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wexhappyxfew · 3 days

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31. pinky swear from the touch prompt list please!! really i’d love this prompt for all three pairings but maybe carrie and dougie?

- @parajumpboots 💜💜

HI PERI!!!!! ( @parajumpboots ) 🥹 thank you so so much for stopping by and dropping this wonderful little prompt in - it was so fun to fill and write, especially for carrie and dougie!! they’re so fun to write and play around with in context! :) thank you again and please enjoy! <3

you pinky promise?

(a/n): this can be seen a bit as a part 2 to THIS piece i wrote a little while back, but they don’t have to be read together at all, so! please enjoy carrie and dougie and their antics hehe :)

Day was fading to night and she was still feeling like she'd been run over by a truck.

Everything ached, her head was woozy, her throat dry and scratchy, her nose running like it was something fierce, and everything just seemed so loud and in her face. It had been only a matter of time before she would get sick with something like this - even as a kid in school, she'd catch anything that ran through that building, whether from other kids or the seasonal changes of the weather.

And now, she was here, trapped in a cot in the Med-Bay, listening to distant screams from people in Triage or others in the sickness wing launching up lunch. Curled on her side, she stared lazily up towards the window where the sunset was starting to dance across the sky, a beautiful array of colors flickering across, mixed with clouds and nightfall, the blue and purple hues dotting with stars.

At least the sky was having a grand old time.

"How ya feeling, Bergie?" Carrie stiffened for a moment and then shifted, glancing up and over her shoulder to see Dougie. Dougie. Surprise-surprise.

"Okay." she answered, before turning back and resting her swimming head against the pillow and staring up at the sky again, "Queasy." She heard Dougie let a puff of air leave his lips in a response for laughter before a chair screeched against the floor and was pulled up at her side. Slowly, she looked towards him, sat in the chair, lighting up a cigarette and letting the smoke blow upwards.

"You serious?" she murmured.

"Ah, c'mon, just for a sec." he said, talking around the cigarette on his lip, as she rolled her eyes and adjusted onto her back, looking towards him.

"Just a sec, huh?" she said, "I bet even if I could pay you the largest sum of money in the world, that thing wouldn't leave your lips."

"Since when did you become so concerned with me and this cigarette?"

"Because I feel sick enough as it is, Dougie, and you're lighting it up in front of me." she said with a deadpan stare and he raised his hands in defense and then popped it off his lip and stubbed it out.

"Better?"

"You're a real sweetheart, ya know that?" Carrie murmured and he made a face, which she mocked back, "So. What's up?"

"Figured you wanted to hear about Lieutenant Bradshaw nearly throwing me overboard." Dougie offered rather expressively as his eyes grew wide and he held out his hands, "I promise, if you want to have a laugh, I am more than willing to offer it."

"At your own humiliating expense?"

"Precisely." Carrie laughed and then sighed, before smiling slightly.

"Well, go on, then," she urged him on, bringing the blanket up over her form a bit more, "you've got me invested now. There's no backing out."

"I can never back out of these sorts of things, can I?"

"Dougie. Story. Now." Dougie smirked and then leaned forward against his knees, before chuckling.

"Well, first-off, she called me Bergie I don't know how many fucking times-"

"That's because, uh, hello genius, I'm usually the bombardier here, alright-"

"Anyway," Dougie said, sending her a look, which made her smile slightly, "after calling me Bergie, I started making jokes back, ya know, try to give the feel that you probably give Lieutenant Bradshaw, when she basically has to hand the fort over."

"So you're saying I'm funny." Carrie said, with a soft smirk his way, "Thank you for that." Dougie looked to her and for a moment, they just watched each other, before they both broke out into laughter.

"That's a bit of a stretch, Bergie-"

"No, it ain't, you said it with a straight face!" Dougie looked to her and raised a brow and she raised her own back.

"Fine, yes, I realize that you usually try to get people laughing and I figured Lieutenant Bradshaw would appreciate it, so…." Dougie shrugged, "whatever makes you sleep at night."

"Asshole." Carrie murmured, before grinning, "So, what she'd say?" Dougie leaned back in his chair and then smiled wide.

"Well, we landed, right?" he said, "Bes is well, to be the nicest I can be, looking at me like I just bet on a losing horse, and then Lieutenant Bradshaw comes down from the cockpit and chews me out. Pretty sure Bes and Francis got front row seats to my funeral on that one." Carrie let out a bark of laughter and cough rather wetly, which wasn't the most pleasant sounding, but Dougie seemed to hardly care less, as he shook his head with a chuckle.

"God, she went 'Why do I have you doing Bergie impressions in my ear, Douglass! We're here to drop bombs, not put on a show for rich-fucks!'" Dougie said with a laugh and Carrie let out a string of laughter, her head falling back, just as the sight she got in her head,

"It was bad, I gotta admit."

"You really outdid yourself there." Carrie said with a snort, "C'mon, show me it." Dougie looked at her and raised a brow, and with what strength she had, she reached forward and punched his shoulder.

"Your impression of me, asshole," she said, "c'mon, I know it oughta be good enough for 25,000 feet in the air, huh?" Dougie looked to her and his face softened for a brief moment, before he gathered his bearings.

"'This shit tastes like it was cooked on the goddamn barnburner you call an engine!'" Dougie said, in a ridiculously accurate, rather high-pitched voice that made Carrie wheeze to the point all she could was cough wetly, and had to recover.

"I do not sound like that." she managed out, wetly coughing again and pointing a finger at home, "But that is absolutely something I'd say."

"See?" Dougie said leaning forward, grabbing the cup of water at the side of her cot and handing it to her, "No wonder I pissed off Lieutenant Bradshaw so much, she probably thought I was trying to make her lose her mind." She took the cup and drank some water down slowly, and then smiled.

"Got that right," Carrie said with a laugh, before catching his gaze, and placing down the water, "that or you hang around me far too often." Dougie smirked, watching her for a moment as it grew quiet between them. But then he shrugged and she looked away and he scratched his neck.

"Listen, I don't want to bother you much more, you're not feeling great so…." Dougie made to stand, but Carrie looked up at him, before reaching out and grabbing at his arm.

"It's okay," she said, her grip loosening on the sleeve of his A-2, as she realized how suddenly desperate she looked for him to stay (she didn't want to come across like that good Lord), "I'm not exactly tired yet, so….don't feel you have to go." Dougie looked down at her and then smiled softly, before she let go and he settled himself down into the chair again.

"Well, you better heal on up quicker then if I decide to hang around a little while longer, got that? I think Bes was gonna sucker-punch me in the nose of Silver Bullets," Dougie said, "she missed you." Carrie smiled warmly at the thought of Bessie and pulled the blanket tighter around her form and nodded.

"I can promise you, right now, not focusing on the fact I feel like shit is probably the best thing for me," she said, in a slightly joking tone, but genuinely honest one as well, "but I promise, alright?" Dougie watched her and then sent her a look.

"You pinky promise?" he asked her, holding out a pinky towards her. She stared between his pinky finger and his face and felt her shoulders loosen.

"Fine, yes," she said, looping her finger through his and smirking, "you just miss me out there in the chow line messing with your coffee that bad, huh?" Dougie looked at her, pulling a face in her direction.

"Where the hell would you even get that idea?" Dougie said, "And plus, when you do mess with my coffee, and let's just say it isn't entirely detrimental, adding more cream or sugar isn't exactly a negative in my sense."

"It's going to clog up your organs with shit." Carrie said and Dougie raised a brow.

"And here we are. Back again to Bergie Achterberg being so wonderfully concerned with my health," Dougie said, "you wanna write to my Ma? Ask for my birth forms too now, huh? That or you really are trying to get your karma out on me? Clogging up my organs with shit, huh?" Carrie watched him and then unlooped her pinky and sat back against the bed.

"Clogging up your organs with sugar and unhealthy stuff, Dougie," she said, before pulling the blanket up more, "must I repeat it?"

"Please do." Carrie cracked an eye open and watched as Dougie started chuckling and she did her best to hide her smirk.

"You absolute asshole."

"Oh c'mon, you love it."

Both her eyes opened and she looked over at him for a moment. They lingered in silence for a moment - somehow it always seemed to happen. One of them saying something that sent them both, separately reeling in a sense neither could quite compound in their minds. Especially when it was supposed to be something casual, something that rolled off the tongue and was in fact normal to say to friends.

But whatever was going on in this war and between them, it wasn't normal.

And something like that made them go silent.

Carrie watched him for a moment, as he seemed to smile, more to himself than her, and then looked at her.

"Get some rest, Bergie." he said softly, before leaning forward and patting the edge of the blanket where her you could see her legs outlined by the fabric, and then stood, "Need anything?"

Carrie looked at him rather quietly, suddenly feeling like a child again, watching him stand and ready to leave, except in a much more pleasant manner than anyone at home had ever been like. Because at home, it had been people leaving without explanation or well-wishes.

"Just some crackers maybe? Please?" she asked him quietly, her voice sounding more youthful than anything else in the past few days. Dougie smiled at her, that gentle grin rising on his face and he nodded.

