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tutubola-moved-on · 3 years

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Hi I like music and I kind of go wayyy too deep into the TPN soundtrack and I think it's about time I start throwing my thoughts out there before they spiral too much

Disclaimer!!! This is not a complete analysis at all, just a few thoughts on each of the songs. I'll probably revisit some of them in future parts if I ever do those aha anyways enjoy

(Part 1/?): 63194, Emma's Sorrow, Emma's Determination, 22194, Norman's Lament, The Promise Between Humans and Demons, Jailbreak and Isabella's Lullaby.

(manga spoilers)

I've done a lil smth smth on Main Theme 2 already and its my favourite song like ever aha this is a cry for help

here you go people

but now anyways fr

63194 (Season 1)

Wouldn't have started with this one cuz I'm still figuring it out but it was the first one that came up when I pressed shuffle

Let's just go straight to the point so we can move on. The first time we hear 63194 is in episode 2, when Norman is talking to Ray about their plan in the forest (or, as I like to call it, "boat scene"). It reaches its climax when Norman starts talking about how he'll use himself to ensure the escape plan will work.

And then it's only used again in episode 8, if I'm not mistaken, after Isabella tells them about Norman's shipment, thus foreshadowing him refusing to escape and using his "death" as a tool to help the others escape.

But alsooo the song is Emma's theme, so there's definitely some sort of meaning other than foreshadowing Norman's shipment. That's for later though cuz I'll have to think more. The beginning does sound a lot like Strauss' Metamorphosen, a piece symbolising how German culture was destroyed during WW2. Not sure what to do with that info for now.

If you'd like a little extra stuff, I also tried connecting the pieces to the Doctrine of Affections, a... thing some Baroque composers wrote that connected music keys to feelings. (I found many sources but I used this one).

63194 is in C Minor, which is described as "innocently sad" (although another source said "sweet but sad") and "lovesick." I think innocence really describes Emma, Ray, and Norman in general, as kids who never did anything wrong but were thrown into the wrong world. Innocently sad would be their conversations in boat scene. They're talking about life or death, it's not something kids should have to deal with.

But again, it's hopeful. Norman wants to create a boat made out of mud---he wants to save everyone---and he really believes it'll work. So although sad, it's also sweet. It's a light at the end of the tunnel, and also just an act of kindness. As for "lovesick," that would just describe Ray and Emma's inevitable longing for Norman after he was gone. Which brings us to...

Emma's Sorrow (エマの悲しみ) (Season 1)

The two times I remember Emma's Sorrow played was 1) When they first talked to Don and Gilda about the house and 2) During the infirmary flashback scene.

The Doctrine of Affections describes E Minor as "grief and longing." In the infirmary flashback scene that obviously not only shows how Norman longs for that time when they didn't know anything and everything was light and happy but also, once again, foreshadows Emma eventually having to grieve him.

Especially because they don't play the staccato part (short quick notes) that's in the original version. Instead, the strings are always present. In staccato, the music gets pretty,,, lowkey? because the instruments can't exactly "show off," whereas the legato (long/connected notes) really shows the true importance and impact each individual instrument has on the song. Considering how the strings (specifically the violins) in the soundtrack could symbolise Norman, it's showing how Norman is not just another guy who's in their group and planning the escape, but an actual friend they'll lose and who'll leave a significant emptiness behind. Not only brain power wise, but just.. you know he's a human being and it's gonna hurt either way.

Not only that, but the harmonies itself in Emma's Sorrow once the strings really do come in are really incomplete. Like, the piano part seems to be all over the place, but it comes together because of the strings. Norman was the one who brought Emma and Ray together, in a way, and isn't Emma and Ray clashing exactly what Shirai wanted when he sent Norman away? Yea...

And Emma's Sorrow is, of course, parallel to:

Emma's Determination (エマの決定) (Season 1)

Yea no I'm still gathering thoughts on that one. The ascending bass contrasting the descending bass in Emma's Sorrow is pretty cool, though. It plays when Don is going off about how he wants to be strong after punching Ray and Norman and it's in F# Minor, so "passionate resentment." Connect both and Don really is ready to change the world. He got slapped with this very very bad reality and naturally he's angry and he's sad and he wants to do anything in his power to save people.

But back to Norman.

