#like sure i don't really GET it

[birdmenmanga]

I think there's no greater indication that disco elysium is sympathetic towards communism when it literally says "communism is failure" and then the literal gameplay itself rewards trying and failing. The most obvious one being the Shivers check at the FELD mural, which is an Impossible 20 check BUT opens itself up again and again the longer you spend in the world doing things, but even just looking at sheer probabilities, for any given white check, rolling first and THEN putting a point into that skill upon failure is more likely to grant you success than putting a point first and then rolling, but that would require failing first.

Other things too: Precarious world saying you'll 100% fail red checks no matter what (not necessarily a bad thing, btw!! throwing the boule into the sea is a success but like. in some other ways one would want a perfect petanque throw instead. but people wouldn't typically assume that failure is desirable sometimes from the start) persuading you to accept that you'll fail some things that is irrevocable, for a world where everything is just a tiny bit easier.

The faux game over screen when you faint after reading Dora's letter— emulating a sense of failure on the scale of the entire game. When it rolls up most people go "What?? Game over?? No way, what did I do wrong!!" and waking up after that, with no huge or lasting impact on Harry's health or morale really tells the player, "Sometimes things will seem so bad that it all seems like it's coming to an end, but it's not the end, it's really not the end, go drink so water, you can still go on despite this failure"

I'm sure there are other things as well that are eluding me but like. The literal gameplay rewards failing and succeeding far more so than simply succeeding every single time, and I think you get a fuller experience of Elysium that way too

#just thinking thoughts... #disco elysium #idk man when did we get so scared of failing!! #people never want to speak in class because 'what if I'm wrong :(((' #well then you are wrong... that is okay... it's normal to fail... sometimes saying the wrong thing is a great way to jumpstart a topic... #'getting a good grade in X is both normal to want and possible to achieve' #okay sure but have you made peace with the fact that getting a BAD grade in X isn't a bad thing? #a bad grade in being friends... okay... so you didn't check up on someone in 3 months... you failed... that's fine... #you can learn from it!! you can learn how to keep in touch with people. how to take care of them when they're sick. #how to resolve a dispute. how to communicate and compromise. these are all things you are not born with #and will fail first before succeeding at #Like yes I get that in the age of surveillance your failures may be recorded and preserved forever and that's not great #but if we don't normalize failure I really think we'll just suffocate and die

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

#everyone say 'thank you togas' for not including a long tangent about evil rimmer in red dwarf 5x05 #Our Flag Means Death #Togas does meta #and yes these principles DO fall apart slightly in s2 and i DON'T like those costumes as much #don't get me wrong they're fun and gorgeous - but generally a bit less deep and more inaccurate. so. :( #I'm not sure this really says anything new about Our Flag but I just needed to get my thoughts out #i hate hate hate Gritty Period Drama costumes they're so boring and so ugly and so wrong #god bless OFMD for using more than 3 muted colours and actually putting men in heels (and not as a shorthand for rich/foppish villainy) <3 #looking at that Tudors still is insane like they really will go to any lengths to not make men feel like they've got bare legs XD #image descriptions in alt text #and yes i DID just sink about two hours into those so you'd better appreciate them

[inkskinned]

one of the things about being an educator is that you hear what parents want their kids to be able to do a lot. they want their kid to be an astronaut or a ballerina or a politician. they want them to get off that damn phone. be better about socializing. stop spending so much time indoors. learn to control their own temper. to just "fucking listen", which means to be obedient.

one of the things i learned in my pedagogy classes is that it's almost always easier to roleplay how you want someone to act. it's almost always easier to explain why a rule exists, rather than simply setting the rule and demanding adherence.

i want my kids to be kind. i want them to ask me what book they should read next, and i want to read that book with them so we can discuss it. i want my kid to be able to tell me hey that hurt my feelings without worrying i'll punish them. i want my kid to be proud of small things and come running up to me to tell me about them. i want them to say "nah, i get why this rule exists, but i get to hate it" and know that i don't need them to be grateful-for-the-roof-overhead while washing the dishes. i want them to teach me things. i want them to say - this isn't safe. i'm calling my mom and getting out of this. i want them to hear me apologize when i do fuck up; and i want them to want to come home.

the other day a parent was telling me she didn't understand why her kid "just got so angry." this woman had flown off the handle at me.

my dad - traditional catholic that he is - resents my sentiment of "gentle parenting". he says they'll grow up spoiled, horrible, pretentious. granola, he spits.

i am going to be kind to them. i am going to set the example, i think. and whatever they choose become in the meantime - i'm going to love them for it.

