·.⌇ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒. you’ve been one of sukuna’s many concubines for quite a while now. yet, you still cannot get rid of the jealousy in your system whenever he interacts with the other women in his harem.
wc. idk around 1 to 2k
tags. true form!sukuna x concubine!female reader. angst (hurt to comfort), fluff, suggestive at the end. heian era. you call sukuna ‘my lord’. reader gets called ‘brat, little girl’. size difference. no part2, don’t ask i beg. not beta read.
“get back here, brat,” sukuna raises his voice as he follows you. he isn’t one to care about others’ emotional outbursts, yet here he is, chasing you after you’ve poured out your heart to him.
you don’t know why you’re this upset. you do know, however, that it’s childish of you to walk away mid dinner. you should’ve just stayed seated and refuse to let the thoughts consume you.
now you’re speed walking down the hallways of the estate—your legs carrying you as fast as they can without actually making a run for it. your mind keeps replaying the ‘unsettling’ scene that caused you to flee.
you remember it vividly. the sound of sukuna’s low, amused chuckle. how intrigued it was because of something another concubine told him—how he stopped chewing to say something back to her. which he rarely does.
hell, you’ve never seen him laugh around his other concubines.
“i do not wish to talk to you right now, my lord,” you reply, voice raised so the distance wouldn’t make it a hassle for the king of curses to hear you. you know that feisty attitude of yours entertains sukuna to no end.
he raises an eyebrow once he’s heard your voice; how it’s dripping with envy and hurt. you’ve never reacted like that before—at least not in his presence. it made him want to figure out why and how.
though, he can easily guess the reasoning behind your sudden defiance.
“oh, that so?” sukuna hums. he’s lenient with you this time around. he could catch up to you in under a split second, but he decides to give you that sense of accomplishment first before completely destroying it. he walks after you slowly, your fast steps being the same tempo as his slow pace.
you don’t answer. you’re stubborn. you have no right to feel jealous. you are a fairly new concubine—only a couple months ago did you join sukuna’s harem. yet, the time spent with him was precious.
he treats you differently. everyone notices that. everyone tells you the same. you know he does by the way he lets you off the hook with most stuff you say and do.
you don’t know what you did to gain his favouritsm, but it’s addicting. his attention is addictive. real addictive.
you had sworn not to develop any unneccessary feelings for that ruthless sorcerer. but, with the way sukuna treated you so gently behind closed doors, it was impossible not to.
you eventually reach the doors to your chambers. you slide them open and wish to close them behind you, only for a big hand to halt those movements. you freeze in place and refuse to look up at the owner of that said hand.
“look up,” sukuna demands. his voice causes goosebumps to appear on your arms, but you still don't budge. he clicks his tongue. that’s your first warning. two more and your punishment will be carried out, “we can do this the hard way too if you want.”
you turn your head, your fingers curling around the material of your kimono. you really should not feel this way about a little interaction between sukuna and his other concubine. that is none of your concern. what he does with those other women is none of your concern.
and yet. . .
“i don't want to,” you retort. sukuna walks into your room with a sigh. each step he takes forwards, you take backwards. your back finally bumps against the wall next to your bed.
sukuna towers over you, his tall and big frame making you feel vulnerable. especially with the way those red eyes of his are staring down at you. he crosses all four of his arms before speaking.
“tell me what’s running through that head of yours,” sukuna inquires sternly. he isn’t playing around anymore, you can tell. you glance the other way—knowing that he will laugh at you the moment you tell him why you’re upset.
you have a feeling he knows the reason behind your tantrum anyway.
“it’s nothing of importance, my lord,” you shake your head and relax your tense shoulders to make you seem less upset. your words have some truth in them—you don’t think your feelings of envy hold any value to him.
sukuna sighs again. he’s trying his best not to be annoyed at you. you’re his favorite and he wishes not to sadden you any further. he steps forwards, one hand moving to cup the side of your face.
his rough fingers play with a string of your hair, “i’m not stupid, little girl. i don’t like it when my woman is in distress.”
your heart skips a beat. this is what confuses you—how he can go from stern to gentle and vice versa. it’s surprisingly unexpected, which makes you long for more. even if his behaviour is confusing.
you look up at sukuna. your eyes meet for the first time in a good couple minutes. the corner of sukuna’s lips curls up into a satisfied smirk. that’s one step closer to getting you to open up.
“now,” the king of curses lowers his head to your eye level, the proximity all the more nerve wracking. he holds your jaw super tightly out of the blue. it makes you whimper.
“spit it out.”
there it is. the duality of the man strikes once more. you swallow the spit that’s been building up in your mouth. you bite your bottom lip lightly, trying to gather and form the right words to explain yourself.
sukuna wouldn’t understand. he’s a cold-hearted man who doesn’t care about such ‘trivial’ matters. he’ll just call you stupid, pathetic or whatever other derogatory term.
you stop your thoughts for a moment.
“it’s really just a stupid thing,” you mutter. your fingers curl around sukuna’s wrist—the one hand he’s using to firmly hold your jaw. you take a deep breath in, “i did not like it when you, errr. . . when that woman talked to you at the dinner table.”
your voice is clearly dripping with jealousy. pure, pure jealousy. and for what? because he talked to his other concubine. you feel stupid. you thought you discarded your personal feelings for the sorcerer before you the moment you turned into one of his many women.
