: you're my favorite sound of nature because you are my world, (y/n).

you both take turns cooking, always excited to try each other's new recipes. it's become sort of a competition of who can suprise the other one more.

his reaction is the cutest when you compliment his dish. if you're happily chewing the food he fed you, watch out because his hands will pinch your cheeks.

you two were hanging out one night, and you asked him to create a poem for you on the spot. he liked the idea, and immediately got to it.

without any hesitation, without thinking twice about it, he ended his poem with a very sweet "i love you."

when you stayed silent afterwards, kazuha got nervous. but his nervous expression soon washed away when you wrapped your arms around him, complimenting his impromptu-poem-writing abilities.

DILUC

he was closing up the tavern for the day, and you two were the only one there after work hours. he decided to take his chances and ask you right then and there.

diluc: can you pass me the wash cloth? (y/n): sure! diluc: can you fix the chairs? (y/n): sure! diluc: can you be mine? (y/n): sur- wait.

he's never said it outloud, but diluc actually enjoys having senseless conversations with you. just last night you told him he reminded you of an owl, which he found amusing, and he asked you to explain why.

whenever diluc takes shifts at the tavern, you'd be somewhere around helping clean tables or wash dishes. he has enough staff at angel's share, but he appreciates your assistance nonetheless.

if you know how to play chess, he would regularly ask you to play against him. he thinks it's a great game to play while also being able to converse with others. he loves talking to you.

(y/n): the main character realized—check—his feelings too late, and lost the love of his life to someone else. it's sad. diluc: what happened—oh, good move—to the main character after that? (y/n): he was never able to express his true feelings to her. he should've taken the chance. diluc: hm.. i agree. he was too coward when he had the opportunity. and checkmate, by the way. (y/n): wh- hey! i didn't see that move! diluc: better luck next time, my dear.

when you offer to cook dinner for him instead of the maids, diluc doesn't try to hide his smile. you've prohibited him from entering the kitchen, wanting to cook something for him all by yourself.

he will always stand by the archway and watch you cook. you go over to him occasionally, asking him to taste some parts of the meal you're making. these are some of his favorite moments with you.

it was when you were eating dinner that he first told you he loved you. you had just finished cooking a meal, and you were sharing details from your day with each other while eating.

halfway through the meal, he says, "i've been wanting to tell you something all day. may i?"

as you nod your head, he tells you he loves you. or, rather, he tells you he's in love with you. but what's the difference? diluc is all yours.

KAEYA

you brought klee back to the knights of favonius' headquarters after playing with her outside all day. albedo and jean thanked you, but kaeya wanted to express more than just gratitude.

kaeya: klee always returns happy whenever you're the one bringing her back. (y/n): she's precious. i'd do anything to keep her smiling. kaeya: likewise. but i also want to keep you smiling, sweetheart. (y/n): what do you mean? kaeya: be mine, (y/n), and i promise i'll always make you happy.

you, klee, and kaeya are always seen running around mondstadt. not only in the city, but also around the mountains. you'd all go find a big, empty space for klee to blow up.

rest assured he will always invite you for a drink, even if it's the morning. you've rejected about 90% of his offers, but he will always, always, make sure to invite you.

he is one call away when it comes to you. you have something urgent and needs his help? he's on it. you simply just miss him? he misses you too, he's on his way to see you.

(y/n): kaeya, aren't you supposed to be working right now? what would acting grandmaster jean say? kaeya: i missed you. that should be enough reason. (y/n): kaeya. kaeya: what? just wanted to see your face, sweetheart. i- ow! okay, okay, i'll go back now!

kaeya really enjoys when you cook for him. of course, he'll step in to help you, but the thought of you making him his favorite food is so heartwarming.

he insists on feeding you, even embarrassing you sometimes by pretending the spoon is a crystalfly and your mouth the cave it's about to fly into.

he first told you he loved you immediately after you agreed to be his. after you said 'yes' to his confession, he was quick to tell you those three words, and your heart fluttered at his boldness.

he will never forget to tell you he loves you. when he greets you good morning, when you drop by to pick up klee, when you come back to drop off klee, and so many more instances.

there was never a moment you doubted his love for you. he constantly reminds you of it, and kaeya will never let you forget it. he loves you. so much.

CHILDE

he had it all planned out when he asked you to be his s/o. he made restaurant reservations at your favorite place, and even made sure it was on a day where not much people visited.

childe: (y/n), will you be mine? (y/n): are you serious? yes! childe: you are the only one i've ever been serious about. (y/n): you're so corny.

whenever he gets back from missions, he always makes sure to bring you back a little gift or a souvernir. one time, he brought you back a ruin hunter eye because "you're the light of my life" he says. it didn't make any sense.

the first time he brought you to snezhnaya, he wrapped you in so many layers that you were better off rolling on the ground than walking.

he absolutely loves it when you play with his siblings. when he comes home tired, he'll immediately be energized if he sees you and his siblings spending time together.