#writeblr #i was doing a lot with high school students. over and over again #other teachers kept asking me what i was doing differently - why the kids listened to me. i am not particularly foreboding #and i have a pretty firm personal policy of never reacting in anger #godhelpme. #i was always kind of taken aback #because in general the kids were pretty easy. i explained i needed to keep everything “PG-13” because this was my workplace #and it was kind of their workplace #too. besides #i love swearing #and since i couldn't swear #neither could they - so if they were going to say “fuck” or become violent #they needed to choose a really specific time #because we only get “the one”.. sure enough - nobody wanted to waste the one very specific “fuck” utterance. kids listened. #i think just because - that rule makes sense. the kids understand that i don't want to be unfair to them #that censorship is stupid #but that i'm under these rules too so like let's ride it out together #also i look young and tbh between me and u nobody wants to make the nice english teacher cry #the way these kids defended me to their friends was really genuinely so heartwarming bc the Grouchy Frat Boy #would be like MISS RAQUEL DOESN'T DESERVE THAT KIND OF AN ATTITUDE BRO DON'T TALK BACK TO HER

[nonasbirthday]

of course you can read necros and cavs as a parallel to the gender binary bc A) you can do whatever you want forever and B) yeah there's plenty of textual evidence comparing the necro-cav bond to a marriage. however one thing i think many of these discussions keep missing is the fact that most people in the nine houses are not necros or cavs and do in fact exist outside of this binary. which would make it. not really much of a binary

#get ur warm takes here #i know other people have said this already but i really feel like this binary idea has proliferated recently #but i get it i mean in the books we have almost zero exposure to House citizens living outside this 'binary' #so it is a binary in the sense that you can apply it to our major characters who are from the nine houses #but i'm just not sure about extrapolating it to the whole fictional society #i do think there are comparisons to be drawn here i just don't think enough discussions account for this third group being most of #the population. #like do a thematic analysis for sure but personally i would stop short of saying 'joh created a new gender binary and forced everyone into #it' bc. what about all those other offscreen characters who are neither necro nor cav #the locked tomb #nonasbirthday

[ruporas]

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

#vashwood #vash the stampede #nicholas d wolfwood #trigun #trigun maximum #but onto this comic... i think and talk a LOT about vash's loneliness bc trigun is just. kind of central on that for a good while! esp in #the original manga he was alone for a good portion of it and he tends to keep others away like how he ran away from meryl and milly when #they tried to tag along. and he was kind of bothered when he realized ww was following him around Too. at the core even though he loves #humans and he loves deeply the people he does know -- he isnt really much of a people person and i think thats been the case since he was #young considering his initial doubts towards humans... with the exception of kids bc kids dont give him moral conflicts. so suddenly #here comes wolfwood!!! his guide. someone TRULY affixed to him until he has to get to knives. someone who isnt budging and someone whos #really good at following him around and even seems like he goes like 5 steps ahead to make sure vash doesnt run on him #in one way its - i don't want you to follow me bc i don't want to burden you and i don't want you to kill the people i want to save. #in another way its - i like this companionship. i like waking up to you and i like ending the way with you. i like talking to someone who #knows my world. i like being in your space and sometimes i enjoy talking about our day #theyre just living together. like. roadtrip buddies or theyre also under the same roof because they're going everywhere together. #trimax they mainly spend their mornings together and if they had personal business attend the other person would usually know and itd only #be during the midday. anyway bc of this kind of companionship i figure that vash eventually grew accustom to it and he really. cant go back #to the kind of loneliness from before. it's harder to imagine and it'd be harder to withstand. esp after 2 years with lina and her grandma. #ruporas art

