in one of your tags you mentioned-
'one of the things that gets chatted about A LOT in teaching is meeting students at their point of need- which ted does NOT do with jamie'
I would love to hear more of your thoughts on this! Both in terms of what that concept entails, and also what you think Jamie's point of need was at the time versus what Ted saw the situation needing
(You have excellent tags btw, don't know if anyone's mentioned that)
I HAVE MANY THOUGHTS ON THIS THAT I LOVE THAT YOU'D LOVE TO HEAR!
(I have more thoughts than I anticipated, this got errr, long. Whoops)
(potentially necessary/relevant background here is I am a high school teacher 👋)
Okie dokie, so, one of the principles of best practice in teaching is the idea I tag-rambled above; meet both the individual students and collective class at their point of need. Essentially this means practising differentiation in teaching and adjusting how content/ideas are communicated to students based on who they are as learners and people. Particularly if a student is performing outside the 'average' (either exceeding or still developing), this means adjusting to their needs by (among other things) curating differentiated resources and adapting delivery style. Differentiation is especially important in an all-abilities classroom, unfortunately public education is perpetually underfunded and overcrowded so everyone's just out here doing their best (the decent people of the world at least). BUT! WHILE I'M ON IT! SPEAKING OF THE THINGS I'VE TAG RAMBLED, the education system's (global) inability to adequately differentiate for students of different-abilities, particularly students with ADHD, ASD and Dyslexia, is perhaps the greatest failing of the whole dang thing and if anyone who ever stumbles across this is neuro-divergent and feels like they were a bad student or couldn't 'keep up' in mainstream education- THAT WAS NOT YOUR FAULT. You don't have to break yourself to 'fit', school is MEANT to bend for you. (Particularly when you're young, ESPECIALLY WHEN YOU'RE YOUNG)
ANYWAY, the fictional football of it all!
We don't see a lot of Ted actually coaching in this show (stick with me). The scenes in which he 'coaches' are typically him and various other coaching staff standing on the sidelines while the team skirmishes or occasionally runs drills, so me saying Ted doesn't differentiate is more based around his patented Ted-talks. NOW, Ted PROBABLY knows the team fairly well as individuals, particularly in season 2 and 3, purely by having spent quite a lot of time with them, despite this the only times we really see him 'adjust' his style with the team are ironically season 1 (examples include conferencing Jamie and Roy in 1x04 For The Children, and allowing/facilitating Nate's speech in 1x07 Make Rebecca Great Again). The moment that always sticks out to me as most significant is when he goes and seeks out Keeley's advice on how to get through to Jamie in 1x02 Biscuits.
Side note: I will be forever obsessed with Keeley jumping straight from 'blowjobs' to one of the four operant conditioning techniques (positive reinforcement) when asked about this. That woman is a very fascinating puzzle of a person.
Ted recognises that his typical perpetual-optimism-style isn't cracking the Jamie-Tartt-nut and seeks out a different opinion. This kind of collaboration and whole-system approach is key in teaching too, either by tapping the knowledge-well of a student's broader school context or the difficult-to-crack student's parents.
SO, having gotten the Jamie-Tartt-cheat-code from Keeley he DOES meet Jamie at his point of need, speaks clearly to him and communicates what he needs from him. AND IT WORKS! Temporarily! During the conversation between the two in Ted's office we see Jamie engage, he even practises self-reflection! Granted it's about his left foot cross, but still! The nut is cracked.
Jamie even maintains the perspective Ted has taught him for about two seconds while talking to Trent, until Jamie's other (definitely not positively-reinforced) behaviours rear up and he reverts to what James others have taught him.
On the other hand.
Multiple times throughout the show we see Jamie be visibly or verbally confused by Ted's communication style. Ted often talks in meandering metaphors that Jamie doesn't seem to be able to follow. We verbally hear him state 'Why doesn't he just say that then, do you know what I mean?' in 2x07 Headspace after Beard has to translate Ted's 'peas and carrots/beefchunks' analogy to 'starters and reserves'. Then there's the infamous 'What the fuck are Denver Broncos?' from 3x09 La Locker Room Aux Folles. The only notable time we really see Jamie 'get' one of these metaphors is the sewer-system-tunnels from 3x01 Smells Like Mean Spirit.