(y/n): ajax, join us! we could use another person to play tag. childe: do i get a kiss if i win? (y/n): ...i was just kidding, you don't have to play with us anymore. childe: hey! okay, okay, i'll join. no kiss needed, i swear!

cooking is one of his favorite activities to do with you. doing something so loving and domestic as cooking with someone he loves is heartwarming.

no matter how much you try to keep yourself clean, childe will find a way to get you messy. he says you can't blame him if you can never catch him wiping his hands on your shirt.

he wasn't the first one to tell you he loved you. his siblings did it for him, actually. well, who was going to stop them? childe was asleep, and you weren't.

he brought you all on a camping trip outside snezhnaya, and he promptly passed out first after story-telling time. as you were cleaning up the campfire, his siblings all walked over to you.

"(y/n), our big brother loves you very much."

it was very random, but very sweet. you smiled at them as you gave them a hug each, asking them why they were suddenly telling you this.

"if you leave him, you leave us, and we don't want you to leave. he loves you a lot, we swear!"

XIAO

being uninterested in relationships, neither of you ever asked each other. but you've been together for as long as you could remember, and your memory goes back for centuries.

(centuries ago) (y/n): xiao, can you promise not to leave me by myself? xiao: that's a hard promise to keep. (y/n): but you'll try? xiao: ...yes.

xiao has never been the type to express much of what he was feeling—if he felt anything at all. unlike you, he has never bothered to fully understand mortals.

you thrive around the people of liyue harbor, and xiao will always find you casually strolling around or stopping to pet a cat you found on the sidewalk.

when xiao rests at wangshu inn, you find yourself accompanying him, staying with him on the highest balcony. this is the only time you accompany him though, as he has his duties to eliminate evil.

(y/n): need any help? xiao: you always ask, and i always say no. (y/n): well, you might need me one day. xiao: we've been together for centuries. you know i'm capable enough. (y/n): i know. you always have been. xiao: rest easy, (y/n). i'll be here. (y/n): good night, xiao.

food has never really been a problem for either of you, but if you want to treat yourself to a mortal meal, xiao will come along with you. with enough convincing, of course.

you eat at wangshu inn, and chef yanxiao prepares your meals. eating with xiao is quiet, but if you were to start a conversation, he will always reply.

he's never told you that he loves you, at least not directly. his actions will speak for him—one of them being always ridding the path you're taking of monsters.

whenever xiao has to leave you at the inn, he will never fail to tell you to "rest easy" before he leaves. he has sworn to himself to protect you, and eliminate all evil that might affect you.

his duty is to protect liyue, but it wouldn't hurt to make you his duty as well, right?

thanks for reading (˶ᵔ ᵕ ᵔ˶)

#genshin x reader #alhaitham x reader #scaramouche x reader #kazuha x reader #diluc x reader #kaeya x reader #childe x reader #xiao x reader

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angelpuns · 5 months

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A little drabble I did after that one CAS update but forgot to post:

CW for Death mention, sibling death, sickness mention. Lemme know if it needs any others.

Leo stared at the pictures, glancing between the two of them. Comparing them.

Future Donnie was big. He was huge, actually. Just like all the future turtles.

So why…why did he look so small in these pictures? He just looked so…so frail. A sick feeling settled in his stomach, Leo somewhat putting the pieces together. But he just had to be sure.

Casey said something next to him, but Leo wasn't paying attention. He didn't even look away from the photos, eyes boring into the one of Donnie looking particularly small.

" what happened to Donnie?" He murmured, voice almost a whisper in the echoing, desolate base.

Casey didn't answer for a moment, Leo's lip quivering a little.

" You- you said that they all died- that everyone died and I thought- I thought maybe it was the kraang or fighting or something, but- "

Leo let out a shaking breath, accumulated dust moving with his breath, " How did Donnie die?"

Casey moved to stand next to him, staring up at the pictures. He shifted uncomfortably, likely remembering it firsthand.

" never mind, I shouldn't have asked-"

" He was sick " Cj interrupted him, frowning, " he was..sick with some sort of krang infection. It…it took everything out of him…. he just sorta…. faded away"

Leo had put that together on his own, but…hearing it aloud made him feel nauseous all over again. He hated being right sometimes.

" how did he get sick?" He murmured, fiddling anxiously with his belt, " I-I mean did he…did he have contact with the krang or..?"

His thoughts were racing. Because if it could happen to a future Donnie, and he had asked his Donnie to pilot the technodrome…..could that mean- Could he get sick too?

The thought had him squeezing his belt, hands trembling. A cold dread settled its way Intl his chest, the feeling like he had been dunked in ice cold water filling his very being.

Had he sentenced his twin to the same fate as Future Donnie?

[END]

Anyway this is all I was thinking when Leo asked what happened to F!Donnie ;-;

This is based on @somerandomdudelmao 's CAS comic!!!! Just a reminder for anyone who is confused

#rottmnt #rottmnt leo #rottmnt fanfic #cass apocalyptic series #cass apocalypse fanart #cass apocalypse au #not really fanart but eh

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ohimsummer · 4 months

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✎ . . .❝ WHO DID IT? ❞

—poly!satosugu xmas shenanigans, satosugu x reader, justice for satoru he just wanted to make candy canes !