"I'll be back, alright?" And she watched him give her a smile, before wandering away, finding a nurse and engaging in conversation.

And after that. He came back. With crackers.

#masters of the air #mota #mota writings #silver bullets #carrie achterberg #james douglass #carrie x dougie #THESE TWO!!!!#he got her WATER without saying ANYTHING #just on instinct #and he STAYED #and got her CRACKERS #(because her home life was never like that)#sobbing over them continually #fangirling like these arent people that live in my head lmfao #BYEEE #please enjoy!! :D

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cripplecharacters · 2 days

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Hello! I have a OC with dwarfism and I‘ve been thinking about ways to make this a bigger part of their character/story and wondering if you maybe have some ideas?

For context: they are about 1.10 meters big and have a BFF that‘s about 2.5 meters (this is a setting where characters this tall aren‘t super uncommon). They also are from a culture where having a ton of cyborg-parts is very common, so they have too. They are very comfortable with their size, even finding it practical for their job a archeologist/explorer as they can fit into smaller spaces, and other characters treat them with a lot of respect due to their knowledge and high rank. They also travel the galaxy in search of ancient technology and are quite old.

I hope you all have a wonderfull day!

Hello lovely asker!

I really like this it's sounds so fun! One thing I'm curious about is in this setting you said someone whose 8'3 isn't uncommon so I wonder if that extends to your other OC too? If so, how does the world change around them? What I mean is in a world where something is deemed "Normal" then the world would be built around them and accustomed to them for easy use.

Other than that, I think one of the first steps is deciding what type of dwarfism your OC has, that is if you haven't already decided. There are hundreds and hundreds of different types of dwarfism, all that come with their own unique characteristics.

You already have a height set for the character so I would do research around that and see what type of dwarfism would fit and you want your character to have. It doesn't have to be stated what type they have, especially if this is in a sorta sci-fi setting, but you knowing what type will give you a better idea of their body build and more characteristics to include in this character. For instance, starting with do you want them to have a Proportionate or Disproportionate type of dwarfism might be a good starting point of research too.

Depending on what type of dwarfism you choose, like I said, there's going to be other characteristics and what I mean by that is there is often health complications that come along with almost every type of dwarfism I can think of. Bone structures change, hormone deficiencies and such, breathing/respiratory issues, chronic pain, research will very much be your friend here.

Mobility aids along with other aids are also something to consider. Someone with OI (Osteogenesis Imperfecta) might use crutches, walkers, wheelchairs/power wheelchairs, all depending on what type of OI they have. Crutches, forearm crutches, wheelchair, power wheelchair, walker, canes, rollators, you name it. Magic aids are also an option if it applies for the universe this is set in, or even making up your own aids. I think the only thing to watch out with these is making sure the created aids/magic aids don't erase their disabilities. (You also mentioned that this character is older too so mobility aids would be an option their too.)

I also want to say this should all extend to the other character who is very tall as well. Do they have Gigantism? Marfans syndrome? Sotos syndrome? Again, it doesn't need to be stated what condition these characters have (in our terms) but doing research so you know the characteristics helps builds the characters better.

Also interactions depending how comfortable they are around each other should be fluid. By this is mean the taller probably wouldn't pick up the shorter one (especially if one or both of them are using a mobility aid). If there are things out of view/out of reach but rather bring it down to their height, and vice versa also. If it's a situation where they can't bring things to each others height, they might assist each other in other ways. The taller finding a path or stacking stable items that shorter can navigate/climb up on to see what the other is seeing, the shorter oc clearing a path so that the taller can lean down comfortably to see something or perhaps finding something/somewhere they can sit down on.

That's all I can think of for now but I hope this helps some. Have a lovely day and good luck writing!

~ Mod Virus 🌸

#mod virus #dwarfism #mobility aids #fantasy setting #sharenadraculea

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imagitory · 3 days

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@andrewmoocow Personally I find them to be misguided. There is a very well-done analysis video I've cited before that talks about the animation and why it ends up looking like AI, and I think it really addresses this argument better than I could --

youtube

-- but TL;DR, the animation looks "fake" largely because of stylistic decisions (l.e. turning off motion blur with the thought it would look "more like 2D") that weren't well thought-out. And I actually think the film's writing issues run into the same problem.

Because here's the thing -- writing high fantasy is not as easy as it looks. I can testify to this because I myself am writing a draft for a high fantasy novel right now.

All these years, Disney has been in an advantageous position with their animated films largely being adaptations of previous works, since they're already given a lot of the parameters a writer needs to build a world, plot, and characters. In a Snow White adaptation, for instance, you need a vain queen, an innocent princess, a prince, seven dwarfs, a magic mirror, and a poisoned apple, as well as a fairy tale world where these things fit comfortably. And since so much mainstream fantasy is largely inspired by medieval Europe, that aesthetic remains very familiar with audiences to the point that you need a lot less explanation for things. We don't really need an explanation for the political landscape of Cinderella because we see "fairy tale kingdom" and immediately know it's an absolute monarchy led by generally amiable rulers. We're not surprised when fairies appear in Sleeping Beauty, or when a magical sword predicts who should be king in The Sword in the Stone, or when Tiana and Naveen are turned into frogs in The Princess and the Frog, or when trolls appear in Frozen -- all of these magical conventions fit within the usual fantasy aesthetic and really don't need any explanation or backstory. I'd hazard to say that most people -- aside from those nitpicky critic types who get all hung up on how many servants are in Beast's castle just because they saw a bunch of extra silverware in the Be Our Guest sequence -- just don't bother questioning these things. And the original material also gives some shape and form to the adaptation's story, characters, and overall feel. It doesn't matter how close the finished product matches the original idea or even how familiar the audience is with that original material -- it still provides a jump-off point and sense of focus for the writer(s), the same way fanfiction (even an AU fanfic) can, in contrast to original content.

All right, well, what about those Disney projects that aren't fantasy? Well, in the case of stories like Treasure Planet, Robin Hood, and Mulan, they're still based off preexisting properties that people will find familiar enough that the writers can focus more on the adaptation's unique additions and not focus on detailed backstories and explanations about how the world and societies depicted in the story work. It's a lot easier to just focus on the fantastical elements like the space tech, talking animals, or Mushu and the ancestors if the rest of the story and cast are relatively easy to understand. Even in the case of original stories like The Lion King (which admittedly was largely inspired by Shakespeare's Hamlet, but I digress), Lilo and Stitch, and Lady and the Tramp, they still exist in a non-magical world that closely resembles ours, with only superficial changes like animals being able to talk or the existence of aliens. Even quasi-historical settings like The Great Mouse Detective and Atlantis: The Lost Empire look enough like our real-world equivalent that their settings are largely recognizable to us.

In just about all Disney animated films, the screenwriters didn't have to world-build that much. They didn't have to put the character development and plot on hold to explain the rules of the universe these stories take place in that often -- not unlike how writers like Rick Riordan didn't have to explain as much about the country his hero Percy Jackson lives in, because his books are an urban fantasy where our real world is just "plused up" with magical elements. We don't need to know if gravity works on the story's characters the way it does for us. We don't need to be told about the political landscape, history, or terrain of our location. We don't need to ask whether dying is something our characters can come back from.

Wish, on the other hand, is an original story in a high fantasy setting that doesn't resemble our world. People might try to claim it takes place in the Iberian Peninsula, but come on -- Rosas is a completely fictional country in a world that has magic we don't know the rules of and countries that faintly resemble cultures from our world, but we don't know the histories of or how similar they actually are to their real-world inspiration. We also have a cast of characters we've never met in any other media and a story and messages that we know nothing about beforehand. This means that we have no preexisting framework going in for what's possible and impossible in this world; no frame of reference about who these characters are and what their histories are; and no parameters that the plot, characters, and themes must fit inside, whether based on the fantastical story being adapted or a real-world setting that's a lot like ours. And I don't think that Disney really thought through just how challenging it can sometimes be to tell this kind of a story without stuffing the script with a lot of "tell" and not "show," which, as just about any film person can tell you, is the exact opposite of what you generally want. In film scripts, you want to show your audience a lot more than you tell them -- this not only takes full advantage of the visual medium and communicates your point in a much more natural and artistic way, but it also lets your audience think for itself and come to its own conclusions.

Now of course, can you write a high fantasy original story that's easy to follow and evokes a lot of emotion in your audience? Of course! But it does take time and a lot of careful and creative world-building. J.R.R. Tolkien was the king of such things. George R. R. Martin has done it. Neil Gaiman has done it. Ursula K. Le Guin has done it. Even the writer of the Nimona graphic novel, ND Stevenson, did a good job of it! But I think it's quite clear that Wish's script was not in the works that long -- development of the original idea started back in 2018, yes, but it wasn't until January 2022 that it was announced Jennifer Lee was writing it and Julia Michaels was brought on to write the songs, so the film's current trajectory likely wasn't pinpointed until then. And if the film was released in November 2023, then that means Wish's script was finished in under two years. Although there are successful Disney scripts that I daresay needed only that much time (Frozen, for instance, was quite rushed, by all accounts), once again, those scripts were done for stories with some sort of preexisting framework that allowed the writers to skip explaining certain visual or contextual short-hand in favor of focusing on their own creative flourishes in character and story. They were written with a tighter focus on the plot and its players without the need to build a complete stage under them.