(His understanding of that specific metaphor, along with his use of the magnets to demonstrate total football in 3x07 The Strings That Bind, and a Watsonian-perspective of his near perfect mimicry of movements he saw two years ago when executing the decoy play in 3x12 So Long, Farewell, are actually all examples I use to head-canon Jamie as a primarily visual/physical based learner. For whatever that's worth!)
NOW! Ted's willingness to seek and apply alternate techniques in season 1 when he should know the team as both individuals and a collective the least, coupled with his inability or unwillingness to practise differentiation in later seasons when he DOES KNOW THEM is why I don't think Ted is meeting the team, specifically Jamie at their/his point of need. Any person's ability to differentiate behaviour to meet the needs/requirements/comforts of the individual or group they're talking to is increased the more they know them. (We all do this in life, consciously or subconsciously we typically try and 'match the vibe' of whoever we're communicating with [doubly so for people who're engaging in masking.])
Ted should and does learn more about Jamie as a person and his background as the show progresses. He listens to Jamie vocalise both his internal justifications for his actions and his reflections of those justifications/actions in 1x06 Two Aces, he sees him being explicitly physically abused in 1x10 The Hope That Kills You, he listens to him describe a spiralling mindset in 2x02 Lavender, he sees him being explicitly verbally abused in 2x08 Man City.
Of course, one of the fascinating things about Jamie is how much he learns and grows over the course of the show, and there are instances in which I don't think Ted is recognising that (primarily his dismissal of Jamie in 3x03 4-5-1 and not utilising Jamie's knowledge of total football as a resource from the beginning in 3x07 The Strings That Bind).
Ted understands and has previously applied Jamie responding well to positive reinforcement, yet at multiple times in the series doesn't respond in a way that reflects his perspective being informed by that knowledge. Essentially not practising the appropriate level of care/caution when interacting with/around Jamie.
There's not intervening on Jamie's behalf in 2x03 Do the Right-est Thing or 2x06 The Signal when the team and Roy are targeting or ignoring him respectively. The assumed absence of any follow up to the events of 2x08 Man City, the Zava of it all in season 3, and of course the eternal 'forgiveness' kicker from 3x11 Mom City.
POINT BEING. And to actually answer your inquiry lol, I think Jamie is someone who needs clear communication, ideally bracketed in positive reinforcement based operant conditioning as a learning technique (reward behaviour you want reinforced by offering something desirable [praise in Jamie's case]) and visual/physical aid/references for concepts; as a LEARNER.
AS A PERSON, there's more. Ted can readily infer from all he's heard and seen that Jamie's a victim of child abuse. The long term damage to the adult psyche that abuse during formative years has is astronomical, it literally changes the foundational structures of a person's brain. And yet, again, we never see Ted even acknowledge this. Jamie in 3x11 Mom City, incidentally compares his father to Freddy Krueger, Ted elaborates on the comparison, then Jamie reiterates that Freddy Krueger's 'fucking terrifying'. Ted doesn't reassure Jamie (the requirement of his point of need), he gives him a Ted-talk (and in doing so doesn't differentiate his perspective/communication technique).
As far as what Ted thought the situation needed... search me I've got no idea. I do think Ted projects onto Jamie a hell of a lot. That he gets Jamie's personhood and life experiences all tangled up in the emotions he has about his father's death and his consequent perceived abandonment, his insecurities about his own ability to parent Henry and even in his own inability to clearly communicate with his mother. I do think Ted relies on his own forced optimism to 'get by'. Like how a great white shark dies if it stops swimming, if Ted stops being 'Ted', if he stops swimming, his past and his fears and his feelings will catch up to him and swallow him whole. (For what it's worth, I do think Ted is more unwell than even the show explicitly tells us, much like Jamie experiencing ongoing trauma due to childhood abuse, the effects both short-term and long-term as well as potential causalities of having a parent die by suicide are... grim.)