The day was going well. Splendid, even. It’s almost Christmas, and the chilly weather makes sure to remind you, flakes of snow peppering the ground and crunching beneath your boots. You’ve completed the task of some nice, last minute shopping for your husbands’ students, picking up some coffee orders, not forgetting a few of Gojo’s favorite desserts from that same coffee shop, and then you were back home in no time. Walking inside, you’re engulfed with a feeling of warmth and coziness, the smell of sugar with a hint of peppermint permeating in the air. Your call of ‘I’m back!’ suspiciously goes unanswered, but you assume your husbands are either distracted or out of earshot.

The honeyed scent of sugar grows stronger as you enter the kitchen, setting bags of gifts and groceries on the floors and countertops. Speaking of countertops…your brows knit, mouth agape in absolute shock as you really take in the center of what was once gorgeous marble. You hear Gojo’s boisterous laughter in the living room, Geto’s faint conversation underneath, and make a beeline straight for them. Upon your arrival, Geto spots you first, and the wide-eyed glance he shares between you and Gojo is very telling.

It’s a simple question.“Who did it?”

And yet getting an answer, at least from one of them, is like pulling teeth.

Satoru halts mid-sentence, turning to beam innocently at you, ignoring the bitter look in your eyes, out for blood. If Suguru’s simmering glare at his idiot counterpart is any indication, then you’ve already gotten your answer.

Said idiot is so good at playing dumb, as if something like this isn’t obviously his doing. “What’s wrong, baby?”

A small breath of exasperation leaves Geto as he takes in the interaction. He thinks Gojo is really in for it this time, he can tell by your body language alone that you’ve got some choice words for this man. Maybe you’ll actually kill him this time. Geto chuckles a good riddance, so low even he can barely hear it. Can’t afford to show too much amusement, lest he get caught in the whirlwind of your fury.

Your foot taps, impatient. Brand new countertops. Not even a month old, they told you to consider them as part of an “extra early Christmas gift”. Ruined with large, faded, circular marks right in the center, on display, and faintly reeking of peppermint.

Suguru grows hot as your furious gaze shifts to him, finger with a mind of its own as it points to Gojo. “He wanted to make candy ca–“

“What the hell, I thought we had an agreement?”

“I’m not taking the fall for this with you over that dumbass idea.”

“Dumbass? You were on board when I suggested it!”

“And that was my mistake for assuming you’d done more than five minutes of research and knew what you were doing.”

“Well, excuse me for trying to get in the spirit of Christm– ow!”

The sharp pinch on his ear leaves Satoru yelping like a hurt dog, stumbling along as you drag him into the kitchen, and Geto takes extreme joy in the small snippets of Gojo’s excuses as he fails to plead his case.

“Baby, my extremely beautiful, lovely, gorgeous wife, I just miscalculated a little, a tiny mist–“

“Mistake?” With your incredulous tone, one can only imagine the look on your face right now. “Look what you did to the countertop, Satoru, don’t come in my damn kitchen tryna be a professional chef or candy maker or whatever!”

A groan. “Technically,” and Suguru cringes immediately, head sinking back on the couch. “It’s all of our kitchen.”

The immediate silence afterward is heavy enough to weigh down a bear. Followed shortly by Satoru’s meek “Ya know what, you’re so right, baby. Your kitchen.”

#poly satosugu #poly! satosugu #geto x reader #suguru x reader #gojo x reader #satosugu x reader #jjk x reader #jjk x reader drabble #jjk imagine

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linkspooky · 7 months

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GREAT TEACHER, GOJO

For my final commentary on chapter 236, I thought I'd talk about this panel the starter of a million flame wars on twitter dot com. The big controversy is Nanami stating that Gojo fought only for himself without mentioning his students which a lot of people thought was a last minute reversal on Gojo's character, or character regression.

I'm not going to call anyone stupid, or say if you have good teacher Gojo headcanons you're wrong. However, I'd like to point out that Gojo's always been more complicated than most shonen mentors. He's not Kakashi, and he's not Aizawa, and I'd argue the fact that he's not the standard "I'd die to protect my students" mentor we see in shonen manga is what makes him interesting.

The Springtime of Youth

Jujutsu Kaisen is a shonen jump manga that is very aware of the other manga that are running in the same magazine and uses that awareness to play with audience expectations.

To put it simply if you don't want to use words like Deconstruction - if you're reading Jujutsu Kaisen then things are probably not going to go the way you expect them. It's not Naruto, it's not My Hero Academia, it's a little bit like Bleach except characters actually die.

If you expect things to go one way in Jujutsu Kaisen, then you're going to be thrown a curveball. To name some examples briefly before diving into Gojo.

Yuji Itadori is a normal boy protagonist suddenly dragged into the world of the supernatural.