(hi future me here. oh my god why am i only talking about norman this was not the route this was originally going to take im so sorry i swear there's more to this post than just norman brain rot 22194 is the last norman one)

22194 (Season 1) and Norman's Lament (ノーマンの嘆き) (Season 2)

22194 is in B Minor, so "patience" and "walking towards fate." That's pretty self explanatory considering how he, and I quote, "chose death." Yea. G Minor would be "uneasiness of the future," and once again, pretty self explanatory (The whole Lambda seizures thing and I'm The Only One Who Can Save The Humans Syndrome. Normy worries too much :/)

Comparing both is pretty fun, too. It's the same melody but in different keys and instruments and thus just give off different feelings. While 22194 is full of instruments and harmonies and is clearly structured, Norman's Lament is just. Empty. It's like it's trying to stay true to 22194, so the Norman from before, but at the end of every musical sentence it just drifts off. You can see parts of 22194 in there, but it's not the same. At all.

There's also no harmony. He wants to do everything himself, and discards all his bonds and friends for that. So sad. Stop him.

All that while 22194 is rich and beautiful and oh my god i love that song so much and it's just showing how Norman was a lot more lively and layered and human when he allowed people to come into his life (the harmonies) and listened to those people instead of just locking himself up and doing everything himself.

So in conclusion cuz I ramble a lot, 22194 is about GF Norman, who hadn't gone through all those things that turned him "evil," who trusted his friends and believed everything had a good, ethic solution. Norman's Lament is about Lambda/post-Lambda Norman, who had gone through a whole lot, and was now in a downwards spiral and had left everything behind to become God or whatever, but was also in denial that he had changed in the first place.

does this make sense no idea i'm typing this while sleep deprived and high on bread and i failed english this quarter

but that aside

The Promise Between Humans and Demons (人間と鬼の約束)(Season 2)

I love this song!!!!!! So much!!!!!!!!! I love the percussion, it's used so well. And I love the way the song builds up and adds more and more instruments until it eventually reaches a climax, like the growing tension between the humans and the demons during the war that snowballed and snowballed and eventually caused both sides to resort to the Promise.

And when the song comes down you can hear a very short "first draft" ish version of Isabella's Lullaby.

It's as if yes, all this mess went down and the demons and humans made this huge promise that completely changed the world and affected an entire society but then far far away from the Seven Walls and the Promise and oblivious of the Ratri Clan and the demons were these two tiny tiny children just singing a song and living happily. And those children---and that song---were the foundation for the entire revolution that ended with the Promise. Wow.

And it's in D Major, D Major is "Triumphant." The song itself sounds triumphant, and yes the Promise was gross but it was a nice little hello kitty band aid over the mess that was the world before it.

What was truly triumphant, though, was the kids' escape, which happened to the same melodic theme, albeit in a different key. Which leads me to...

Prison Break (脱獄) (Season 1)

Oh my God. I love this song.

It symbolises the kids breaking ties with Isabella and how many obstacles were in the way (not only was she their mom; their only mom who had cared for them for their entire lives, but she was also their enemy and did everything she could to prevent them from escaping). The second the brass comes in with the theme (around 0:53) it sounds like it's struggling to play it fully. In this case, Isabella, once the singing parts, would have lost her voice after being outwitted by the children (keep in mind the song starts playing after they've already reached the wall). After all, the song starts with a voice that seems to get more and more desperate before it's overrun by instruments, thus losing its power.

So she's trying to control them and get them back, but they won't let her. They're going to break free. So you have the melodic theme playing with significant breaks, until eventually it all goes silent. Why? Because they escaped. Isabella completely lost contact with them, they're free. And then you get the same melodic theme in The Promise Between Humans and Demons.

But the theme isn't played full. It's not played to the extent that they play it in TPBDAH, instead there's a lot of just "blank space" with no melody above it: that's where the children will write their melody---their story; a story independent from the Promise that shaped their lives thus far.

AGH.

I need a break but I'll be back

Isabella's Lullaby (イサベラの唄)

OK OK Continuing on Isabella I love how Sarah Alainn sings like she's crying. I really recommend this if you want to go deep on Isabella's Lullaby, they pretty much said everything I had to say. I don't go on youtube like ever and that might as well be one of my favourite videos LOL anyways

I also really recommend listening to the no vocal/piano solo version, the harmonies are so beautiful. And the more you listen to it the more you hear, there's always something new. The violins especially oh I love the way Takahiro Obata uses violins. Honourable mention to Nat King Ballade (ナット��ングバラード) and Each Thought (それぞれの想い) (idk if thats the english name for it,,,, i've seen it as "Their Own Thoughts" too)