The reason some people want to cry "AI!" when they look at Wish's writing is that they're looking at a script that makes the rookie writing mistake of exposition-dumping in an attempt to make its audience care, rather than evoking emotion. That kind of exposition-dumping is something that most novelists usually have to trim and rewrite in future drafts of their work: it's a mistake done while the writer is trying to world-build enough that their audience understands all of these original rules, societies, locations, and characters they're not familiar with. This exposition is then often trimmed down before publishing, and when adapted for the screen it's often trimmed even further or even completely rewritten, in favor of more visual methods of conveying the same information. The Wonderful Wizard of Oz writes about Dorothy traveling down the Yellow Brick Road and about the long journey that takes her and her friends through a lot of side adventures on their way to the Emerald City: it's the famous film adaptation that cuts out the Kalidahs and puts the whole trip to jaunty music for the characters to sing and dance to. Wish could've communicated to us the importance of the wishes to their owners through more visual means, but instead feels the need to reiterate this idea over and over through written dialogue. And again, this is a common mistake by writers when they're inexperienced in creating completely original content, as opposed to spin-offs, sequels, or adaptations of other people's work.

AI writing is generally known for repetitive phrasing and sentence structure, lack of accuracy, and lack of a personal touch. As much as I'll agree that there are a lot of character and world-building choices in Wish that don't make sense, I don't think that's the same thing. There clearly was a story someone (or multiple people) wanted to tell about a person hoarding the precious ideas of other people away, even if it means those ideas can never be shared with the world -- it just wasn't a story that ended up being told that well. And I think this is why Wish is almost worth seeing -- it serves as a good example of why certain writing decisions work better than others and how writing for fantasy projects and/or "family entertainment" is an art form that's worthy of respect when it's done right.

To sum up my stance on the matter -- I think Disney just bit off way more than it could chew and then didn't give its writers enough time to properly digest it.

#disney #disney wish #wish (2023)#wish critical #analysis #opinion #oh boy here i go #personal

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night-market-if · 20 hours

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！﹒dear author, i really admire the way you do your storytelling. i’m going to be honest, at first i really didn’t like your take on interactive fiction. i finished book 01 and i was super frustrated by the ending, especially since i was a milo-mancer! i was used to reading IFs where the author’s tend to write the story to “satisfy a select group of player’s wants”, so playing the night market was completely different from the games i usually play. it wasn’t until i did a new play through with the previous perspective from the first play through in mind that i absolutely fell in LOVE with the story. it’s genuinely such a complex work. i really like how the MC is technically “the main character” (quite literally…) but you still make sure to focus on the CAST, too! thank you for responding (if you do) i hope you have an amazing day!

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i’m a newbie writer and i hope this isn’t invasive, but i would really like to know what process you went through to create “the night market” ! especially the characters and world building. how did you craft them? did it take a long time? since it’s interactive fiction, do you use a writing outline or method to help guide you through writing all the different paths?

those are all the questions i really have. you can respond with anything related to writing that you’re comfortable with sharing. i would just like to know about your writing planning in general, since i find it hard for me to really get started.

That is a really good way to put it. There are for sure stories that cater to a players wants. And I have always said that it is a valid form of storytelling and gaming. I just don't enjoy them as much so I won't enjoy writing it. Thank you so much for giving me another chance. I really appreciate it.

As for my process? I can give you my process and then firmly state that you should not use that process. LOL

I don't plan anything. I don't use any of the wonderful writing tools that are out there to keep chapters, lore, characters, world building, etc. I don't even know how things are going to end or what I'm going to write for each chapter. I am one of those writers that goes in blind and firmly believe that my characters tell the story. The only thing I can say that I do that probably helps me is write these characters a lot outside of the Night Market. I RP with them. I talk them out loud. I get to know them so well that they come to life when I'm writing and then I just let them wander.

Now that has of course bitten me in the ass before. Because I have had moments where I'll introduce something and then forget about it. Or realize much later that something should have gone in two chapters back. But, I learned a long time ago that if I storyboard anything out, I won't write it. The last two years is the most consistent writing I've ever done and I've been trying to write full blown stories for the last fifteen years of my adult life.

I don't recommend this process to people. I really really don't. But if you are someone that needs to have the story unfold for you as well, then maybe just try getting to know your characters enough. Because then you can put them in any situation and know exactly how they would respond.

#the night market #interactive fiction #twine game #twine if #writing process #i'm a chaos writer

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animentality · 23 hours

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As someone who recently had a family member start The Boys, and this was after my mom said she started it and then quit because she thought it was dumb, I'd like to thank you for breaking it down in a much more eloquent way than I ever could. I've just been sitting here bitching

I was tempted to make this anon so you wouldn't have to deal with nothing but cowards who can't say their opinion with their chest, but then I thought 'nah, let's give them another target if they're so dead set on defending something'

Aw.

That's the nicest consideration I've ever received on Tumblr, but don't you worry.

I'm a hater at heart, I know how to deal with other haters, they're my people.

Glad that you agree though.

I was just sitting there after seeing an annoying TikTok about how deep The Boys was...

And like, listen I haven't seen the entire thing.

hilariously I forgot to mention.

it's not like I watched a single episode or anything.

I watched 4.

I watched half of the first season.

but as far as I could see, and from the discourse and clips I've seen, it's just so dependent on other media to succeed and to me, that's not good world building.

like the actors might be amazing, and the story passable, but the idea of super hero sponsorships and corporatism by itself is not an entirely unexplored genre.

it doesn't stand alone when you have to know the Justice League and marvel movies to understand the dark jokes they're making.

also the way it presents its violence and its sex, is just pushing boundaries for the sake of it.

it's also such a grim story that takes itself so seriously- but super heroes have never been that serious.

you being grimdark is like a 13 year old emo kid who hates the establishment just because he's 13 and hormonal, disregarding the fact that he's a middle class white boy who benefits the most from the establishment.

what are they satirizing and taking a serious look at?

people say super heroes... but since when have super heroes been some kind of important social phenomenon?

they're escapism and wish fulfillment, but they're also just pure entertainment.

they're not fucking real.

so is the boys criticizing something deeper? corporations? capitalism? corruption?

but most people only really care about how it "humanizes" heroes...

by making them sex offenders and murderers and psychopaths.

how "human."

so you have no meaningful social commentary and you have no meaningful characters for us to root for.

you think you're making something deep, but it's shallow and malicious, it's jabbing at other people's fictional tastes, and inviting you to laugh too.

but it's a joke itself.

and it doesn't realize that it is.

South Park ass show.

so "self aware" without having the self awareness to see that its as shallow as the stories it condemns.

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operat0r · 6 months

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The Tenno holds no memory of who or what suggested he pay Cetus a visit. Were he the sort to gamble, he may have begrudgingly placed his credits upon the Lotus, who remains ever eager to tug his strings one way or another across the stars. The particulars of this memory escape him, as so many others do, and it is only when he is attending to his weapons in orbit of Venus does the thought of passing nearby Earth even occur to him.

Conferring with Ordis confirms that his docket, nebulous as it has been these past days, could certainly allow him a detour from wherever it is duty takes him next. The Tenno considers it while he oils the barrel of the Vectis he's taken to lately. Slowly, slowly, his ship crosses into Venusian night.

New Loka can wait. The thought of dealing with the Perrin Sequence agitates him more than he thinks he can bear. Of the Red Veil, he remains uncertain and uneager for rendezvous, overdue as it may be. So, the matter is settled.

"Set a course," the Tenno says aloud in a ship near silent as a grave, and he prepares himself for planetfall.

-------

The very last thing he takes note of is the smell of it all.

Fondness for Earth is more instinct than anything. It is the home he cannot fully recall, the mother he knows only through hearsay and missives and histories available to him only by other accounts. Its atmosphere is bruised with toxins yet to heal, ugly whorls that, he is told, once existed only in cautionary tales well before planetary invasion was ever a possibility. That the planet is now infested by Grineer boils something deep within the Tenno, hateful without truly knowing why. This, too, is an instinct so deep it may as well be primal, and as the orbiter peels beneath atmosphere and crosses before the face of a singular, tremendous tower of suspiciously Orokin design, he prepares himself for the worst.

He hears the ocean before he disembarks. He hears other things, too: the barking of people from across the settlement, the shriek and laughter unmistakably belonging to children no older than he himself once was before the Void cracked he and so many others open. The Saryn he commands this day, jet black and indomitable in combat, barely makes it off the landing pier before he is rushed by young faces - young human faces, who babble excitedly at him in a language he does not recognize. And when they are chased off, herded by an older woman built like a barrel, thick in the middle with arms that look as though they could bend steel, the Tenno can only stare. Dark smears of blue enshroud bright, steely eyes, as well as a brow the Tenno only belatedly realized is arched, unimpressed.