However, everything goes wrong from there. Jujutsu Sorcerers are not heroes. Yuji is told that much from the beginning by Megumi within the first thirteen chapters. The world of Jujutsu Sorcery is not a good place to be, Yuji is initially excited to be a sorcerer and to be a part of this world and then learns that lesson fast. I mean, imagine if Deku was accepted to UA, and then he immediately learned that students at the school die on the regular and all the adults are either terrible selfish people, or if they're not they die too like Nanami because being selfless means sticking your neck out for someone else.

Yuji's not really special in the narrative. He's just a kid who swallowed a finger. He doesn't have a secret technique. We're hundreds of chapters in and he's still just punching people. If he's cornered in a fight he doesn't unlock a secret technique either, he just loses.

Yuji has a superpowered evil side, like the nine tailed fox, or Hollow Ichigo except it's not really his super powered evil side. It's an evil parasite attached to his soul with a will of its ownt hat will manipualte him. Hollow Ichigo and the Kyuubi can escape temporarily and there's usually no consequence. Sukuna escapes twice, the first time he nearly kills Megumi, the second time he kills thousands.

Yuji is kind of like a main character who is not a main character.

If you still believe he's the main character, then you can agree he's punished for thinking he's the main character and therefore things are going to be easy, because nothing is ever easy in Jujutsu Kaisen.

Megumi is a riff on the chosen one. He's supposed to be the Gojo Satoru of his generation, born with the strongest technique that ca even surpass the limitless and he's nowhere near the level he's supposed to be. This is because Megumi has been continually failed by every adult figure all his life, starting with his father who sold him, then Gojo the man who SAVED* him techically but with a big asterisk that he needed to become his student and do jobs for Jujutsu High School otherwise Gojo would just let the Zen'in take him or let them starve I guess. Megumi has no adult figures to rely on, and has been given very little freedom about who or what he wants to be in his life, and therefore he's a very passive, repressed individual who's riddled with insecurities. Megumi doesn't want to be the strongest like Gojo, or like many hero / rival characters in shonen manga. Megumi doesn't even know what he wants to be, because he's never been given any choice in life.

If you don't think Megumi's a deconstruction of any sort of character type, look at those posts on twitter that are like "Look at the black haired depressed shonen boys" and then look at Megumi, he's never actually like any of these boys because he's much deeper and probably closer to being the main character than Yuji is.

Then we get to Gojo who is very unlike all the other mentors in shonen manga.

If Yuji and Megumi are both riffs on a main character, a hero in a world so cynical he's not allowed to play hero and actively punished for it, and a chosen one who doesn't want to be the chosen one then you have Gojo as the mentor who's nothing like the classic mentor.

The problem with mentor characters in fiction is that number one they die a lot (spoiler warning Obi Wan Kenobi dies in Star Wars just so you know) and number two they're not usually the most complex character in the cast.

What is the mentor there for?

To Mentor (duh.)

What this means is they are usually a fully formed adult who can teach a lesson to the main character, who in shonen manga is typically a teenager.

I say they're usually less interesting because stories are about characters changing, or characters learning lessons. A teacher presumably already has learned his lesson. They are usually at the end of their journey and not the beginning, that's why they can offer wisdom to the main characters. They're not usually their own separate characters because of this - a narrative doesn't have time to waste on a character that's not going to change.

Jung had a term for this character, it's called the Wise Old Man.

In Jungian analytical psychology, senex is the specific term used in association with this archetype. Examples of the senex archetype in a positive form include the wise old man or wizard. In the individuation process, the archetype of the Wise old man was late to emerge, and seen as an indication of the Self. 'If an individual has wrestled seriously enough and long enough with the anima (or animus) problem...the unconscious again changes its dominant character and appears in a new symbolic form...as a masculine initiator and guardian, a wise old man, a spirit of nature, and so forth'.

The role of the wise man archetype is to help other people along with their ego development, because usually they are already fully developed individuals.

Obi Wan is the most typical of typical mentors, and he dies in Star Wars because after he finishes teaching Luke he has nothing to do. This is Luke's Hero's Journey. Obi Wan's already happened offscreen, he's at the end of his journey there's no room for change or growth in him because his story purpose is to exist to advise Luke and to do that he needs to be a fully grown adult figure.

The subversion to this when the mentor has their own agenda (Gandalf), or the mentor is as flawed as the main characters themselves and so therefore he has something to learn.

Gojo is kind of a combination of both, like Gandalf he is the mysterious but seemingly all powerful wizard (er... or rather sorcerer) with his own agenda, and he's also practically the fourth member of the main cast who are otherwise all teenagers. In fact, Gojo spells out his agenda in the same panels that everyone uses to constantly assert that Gojo is a good teacher who only wants to protect his students.

He wants to make the Jujutsu World a better place (good) which is why he is raising students so he can turn them into his political allies to make a regime change (hidden agenda).

It's a means justifies the end type scenario. In Gojo's mind the means (raising kids as tools in support of his political agenda) justifies the ends (a better jujutsu world for those children). His motivation is still the same. This is what I think people most often get confused about with Gojo's character. I think he is one hundred percent genuine about wanting a better world.