WELL THEN. What a ride. I'll go to sleep now. If anything is incoherent or u just wanna talk then send me askies or a dm smth idk aha i like music but i hate grammar :P

#adding this to the queue cuz posting it rn would be so weird #tpn manga spoilers #thoughts #long post #tpn music #63194 #emma's sorrow #emma's determination #isabella's lullaby #prison break #tpbhad #norman's lament

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seijch · 4 years

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send me selfship questions!!

for @raevaioli because i wrote too much the first time and didnt have space to answer everything else 🧍🏻‍♂️

(there’s a lot of shit under the cut NDJKDKS be Warned)

1. where was your first date?

well, youve already heard about the first date that we realized was indeed A Date with futakuchi, but my first Proper Date with him would have to be somewhere like an arcade where we can have fun but still talk?? personally movie (theater) dates aren’t good first dates bc you Have to stay silent until the movie is over?? what’s the APPEAL...

there’s a shared exhale of relief as the large stuffed pokemon gets dropped by the crane into the pickup zone. “i can’t believe you pulled that off,” i tell him.

“you know, just for that, i’m keeping it.”

“you don’t even like pokemon! what happened to ‘this one’s for you, baby?’” i ask, voice dropping an octave to imitate him.

“i never said that, first of all. second of all,” he continues, grip tightening on the rowlet, “i won it. so it’s mine.”

“you fucking suck.”

(he says all this, yet when he drops me off, he insists i take the rowlet with me and name it after him. i graciously oblige, dubbing it coochie jr.)

when it comes to kuroo, he probably Says it’s some kind of unplanned affair but it ends with him unloading a picnic basket as we watch the sun set bc he’s a SAP... hate that fool 😔

“you’ve got good taste in music,” i tell him as the next song on his playlist begins. he’s definitely planning something, but i don’t say anything as his driving becomes less aimless.

“oh, i know,” he grins. “good enough for you to ask me for recommendations, i’d say.”

i’m crossing my arms before his sentence gets to finish. “listen,” i start, “you can’t tell me it didn’t work. we’re together now, aren’t we?” he doesn’t choose to grace that with a response.

before we know it, kuroo’s parked the car. “we’re here.”

“here? at the park? what are you gonna do, hold my hand while we watch the sunset?” i tease, getting out of the car. he doesn’t respond. “tetsu?”

“you really think you know me, don’t you?” he appears from the other side, picnic basket in hand and a resigned smile on his face. “what do you suggest we do now that my surprise has been torn to shreds, hm?”

“i mean...can we still eat? i’m kinda hungry.” i point to the basket. (i’m clearly deflecting ,, i was Not expecting kuroo the simp to jump out so early and my heart Cannot Take It)

2. who normally plans the dates?

between me and futakuchi i’m going to say none of us! we don’t really go on Dates dates, it’s just Us Hanging Out !! with kuroo, at first it’s him tbh but after we get comfortable everything becomes a date... idk tbh i’m not the type to sweat that kind of thing 🕺🏻 i do like to Go Out and do things w my s/o no matter who they are but a date doesn’t always have to be going out nor does it have to be a Special going out yk??

3. what kind of dates would you two mostly go on? do you have a “date spot?”

i mentioned this in my answer for 24, but w kuchi we have this ritual of going out to eat every friday and after we get together that doesn’t change!!! if we’re feeling extra lazy we might order takeout but we always always spend our friday nights together... it’s def smth we look forward to even Before we start dating (and it’s smth we both wonder Why we anticipate before we get tgt)

in terms of a date spot? we have our favorite places (like the ramen joint i mentioned in 24) but other than that maybe a few other restaurants and that’s kinda it! our other dates are the occasional study date but i cannot study when he’s around,, just looking at his face pisses me off 😃 nah but we can’t focus on school together + we’d get heated over a meaningless argument and get kicked out NDNSJSJ

when we get domestic w each other (like in uni or beyond) kuroo and i have all our dates at the grocery store... idk abt you but the INTIMACY of buying groceries w someone you love is so [clenches fist] yk?? but before and sometimes after that point rlly it’s like Things To See and Things To Do whenever kuroo puts himself in charge of planning it bc he knows we both like to be engaged and have fun!! (i alr said it but our date spot is the grocery store <3)

4. what kind of date do you think the both of you would enjoy the most? why?

that’s a very good question... i mentioned it alr but kuroo and i vibe heavy w things that are engaging and give us things to talk about while we keep busy,, like maybe an amusement park or smth w all the rides (we’re definitely spinning the shit out of the teacups) mostly bc i think he likes being kept on his toes and i do too! i think we’d challenge each other to do better by setting an example for the other to follow just in general,, also ngl places w a lot of ppl are good too so we can peoplewatch,, the two of us are the type to read people with a glance and when we need downtime we’d sit down somewhere and just kinda . 👁👁 yk

“i might barf,” i announce, gait crooked from the dizzying ride.