(Essentially the entire fandom has talked about basically all of this at one point or another, I'm just using slightly different language.)
NOW! These characters are fictional (obviously) and I am judging them based on real-people conventions and the best-principles of my own profession, as well as my background in theoretical psychology (which I think I forgot to mention and is also probably [??] relevant). My Doylist-perspective of Ted and his coaching/communication style is ...kinder, but if I get too sucked into the narrative it results in either brief tag-rambles or... whatever this thing I've just typed is. I think it's been too long since I've written academically, my thoughts have gone circular 🫠
ANYWAY! I hope this made something-approaching sense! Thank you again for asking to hear my thoughts! Always happy to word vomit!
ALSO, thank you for saying my tags are excellent (you are the first and currently only to say so!) - The tags are where I send my thoughts to die (in a 'I must banish them to move on' kind of way rather than a 'I'm strangling them' kind of way) so you saying they're excellent is even MORE flattering than you realise! Makes my brain want to purr 💚🤣
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hey!! its me again. your only current madcom requester (as far as i know), i was wondering if you could please write skittles and possibly deimos (seperate) with an artist s/o? specifically one who is constantly doodling them and making art for them? thank you!
-💾
Welcome back! Thank you for another Madcom request, I was looking forward to writing it! This one was also really sweet!
Deimos and Skittles with an Artist!S/O
Deimos: He draws from time to time himself and isn’t even that bad at it either. Sure, it’s never gonna be an elaborate painting or anything, but small drawings of Sanford eating some kielbasa or Hank getting beaten by Doc again. His drawings are usually more on the humorous side since he prefers those. Either way, he’d feel honoured that you like him enough to want to doodle him this much and draw for him. Yes, he knows that he’s hot shit, but it’s still nice. In fact, everyone at S.Q. will know about you being such a wonderful artist since he’ll show those drawings to everyone. You’re such a nice person, and so good at arts, it deserves to be shown off to everyone he knows. Give him enough drawings and he’ll draw something for you as well. As mentioned before, he’s pretty decent at drawing, but he’ll genuinely put in some effort into drawing you, for example. Deimos gets around a lot, and he does loot quite a bit whenever he can, so don’t be surprised if he walks up to you with some art supplies that he got from somewhere. You’re always on his mind, so naturally he’ll get something for you just so he can see you draw. Sometimes you might even get to draw with each other since he would get into it again ever since he received a few doodles from you. Although I should mention that he’ll still draw funny things to get you to laugh, he does want to see you be in a good mood. And if it’s because of him, even better. However, he’ll keep each and every single drawing of yours in a box, they’re near and dear to him. I know he can draw too, but he would love nothing more than to ask you to draw a picture of you and him together as a keepsake. It’s more personal than a picture to him and takes more effort.
Skittles: Like Deimos, he, too, draws from time to time. Unlike Deimos, he’s not very good at it, but that has never discouraged him from drawing a nice scenery. In his eyes, with everything he creates he’s only gonna get better and better at it, so he really doesn’t mind not being the best at drawing. He likely has tried drawing other grunts as well, including you, so you’ll likely see a drawing of you here and there. How could he not, after all. However, he proudly does show you his drawing as well. Hypes you up like no one else when it comes to you drawing. Sure, he’ll be quiet when you are drawing, but he’ll never miss an opportunity to ask you about some new creations you may have made. He’s as genuine as it gets about it too, he really does want to see your drawings. However, he’s not a very good critic since everything you make is the best thing ever in his eyes, so you really shouldn’t ask him for constructive criticism if you want some. He can and will find something good about each and every single one of your drawings, whether you like it or not. He hangs the drawings you give him up as well. Especially with magnets on the fridge since he wants to see them for as long as possible. Also keeps them in a neatly decorated box, and also shows your skills off to everyone willing to listen to him. If you’re ever down to take some commissions, he’s your best bet since he can always find someone willing to buy from you. Very excitable about your skills and loves talking about you in general. Nevada deserves to know about how great you are. Skittles will also come up to you with some art supplies here and there, if he can find some. As long as you’re happy doodling away, he’s happy as well. Gives you a big hug for each and every single drawing you make for him, he wants to reward you somehow.