"I have a dream, I want to reset this crappy Jujutsu World" is his motivation, but not his means. He uses his students as a means to achieve that end. Even if it's purportedly for their sake, he's still using them. I don't even think this is subtext it's text, both Megumi and Yuji call themselves cogs.

"But senpai, what's your function...?"

You could say in this case that the ends don't justify the means. Is Gojo really protecting these kid's youth, if Yuji and Megumi are going around calling themselves cog and acting like they don't matter in the grand scheme of things? In fact the narrative is inviting you to question if Gojo's ends justify his means.

Gojo's ideals can be one hundred percent real, but he can also pick faulty ways of choosing those ideals that fail to live up to them. In fact most people fall short of ideals, that's why they're called ideals. Gojo is taking these kids in because they have strong potential as sorcerers and he wants to recruit them, that's his hidden agenda. It's confirmed in databooks in Yuji and Yuta's case, and even if you don't trust databooks as canon then look at how he treats Megumi.

Megumi is explicitly Gojo's student, not his son. He only intervened in Megumi's situation on the caveat that Megumi work for him. Presumably, if Megumi didn't want to be a sorcerer and just wanted to be a normal kid, Gojo would have either let the Zen'in have him or do nothing. The option of just calling child services and getting someone to foster Megumi until he was older didn't even seem to cross Gojo's mind. There's the help he gives (Food money, rent, protection from the Zen'in) and then the hidden agenda (Don't work for the Zen'in who are my political rivals, you're my student now).

Yet at the same time Gojo is shown going to find Megumi after Geto's defection, probably because of the words he said to Yaga "You can only save those who want to be saved," when he realized it was too late for Geto. Was he intervening earlier for Megumi because he learned from being too late with Geto? Did he think Megumi needed guidance, or did he think Megumi needed protection in his youth so the Jujutsu World wouldn't corrupt him like it did Geto, or did he think he just needed to make it so Megumi was strong so he wouldn't fall behind him because Geto fell so far behind him once Gojo became the strongest. There's ambiguity there, because the hidden agenda is you know... Hidden. That's what I mean with Gojo though, you can look at him from multiple angles, he's not just (I love my students I'd die for them) because that character would only have one purpose in the narrative and that'd be being the perfect mentor who teaches them all the right lessons.

Gojo's not like other mentors, and in fact he's a commentary on the mentors that everyone is always comparing him to and expecting him to be like.

Literally everyone who reads Naruto has the exact same response, "I hate how the manga never talks about how it's a bad thing to send these child soldiers into war, and nobody breaks the cycle."

There are a lot of people unhappy about the same thing in My Hero Academia, "Why does nobody talk about how wrong it is that the adults make these high school students fight on the battlefield."

Well there you go. That's Gojo. His dream is to make it so Jujutsu Society is a place where teenagers can survive until adulthood. His method of doing so is to... raise those teenagers to be stronger than the previous generation, but you know still letting them be child soldiers on the battlefield just stronger ones. He does this because if he's working within the system the his two choices are raise a group of people who can age out and replace the old regime, or just kill everyone at the top.

Everyone complains about how no one talks about the child soldiers in Naruto or My Hero Academia, but here you go, we have a manga that is centered around how messed up it is to send high school students to continually fight these curses before they even turn eighteen. Gojo's sending these kids out there still even if he wants to change things, and it's supposed to be a little messed up and also a contradiction to what his ideals are supposed to be.

Because in My Hero Academia you have characters like Aizawa and Kakashi who are "I will die for my students" but then they just send those teens out to fight in a war, and seem totally fine with that. It's a hole in the writing, but this time it's done on purpose, to ask why these adults are always comfortable sending teenagers out to fight for them?

Jujutsu Kaisen provides two answers, number one the system is inherently corrupt and it sees the youth as cogs because the system is rooted in traditions that keep the elderly in power. Number two, in Gojo's case at least this is exactly what it was like for him growing up as a child. Gojo is just repeating with his students what was done to him, subconsciously.

The reason Nanami said this, and then repeated it in this most recent chapter is Gojo was born to be a Jujutsu Sorcerer. Being a Jujutsu Sorcerer is a highly deadly occupation for everyone else, except for Gojo. Not only that but because he's so good at it, and he's so lauded for it he's built his entire identity around it. Nanami's not just saying that Gojo is selfish, he's also saying that Gojo thinks being a sorcerer is a good thing. It is the end all, be all of Gojo's existence.

He doesn't want to make it so sorcerers don't have to fight, or make it so all cursed energy is gone for the world like Yuki Tsukumo, his dream is actually kind of limited in scope he doesn't want the school days of his students to be destroyed by the outside world the way it was for him and Geto.

Gojo looks at the symptoms and not the cause. Geto defected, Haibara died, Yaga wasn't really able to do much for his students in both scenarios. Gojo deduced it was because the elders and regressive policies were holding people back in favor of keeping the regime in charge (correct) and that because of that the sorcerers in Gojo's high school years just weren't strong enough to keep up (this is just what Gojo thinks).