“no, you won’t,” kuroo replies, allowing me to drape myself over him though he’s not walking straight either. “didn’t you hear? vomitting is banned in this country and thirteen others.”

“a shame. anyway, let’s go on the pirate ship ride next.”

(we sit at the outer edge. it’s not a good time for the folks in the two seats in front of us. we wipe our vomit—mostly my vomit—from the corners of our mouths and apologize profusely.)

when it comes to kuchi, i think he’d like smth where we would end up competing against each other! i mentioned this when i answered question 50, but kenji and i are almost TOO competitive over stupid shit so smth like laser tag (where everyone is like ... why don’t you want to work together aren’t you DATING) would be SO fucking fun

“it’s not too late to surrender,” he simpers, my body sandwiched between his and the wall. my gun’s been knocked out of my hand—that’s gotta be against the fucking rules—and part of me feels like i’m on a real battlefield, as fleeting the thought is. “some battles, you just can’t win.” he punctuates this statement with a sage nod, leaning so close his breath fans against my face. “so, what’ll it be?”

i close the gap, pressing my lips against his and relishing in the strangled groan that comes from the back of his throat as he reciprocates, free hand moving to the nape of my neck. the hand holding the gun drops. that’s all the opening i need.

i let him deepen the kiss, take his bottom lip between my teeth and gently tug as my hands reach for his gun while his brain is still between his legs.

aim. fire.

i’m the last one standing, and the lights turn on around us. “it’s always good to have goals,” i tell him, granting him a consolation peck to the lips. “but i suggest making them more realistic next time.”

9. what do you think your first impression of them would be?

now THIS is a question i knew the answer to going in bc my best friend (honestly she doesn’t get paid enough ,, or at all ,, for all the shit she has to put up w from me NDNSKSK) had to hear all abt my elaborate fantasies regarding these two but!!

my first impression of kuroo is 1) 😳😳 and more importantly, 2) I Want To Know What He’s About... bc he’s not the kind of person i’d get the full picture of w just one look and maybe a few words spoken? he’d pique my interest a LOT (and this is smth he shares w tsukishima, tho i don’t see myself in a long lasting relationship w him like i do w kuroo and kuchi!) and i’d end up worming my way into his life whether he likes it or not until i find out :-)

unlike kuroo i see kenji and go Wow. What An Asshole. ok no i don’t NDNSJSN i probably think he’s cute first THEN go what an asshole and there’s definitely a long period of time where we’re genuinely getting on each other’s nerves before it goes into the romantic relationship-adjacent dynamic you see in my answer to 24!

10. what do you think their first impression of you would be?

kuroo’s definitely curious. i don’t imagine him being unable to see thru me from the start but i prove myself to be Good Conversation so he’s fine (and ends up being more than fine) with me bothering him as much as i do. kenji probably sees me the way i think most people see me at first? very soft and sweet ,, and then he tries to rile me up, tries to test the waters and pretty quickly finds out that right under the nice girl is someone that won’t hesitate to mirror the shit he tries to dish out.

(again) 24. would you confess first or would they? how would it have gone?

i saw you said in the tags you wanted to see the kuroo one so here it is 🤝 i had all my fun writing kenji’s so this one is shorter than that but!!!

NDNSNSN anyway !!! with kuroo it’s kinda 50/50 bc i’m not shy when it comes to my feelings but at the same time i like to have the lowest chances possible for failure when it comes to things like this... but i simp SO heavy for him so lbr it’ll prob be me just bc i literally Cannot pretend that my intentions are platonic anymore and he’s not gonna do it first (later i find out he was trying to see how long he could go before one of us mentioned the elephant in the room)

(5:38 PM) me: anyway for the weekly song rec

(5:38 PM) me: khalid ft. john mayer - outta my head

(5:39 PM) me: specifically 1:16-1:25 :-)

the messages have sent before i can think twice or even consult anyone about it. there’s a beat of silence. then two. then three. i throw my phone down onto the bed as it bounces off the mattress and onto the carpet.

what the fuck!!!!!! bitch why did you do that!!!!!!!

there’s no taking it back now. he reads it ten minutes after it sends (not like anyone’s checking, that would be preposterous). the picture i took of him mid-sneeze two months ago lights up the screen, a facetime call from shithead 👺 bringing me to yet another crossroads. do i answer it and face the music (literally), or do i pretend to have been busy and act as though i didn’t just confess to one of my best friends through text and with music, of all things?

i pick up the call.