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bestie how the fuck do you start writing again when you haven't written in years bc you're so paralyzed with Fear of Writing Badly mixed with How Do I Get Started and also WHAT do I write about HELP
I WANT to write but every part of it is. so. DAUNTING
Ohhh bestie I have BEEN there. Whenever I take breaks from writing I find myself scared that I'll have just….forgotten to write?? I think the fear of "bad writing" is amplified when you don't write for a while, however long, because you have to like hype yourself up to go back to writing and it's like what if I do all that and then I just can't do it? Returning to writing, especially after a long time, for me has taken a lot of mental work, trying to understand what will make writing fun and healthy for me. A lot of it, honestly, is easier said than done, but also it's mental work you'll keep doing after you start writing again and as you write, and for me it's easier to process my relationship with writing when I am actually writing.
A big part of that mental work for me, and something I think is so valuable, is to reconsider what "bad" writing is and give yourself permission to write it. Sometimes you will think your writing sucks, happens to all of us, but that isn't all it has to be. Like yeah, I'll think something I wrote sucks, but I still wrote it. I can revisit it and work on it and maybe I'll turn it into something I'm happy with. And even if I don't, I still wrote it, I learned from it. Writing does not need to be "good" by whatever standard we're holding it up to for it to have value. And you can delete it! Nobody has to see it! Also you can have fun writing something and still think it's not your best. I've written a lot of "bad" scenes that I had fun with because the scene was entertaining to me! I love when writing turns out how I like it, or I write a banger prose line, but equally I found it helpful to give myself permission to not worry about that all the time and just focus on my interest/enjoyment in what I'm writing, regardless of the "quality". Again, easier said than done, but something I've found easier the more I write, because you'll have bad writing days but you'll also have writing days that are so good
I know a lot of people see writing as a skill that they want to improve, and like I agree it feels really good to see your writing grow, but writing is so much more than the skill and the craft and the theory. There is no objective "perfection" to reach with writing like we are not Sims with levelled skills LOL. Writing is art and creativity and it should be fun and fulfilling. And IMO, the more you focus on what makes writing fun, you will grow and "improve" as a writer a lot quicker and in a way that is a lot more enjoyable than if you treat writing like some icy quest for perfection. You also get to decide what "good" writing is for you/your story. Some of my stories are more prose focused and I'll play more with language, imagery etc. Others are more about the plot and just having fun imagining this scene. Sometimes it's a mix of both. What is "good" writing depends on the writer, story, genre, etc. There is no one way to write.
I'm rambling a lot because I'm just really passionate about this and I cannot express enough how easier writing got, including all the difficult and ugly and frustrating parts, when I gave space to prioritise my enjoyment and fun. People love to romanticise the idea of the "struggling" writer. I see stuff on here and I'm like you guys….writing should be fun. Like yeah sometimes it's hard and we should talk about that but like, you Need to make sure you are having fun. Anyway I'm going to try not to ramble and bullet point some things that helped me:
Make Writing Fun: Lol! Literally whatever makes writing fun. Sometimes I just write super indulgent scenes and the fun of that sets me up to work on my projects. When I work on my projects I try to find what in each scene I'm going to enjoy the most, and focus on that to help me write the rest. I make playlists, moodboards, memes, art etc for my story because it's fun, and it helps me be engaged with my story outside of writing it. Just, have fun.