His words to Megumi are encouraging him to be strong so he won't get left behind, which as I speculated above might imply Gojo thinks that part of what went wrong with Geto was that he simply wasn't strong enough to keep up with Gojo or stay on his level. If not then he still encourages Megumi to get strong before everything else, he's not taking care of these kids emotional needs, he's pushing them to get stronger because in Gojo's mind that's the be all end all solution to every problem.

"Nanami's line was not saying that Gojo doesn't care about children, it's saying that "You live for Jujutsu." It is the lens through which Gojo sees everything, and so therefore he doesn't think of breaking kids out of the Jujutsu World, just making it a place that's slightly more safe for them. Gojo's ego is so strong that he only ever sees things from his point of view, being a sorcerer was fun for him, his high school days were the happiest time in his life before they got ruined by outside forces.

He's trying to protect those days for his children, but he's not arguing against the existence of an institution like Jujutsu High in the first place. He's not saying the teenagers should never be sent out on missions, he's saying we need to make the teens stronger. If they're stronger than they won't die (that's probably true but they'll be even safer if they don't have to go on missions in the first place).

Now we have a reason! Why do Aizawa and Kakashi send out child soldiers into the battlefield if their goal is to protect their students? Because it's a shonen manga and the main characters are all teenagers.

Why does Gojo send out teenagers to fight for him if he wants to protect them, well I just explained it.

In fact, the entire purpose of Nanami in the story is to give us a character who explicitly treats children like they are children and not miniature adults. Who acknowledges that this is emotionally hard for children to deal with and they shouldn't have to do that.

Nanami's lines of "I'm an adult you're a child" and "Being a child is not a bad thing." would not have the weight they carry if they weren't so different from the way that every other adult in the story (including Gojo) treats children.

Nanami and Gojo have the same goal of making being a Jujutsu Sorcerer easier for children, but Nanami practices what he preaches. He tells Yuji to stand back and that he doesn't need to fight if he sees an enemy that's too strong, to let the adult on scene handle things first.

When he sees that Yuji is disturbed by the idea of killing former humans that Mahito had changed with his technique, he consoles him. He knows that Yuji is a sensitive kid and tries to spare him as much of that grief as possible. When he leaves Yuji behind he tells him explicitly that he's the adult in this situation, he shouldn't be forcing a child to help carry that burden if it's not necessary.

He also explicitly tells Yuji that being strong or jumping into life threatening situations =/= as growing up. Nanami is a character aware that the problem isn't that the children are not strong enough, but that too much responsibility is being thrown on these children. That there is a difference between what children and adults are emotionally capable of. Gojo doesn't see that difference because he reached enlightenment as seventeen. He even explicitly chose Nanami because Gojo knew he wasn't good at that stuff.

Nanami was not saying that Gojo doesn't care about children, Nanami was saying Gojo lives to be a sorcerer, Gojo who loves sorcery doesn't understand why being a sorcerer is too much of an emotional burden on a child. He just doesn't. He literally says his students are flowers.

Now, here's the kicker. Nanami dies.

Nanami wanted Yuji to not take on too much responsibility, and he died leaving Yuji with more responsibility than he could ever carry. Nanami failed in his goal, despite the fact he is the most responsible and well-meaning adult in the story who treats children like they're children.

The reason he dies is because this is what happens to people like Nanami in Jujutsu Society. The whole of society is built to condition people into being cogs and Nanami who's just one person can't overcome it on his own. I can write a whole meta on how Nanami's way of dealing with children is way better than Gojo's and yet they do essentially the same thing, throw way too much responsibility onto Yuji even though he's just a kid. They're both too ingrained in the system to make any sweeping changes, and that's why the child soldiers keep on child soldiering.

Gojo as a Character

The second reason as eluded above that Gojo is not meant to be read as a perfect teacher, or even a good one really is because he's the fourth main character of the cast. If you are a main character, then you need a flaw, and an arc where you either improve upon that flaw or you succumb to it in tragic fashion.

Gojo's not the perfect adult mentor, because he's kind of in the same place as the kids themselves. I think there's a reason we never learn anything about Gojo's backstory, we know nothing about his parents, the Gojo clan, because those details aren't as relevant. The most important thing about Gojo is the three years he spent at high school, because that was the only time he felt like a person, and also because he is trapped there mentally.

There's a reason that Gojo's dying dream is him imagining everyone reset to seventeen years old, because that was where the clock stopped for him in his youth, and that was where all of his regrets as an adult come from. His motivation to help teenagers today only comes from his own youth being ruined, and the adults in his life failing to protect him.

It's very likely that Gojo who lives for Jujutsu probably would never have realized the problems in his current society, if his youth wasn't ruined by those same adults he's now fighting against.

The reason most mentor figures in fiction are not main characters is because as adults they don't really need to grow up anymore. The obvious solution is that you just need your mentor character to just fail to be an adult in some glaring way.

To show how Gojo falls short as an adult, especially in regards to these children and how he treats them is to drag him down from all powerful, all knowing wizard, and make him struggle with the rest of the main cast. Gojo is not a positive adult figure in these kids lives despite having the best of intentions, because he's not really an adult.