[bruciemilf]

One of my biggest pet peeves is the justice league being labelled as " The Avengers of DC" and its like. No? The avengers are law enforcement. The Justice League are volunteers

#its like -- captain america is the staple of US military and Superman is a public servant #the one avenger member who has no bounds or legal obligation is tony and its bc hes rich. you could argue that he actually lost #autonomy when shield recruited him because like. protection isn't necessary tied to 'good.' the avengers protect the planet bc sure #its what they believe in and feel like its their duty and yada yada but ultimately they're self serving and most of their #help is accidental. i say most of bc we've seen they abstain from getting involved unless they have a common interest #with dc its like. you have these people in a position of privilege (having superpowers -- which gives them a spot of advantage to ppl who #dont have it) who do the right thing because they WANT TO. and they can stop at any time because nothing stops them. #they COULD say 'yeah you're on your own. we don't really care anymore. duces!' but they Dont. #because through its many flaws dc realizes that goodness isn't only a choice -- its a responsibility #theres probably better ways to say this but. alas #batman #superman #wonder woman #green arrow #aquaman #the justice league #tjl #justice league #dc #dc comics #text #text post

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<-u are here [gustavo] [gerome] [noisette again]

#ramble after realtags yeag. shoutout to serrangelic btw suggesting the silhouettes thing bc i would have Died otherwise #pizza tower #peppino spaghetti #fake peppino #gustavo and brick #arting #pizzaposting #so anyway i think fake peppino has like. a general awareness that he is supposed to Be Peppino and that he was Made to do that #and likewise he does generally try to...do that. the thing he does NOT realize is hes like really goddamn bad at it #not to be mean but like...c'mon. they are pretty distinctly different kinds of guys even beyond the physiology yknow. #he's neither on-brand nor fooling anyone dsjdsjjkgfsd. BUT! #since the rest of the cast generally likes him [at least as I play it] he thinks hes doing just fine #he's like 'oh they r happy with me so i must be getting a good grade in being peppino :)' #so getting told that 'yeah you actually really suck at that but that was never the reason people liked you' #and told that by og model peppino no less--yknow THE guy he's supposed to be living up to #who's already a bit intimidating for that and who ALSO totally wrecked him TWICE in the tower #making him acutely familiar with just how formidable the guy is and how much there IS to live up to.... #it's a Moment for sure. not really a sad or hurt one though. just... contemplative. #thinking abt people liking him for being the guy he's already naturally been being even though that guy is Not Peppino #i don't think he's gonna be super broken up about realizing he has a bad grade in peppino given everything else hes got now #nor do i really think he cares enough to go like reinvent himself or whatever after the fact #he seems to b pretty clearly having fun with it already so i think he just keeps doing that #and in some cases he still has the pre-installed peppino traits/instincts like to cooka da pizza. and that's fine #is this projection. yes. but if youve been following me awhile you know most of my character writing is ghdhfdgf #gonna kinda expand on all this in the gerome one which is...one after next. itll be a bit but man. #anyway peppino will never admit to anyone and especially not himself that he's gotten a little attached to the guy. hee hoo #pep tends to be kinda surly but he certainly has his ways of showing he cares. all of which are on display here #''that thing is not my son'' says man currently watching thing's antics with the 'bemused dad' arms crossed pose. yeah ok buddy. #gus is totally onto him already but hes not gonna say anything. #if u read all this ur prize is not having to go decode fp's rot13. his lines are ''meant to be you...?'' and ''wrong question.''

[greencarnation]

I went to an Ilan Pappé talk yesterdays - I really recommend his books if you've not checked them out already. He's arguably one of the worlds leading experts on Zionism and the "Israel"-Palestine conflict, so obviously everything he said was great, but what I want to highlight:

Someone asked him if he thought the protests and petitions and calling you reps and shit would work, and he said no, it never will. It's still important to do that but the powerful will never surrender their power to the powerless just because they ask for it. Asking the UK and the US to cut ties with their imperial outpost in the Middle East is like asking an animal to gnaw off it's own limb - it won't do it unless its only other choice is dying completely.