She lifts a meaty, beckoning hand, and then she is gone, swallowed by the course of natives and travelers both that pour into Cetus.

Outside his consciousness, the Tenno hears Ordis chirp, "Oh, doesn't this seem like fun?"

-------

The sight of other Tenno has long since ceased to fill him with wonder. Not that it really ever did after the first few encounters: the novelty of their misfortune and the realization that it is shared lost its luster quickly enough, and when he crosses them in the field or upon the relays, he himself tends to keep his distance.

Here, they are impossible to avoid. It is a far cry from the clinical cleanliness of the relays, with their broad bulkheads and pristine corridors. Here, the ocean itself is drowned out by more chatter than the Tenno can remember hearing in his life; here, the narrow passages between tables and stalls and craftsmen hunkered down on small, rough-spun rugs are teeming with Warframes and people alike. Someone cries out about knives and dashes of viridian, cerulean, the colors to make the eyes of a lover shine bright and brilliant. Another hoists a sliver of some sort of flesh for the Tenno to presumably appreciate, though the color of it is immediately off putting. People in bloodied aprons cry over people with sharp blades, and then the people with pottery and stoneware and small jeweled keepsakes join in the cacophony, loud as seabirds, louder than the sea itself.

It is alive in a way the Tenno cannot immediately parse. This small settlement persists at the very edge of a world that, for all the galaxy knows, no longer welcomes them. Yet still they smile and laugh and raise their hands to greet the metal-and-curse beings that mill amongst them, weapons of war with weapons of war strapped to their spines. Yet still they live.

It is unlike anything he can remember. It is too noisy and too wet and there is a smell, he realizes, of salt and animal blood and sweat and strange fruits and hearth-fire, a bouquet so strong compared to the sanitized and recycled nothing of his vessel that he genuinely fears it will imprint upon and stain his senses permanently, that anything and everything forever more shall be overpowered by the smell of Cetus.

Another Tenno, cloaked in the form of a Rhino, gently buffets him aside. He tracks their form to a narrow stall near the center of the thickest part of the markets, where a young human is masked in the crude but unmistakable affectation of a Trinity. Behind them, rows of other masks are loosely hung upon a rack, where the Tenno can recognize Volts and Mags and something else, bulbous about the brow like some deep sea fish. The Rhino gestures, says something the Tenno cannot hear, something that makes the young stall-keeper laugh bright and loud and shameless.

There are worse smells, the Tenno decides then, watching small, delicate things pass between hands both living and false. The Rhino holds a Volt mask with care, as though it were still a living thing and not just carved from formerly living things. There are worse smells, the Tenno decides, than salt and sea and life.

#warframe oc #warframe rp #warframe fic #writing #i don't know what to tag this lol i am falling back in love with warframe and i want to write about it #when last i played plains of eidolon was still pretty new and i was so overwhelmed by it that i never could really get into it at all...#it's still a little overwhelming all these years later but i've been taking it slow now that i'm mostly playing solo #i gotta learn how to take down eidolons! i gotta get arcanes! i want to build a zaw!#but i also want to absorb the world better. i'd always wanted my guy to be... you know. a guy! so i guess that'll be fun for me #i have to slowly catch up on the story stuff.... so much has happened i'm sure #but i'm weirdly excited. anyway sorry i like to talk in tags LOL

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antirepurp · 2 months

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it's been a thought in my head for a little while but when people say that the writing in frontiers feels like something out of the IDW comics largely due to iann flynn being a writer on the comics i don't see it as an objectively good thing honestly. not because i don't like the comics or anything but because comics and video games are inherently different mediums and there are cases where you have to keep that in mind when writing for one or the other. there are much fewer limits to what you can do with a comic even within something like an american issue format. you can have a story involving multiple protagonists with their unique sets of skills in a comic because implementing something like that is as simple as hiring an artist to draw them for you. to do so in a game requires building gameplay styles for these secondary protagonists, unless your genre has very standardized gameplay for all involved characters, like RPGs, or you're doing a walking simulator or a visual novel or a kart racer etc etc. frontiers is a bit of a lackluster case of a story that would've needed the game to spend longer in development to tell itself in a way that would've done it the same justice a comic-implementation would've done. like we've all experienced rhea island in some form or another, it is one of the most glaring examples of places where story elements must have gotten cut out because there wasn't enough time to implement gameplay to support them, and unless you're hideo kojima and can do whatever the hell you want it's going to be very hard to justify including a 1 hour cutscene going over the part of the story that would've been better off as actual gameplay anyway.

obviously i enjoy the writing in frontiers it turned my brain into spaghetti but i hope that should flynn be involved in the writing for the games in the future they'll get better at writing specifically for games if that makes sense

#soda offers you a can #not that i know what the hell went down during frontiers' development and how much the story ended up changing. but y'know #nor that building new gameplay to support a grander story is a bad thing by any means #and i hope i've made it abundantly clear that i do think frontiers shouldn't have released until 2023 #so that the gameplay the story required would've been built into the base game instead of getting released as DLC #that doesn't have the same effect when encountered after rhea island as it would have if played during rhea #but anyway do you get what im putting down? different writing for different mediums?#deliberate decisions to make the most of the medium you've been given? something something?#also video game industry fucked up and evil and devs don't have enough time and pay to make what they want??#profit-driven trend-chasing?? put an open world in the furry game bc everyone likes those???

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youssefguedira · 1 year

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idk i love breath of the wild w my whole heart and i am excited for tears of the kingdom but if its not The End of zelda (which i don't think it will be for the simple reason that zelda's a big money maker) i dont know how i feel about the idea that they want to move away from the formula entirely because i personally love the typical Zelda Formula™ and id be kinda disappointed if they just. decided to stop you know

#but totk will really be the deciding factor i think. like i miss traditional dungeons and i do love botws open world but i like more story #driven zeldas also. you know. im really curious how much totk is gonna draw on botws story because like. 90% of it is optional?#you dont have to do the divine beasts you dont have to do the memories. theres no reason you couldn't just skip it #and i don't know what baseline they'll work from. does link remember everything? does he still have memory problems? who knows #so we'll see i guess. 9 days left tho #neon has thoughts #i know people complain about the formula but i for one giggle and kick my legs in the air every time i hear the little secret theme in a #dungeon. i LOVE linearity i love progression i love dungeon items i love puzzles that get progressively harder and build on each other #miss you zelda. what id love is if they focused on a Less Huge And Groundbreaking zelda after totk and did another 2d cause i love em. but #that's just my little speculations #the thing is. i dont Know where its gonna go after totk. and im nervous abt it #i should probably not be this attached to Nintendo Franchise but oh well. i am

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pandoriasbox · 2 years

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Been thinking about all the ideas I’ve had for SSO, at least since 2020 that haven’t seen the light of day outside of my personal notes. I feel like at this point 90% of them won’t ever actually get made into a “proper” format

That leaves me wondering, would anyone like to hear some jumbled rambles about game design and world building thoughts? My rambles series was nice but it takes so much time and effort to format things, I kind of just wanna toss stuff up on here so it’s somewhere instead of locked away.

#sso #ssoblr #i dunno how popular or how many folks recognize me #i've been on the game since 2017 but didn't make this blog till 2019 #most of my friends have been subjected to my endless maniac rambles but i still kind of want to get things out there #instead of just saying over and over oh i'll do something with it someday #i fully intend to do the gender essay but also gender is a way more important subject to address #than say me talking about how i would improve so much of the lore and world building #or how i personally would like to see the game improve when it comes to mechanics #or story #or characters #so much i'd like to see improved lol #i just don't want folks taking it as me whining or saying i know better #eh i'll see what people think

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blackpearlblast · 4 months

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[ID: drawings of a golem animated by a palestinian flag painted on its forehead. it is seen: holding out its arms protectively in front of a crowd of children, the children also hold each other supportively; catching an air strike missile from the air and throwing it away or crushing it in its fist; turning its back so that a child can warm her hands by the earth oven built into its back, food in a pot is cooking on the fire and a boy holds a cup of steaming tea to his face and enjoys the aroma; clearing away rubble so a man can help up his wife who was buried underneath, she is clutching a baby to her chest; stooping down to look at a kitten a young boy is holding up to show it; and dissolving small flakes of clay from its finger into a glass of water, purifying it. end ID]

@fairuzfan asked people to create and share art for the strike. i wrote an artist statement and then set about trying to draw what i envisioned. artist statement below.

This golem is a protector that I wish I could gift to the children and adults in Gaza. The flag on its forehead is to show that love for the Palestinian people is an animating force for people fighting for a free Palestine all over the world, especially for those in Palestine who are trying to free themselves and their people. Love is the motivation for the call for a free Palestine, not hatred like people try to claim. It is very strong and fast and can catch air strikes out of midair and crush them to dust or throw them back in the direction they came from. It can lift all the rubble of a collapsed building very quickly so nobody can get trapped underneath. It has an earth oven in its back with an ever-burning flame that people can use to warm themselves and cook food and heat water to use to bathe themselves or make tea. Pieces of its clay can be crumbled up and mixed into water to make even the most brackish and unclean water pure and safe to drink.

