Hi no your world building idea on the financial implications/restrictions of the purge are making me chew through steel actually. Because sure it keeps getting higher and higher financially, but that means that people (who don't just succumb to illegal means) start to develop weird cultures around it.
Like people who decide young that they would rather just make themselves as likeable as possible in hopes of getting a yandere for themselves the same way some people hope to become house spouses. Obsessing over looking and behaving perfect to the point of not knowing who they actually are outside of performing this role 24/7 (because who knows when their potential meal ticket might be watching? Where they put cameras? You can never risk breaking character. You have to be the character and hope they never find out the truth)
Celebrities in interviews talking about how they wanted to be famous in part to have resources to find the best darling and then keep them. People trying to become a celebrity's darling just so they can try and network their own career.
People add keeping their darlings on the list of lottery winning fantasies. Talking about the way they'd decorate their rooms and the things they'd give for mental and emotional enrichment.
Purge sympathizers who argue its an honor for you to be chosen as a darling since it means an easy life for a year. Darlings being financially taken care of, sure, but dealing with people taking them even less seriously as individuals because of the ""privilege"" to the point that then asking for basic rights or ammendments becomes a war against them being framed as greedy or demanding. (They already financially support you, and now you're insisting that they let you outside too??? What's even the point of kidnapping you then?? So what if it's for medical and dental care, that just means people who aren't your yanderes touching you, examining you, not a chance).
I'm just having so many thoughts and it's your fault (affectionate)
FROTHING AT THE MOUTH
Incredible ideas. The culture around the Purge is so interesting.
Like imagine a Yandere who’s dreamed of having a Darling their whole life, only for a bigger and badder yandere to show up and kidnap them? Anyone can kill and be killed. Darling, Yandere, and Normal aren't permanent labels.
There would be Darling seminars, where people could learn how to catch the attention of a high-value yandere. Or Yandere seminars, on how to maintain passive income and keep the darling reliant on you once the captivity period ends.
And maybe early in post-Purge captivity, there are mandatory and voluntary workshops for Yans and Darlings to learn how to coexist together in accordance with the law.
I actually love your ideas. Lottery winning fantasies? Kids dreaming about their future Darlings instead of weddings?
It's easy to map out the laws in a world like this, but culture is so multi-faceted and intricate. I'm actually barking at some of these ideas
Sorry this took so long to respond to haha. Your ideas were so good that i had to think for a while about how to add to them.
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I have not forgotten the draft regarding "How I would write Clouds Leave No Trace", it still lingers its still there
Im still thinking about how my least favorite parts are Yanqing's characterization, The way the world around Jingliu treats her like she's normal when clearly she's not, The way there's such an effort into putting Yingxing and Dan Feng on the same level of guilt for every single thing that it makes Blade's desire for revenge feel nonsensical and out of no where when he has good reason for it, The way that they don't do more to play up the HCQ's dynamic especially in the normal areas thus making caring about their tragedy a struggle if you haven't done all the "prerequisite reading" (even tho the quest should make the players care more and want to read instead of requiring the opposite), The way that they literally mention Bailu and Blade crossed paths but never show us that scene DESPITE all of the importance placed upon Baiheng and Yingxing's friendship, Did I mention My Massive Problems with my boy Yanqing's characterization in this quest versus what we see of how he's affected both before and after it?
Oh and of course, to mention Jing Yuan not really feeling like he has as much significance being in this quest despite being apart of the HCQ and Jingliu's disciple because yet again, they especially don't do enough to develop on screen (but also not enough in the readable text too) his connections to the rest of the HCQ (which in general if you ask me, makes it a lot harder to be that sad at the moments they clearly want us to feel sad for him over the HCQ)
I could go on and on about the problems of Hyv not fully giving the audience a reason to care for the HCQ's tragedy by the way they are barely shown on screen, shoving it all in readables and character stories and relic lore. Even their legends get barely any screen time to build up to when we hear about the fall out.
Also again, not kidding about Jingliu and the world's perception around her. She is described solely in the beginning as bringing a chill to the room, but she's clearly very intimidating, if you ask me she seems very clearly unstable as well and yet when they waltz around in a populated area with no attention getting drawn to them or suspicion or anything. I also call Massive Bullshit on Bailu being like "Wow but she seems so normal and kind, there's nothing about her at all that could make me think she's marastruck 😲!!" When if you ask me, that whole scene could have been used in a much more meaningful way to make a connection between Bailu and her resemblance to Baiheng Specifically in a way I will further elaborate on in my full post about it BUT YEAH Jingliu deserved so much better with this quest, so so much better
And even just small details get me like Jingliu leaving first from Scalegorge Waterscale, then Jing Yuan, Yanqing and Ren leaving? Like if you ask me, let Jingliu leave with Jing Yuan and Yanqing like they're escorting her (idc about any "She was already turning herself in!" There are a number of reasons to be cautious, not solely of her, and keep her in their view) and then talk to and have Ren leave last.