So who does have the power to put a stop to this, we asked. The working class of the imperial core. That's us, and we are the most powerful people in the world right now, because this war machine can't function without us. Movements like this can only be built from the ground up, so stop looking to the government and start looking to your community. We need to make it more unprofitable to support Israel than it is to cut ties with it.

This is a call to action. The people HAVE the power, and we have to use it. Yes, that's you. Contact your trade union, your workplace, your school, your church, your university. Your friends, family, any connections you have. As many people on board as possible, with one goal: shut it down. Take direct action now.

#were seeing this all over the world so i know we know all this but it bears repeating #stop lamenting on how you wish you could do more. you can #the power is with you #we have to stop begging the government and take it into our own hands #idk we could do so much more #your voice matters it really reallt does #also don't let yourself get distracted #i keep seeing that thing w the watermelon filter on tiktok that apparently raises money #and like sure do that if u have a second #but it isn't really helping palestine because none of that money is getting through #its just another thing keeping you distracted #idk man #ill make a post more abt direct action and shit and what you can do in your community #and what to push for in your school uni ect #anyway yeah #palestine #gaza #israel #free palestine #ilan pappe #mine

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

#Pactw #QSMP #Pac #March 18 2024 #As much as I love keeping people updated about Pac / the other Portuguese-speaking creators #I think I might not make as many transcribed posts for their clips anymore #I just don't think I'm qualified enough to be transcribing things for a language I don't know #like yeah we have the Qlobal Translator and Aypierre's translators to rely on #And I'm always upfront when I'm not 100% sure about a translation #but I've been thinking about it a lot and it kinda makes me feel a bit icky. Idk. #I might be overthinking this but I just I don't want to spread around translations I'm not super confident about #esp. since I know a lot of people cite my clips in analysis posts or link them to other people as resources #and 90% of the time I'm like ''Hell yeah I love seeing people getting a lot of use out of the archive'' #but sometimes I get a bit anxious like ''Did I do a good enough job translating this'' #''Am I ruining someone's entire perception of a conversation or character because I left one word out or mistranslated something?'' #And like I said that's normally not a HUGE concern since if I'm not certain about a translation I just won't post a clip. but you know #idk it might just be the anxiety talking but I really really don't want to spread bad info #Happy to hear other folks' perspective #I'm really grateful for people like Bell and Pix and others who translate clips and I always try to reblog those #but we don't have a ton of people posting clips & translating things on Tumblr since we're so English-centric #which is part of the reason WHY I like sharing clips of the non-English-speaking CCs #but at the same time I want to do an accurate job representing what they're saying #Maybe I'll just start posting things and give a TLDR context of what they're talking about but not a transcript #that way native-speakers can hop in and add translations if that's something they're comfortable doing #and if not then well. at least I'm not sharing something that isn't super accurate #idk I'm just thinking out loud a bit in the tags #But I'm open to hearing other people's thoughts on the matter #Anyways giant rant aside. q!Pac is NOT doing ok rn

[adobe-outdesign]

browsing through Pokemon fan discussions is so strange because people will insist that every time that "[update] will fix/improve the game" and then it doesn't happen and then people buy it and are disappointed and then they go "well [update] will fix/improve the game" and it's like buddy you're Charlie Brown and GameFreak is Lucy with the football

#pokemon #pkmn #pokemon scarlet and violet #pokemon sv #outdesign posts things #like I really enjoy the base game don't get me wrong #but stop pretending like GameFreak is ever going to fix stuff like performance issues. you knew what you were getting going into it #not sure if I'll bother with the DLCs they seem kind of underwhelming. maybe if I get some eshop money for the holidays

[klanced]

when adam met 11yo keith he immediately knew that keith was gay and was like i have GOT to support this kid!! (runs into traffic) meanwhile shiro spent years operating under the assumption that keith had like a gender thing going on