“i liked the song,” he says as soon as the call opens, “though i can’t help but wonder if there was a hidden meaning to it.”

“and if i told you there was?”

“well,” he replies, sounding a little out of breath (where is he?), “i’d tell you to open your door because i’m outside.”

true enough, when i race downstairs and open the door, he’s waiting for me. “and if i told you that was my way of asking you to be my boyfriend?”

“well, i think i’d want to ask if i could kiss you. assuming, of course, it was alright to do something like that so soon-“

he doesn’t finish his sentence. his lips are a little bit chapped, but pleasant nonetheless, and i tuck the newfound fact away in my file of things i know about kuroo tetsurou.

(for reference, the song lyrics for the part i mention are can you feel the tension / you’ve got my attention / i know we’re just friends but / i’d rather be together instead)

#💘 selfship #also both ari and my real name are Not good names to make ship names out of but????#and its not like kuchi and kuroo are ideal for ship names either so im rlly at a loss NSNDJSJ #excuse how Long it took me to answer this i had to go to work before i could even brainstorm 😔#nd yes...if i ask a man for music recs im 90% up to smth i Admit #BYE I PROMISE I LOVE KUROO LIKE IM IN LOVE WITH HIM BUT THE FUTAKUCHI BRAINROT... SO STRONG #fun fact i actually asked someone out using the song i mention in kuroos confession scene 😃#this is also called ari overuses the italics function 😃#anyway im sure im forgetting to say a lot of shit but ill cross that bridge when i get there :-)#thank you again for asking raenah NDNSMSM #also after having given it some Thought i think kuri would be half decent for kuroo??#for futakuchi ... god i hate this slimy bastard i can’t think #maybe chika w the ka coming from my real name 👁#i’ve never been huge on portmanteau names but . if i had to pick i would choose those

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holdencaulflied · 6 years

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a while ago (like two years!!) i was tagged in a “describe ur top 9 formative albums” and i’m supposed to be studying for psych but i’m bored so this is as good of a time as any to talk abt music i guess

these aren’t supposed to be my favorite albums altho a few of them could fit in that category as well- it’s more the albums that i grew with and that helped me define myself at various points throughout my life

don’t panic // all time low- this album bridged me from 5th to 6th grade, and also from elementary to middle school. it was the beginning of me moving past radio hits/what my parents played in the car to finding music that was solely my preference and while i look back at this phase with embarrassment now, listening to lots of punk rock probably helped me branch out and have varied taste in music like i do today. also backseat serenade still goes hard and it’s my guilty pleasure song

marry me // st.vincent- my first foray into alternative/indie music, and also to st.vincent, who still releases amazing albums to this day. but honestly this was the soundtrack to my 7th grade year, when i was moving past the fall out boy/atl/panic! at the disco stage. paris is burning is one of the first songs i remember crying about. i listened to this album so much it’s like almost sacred now like i don’t listen to it as much bc i don’t wanna ruin the opinions i have on it by finding flaws i just want it to be a defining part of my life

pure heroine // lorde- my comfort food of albums. this came out when i was in 8th grade and it perfectly encapsulated everything about growing up and being unsure of yourself yet feeling like you knew everything. i still play this album a lot because it has stayed consistently relatable and i can appreciate the lyrics so much more now. ribs, the love club, and buzzcut season are the holy trinity of lorde songs. also lorde was my first every live concert and that is smth rlly special that i will remember forever bc literally my favorite thing is experiencing music u love live. lyrics like “we’re slipping off the course we prepared” and “my heart jumps around when i’m alluded to” stuck with me SO MUCH and this whole album really raised my standards in that i began listening more to lyrics instead of just songs i thought sounded cool

modern vampires of the city // vampire weekend- 8th or 9th grade?? definitely at the beginning of high school, but super formative because this is when i really began digging deep into spotify and finding artists and music that people wouldn’t just recommend to me. i really started seeing music as more of just a hobby to smth constant. songs like unbelievers and step and obvious bicycle were stuff i would always tell ppl to listen to- especially this was before vampire weekend became super popular it felt like i had like my own little personal album. vampire weekend in general also led to my love for indie rock/pop which has consistently been my most listened to genre since 9th grade, and although i’ve definitely changed my overall music taste from vw, there’s a lot of forever good songs on this album.