The golem is always a bit of a tragic figure so I don't imagine it staying around forever once Palestine is free and it is no longer needed. I think it would use its great strength to help rebuild the destroyed houses, churches, schools, universities, hospitals, and mosques and then dive into the Jordan river and dissolve. It would clean the river of all pollution and make the water splash up over all the newly replanted fruit trees, causing them to grow big and strong. Its love for Palestine and its people can be tasted in the fruit they grow for generations.

I choose a specifically Jewish icon of protection because of how it feels to witness such horrors done in the supposed name of Judaism and the Jewish people. For many anti-zionist Jews, we feel like we are acting directly within the teachings of our stories and communities by opposing this genocide. It is difficult to understand how the very people and institutions who taught us these values now fight against them so fiercely. While obviously I would still oppose Israel were I not Jewish, the way I oppose Israel is directly informed by my Jewishness. I hope that someday, somehow, Judaism can bring as much joy and support to the Palestinian people as it has brought grief and destruction. That Jewish symbols used in the name of love and justice will bear more significance than the ones used in shows of hatred. Knowing the depth of the harm caused, I do not know if this is possible. But this artwork and everything I have dedicated myself to these past few months and continue to dedicate myself to in the future is born from this hope. I love you. Thank you for being on this planet with me. From the river to the sea, Palestine will be free! And it will be beautiful.

#cosmo art #palestine strike art

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mythvoiced · 1 year

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@tenderpulsive | the GBEP

---

Eunjae is careful in their observations.

In a field such as theirs, allowing their mind any sort of leniancy, allowing themself even just a tad of ease on the job would mean a life lost, blood on the tracks. They can't afford to be carelessness, similarly to how they can't afford to have their attentive stare be too intrusive - the souls they speak too are not the kind you can be that unapologetic too, after all.

But there is no good enough excuse that would warrant their taking this necessary habit into an unnecessary context.

There is no need to chew on the same chip for moments on end - a tasteless mass between their teeth at this point - just because too preoccupied with staring Calum down as he answers.

Calum is not naive. Anxious people are not naive. The naive trust too easily and to be trusting is not something that combines well with anxiety - as far as their humble take on it goes.

But there is some...thing... something about the way he answers that has them wonder how readily he could answer like that if forced to deliver the same response in the face of the worst case scenario they'd painted. Making universal truth-statements like that, because yes he is right, is always easier when the heart hasn't been gutted first.

Or maybe they've grown too jaded, maybe a part of them needs to see something in an adult that would justify their avoidance, their cynicism.

Eunjae watches Calum punish his lips with his teeth for the pause in his words and their hands drop. As if stilling an automated response to a scenario, as if they're hardly more than an AI running an algorithm no one had asked of them, not one meant to appease and put at ease, but one... designed to do what, exactly?

"What good are memories for if that's all you have?"

Or if you don't have them.

Their eyes narrow and they lean forward. Has Calum lost? Could Calum handle loss the way he handles Eunjae? Would Calum be devastated and angry or devastated and sad?

They tilt their head.

"Memories aren't always a good thing, you know. Are you going to rely on them? Will you live to create memories? If I asked you, choose, you can either call your wife now - and you can't do it ever again if you miss this chance - or you can relive your wedding as if you were truly there, what would you choose."

#tenderpulsive #the social worker;eunjae #-skips over to you- FERRE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!#i'd finally written this up a MOMENT AGO but forgot to post it like the absolute DOOFUS that i am ♥#my GOD I LOVE your storytelling prowess the way you build worlds AND i don't know if you've noticed ;3 #but i am a HUGE fkig fan of connected muses it scratches my brain in THEE most delightful of ways I--!!!!!#also canla having a bad time is one of my least favourite things i JUST!!!!!!!!!!!!!! i just!!!??????#have i ever mentioned how much i want your characters to be happy BUT ALSO how their stories as painful as they are #are just so well-written that i also don't want them to be happy just so i get the full iconic canon experience???? THE DILEMMA #sorry for the messy rambles i lost my brain somewhere but my heart is still here >:333333333333333 #AND THANK /YOU/??? FOr enjoying Eunjae the way you do i genuinely can't put into words how much that means to me because #they've got this super duper special place in my heart for THEM only and to have them potentially Calum AND Patrick's friend????#parDON??? the greatest gift ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;#BUT ALSO LHKFJHLGFH NO NEED thank /you/ for considering it ;W;W;W; YOU DON'T HAVE TO I MEAN there's no pressure ;3333333333

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folkling · 7 months

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Windbrook Save 2.0 (In collaboration with @cowboycid and @bobnewbie)- Feat. a family by @oshinsimss

DISCLAIMER: While this is a CC free save file, it is pack and kit heavy. To give more context, this save utilizes ALL EPs, GPs, and SPs (except My First Pets) as well as ALL KITS (except Bust The Dust and Poolside Splash) While you may not own every pack or kit that I used, the save file is still playable. Everything missing will be substituted.

What's new in 2.0

Willow Creek has new homes, rentals, and one new retail lot

Newcrest has been built (restaurant, gym, retail, and generic lots)

Magnolia Promenade has been built, while somewhat finished, still needs work

Every lot that's finished (including commercial) and families have descriptions, stories, jobs, etcetera

New townies from @simsontherope and @cowplant-snacks

Families from @bobnewbie

A special family, The Westfalls made exclusively by @oshinsimss

Special collaboration with @cowboycid

Other worlds are still empty, I do plan on building new worlds

SCREENSHOTS AND MORE INFO BELOW

SPECIAL THANKS

First and foremost I want to thank my good good friend @cowboycid for collaborating with me on this project. I'm so happy we met when we did because I was starting to lose light. You inspired me to keep going, and for that I appreciate you DOWN. You're a real one sis, no tea. Hugs and kisses for ever. I also want to thank @bobnewbie for coming through with families. You don't understand just how life saving they were. I didn't get a chance to use all of them, and my original concept for the save fell through due to time constraints, but I'm thankful to have had access to the diverse array of families you made for the save. A huge thank you to @oshinsimss for taking the time to create a beautiful family, The Westfalls, exclusively for Windbrook 2.0, I love them so much. Also a big thank you to @cowplant-snacks and @simsontherope for their townies. Without them, the townies would just be... ugh, you know. So, thank you for having them available on the gallery. I also want to thank @anthonydaydreamer for just showing up for me through this whole process. Like, you just get it boo! Hugs and kisses! Finally a quick apology to those I intended on sending preview copies of the save. Time was not on my side near the end, things took more time than I thought. Honestly, I needed to get this project off my computer ASAP. I really hope you guys understand. Big hugs and kisses. Thank you everyone for all the kind words and support over these past few months, your words kept me going, even if I didn't feel I had anymore left to give. This save is a love letter to you all, the simblr community.

Thank you, honestly, truly.

*terrain replacement in screenshots by K-hippie, you don’t need it, it’s just for screenshots + updated download link to include The Westfalls made by @oshinsimss for Windbrook 2.0 - please find more info here*

*updated download as of 10/11/23*

Download (SIMFILESHARE)

TOU: Don't upload any part of this save to any platform without explicit permission, thank you.

#windbrook save file #ts4 save file #ts4 #sims 4 #the sims 4 #sims 4 save file #thesims4

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eddiemunsons-missingnipple · 7 months

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Next caller.

《 Pairings: College!Eddie Munson x shyfem!reader

《 Summary: Eddie hosts a late night radio show for his college campus, where he discusses various different topics. He's mostly known for his DnD and sex talk segments. You've been a long-time listener who works up the courage to finally call in for some help.

《 Warnings: Smut, 90s!Eddie, he's around 24 here. Phone sex, dirty talk, voyeurism, masturbation (female), sex toys. Eddie refers to the reader as sweetheart, good girl, and Miss caller. I didn't want to use y/n, so he's given you some pet names instead.

Word count: 3.9k

A/N: Please reblog, comment, and like to show support. Not proofread. Please ignore mistakes.

Mini series masterlist

18+ no minors

Year 1990

Eddie was in his final semester of college with a very popular radio show. He became pretty much well-known on campus overnight. His radio show is known as "The Munson Experience," and it slowly became an overnight hit.

Fans of DnD tuned in for his hour of lore telling and tips on how to build up your fantasy world. Metal heads tuned in for his controversial opinions on bands. Others listened specifically for his special segments in regard to the topic of sex. Boyfriends called for advice on dating and different ways to get their girls off. Girlfriends called him to give thank you's and ask what they could do to repay the favor. He would have callers tell him their most outrageous stories.

Eddies show became popular very fast after he introduced his sex segment. He even became some what of celebrity at your college. He never used a different name or tried to use any type of anonymity. He didn't care if people knew him for his show or even liked him for it.