#do you see my vision #voltron #shiro #keith #adashi #people are like 'haha voltron renaissance!! klance 4ever!!' meanwhile i'm still stuck in the adashi mines #shiro wasn't entirely wrong but adam was more right. #i like to imagine young adult adam and shiro are going to bed and adam is like 'we need to talk about keith.' #shiro (immediately): don't listen to iverson that guy has it out for keith. #adam: no that's- it's really cute how you always immediately have keith's back. but no i'm talking about supporting keith as he grows up #adam: because i think keith is like Us. if you get my meaning. #shiro: huh.. (oh!! Gender.) i wasn't sure if i should bring it up but yeah i've noticed a couple things.. what's our game plan? #adam: (giving a heartfelt speech about making sure keith always feels loved and cherished) #shiro: (earnestly listens but also in the back of his mind he's planning on how to casually introduce gender-neutral pronouns to keith) #adam is waiting with bated breath for keith to bring a boy home meanwhile shiro is like geez this egg is taking a while to crack... #shitpost #wait this post makes more sense if you buy into my other vision which is that shiro is transgender. always assume im writing trans shiro.

[they-didnt-last]

currently reading the lockwood and co books, and nothing could have prepared me for how much lucy fucking hates george in them. literally every chance she gets, she just roasts the shit out of him. she will be describing the most mundane of actions and still find a way to insult him. absolute hater behavior, i'm obsessed

#it's just so funny to me #cuz in the show you know they don't really like each other but i don't remember it being that serious😭 #i'm still not over the bit when she was like 'yeah i'm pretty sure you kicked it with your bff. that stands for big fat foot btw' #like??? #absolute insanity #to be fair he's not that much better we just don't get his internal monologue like we do with lucy #lockwood and co #lucy carlyle #george cubbins

[blue-jos10]

i wonder how kevin's fitness-obsessed mind justifies his alcohol addiction

#kevin day #aftg #all for the game #like does he think as long as his hangovers don't effect his court time its ok? #that doesn't really fit with the idea that he's a health freak outside court too #like you're telling me he doesn't see the irony of counting calories in decimals then downing a litre of straight vodka? #or is he just so addicted he cant stop? #i feel like he'd go for rehab if he thought it would influence his long term playing but that doesn't seem to be on his bucket list #like i get he'd be hopelessly addicted at the nest but now that his future seems to have some light i'm not sure why he still lets his #addiction destroy him slowly when he's thankfully now adamant on achieving a livable life #idk if this makes sense or if its been addressed somewhere else before but yeah i was just wondering #also sorry if this is inconsiderate or ignorant as to how addictions work i don't know the best

[eyes-of-nine]

they're so childhood friends to lovers bodyguard au coded to me 😌✨ (they have killed so so many people)

#oh how i missed doing a good ol fashioned leyendecker study #and hey look IT'S THE SILLIES<3 #<- tho my lore knowledge has not improved since last time I posted about them I have in fact gotten slightly better at russian #anyways someone plss appreciate the fact that I edited all the serifs to make the font fit nicer ywy #why are cyrillic fonts so ...ehhh #and if anyone feels like summarising over 100 comic issues in my dms i would sell my soul and left kidney to you🥺👉👈 #I wanna talk about them sm but also I genuinely don't really know shit #it's actually super fun highly recommend #sergey razumovsky #oleg volkov #....do they have a ship name??? I'm sure they do???? oh well #plss let's appreciate oleg for being very fun to draw too #major grom #major grom plague doctor #bubble comics #Сергей Разумовский #look look I figured out how to get cyrillic symbols on mobile easily :DD #Олег Волков #майор гром #fanart #my art #mgpd

[welcometogrouchland]

[ID: a digital drawing of characters from the owl house based on the song "up the wolves" by the mountain goats. At the top of the drawing there's a rectangular panel showing Camila and Eda. Camila looks out at the boiling isles at night with her bat. Eda mirrors her pose, with her arm covered in feathers. Shadows form to look like the collectors face, covering Eda's eyes and parts of Camila. Beneath this panel is a star with King and the Collector inside of it, holding hands and spinning midair. Beneath this is the archway portal from thanks to them, which is glowing, and at the bottom of the image is the hexsquad lined up in their designs from for the future, lit by the portal light and looking determinedly into the distance. The lyrics that span the image are "our mother has been absent/ever since we founded Rome/but there's gonna be a party when the wolf comes home". The background is black. End ID]