I guess if you were already the best and strongest person in the world at seventeen, smarter and more capable than all the adults around you, you wouldn't really feel the need to grow up. Coupled with the fact that you are alienated from other people and do not relate to them on a personal level that's not going to help with your identity formation.

I mean I constantly compare Gojo to Superman, but to be fair to Gojo instead of bullying him like I usually do Clark Kent was raised by parents who raised a boy not a superman, and who constantly tell him that he's just a normal person, his powers don't make him great, it's his heart.

Nanami says that Gojo only fights for himself that ""You don't wield Jujutsu to protect something, you use it solely to for your own sake. What a weirdo" it's likely Gojo only fights for himself because he's never ben told that's he's more than just the six-eyes and more than just the limitless.

The best way to make a mentor a part of the cast, is to make them through some way or another have failed to grow up properly in their youth and therefore they need to do it while the story is taking place. We know how Gojo failed, his springtime of youth ended early, it ended the day he couldn't stop Geto from leaving, the day he can be the strongest sorcerer ever and still fail because sorcerer society is too corrupt for one person to handle alone. We also know he didn't really grow up past this point, because he still thinks the solution is to make people be stronger. Why does he not do anything about Geto for 11 years? In story terms he's basically suspended in time unable to grow past Geto. Kenjaku literally uses the trauma from his youth and the memories that seeing Geto alive would provoke in Gojo again, to trap him because he knew it would make him freeze up. Gojo is frozen in the past, he failed to grow up in story terms and must now grow up while the main story itself is taking place along with the children he's trying to raise.

This is how you make a mentor interesting. You have to make them flawed in some way that makes it worth having them onscreen, because a perfect mentor only serves one purpose to teach a main character and then he's gone.

Dazai Osamu from Bungo Stray Dogs is a character that's almost as massively popular as Gojo. Similiarly, he is a teenage genius who found trouble relating to other people who is now as an adult attempting to mentor two children.

However, Dazai's faults as a mentor are made much more explicit.

Dazai suddenly punched Akutagawa in the face, preventing him from finishing his sentence. Akutagawa flew back onto the ground, his head bouncing off the stone flooring with a thud. "Perhaps I made it look like I wanted to hear excuses. Sorry for the misudnerstanding," Dazai said while rubbing his knuckles. "Urg..." Akutagawa moaned. He'd hit his head so hard that he couldn't even stagger to his feet. "Give me your gun," Dazai ordered one of his men. The subordinate was hesitant but nonetheless handed over his weapon. Next, Dazai removed the magaine from the automatic pistol, took out all but three bullets, then put the magazine back in. He immediately pointed the gun at Akutagawa, who was still on the ground. "I have this friend who's supporting several orphans all on his own, you see," he continued his weapon still drawn and aimed at the boy. "AKutagawa I'm sure Odasaku would've been patient enough to give you the guidance you needed had he been the one who'd found you on the brink of starvation right in the slums. That would have been the 'right' thing to do. But 'righteousness' doesn't take very kindly to me. And there's only one thing people like me do to useless subordinates." Dazai mercilessly pulled the trigger the moment he finished his sentence.

(Don't worry, Akutagawa lived). Dazai is a character who had a troublesome youth he never grew up from. He was too smart for the world as a kid, and because of that joined up with the mafia because he wanted to feel like he was more connected to life and other people by getting closer to death (weird dazai logic I know) and was the best of the best at it, but it only drove him further away from people. He makes one friend, and loses that friend similiar to Gojo. Just like Gojo too, that friend is the one who gives him his purpose as an adult that drives him to mentor young people.

"Odasaku.. What should I do?" "Be on the side that saves people," Odasaku replied, "If both sides are the same, then choose to become a good person. Save the weak, protect the orphaned. You might not see a great difference between right and wrong, but... saving others is something just a bit more wonderful."

Is this not what Nanami said just in different words. Odasaku tells Dazai point blank, I know you're selfish, I know that you don't really have any concept of good or evil but you can choose to save others anyway.

Isn't this what Gojo does?

He is selfish. He doesn't really consider the morality or his actions or get hung up on the idea of protecting the weak like Nanami or Geto do, but he still does go out of his way to live for the ideal of saving children.

Both Gojo and Dazai are characters who are struggling with this ideal of saving the children, because while their ideals are good they themselves as people are morally gray. Adding onto that, they're also children and a good deal of their backstory is devoted to showing why they never really grew out of the mindset that they held as children.

The story doesn't call them horrible monsters for it, it's just saying that they need to grow up or face the consequences of not growing up.

"I have one regret," I said. "I never got to say good-bye to my friend. He was always there for me as 'just a friend.' He was bored of this world and always waited for death to come for him." "That man was in search of a place to die just like me?" "No, not exactly," I answered. "I thought you were similiar to Dazai at first, rushing into battle and wishing for death without even considering the value of your own life. But he's different. He's sharp-witted with a mind like a steel trap. And he's just a child - a sobbing child abandoned in the darkness of a world far emptier of the world we're seeing." He was too smart for his own good. THat was why he was always alone. The reason why ANgo and I were able to be by his side was that we understood the solitude that surrounded him, and we never stepped inside it no matter how close we stood. But in that moment, I kind of regretted not stepping in and invading a little.