He was unapologetically himself at all times. You seen him around campus walking from one lecture to the next. Eddie would always wear an old band tee with the sleeves cut off, turning into a muscle tank. He liked showing off his tattoos. One arm fully covered in dark ink all the way down to the top of his hand. The other arm had a few tattoos scattered here and there. His hair was almost past his shoulders, and he had a small nose ring in his left nostril.

You'd always watch from afar as people would approach him to make small talk. The guys rushed over to invite him to their house partylies and girls giving out their personal phone numbers. It was no secret that Eddie knew how to please women. You heard the stories, and judging by his advice on his show, you believed them. He would even share his own personal hook up stories sometimes during the segment.

You and Eddie only ever had one class last semester together, but he never even made a single glance your way. You never approached him either, opting to just admire from distance and make your way to class. Every evening, you did, however, turn on the radio to listen to his show. Truthfully, you only listened to hear his voice. You had no idea what he was rambling on about most of the time, but you didn't care. His barritone voice was like warm honey to your ears. You found comfort in listening to him every night before bed. It was strange how the moment his show started, your stress of the day just melted away.

One day, you were going to call him for help about something you had never told anymore before. You already felt like you could trust him with this sort of thing. You were determined to speak to him even if you had to confess never having had an orgasm before. You don't know why you're putting so much trust into him, but you have.

You were desperate for his help and attention if you're going to be honest. You would lay in bed daydreaming about being in those other girls' shoes when he described what he did to them. How he would feel between your legs. Having his weight on top of you as you came undone beneath him.

Maybe you'll call in to his show tomorrow? What harm could it do? No one would even know it was you on the other line. You didn't have many friends on campus, so it's not like anyone would make the distinction so quickly. This would all be completely anonymous.

You just needed to speak with him. You never could work up the courage to talk to him in real life. You've always been too shy and easily intimidated. Eddie was a nice guy from what you could tell. There was nothing to be intimidated by at all. You would always get butterflies in your stomach when you saw him around. He made your stomach do flips when he flashed a smile, revealing the dimples in his cheeks. You could never work up the courage to ever approach him, so you just settle for your fantasies instead.

A few weeks went by, and you still haven't called. Not that you didn't try. You would call and hang up when you heard what you assumed was an assistant answer the phone. The moment you heard, "Thank you for calling in to the munson." You slammed the phone on the receiver. Not even letting the poor guy finish his sentence. This situation was driving you crazy you were convinced he could and would help with your problem. You assured yourself he was the only one who could because you didn't want anyone else to.

You mope around your shared home with your roommate, Monica. She could tell something was bothering you but never pressed on the issue. You two weren't the closest, but there was a mutual respect and love for one another. She'd try to get you to go out to parties with her but knew not to pressure you. The moment she heard a no, she left it at that, shrugging her shoulders and leaving you be.

"I can tell something is bugging you." she asked for the millionth time that week.

You sigh. "Im fine, I swear -- just little stressed." You put on a fake smile heading back to your room, leaving her to continue getting ready her date. Hoping she won't ask you again, you locked yourself away for the night. There was a light knock at your door, and you heard your roommates muffled voice from the other side. "I'll be back late. Get some sleep, okay?"

You ignore her as she leaves for the evening. Flopping yourself back against your pillows, you turned to look at your phone. Then, glance at your clock, it read 10:45 pm. It's almost time for his last segment of the night. Should you call? Would tonight be the night? You rolled over on your side, staring between the clock and your phone.

You sat up quickly, snatching the phone and dialing the numbers. Your heart already pumping with adrenaline when you hear the dial tone. A lump in your throat builds from nerves and excitement. Tonight was the night, and you were not going to chicken out this time. You hear the distinct voice on the other end of the call. "Thank you for calling into the munson experience. What are you calling in for."

You struggle to find your voice for a moment. The man on the other end is waiting for you to respond, and he almost hangs up, thinking it's another crank call. "I'm calling to speak to Eddie." You're voice barely even a whisper that you needed to repeat yourself three times. Eventually, they put you on hold while they got ready for his final segment. You exhale a deep breath you didn't even know you were holding in.

The sound of the music they put you on hold to cut off and your stomach drops. This was it you were finally going to do it. Not only were you going to speak to him, but you were also about to confess something that always made you feel embarrassed. You know it's nothing to be ashamed about truly. Judging by the countless women who called in with a similar problem looking for advice.

The music playing on the radio fades, and you hear him greet you."Hi, thank you for calling in. How can I be of assistance?"

You struggled to find your voice yet again.

"Hello? C'mon, don't be shy. This is a judgment free zone here." He leaned forward in his chair, getting closer to the microphone.

"Umm, hi, I was calling for something I think only you can help me with." You're clutching the phone in a tight grip against your ear. Your hands are shaking, and you hope no one can recognize you.

He leans back in his rolling chair. "And who am I speaking with."

"I....I'd rather not give you my name." You stammered. Your anxiety is building up, and you are so close to hanging up.

"That's okay. Well, keep this anonymous." He replied.

His brows raise for a moment as he listened to you talk. You sounded a little too familiar to him, and he has a sneaking suspension he might know who you are. He won't out you just in case he might be wrong and also respecting your wishes to remain anonymous.

You take a deep breath. "Well, you see, I've never...I don't know how to say this."

"You never what?" Have sex or something? " He asked, but his voice showed no emotions.

"No...I mean I'm not a virgin or anything like that. I just....I've had boyfriends, and anytime we did stuff, I never-- finished." You confessed to him.

His eyes widened for a moment, and he felt a pain of sadness in his heart. He could tell you were scared to reveal something so personal like that. Especially to him, a total stranger on a live radio show with hundreds of listeners. "You never had an orgasm before. Is that what you're trying to tell me?"

Pinching the bridge of your nose." Yes, that's what I'm telling you."

"Huh, okay, have you tried getting yourself off, at least?" He questioned, spinning around in his chair. His assistant, the other side of the room, listened Intently to the conversation.

"Well you see that's my problem anytime I tried to make myself cum I just kinda give up. I get so close and right when I'm there... I stop." You blurt out as you feel a weight being lifted from your shoulders.

He ponders for a moment before responding. "And how can I help you with this exactly? "

"Well, I was hoping you could guide me through it." Your face scrunching up as the words left your mouth. You knew this was a dumb idea from the start. He wasn't going to help you, and any moment now, you're waiting to hear him laugh at how ridiculous this is. There's a long, almost uncomfortable silence.

Eddie, on the other side of the line in his booth, is in utter disbelief. Sure, he definitely wants to guide you through that experience. What guy wouldn't? He just truly can not believe this was happening live on HIS show. His assistant kept mouthing no to him, knowing this could end badly. Eddie doesn't care he's doing it. He picks up his old bandana that's been discarded on the table and wipes sweat from his forehead. He nods back at the assistant, signaling hes going along with it whether people like it or not.

Picking up his yoyo, he props his feet up on the table in front of him. "You want me to help you cum?" Is that correct."

"Yes, that's what I want. I need you to help me any way you can." You're sounding more desperate than intended.

"Okay, well, miss caller. I think im the perfect guy for the job." He smiles tossing the yoyo back and forth to the palm of his hand.

You smile as the anxiety you felt early slowly fades away.

"What are we using tonight, sweetheart? Fingers or toys?" He asked tossing his yoyo aside.

"Umm, I have a toy I can use." You closed your eyes tight, answering his question.

"Do you want me to talk dirty to you while we do this, sweetheart? " He got his voice lower in the mic, causing your breath to hitch.

'Uhh, yes... I'd like that a lot, actually." You bite your lower lip, anticipating what he's planning.

A grin plastered on his face while his mouth gets unbelievably closer to the mic. His voice felt so close to your ear. Your skin prickles with goosebumps. "Are you laying back, sweetheart?"

"....uhh,yes, I'm laying in bed." Your voice shakey on the other end.

"Good girl, get nice and comfortable for me."

You involuntarily squeeze your thighs together when you hear him calling you a "good girl." You turn off your bedside light and let the warm glow from your candles set the mood.

"What are you wearing?" He asked, licking his lips.

"A shirt and panties." You replied, looking down at yourself.

"Yeah? wanna take those panties off for me." He continued on making his voice low and deep. Similar to his DM voice, he would put on during his DnD segments. A shiver runs down your spine, and you can feel yourself getting wetter. There is a small wet patch already forming on the thin lace material of your panties.

You moved and carefully dragged the delicate lace down your legs, tossing them across your room. "They're off."

"That's a good girl." He praised.

You lay there patiently waiting for him to continue.

"Can you be my good girl and grab that little toy you told me about?" He asked you, feeling himself growing hard as well. He still can't believe he's doing this but doesn't want to stop. "Do you have it?"

Reaching over to your bedside table, you open the drawer, grabbing the small vibrator.

"I got it." You whisper into the phone.

He readjusts in his seat, "Turn it on for me."

You do as he says and turn the small vibrator onto the lowest setting. That ball of nerves in the pit of your stomach creeps back in. You want to do this, but the thought of hundreds of people listening to you right makes you second guess the decision.

"On second thought, maybe this was a bad idea." You admit trying to fight back tears as a lump in your throat forms.