I knew I couldn't say goodbye to this show without redrawing one of my favorite old pieces, this lyric comic based on Up The Wolves by the mountain goats. I made it pre-ttt and was honestly really vindicated by all the wolf imagery that ep, lmao

#the owl house #toh #toh spoilers #watching and dreaming #luz noceda #hunter toh #willow park #amity blight #gus porter #eda clawthorne #king clawthorne #the collector toh #camila noceda #I REALLY DID DRAW 9 CHARACTERS FOR THIS DIDN'T I #hate this fucking show and the way it has constantly inspired me to push my own artistic boundaries. mad as hell about that #i don't have time for a full-on tag ramble rn but just know that i am so fucking sad about this show ending and fighting with myself #bc it feels like it'd be so much easier to like. shut my love for it off??? in order to not feel as bad about it ending #I've had a year or so with it (barely tho) surely this can satisfy me #but that's just. straight up not true and makes me feel bad in a whole different way #it is weird!! it's weird that this show I've watched 5 times over is ending and i might never get anything else from it #but I'm not gonna let that sour the show or fandom as a whole for me?? if that makes sense #i love this show top to bottom front to back. not bc it's perfect but bc it sees me and i love it for that #also it's really funny and beautiful and well written and. just. AUGHDHDJDJ!!!!!!! I'M NORMAL!!! #okay i have to go shower now #I'm going to gently leave this with you guys. i put a lot into her. do with it as you will #that's all #i love you 💖

[muffinlance]

Prompt: Azula joins Zuko on his Avatar hunt instead of Iroh. I don't know why, I don't know how, but I'm certain to be entertained by whatever follows.

Ozai and Ursa were already dead by the time Iroh arrived home. He stepped from his ship into the palanquin, and rode past the places of their execution, holding the urn of his son’s ashes. 

He had no time to entrust them to the Fire Sages before his father summoned him. He brought them along, because this was an easier thing than setting them down. And perhaps Lu Ten’s grandfather would like to see him once more, outside of the family shrine. Iroh would have given anything—

He placed the urn on the floor next to him. It did not kneel when he did. Fire Lord Azulon surveyed him from behind the flames.

“Rise, my son. It is good to have you home.”

They did not speak of Lu Ten. His father had always been a man to look to the flames of the future, rather than the ashes of the past.

* * *

They hanged Ursa, as befitted her attempted crime, and her past station.

They burned Ozai, as befitted his. A child of Agni should always return to the flames.

The children of the traitors had been stricken from the family line. Had been placed in the capital prison; bait for the trap. Azulon was keeping close eye on those who expressed concern for the offspring of regicides. Ozai had expected support for his position; it would be Iroh’s second task to sift through the court, and discard the chaff. 

His first task was a more practical resowing. Azulon had already selected a handful of candidates: women of suitable birth and known loyalties. The wedding date had been set, pending selection of the bride.

“Thank you, father,” Iroh said. 

Lu Ten held his silence.

* * * 

Azula had never liked the servants who’d fussed at her hair and clothes, who’d pulled and tugged until she was perfect, like perfect was a thing outside of her for others to bestow. She only had to look at Zuko to know how far tailored robes and well-oiled hair could take one.

She couldn’t see Zuzu from her cell. Her robes were too cold against the stone and every tug to wrap them tighter just made them worse, she could see it in the guards’ faces, the way they’d stared when she’d first arrived and looked a few days after and now they barely even saw. No one would talk to her, no matter her demands. They didn’t even stop their own conversations anymore; just slid in her food and kept walking and batted away her fires and it was cold here.

There were things crawling in her hair that her nails couldn’t dig out. Sometimes she thought she heard Zuzu yelling, but she couldn’t be sure. And it would have been undignified to yell back. She was a princess. She was fifth in line for the dragon throne. 

Fourth, now that Lu Ten was dead.

Third, because father was, too. 

He’d yelled and then he’d screamed and it hadn’t done anything but make the crowd jeer. Fire Lord Azulon had been silent. Poised. In control. She was his namesake and she would be too. 