I am still thinking about it, that post still haunts me daily, I have grown to like the quest but my problems with it are so strong and so clear that it's like AHA I CANT STOP THINKING ABOUT IT
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there is, Obviously, fundamentally a difference between headcanon and an analytical reading of text, and treating the two as exactly the same is not only wrong but devalues both, but funnily, i've found people tend to forget that both of these things are the product of referencing our real life experiences and applying them where we see fit to make a more interesting way to interact with media. and you can't just like, forget that it's not JUST about headcanons and meta analysis and whatever, because people in real life also still matter. and in real life, there are different stakes and EXPERIENCES, and those experiences lead to thinking the way we do because that's how you Be a goddamn person, which is why it's ironic is all 😭
like, saying zuko atla has to be cis in order to be "properly" gay in order to be Truly Compelling narratively is fucking ridiculous. textually, zuko is not actually gay. he never was intended to be, he never will be intended to be, he was never even subtextually. the assumption otherwise is already rooted in fantasy, and the tongue in cheek assertion that it isn't, which means it has more credence, is ... dumb? childish? admitting to at least yourself that the things you talk about wrt character analysis aren't the intention of the creator is literally half the point of doing said analysis – you're MEANT to throw away the intended interpretation in order to give it a new life through different keyholes without entirely divorcing itself from the text. (in the same breath, insisting the creator truly meant One Thing when they absolutely would not have/don't care at all, and ignoring that the people who made the piece are going to put their own biases and experiences and background into the media itself and actually MUST be taken into account for things like this is just ... well. Stop That.)
i've personally never been someone to ever claim that The Writers All Along INTENDED to do something that they obviously didn't, like make a character from a 2005 cartoon lgbt+. this doesn't mean that reading doesn't have any substance or cannot possibly hold any meaning, or that it's wrong. if you can't be objective about your own readings what's the damn point... leaning into it being fiction, which changes just by being observed by a different person, is why it's fun or interesting to do in the first place. and yeah there are some basic cookie cutter headcanons people like to fling around, and there can be criticism for that otherwise, but claiming headcanons themselves AREN'T an offshoot of this way of thinking is fucking stupid. like it's plain wrong.
our own thoughts on why a character acts, what they do, what their presentation is, why their personality is what it is up to and including their sexuality, gender identity, religion, JOB, whatever, are made to fill the gaps the text can't or won't provide, and in the case of lgbt ones as long as it's not actively harmful (as in like insisting a lesbian character is bi or something) it is literally harmless seeing as it is fairly solidly a "won't", along with a whole bunch of other hc material that usually don't see the light of day on-screen nonstereotypically. people seeing themselves in characters isn't new but more than that, saying that you know this but then pushing it aside because The Analysis Means More when it's Realistic And Plausible is fucking dumb. and rude. bc the entire point of drawing the line of connections this way is how WE see them. being all like "oh well, your own personal identity is still valid otherwise, don't get your feelings hurt bc it doesn't matter," is moot if you've already asserted there's only One real way to be... plausible 🤨. which is to be NORMAL ! duh.
like, the read that zuko IS gay (and cis) relies on extracting parts through the lens of our own gay perceptions and is why cishet fans don't pick up on it, but you can ask pretty much any other lgbt fan and they'll agree. zuko's narrative arc IS compelling with the read that he is gay, from the way he is ostracised by his family, neglected and abused, the "punishment" he receives and then continues to become his own warden of, the order of his death and the banishment itself, sozin criminalising homosexuality, his inability to connect with others especially his own age, his inability to seamlessly interact with girls, his literal externalised viewing of seeing himself as someone with Two Sides, them being good vs evil, realising he can change the damn world through love and acceptance, striving for peace, being the face of change for his nation, relearning what it means to be who he is once he is free from his past, the shame and humiliation rituals, the claim of his father that he is worthless as a prince and person, AND MORE... and i cannot express enough here how fucking little it matters if he's specifically gay or WHAT THE HELL EVER 😭.
to claim in no small way that it's impossible for a trans person, or a bisexual person, or anyone else lgbt, could ever line up his narrative with their own personal one is so beyond ridiculous it gives me a headache. no, "plausibly", i don't think zuko is like, transmasc. yes, plausibly, he could be gay. plausibly, he could be amab nonbinary but no one seems to actually give a fuck about that for some reason (i wonder!). nothing would change in both cases, because he's not actually either, so i really don't see the point in making fun of or being frustrated by one to lift up the other because you want cisgender boot soles to brush the back of your throat THAT badly. the implausibility of thinking any way about a fictional character should be taken into account to an extent, sure, but at the end of the day neither of us are doing anything truly worthwhile, and no one is claiming that it's the intent from the beginning to say otherwise, so what's the point here. why are we doing this. let's go skip in a meadow together before i kill someone with this rock.
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