"No, no hey its okay. What's wrong?" He asked, sounding concerned.

"I--i just remembered there are people listening." You stumble over your words as you try not to cry. Feeling a little ridiculous that you're even going through with this.

He frowns to himself. " Listen, it's just me, and you okay? If you don't want to do this, I understand you can always hang up."

"NO!--I want to do this." You blurt out. Once again, there is a long pause as he's thinking of the right things to say. Eddie doesn't want to make you feel pressured. He wants this to be an enjoyable moment. "Shall we continue?"

"Yes, please." You spoke sofly.

"That's my good girl." He cooed.

You whimper lowly into the phone, but it doesn't go unnoticeable. He already knows how to get you riled up, and he hasn't even gotten started yet. "You like that, don't you?"

"You like it when I call you a good girl?" He teased.

You gulped into the phone." Yeah."

His assistant in the next room is chewing on his nails out of pure terror. He's never seen this happen before on a live radio show, and he just knows what a shit storm it could cause. Eddie doesn't seem to mind at all his focus and attention were strictly on you.

"I want you grab that toy and put it to your clit. Can you do that for me?" He gets his voice low again. Your nipples harden under the thin material of your shirt. You bring the vibrator to your sensitive bud and gasp when you feel the vibrations.

"Okay, sweetheart, now think of me between those thighs. Think of my lips wrapped around your clit sucking so so softly. Imagine my face buried between your legs.." He's breathing heavier into the mic. His cock getting painfully hard in his jeans "Are you thinking about it?"

"Mmm, y--yes I'm...I'm imagining you there." You gasp and moan in the phone.

"I know you must be soaked right now. I wish I was there with you, spreading you open with my tongue. I bet you taste so fucking good" He kept going his voice getting more seductive in your ear.

"Is this your first time thinking of me like this?"

A sly grin creeps up on his face as he probably already knows the answer.

"I bet you have. I'm sure you've seen me around our campus. You've probably wondered what it would be like having my thick cock deep inside you. I would make you cum so fucking hard." He's getting really into it now, and his heart races with excitement.

You sink further into your bed as the vibrator continues working on your clit. Your hips bucking up as you writhe on your blanks, taking in every word he spoke. The phone keeps falling from your ear the more relaxed you become. Your mind in a fog while you listen to him say the dirtiest things. No one has ever spoken to you like this before, not even your ex-boyfriends. "Hey, you there?"

You gasp, "Yes, I'm here."

"Great. I need you to try and keep the phone to your ear as best you can for this part. Now with your other hand, use your fingers to fuck yourself but keep that vibrator where it is, got it?" He sounded much more serious this time.

You kept the vibrator right where it was at while you gently brought two fingers to your entrance. You slide them between your wet folds, getting them covered in your juices. You bite your lower lip hard as you teased around your dripping pussy. You hear him groan in the other end of the phone and wonder if he's enjoying this just as much as you are. You gently dip your two fingers inside you, getting them as deep as they possibly could go. "Ooh! Fuck." You moaned in his ear.

"Yeah, that's it pretend your fingers are my cock sweetheart." His let out a shakey breath.

"I bet your so fucking tight. Just thinking about your tight pussy taking my cock is making me so hard." He's getting himself riled up.

He rubbs the back of his neck, trying to stay focused. "I'd have to take my time with you first. Working you open until you're ready to take all of me."

"Is it big?" You ask him meekly, panting into the phone while your fingers stretch you open.

"Fuck baby--id have you feeling so full." He groaned in the mic, struggling to keep himself composed. Clenching his jaw tight as he opens and closes his fists.

Eddies tries his best to resist rubbing himself over his jeans as he listened to you. He has to remember this isn't about him right now it's all about you. His sole purpose of the night is making you cum and he's determined you will.

Your fingers continue pumping in and out at a vigorous pace. The vibrator placed carefully on your sore bud while you try your best not to drop the phone again. "I can hear your dripping pussy from here."

His words turn you on even more, making you grow wetter for him. Your body is covered in beads of sweat as your face grows hot. Your pussy making a loud schlick noise with every pump of your fingers.

"Feel good?" He asked you with amusement etched in his tone.

"Yes, it feels so good." You let out weak pathetic response. "Oh my god!" You squealed into the phone. Desperately trying to keep it balanced between your head and shoulder. You're a moaning, whimpering mess, and you don't care how loud you're being. You've never felt like this before it's terrifying and thrilling all at the same time.

He laughs, rubbing his chin letting out a quiet grunt before speaking again, "You sound so sexy when you make those little noises."

His listeners are having a hard time distinguishing if he's getting himself off in the process or if he's just playing it up for the moment. They're used to his crazy antics, but this was something entirely new. They were all shocked and impressed they were getting to witness this.

Your fingers pumping harder as you curve them upwards to rub against that sweet spot on your walls. Your thighs shake as you arch your back off the bed. You imagined they were his cock instead pounding in and out of your pussy like this. You feel a tightness in your core building up, and you know you're getting close.

"You're getting close, aren't you?" He whispered seductively.

"S'close." You whined.

"That's it be a good girl and cum." Cum all over my cock." He groaned.

The vibrator on your clit helping to bring you closer to your release. You spread your legs them even further apart. You're moaning louder into the phone. You can't even hear Eddie's voice anymore. Fucking yourself with your fingers is becoming difficult the closer you are to your release. Your walls clenching up tightly around them, and your pulse quickening.

You plunge them in and out of your pussy faster. That coil in your tummy is getting tighter. The feeling is all too familiar, and you start to get scared. What if you can't get past this part? You're doubting yourself again. You let out a deep breath and relax your mind.

Your legs shut involuntarily, and the vibrator falls from between your thighs. Your eyes roll to the back of your head as your first ever orgasm rips through your body with so much intensity. Your vision goes black, and you stop breathing for a second. The phone lays abandoned next to your head, having dropped it long ago. You can hear Eddie's muffled voice calling out for you.

Tears begin pouring from the corners of your eyes. You couldn't help getting emotional after all of that. Not only was this your first time ever being able to have an orgasm, but the entirety of the situation was starting to set in. You felt amazing, and Eddie did such a great job helping you along the way. There were just some insecurities starting to creep in that you wanted to keep away. He's the only man that's ever made you feel like this, and you hope maybe one day you'd find the courage to meet him in person.

Everything went dead silent for a few minutes except for a few sniffles you hope no one else could hear. Your body glistening with sweat and your thighs sticky with your juices. You're still coming down from your high as your tears slowly fade away.

"You there, sweetheart? You heard him ask from a short distance.

With shakey hands, you pick up the phone to your ear. "Mmhmm...I'm still here." Your voice coming out small.

"You did so good for me." He praised you one last time. "It's okay. I'm right here He reassured.

"How was it." He asked, hoping you had a good time.

"It was overwhelming but amazing." You smile weakly into the phone. You can't see him, but he's smiling back.

"Yea knew I'd be perfect for the job. Haven't had one complaint yet." His cockiness coming back almost immediately. Just as he was about to reach for a pack of cigarettes, he noticed he's way over his scheduled time. His eyes widened in a panic as he locked eyes with the clock above him.

His assistant busts through the door, signaling that the show is now officially over for the night. Eddie startles for a moment before jumping out of his chair and yanks the mic up to his mouth to close out the rest of the segment.

He slams his hands down on the table enthusiastically. "GOOD!..GREAT!-- and that's it for tonight's show everybody thank you all for listening. Thank you to our lovely caller, and if you guys wanna see my band play, come visit us at The Hideout every Wednesday, Friday, and Saturday nights. Especially you miss caller you can come see me anytime you like."

You listened to him give thanks to everyone when the song called "about a girl" from some band named Nirvana fades away his outro. You flopped back down on your bed. Your body is way too weak to even roll over your legs feeling like jello.

Laying there resisting the urge to fall asleep, wanting to savor this special moment as long as you could. You thought about what he said before hanging up. You were definitely wanted to see him soon. You had to after this night. You needed to finally meet him and maybe repay the favor.

#eddie munson x reader #eddie munson #joseph quinn #eddie munson fanfic #stranger things #90s!eddie #college!eddie #eddie munson x fem!reader #eddie munson x fem reader #eddie munson x you #eddie munson x female reader #eddie munson x y/n #eddie munson smut

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verstappen-cult · 27 days

Text

LOVE STORY, M. VERSTAPPEN.

PAIRING. max verstappen x female reader.

SUMMARY — Going out on dates with Max means taking a lot of pictures to share them on Instagram. Max has never complained, in fact, he's more than happy to show the world just how much he enjoys every single one of those dates.