She was nine.

* * *

Zuko yelled until his throat burned. The guards didn’t care, they didn’t listen to him, which was nothing new. He shouted and shouted and his own ears hurt. Maybe that’s why he never heard Azula calling back.

Grandfather had made them watch when he’d killed father and, and—

If grandfather had Azula killed, he would have made Zuko watch that, too. Azula was probably just better at being a prisoner than he was. Maybe the guards even talked to her.

He was eleven.

* * *

Iroh’s new wife was a third his age. A flower just coming to bloom. She looked like his first wife; Azulon knew his preferences. She was young enough to be Lu Ten’s sister. She smiled and laughed each day with the other court wives, and came to his room with lists of possible dissenters to discuss in their marital bed. It was not the pillow talk he was used to, but it was charming, in its way. She liked to lay on her stomach and kick her feet above her as they traced the web of treachery with his dead brother at its center. She was here to have his children—a task at which she worked with admirable diligence—and to be the acting Fire Lady. She had not had to struggle and flaunt herself for his affections; she had been picked from a line-up, her expectations realistic, her motives aligned with his. It was the least romantic relationship Iroh had ever been part of. It was… refreshing.

On the day the palace doctor confirmed their newly budded line of succession, the Fire Lord called them both in for congratulations. And for pruning.

* * *

Zuko had turned twelve, but had not realized it. Azula had turned ten. She’d counted the days.

Iroh had not been able to visit them in prison; only to inquire as to their treatment. Individual cells, regular meals of reasonable quality, no abuses. He’d moved his own people into position to ensure the last. 

Azulon had moved them back, after a delay for his soft-hearted son’s conscience. They could not waste loyal men on cuckoo-vipers. And Iroh could not waste his father’s good will. Not when it would be needed in the future, for the most important request.

* * * 

“And your wife agrees to this?” asked the Fire Lord, behind his flames. 

Iroh’s wife had not been directly addressed, and so did not reply. She sat in polite and perfect seiza, her head raised, as befitted the woman currently running her half of the court. Azulon had never seen fit to replace his own wife, after all.

“She does,” Iroh spoke for her. “We have spoken on the issue at length, and believe it best. Our family is small, and cannot afford to be smaller. The children are young; too young to have been in their parents’ confidences. With proper guidance—”

“And how would they place in the line of succession?” Azulon asked. “How would they chafe, how would they plot, with a decade’s experience over your eldest?”

Lu Ten’s own connections at court had been built while his cousins were still in diapers. But he was no longer Iroh’s eldest.

“We believe—”

“No,” his father interrupted again. “I will not allow their adoption. Not by you, where they could smother your own babe in the cradle, and certainly not by someone I trust less.”

Which was everyone, since the night his daughter-in-law had served him tea sent by his son.

“Father,” Iroh began, and his wife shifted her elbow just so, the only indication that she wished to dig it into his ribcage. “They are young, and innocent. They are my beloved nephew and niece. Your grandchildren. We cannot in good conscience—”

‘Good conscience’ had never factored into his father’s policies. Iroh had… begun to realize that, of late. His wife let out a small sigh, deliberately audible only to the man next to her. She had cautioned very strongly against a—how had she put it?—a feelings-based approach to this situation. Feelings rarely factored into her own decisions. She had been hand-selected by his father, after all. 

His wife went into a half-bow, her head lowered. “May I speak, my lord?” 

The flames crackled. The shadow of his father inclined its head, just slightly. 

“To kill the children is wise, and I admit, would set my mind at ease for my own child’s sake. But my husband feels strongly on this matter, and so I support him, for his happiness is my own. May I suggest a compromise? To place them outside the court, where they cannot build influence, nor harm your son’s heirs. A position from which you can judge their characters and value to the nation as they grow.”

“You suggest banishment,” the Fire Lord said.

“Not unstructured, of course. To leave them roaming freely would invite those that would take them in. Perhaps a military commission? As they are commoners, they should begin from a rank befitting their station, of course. Let them prove their worth on their own merit.”

Iroh could not see through the flames, but he knew his wife’s small smile was reflected on his father’s face. 