On productivity: some people will benefit from setting clear goals and running towards them. Some people don't. For me it depends on my headspace. I don't think productivity is a bad thing, it can feel good, but productivity should not be the only reason you write. And the most productive writing process is whichever one makes writing enjoyable for you, because that's how you'll get words on the page
On that note, please be wary of anyone online who who treats the writing advice they share as Fact. I'm not saying every writing teacher out there does...but some of them market it that way! And creators do not have an authority on writing just because they have a platform however big. There are some AMAZING content creators out there who talk about writing, and I have found them motivating, but like just let yourself be picky about who you listen to/engage with. I say this because I consumed some very Strict writing advice when I was younger and it literally contributed to my years long slump so like...I'm picky now LOL
About goals: Personally, gentle goals are what help me get back into writing. Maybe just write for 20 minutes, or write every day for a couple days. When I do word count goals, I base them on how I feel that day, and recently I don't make a word count, I'll transfer it to the next session but smaller. So if I try to write 500 words but can't I'll say okay, lets try 250 next time. Goals can be a great motivator and way to feel achieved, and maybe bigger goals will help you, but you're also allowed to adjust them as you go to make it easier
On finding new ideas, having been there before, you don't need a fully fleshed out idea to start writing. My longest break I came back to writing with...one character and a backstory? If you have stories/characters already you can revisit them, either build on what you have or completely change it. Or if you don't have that, if there's a piece of media you like you can take that concept and play around with it in your own way, or you can even just write fanfic until you have your own idea (if you want your own idea, fanfic is cool too!) You can even just find a cool pic on pinterest and play around with describing it, writing about it, seeing if you can get anything from that. Ideas are everywhere and they can be tiny, and I think if you have that want to write you Will find your story eventually. All writers have had the Idea struggle, but I think the more you engage with writing and think about what concepts and stories interest you already, the more you'll like train yourself to get ideas
That was very long and maybe a lot but like, I am very passionate about this! I've been in writing "slumps" where I didn't know if I would write again, I've started writing again with no ideas, and in those times all I had was the fact I knew I wanted to write. There are a lot of reasons why we end up having long breaks from writing and it is totally normal, sometimes beneficial for us, and we should never give ourselves a hard time for not writing for however long. But also remember that you can always come back. Every one of us has the capacity to create, whatever that looks like, and you can make it as self indulgent and self serving as you want.
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im sorry i have to rant im so fucking pissed
my exams end on 19th and I have to get rid of some books and buy some books which are quite pricy online so I had planned on going to college street on 20th and selling my books and buying the new ones at a cheap price and i was frankly really excited about it because all I get is a one day break to relax bcz i have to start studying for entrances from 21st so all I have is 20th and i wanted to spend it at college street and then get some food and basically have like a solo date kind of thing.
and i was so so excited about it i told my boyfriend about it like 500 times bcz i kept forgetting i've already mentioned it and it was literally on my mind a lott so i kept bringing it up and ik it seems like not a big deal cz i can just sit at home and chill too but i literally do not get to go outside my house. like- the last time i went out was new years eve and after that the only time i've gone out is to school or to give my boards that is it. my mother has some weird like problem wiht me going out like even if i tell her that i just want to go to our terrace for 5 minutes just to get some fresh air she won't even allow that she'll be all suspicious and like sTaNd In ThE bAlCOnY aNd TaKe FrEsH aIr like she herself doesnt leave the house (and blames it on me and my brother ???? when have we ever stopped you bro, she said I HaVe To Be HeRe To KeEp An EyE like im 18 i dont need to be watched 24/7 stop blaming me for choices you put upon yourself) and i just feel so suffocated ALL THE TIME i feel so overstimulated and im so sick of rotting on my bed and i dont want to wait for some birthday party or friends meet up to be able to leave my goddamn house i just wanted to go and have a fun day and get me some books thats it.