Does that sound like the narrative is condemning Dazai for being who he is? No, it's Dazai's best friend offering empathy and understanding for how lonely it must be, and how if Dazai made real connections with people then he could have a chance of growing up like everyone else. That's what the narrative challenges Dazai to do while empathizing with why it's harder for him to and why he's still trapped in his youth, because to take care of children you need to be an adult yourself. Otherwise if you're a child, and I'm a child, then nobody's driving the plane.

Rupert Giles from Buffy the Vampire Slayer is another mentor who faces the same moral dilemna that Gojo does. In fact his entire character revolves around the fact he knows deep down he's sending a kid to her early grave.

Buffy is the Chosen One TM. One girl in all the world is chosen to fight the vampires. Much like sorcerer society, there is an entire bureaucracy dedicated to identifying the chosen slayer and then raising her up and guiding her as a weapon to be used against the threat of vampires and demons.

The watchers are all adults. The slayer is a teenage girl. The slayer slays. The watchers watch. Just like in Jujutsu Kaisen, there is a necessity for the Slayer to exist, because the alternative is just letting vampires eat people. Yet even if the slayer needs to exist, at the end of the day a bunch of adult men are sending a teenage girl to fight for them.

All Slayers die young. All of them without an exception. No matter how good of a mentor is, no matter how much he cares about her, Buffy is going to die one day, and Giles is going to watch. Because that's what the watcher does, they watch. Sending her on missions means Buffy's in danger, not sending her means innocent people are in danger.

It's a scenario that's pretty much like Gojo's, and the narrative of Buffy makes it explicit that Giles really can't be a father figure to bufy in this scenario. A father would have to choose to put their child above the world and keep them safe, not send them out straight into danger.

It is a choice that Giles makes over and over again. He is always her watcher and never her father. There's a season 3 episode where Giles literally drugs Buffy as a part of a test to prove she is "worthy" of being a slayer. A test that deliberately puts her in harms way that he complies with - because the system told him to. A choice to be her watcher and act according to what the council of watchers wanted and not what Buffy wanted. A choice that shatters the illusion that Buffy had of him, showing her that Giles is only there to teach her to be a Slayer, not to take her to the iceapades or buy ice cream with her.

In this scenario Gojo is very much like Giles as no matter how much he may personally like these kids, he is not their father, and there is only so much he can do for them when he's still feeding them into the same system. Giles loves Buffy, Giles wants to protect Buffy, Giles is a part of the system that exploits Buffy. Giles is an adult asking Buffy to risk her life to save the world.

Gojo goes out of his way to recruit Megumi, Yuji, and Yuta among others. Gojo still doesn't let them be anything other than sorcerers, and as sorcerers they're still guaranteed to one day die and probably die young. Gojo wants to revolutionize the system he is, but he still sends out his students to do missions as part of that system. He's not letting them escape it, he's just making them be stronger sorcerers.

Not only is Gojo not a father figure to Megumi, he is exploiting him more or less. The option of Megumi not being a sorcerer isn't on the table. No matter how well-intentioned he may be, or how good his ideals are he's still an adult telling a child to make a sacrifice for the world.

So, there are two character conflicts with two different mentors that both reflect Gojo. Gojo cannot grow up because he's still trapped in the tragedy of his youth. He himself is not an adult, for various reasons (lack of connection to other people, trauma in his youth) he's egocentric like a child but there are children in his life who need him to be.

Gojo also cannot be a proper adult, because he is part of a system that exploits children. We see what the system does to proper adults like Nanami, he shows us just how much well-intentioned adults struggle to help kids under sorcerer society so how about Gojo who thinks being a sorcerer is really fun. A proper adult would never send kids on those missions, they'd find some way to shield them but Gojo cannot do that. Because sorcerers are short staffed and innocent people will die if he doesn't. Because Gojo isn't the sorcer-king of Jujtusu Society and is working within it to affect change. There are reasons, but still Gojo is failing to live up to his desire to protect children because he's not doing what a responsible adult should do in this situation.

Gojo's failures are two-fold, and yet it's because of those failures that he was a main character who got as much special plot attention as he did. If Gojo was a perfect teacher he wouldn't be a character. After all, we relate to the struggles of other human beings we see onscreen in television and in movies so why would we care about a perfect character?

Gojo has a lot more to say about teachers in shonen manga, and also about childhood vs. adulthood as a bad teacher struggling to be a good one, then a teacher who's already perfect. Nanami said those lines because he wanted us to understand the audience that this is who Gojo is, he is a selfish and egotistical person who nonetheless was trying to do good things.

#jjk meta #gojo satoru #satoru gojo #nanami kento #kento nanami #jujutsu kaisen meta #jujtusu kaisen #jjk spoilers #jjk 236 #jujutsu kaisen spoilers

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