“A naval position,” the Fire Lord said. “On a ship that does not frequently make port. The frontlines would be the best place for them to prove themselves, wouldn’t you agree?”

Iroh closed his eyes.

“Father,” he said. “Please,” and he could feel his wife willing him to stop talking. The Fire Lord had already agreed to spare their lives. A banishment could be undone, so long as he and the children both outlived the man before them. “I… thank you for your wisdom in this ruling. But perhaps, if they complete some feat worthy of our line, they could be allowed to return?”

The flames were hot against his face. His new wife was still and silent against his side. His father… his father laughed, a low exhalation, the wheeze of a humorless old man.

“Let them bring me the Avatar,” Fire Lord Azulon said, “and I will welcome them home with honor.”

* * *

Zuko didn’t know why they’d pulled him from his cell or scrubbed him down or taken his old clothes. They’d been dirty but they could have been cleaned. His new clothes were scratchy, and too big, and they looked like a common soldier’s, and… and—

And they’d shaved his hair. 

* * * 

It had gotten rid of the bugs, Azula admitted, in the privacy of her own mind. Still. She memorized the faces of the woman who’d held her down and the man who’d shorn her. For future reference.

They hadn’t bothered sizing her new outfit for a child. Azula noted the quartermaster’s face, as well.

* * *

They were put on a ship. It was the first time they’d seen each other in nearly a year.

Zuzu looked at her head, and wisely said nothing.

She raised an eyebrow at his, and graciously granted him the same.

It was hard to tell them apart. They had their mother’s face. And their father’s.

* * *

Their captain’s name was Zhao. He invited them to dinner in his private quarters, once the Fire Nation was behind them. Zuko fidgeted. Azula didn’t.

The captain spoke on how much potential he saw in them, under a commander who saw their true value. 

Together, they could go far. Very far, indeed.

Azula smiled and said all the things she thought father would have said. Zuko scowled. 

Zhao brushed over their arms with his own while reaching for things. He served them more when they said they were already full. He squeezed their shoulders when he brought them back to their rooms, which were next to his, even though the rest of the lower crewmen slept together in the same big cabin. Zuko scowled harder. 

Azula was invited back. Zuko wasn’t.

* * *

Zhao was… Zhao wasn’t a good person.

“I know that, dum-dum. But do you want to stay banished forever?” 

“Uncle said—”

“Uncle’s going to change his mind, when he has his own heir and a spare. We’re threats, Zuzu. And Zhao knows father’s old friends. He’s one of the smart ones.”

The dumb ones had already been executed. 

“I… I think he wants to—to tie himself to the royal line.”

“Eww,” she said. “I’m ten. If he wants to get engaged, I’ll just break it when we’ve got the throne. It will be too late for him to retract his support, then.”

They’d barely left port before Zhao had made his first move. He didn’t seem like a man who waited. 

Azula was ten, but Zuko was twelve. Being twelve was almost thirteen, which was almost a teenager, which was almost an adult, and adults understood things that ten year olds didn’t.

They had to get off this ship. They had to go home.

Zuko had to find the Avatar.

* * *

(This ficlet is now posted on AO3.)

#are you not entertained? #eventually this one will be a Fire Lord Iroh AU #better hope he gets that throne quick <3 #Happy Ending: and then they joined the southern raiders just as Hakoda was setting sail #and Hakoda was unprepared for these feral fuzzy-headed children suddenly on his ship #Bad Ending: and then they joined the southern raiders when Zuko was sixteen and Azula was fourteen #after four years with Zhao #Zuko: *shakes Aang until he glows then yeets him at Zhao like a grenade* #Azula: that's a good first step to being my favorite brother #but I still don't have a crown in my hair Zuzu #Avatar The Last Airbender #atla #Zuko #Azula #Iroh #I actually really like Iroh's new wife? #RIP one-off OC I'll probably never use again #you are the politically climbing aro-ace rep we deserve #New Wife: sure I'll exchange my firstborn for ultimate power in my nation #wait I can keep the kid too? #sweet deal #ficlet #Cuckoo-Vipers