transatlanticism // death cab for cutie- holy shit this album is one of the saddest things i’ve ever listened to, and that is including high violet by the national. i probably listened to this album of my own accord the first time in 9th grade because before that my dad used to play it in the car and i wouldn’t really pay attention. but then i listened to title and registration (which is one of the first songs i remember sobbing my eyes to) and was like dad holy fuck this song is incredible. and this album is so important to me because while my dad and i disagree on a lot death cab is a common love that i think just brought us closer together. its a whole ass masterpiece like expo’86 is SO SAD yet i smile every time it comes on, and most of the lyrics aren’t obscure and twisty like a lot of other bands i listen to, yet i feel like they always pack the hardest punch

bankrupt! // phoenix- this album isn’t as formative as it is an eye-opener. it was one of the first times i began to realize music could be just as political and make points just as effectively as any op-ed, sometimes even more so. i think i listened to it sometime in 10th grade, and the line “lost ur mind on a cruise ship, bartending crucial lies” made a bigger point abt capitalism and poverty than most article i’d read. also the songs are just fucking catchy and the production is pretty great. oblique city, sos in bel air, and chloroform are some of my all time favorite songs. also the transition from drakkar noir into chloroform is like incredible and i freak out every time i hear it.

bury me at makeout creek // mitski- mitski is a force of nature in the form of guitars and words. her new album puberty 2 is amazing but i feel like this is the album that i really related to end of sophomore going into junior year. mitski is like a weird mix of straight up electric guitar and rock like remo drive and also soft-spoken indie like moses sumney and it’s great. last words of a shooting star is my favorite song off this album and the part where she is like “i’m glad my room is at least neat so when i’m gone i’ll be remembered kindly” is so!! like u don’t think abt life in terms like that but the fact that a lot of the time you’re only remembered by other’s perceptions of you is fucking sobering.

i’m not your man // marika hackman- ok i’ve loved marika hackman ever since i heard her cover of i follow rivers by lykke li and this album!! holy shit!! it’s so versatile but also so honest and heartfelt and somehow brutally witty at parts. i listened to it probably when it first came out, which was like either end of junior year or summer before senior year and i’m definitely at a part of life where i need constant new music- like ppl are like manasa is my personal shazam bc i never can stick to one genre or artist and i can pick song recs out of thin air so the fact that i listened to this album for like three months straight is a sign of how incredibly good it is.on a more personal note i came to terms with my bisexuality around the end of junior year, and to hear marika hackman unapologetically refer to running away with girls/falling in love with girls was so relatable at the time. it still is. i love gina’s world, round we go, and violet with all my heart. yeah the lyrics are confusing and often obscure and it is often a hard album to listen to because there are virtually no catchy hooks or choruses that grab onto you but it’s incredibly written and means so much to me.

landmark // hippo campus- AND finally, the album that has been on repeat for the past few months. i’ve always loved hippo campus from the first EP they released back in like 2014, but this is the first full album that they put out and jesus christ did it deliver and give me everything i ever wanted! my two favorite songs by them (warm glow and the halocline) aren’t even on this album but it’s still so perfect! the first time i listened to it all the way through was transcendental. sun veins into way it goes is seamless and perfectly executed. and some of these songs are so so so meaningful and sad and others are just upbeat and fun but then you listen to the lyrics and it’s like oh shit wow there’s so much i didn’t catch. i love this album and this band with all my heart i’ve seen them live twice (50% of their concert funds go to planned parenthood) and it was incredible. the way jake luppen says “solipsistic overtones” in western kids is amazing. the whole of buttercup is great the first time i heard “holy hell i can tell that you hate me, dying moon keep me up keep me waiting” i died a little. way it goes i could talk about forever with lyrics like “degenerate, counter-culture crying socialist, hip-to-lazed crazed abstractionist” like oh my god the genius it took to rhyme that stuff. also the whole of poems and epitaph is amazing and makes me cry. i love this album the most

#this is long #but i'm so bored and i rlly like music

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