anyway so initially the plan was that my mom would go along but something came up so she wanted to postpone it to 21st and i didn't want to bcz i'd already be missing 3 days bcz of my boyfriends birthday, holi and my brothers birthday (all of which are important and i dont want to miss which makes me the villain apparently bcz i should "adjust" and cancel my "parties" instead of trying to stick to my plan bcz that makes me too demanding and selfish apparently) so i suggested that ukw why dont u go do ur thing which came up and i'll go to college street by myself...which is when the solo date idea came which i had really wanted all along but didnt bring up bcz i knew she'd say no but now there's a valid reason for me to go alone so like, its a pretty easy fix i can just go alone but noooo. First of all,
I've been to college street multiple times before so its not like its an unknown area to me
im going by metro which is quite safe
im going when there is stark daylight and i will return home much much before it gets dark and im literally 18
she never lets me go anywhere alone, not even take ubers alone if i want to get back from somewhere my bf has to come drop me everytime and then go backwards to his house which is so so so stupid and i never get to go out alone unless accompanied by family or by a male friend, so obv when i said i'll go to college street alone she refused to let that happen and started screaming about how 'if its so important to go on 20th bcz u dont want to miss a day of studying then cancel ur 'parties' and study then' and i was like no its not about missing a day its just that there's a very easy and logical fix to this problem which is i go alone and its not inconveniencing anyone so why cant i just do that but she will not listen to that bcz im 'adamant' and 'everything has to be according to me' bcz i found a viable solution to the problem. so instead of letting me just go she was literally ready to pay much more money and buy the books online, like.....why cant i just go bro??? (and she keeps telling me im a waste of her money bcz i will amount to nothing in life and my education was a failed investment or wtv so like now why are u wasting more money??? im literally trying to save the money that u 'waste' on me so just let me ???)
anyway i called my dad last night and told him and he was super ok with the idea he said its a good idea that i go alone and that he would speak to her but then today when i asked her if dad spoke to her she said yes, we'll go on 20th and i was like .....we? so apparently she CANCELLED her previously immovable thing for which she wanted me to cancel my 'parties', she cancelled that and agreed to go with me on 20th just so that i dont get to go alone- like ???????????????? what is ur problemmmm
so obv i was super annoyed and i went on a whole ass rant about how i literally struggle to even cross roads bcz i dont know shit about basic travelling bcz all my life ive been in a car and its a running joke with all my guy friends that i 'cannot navigate' and 'dont know any places' and obv??? if im never allowed to go anywhere then how tf will i know the places- the only places i know is bcz recently i've been paying a lot of attention and asking my dad stuff about what roads to take to reach certain places and when i go out with my friends i kind of try and learn a bit but thats it i've only ever gone alone completely alone to two places which is my beauty parlour thats 5 minutes away from my house and one bazaar one time that was 2 bus stops away, thats it. thats my extent of public travelling alone. and now im supposed to go to a whole new STATE for college and i cant even call myself an auto without struggling. and like- is this not a basic life skill??? like ok yeah its not rocket science and i will probably figure it out even if i start later in life but why not now? most of my guy friends literally go everywhere alone, why not me? and my dad agreed with all of this but my mom was just like "you'll be in the hostel only, no need to go out of the campus" like ARE YOU FOR REAL????????? and she's like "if u want to learn skills learn how to cook" like ok yes i will also learn how to cook for sure but i wont have a fucking kitchen in the hostel but somehow cooking is an urgent skill i should learn but going places by myself is unimportant bcz i should just never? leave? the? hostel?
anyway after much screaming and shouting my dad gave up and just cut the call bcz he doesnt want to get into an argument with my mother and my mother was being all suspicious like why do u hAvE tO gO aLoNe AlL oF a SuDdEn even though i literally explained why i want to do this alone but she doesnt think thats valid. so she refuses to let me go and i asked her for one reason why i shouldnt cz usuallt its always "no u have exam what if smthn happens" but now i literally dont even have exam so whats ur excuse now? streets will always be unsafe forever so "what if smthn happens" is not a reason to never let me go out without a man so just gimme one reason and she couldnt give me a single reason she just said "i said no, thats it".
and now she's gone off about how im useless and blah blah and "high maintainance" bcz i want books and "everyone else (some pishi's son) just studies online" and so the whole option of college street is apparently now cancelled and she's trying to set up a whole ass kindle account (half the books i need arent even available as ebooks) just because i wanted to go by myself.
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