GWEN'S RADIO MESSAGE. requested by @amoosarte "reader and max go out a ton dates during winter break, with max posing awkwardly while reader is taking picture every second if they go on a date, so max switched it around and take a bunch of photos of her and it's just so adorable and he's so whipped?" i had so much fun looking for max and his gf's pictures because he's literally the 🧍‍♂️emoji in every single one of their pics. so sorry it took me so long to answer this, i hope you like it!

yourusername

Liked by maxverstappen1, gigihadid and 989,562 others

yourusername Hello, Paris! Winter break has started and what a better way to celebrate than with a first date in the city of love with this handsome man. 💋🤍

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user01 relationship goals

user02 forever grateful with for giving us max content

landonorris thanks for not taking your child with you.

yourusername what don't you understand about romantic holiday? we don't want u here ⤷ landonorris wait did you hear that? it was my heart breaking. completely shattered. 😞 maxverstappen1 you're welcome! 😁👊 ⤷ landonorris i always knew you never wanted me

user03 the pov girlies of tiktok are gonna have a feast

user04 MY PARENTS

francisca.cgomes come and visit, i miss you!

yourusername just let me get rid of max first and i'll come to you, baby maxverstappen1 stop trying to steal my gf from me ⤷ francisca.cgomes she wants me

user05 the second pic is so pinterest coded

user06 max not wearing red bull merch? am i dreaming?

user07 the girlfriend effect is real

maxverstappen1 everyone needs to know that we walked around paris for hours trying to find that coffee place you wanted to try. i feet still hurt!

yourusername you love me ⤷ maxverstappen1 shut up

yourusername

Liked by maxverstappen1 and 771,628 others

yourusername Everything's better if I'm with you.

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user08 omg im gonna cry they look so cute

user09 THE WAY HE LOOKS AT HER

user10 sleeping on the highway sounds like a good idea

danielricciardo disgusting

yourusername you're just jealous

charles_leclerc went on holiday without me? :(

landonorris they left me too ⤷ yourusername OH SHUT UP ⤷ landonorris NEVER.

maxverstappen1 you can join us in st. tropez ⤷ landonorris can i join too? danielricciardo already packing pierregasly count me in oscarpiastri @/danielricciardo pick me up maxverstappen1 I WAS TALKING TO CHARLES

user11 sick and tired of not having my own max verstappen

user12 obsessed with max "heart eyes" verstappen

user13 HE LOVES HER SM

yourusername

Liked by maxverstappen1, zendaya and 884,672 others

yourusername We had a reservation at a fancy restaurant today but instead of dressing up, we chose to stay home and build a flower bouquet out of Legos. 🥺🤍

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user14 they 😭 stayed home 😭 instead

georgerussell63 donuts are not on his diet.

maxverstappen1 SHUT UP GEORGE yourusername it's winter break ge, he's allowed ⤷ maxverstappen1 yeah baby defend me

user15 why is no one talking about MAX'S CHEST ON DISPLAY?????

user16 oh she knows what she's doing ⤷ yourusername no idea what you're talking about. 🤭

user17 i am BEGGING you to stop i'm too single for this

user18 MY OH MY

user19 yn's comment section always delivers

user20 happy for them and not at all jealous

yourusername

Liked by maxverstappen1 and 973,722 others

yourusername 🖤🖤🖤

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user21 kill me now please i can't leave knowing i'll never find someone who loves me as much as max loves y/n

user22 THE WAY HE'S GRABBING HER LEG?

user23 MR. VERSTAPPEN WHAT ARE YOU DOING

alex_albon where did you two go

yourusername you've reached y/n's voicemail please speak after after the tone

oscarpiastri please remember i'm sharing a wall with you

charles_leclerc good luck mate yukitsunoda0511 i have earplugs if you need some ⤷ maxverstappen1 WTF YUKI

user24 WHAT IS GOING ON AAAA

user25 i can't keep lying to myself. i want a relationship like the one max and y/n have like you can clearly see how much they love each other

user26 OBSESSED WITH THIS DATE SAGA PLS DON'T STOP

maxverstappen1

Liked by yourusername and 1,7365,825 others

maxverstappen1 I just couldn't leave you without showing you my POV.

View all 998,2748 comments

user27 OH MY GOD OH MY GOD OH MYD SJDJHSDJKN

user28 all men should be like max verstappen

yourusername i didn't even notice you taking half of these. words cannot express how much i love you.

user29 "my pov" MY PARENTS

landonorris you actually made her look pretty

yourusername i'll cut the brakes of your car ⤷ landonorris THIS IS ATTEMPTED MURDER

user30 they're so adorable its disgusting

user31 i'm 100% sure their friends are so sick of them

charles_leclerc yes pierregasly you're right landonorris i throw up every time i see them georgerussell63 finally someone understands

user32 STOP THIS MADNESS

user33 oh she has him wrapped around her finger

#꒰꒰ 📁 ─ verstappen cult files ꒱꒱#max verstappen x reader #f1 x reader #max verstappen fluff #max verstappen x you #f1 imagine #f1 smau

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iwanthermidnightz · 10 months

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When I think back on the Speak Now album, I get a lump in my throat. I have a feeling it will always be that way, because this period of time was so vibrantly aglow with the last light of the setting sun of my childhood. I made this album, completely self-written, between the ages of 18 and 20. I've spoken about how I feel like those ages are the most emotionally turbulent ones in a persons life. Maybe when I say that, I'm really just talking about myself.

I think they might just be the most idealistic, hopeful years too. At this point in my life, I had released my second album, Fearless. It became the breakthrough moment I'd always dreamt of, one that catapulted my career to new realms of success. It had brought with it a tidal wave of pressures and pitfalls and growing pains. All the while, I was encountering the milestones and checkpoints of normal teenage growth. I had cataclysmic crushes and brushes with heartache. I moved out of my parents' house and set my bags down in a new apartment. I hung photos on my own walls and decorated the space where I would sob and cackle and shatter and dream. Sometimes I felt like a grown up, but a lot of the time I just wanted to time travel back to my childhood bed, where my mom would read stories to me until I fell asleep.

In my darker moments, I was tormented by the doubt that swirled loudly around my ascent and my merits as an artist. I was trying to create a follow up to the most awarded country album in history, while staring directly into the face of intense criticism. I had been widely and publicly slammed for my singing voice and was first encountering the infuriating question that is unfortunately still lobbed at me to this day: does she really write her songs? Spoiler alert: I really, really do.

In the years since, I've developed a thicker skin about public criticism and the cynicism with which some people approach the music I make. At that time, it leveled me. I had these voices in my head telling me that I had the perfect chance and I blew it. I hadn’t been good enough. I had given it all I had and been found wanting.

I wanted to get better, to challenge myself, and to build on my skills as a writer, an artist, and a performer. I didn't want to just be handed respect and acceptance in my field. I wanted to earn it. To try and confront these demons, I underwent extensive vocal training and made a decision that would completely define this album: I decided I would write it entirely on my own. I figured, they couldn't give all the credit to my cowriters if there weren't any. But that posed a new challenge: It really had to be good. If it wasn't, I would be proving my critics right.

I had no idea how much this pain would shape me. That this was the beginning of my series of creative choices made by reacting to setbacks with defiance. That my stubbornness in the face of doubters and dissenters would become my coping mechanism through my entire career from that point forward. This exact pattern of enacting my own form of rebellion when I feel broken is exactly why you're reading these very words, and I'm re-releasing this album now.

I went through my first worldwide scandal (the mic grab seen around the world). I experienced the weirdness of trying to get to know a boy while a swarm of paparazzi surrounds the car. Media contacting my publicist for an official statement on why two teenagers broke up. These are weird experiences to have at any age, but even more surreal when you're 19.

I had the nagging sense that in the most intense moments of my life, I had frozen. I had said nothing publicly. I still don't know if it was out of instinct, not wanting to seem impolite, or just overwhelming fear. But I made sure to say it all in these songs. I decided to call the album Speak Now. It was a play on the speak now or forever hold your peace' moment in weddings, but for me it symbolized a chance to respond to the chatter and commentary around my own life.

Some of these emotional revelations were surprising to people. Some expected anger and instead got compassion and empathy with 'Innocent'. Some expected a kiss-off breakup song but instead got a hand-on-heart apology, 'Back to December. It was an album that was the most precious to me because of its vast extremes. It was unfiltered and potent. In my mind, the saddest song I've ever written is 'Last Kiss'. My most scathing is 'Dear John' and my most wistfully romantic is 'Enchanted'.

I'll be forever proud of setting a goal and seeing it through. I'lI always feel shivers all over when I remember singing 'Long Live' to close the show every night on tour. The outstretched hands of those bright and beautiful faces of the fans. Their support was like an open palm that reached out and helped me up off the ground when others were, frankly, mean.

These days I make my choices for those people, the ones who thought I had been good enough all along. I try to speak my mind when I feel strongly, in the moment I feel it. I'm still idealistic and earnest about the music I make, but I'm less crushed when people mock me for it. I know now that one of the bravest things a person can do is create something with unblinking sincerity, to put it all on the line. I still sometimes wish I was a little kid again in a tiny bed, before I ever grew up.

I always looked at this album as my album, and the lump in my throat expands to a quivering voice as I say this. Thanks to you, dear reader, it finally will be.

I consider this music to be, along with your faith in me, the best thing that's ever been mine.

Yours,

Taylor

#taylor swift #speak now (taylor’s version)#speak now tv #sntv prologue #speak now taylor’s version #sntv

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