“that woman?” sukuna tilts his head, feigning ignorance. that little grin on his face tells you enough. he’s playing with you like some form of entertainment. well, technically you are.
he wants you to be specific. he’s forcing you to be by acting like he doesn’t know what you’re talking about.
in all honesty, sukuna’s already forgotten what that woman had said to him. it wasn’t and still isn’t worth remembering. all he can recall is your adorable facial expression when you saw him interact like that with his other concubine.
that little frown on your face was priceless. it makes him want to keep teasing you.
“you know who i am talking about, my lord,” you huff, trying to look away, but get stopped by sukuna readjusting his grip on your jaw. he firmly yet gently taps your cheek once and you know what it means.
“attitude,” sukuna warns with a quick hiss. he can let you say whatever you want to him, but you also have some limits regarding which tone you use with him. you apologise quietly under your breath.
the king of curses nods in satisfaction before releasing the grip on your jaw. his large hand trails down to your neck, thumb rubbing up and down your throat, “so, my little girl is mad at me because i talked to another concubine of mine, huh?”
you nod mindlessly. sukuna can easily get you to comply with him—to obey his every word, simply with his actions. the terms of endearment he uses are the cherry on top. they slip off his tongue so easily with you.
“tsk tsk,” sukuna shakes his head. his hand is now on the back of your head, fingers tangled into your hair. he’s staring down at you with a smug expression. he knows he’s got you wrapped around his finger, “how childish of you.”
you knew that would be one of the things he’d say to you. what you didn’t expect is for him to go for a kiss right after. his lips land on yours firmly, and to no surprise, you instantly return the gesture.
your arms wrap around his neck—your chest pressing against his. sukuna wastes no time in picking you up and letting your legs encircle his waist. he’s not pulling away for air to breathe and you don’t either.
“you’re going to listen to me, yeah?” sukuna murmurs between passionate kisses. he’s holding onto you tightly with two arms, his free hands roaming over your body whilst he pins you against the wall.
when you whimper out a weak, high-pitched ‘yes, my lord’, he smirks against your mouth before turning to kiss your neck. he slightly bites the skin to make sure you’re paying attention to him.
“i don’t remember what that woman said,” sukuna continues, nearly out of breath because of the kisses he’s leaving all over you. he easily grabs both your wrists and pins them above your head on the wall, “i was too busy lookin’ at a much prettier concubine of mine.”
he pulls back a little so he can look you in the eyes. you’re panting and embarrassed by what he just said. one of his hands finds your face again, tracing the shape of your mouth.
“my favourite,” sukuna whispers whilst licking his lips. you can see it in his eyes: he’s silently planning out how he’s going to remind you of your place. your place as his favorite concubine.
he dips his head back down, aiming for the valley between your breasts. he closes his eyes before sucking on the surrounding flesh;
“guess i’ll be nice for once ‘nd show you just what it means to be my favorite so that you’ll never dare forget it again.”
7K notes
·
View notes
i have been trying for like. months to explain how the relationship between butch lesbians and trans men is not something akin to polar opposites and this is all i got. like it's not like this:
it's a venn diagram with a massive overlap in the middle. i'm not saying EVERY butch is a trans guy and EVERY trans guy is a butch dyke , i'm just saying it looks more like this:
these are not "mutually exclusive" terms- they do not mean the same thing, but we can be the same people, an very often are. there is a long history of butches who identify as FTM, trans men, drag kings, genderqueer, genderfluid, transmasculine, male, polygender, and two-spirit lesbians, and so much more. the relationship between lesbianism and queer masculinity is inseparable and the only people telling you that butches and trans men need to violently separate from one another and be at each other's throats are terfs. even if we do not share identities, we share our struggle together as heavily misunderstood and unseen masculine queers.
we stand up for each other when our identities get confused by strangers, and we get misgendered. we stand up for each other when terfs and terfpilled people tell us that transmasculine people and men can't be lesbians, when people say "butches just want to be men", when people say "butches aren't real women", when people call each of us bull dykes and trannies, when people mock the way FTMs walk and talk and look, and when people tell trans men they're "just butch dykes in denial". we stand up for each other and understand each others struggles.
whenever a butch lesbian asserts they're a woman no matter how masc they are, whenever a trans man asserts that they are a man and not a butch, whenever a butch struggles to be seen as both a man and a lesbian, and whenever a trans man returns to the lesbian community while embracing their manhood, we are part of the same community, we share the same struggles, and we owe it to each other to stay strong.
we are not enemies. we are bedfellows, lovers, family, spouses, partners, husbands, wives, brothers, sisters, siblings, friends, each others support networks, even if we don't share identities perfectly. whether you are butch and a woman, butch and a man, butch and something else entirely, a male, ftm, genderfluid, polygender, genderqueer, transmasculine, nonbinary, two-spirit or whatever else you may be lesbian, you are part of our family and your experience is worth being heard.
13K notes
·
View notes
funniest disney history facts i can think of atm
literally EVERYBODY thought the lion king was gonna flop and pocahontas would be their greatest movie ever made. people begged to ditch lion king and work on pocahontas.
the reason robin hood ends so abruptly is that there was an actual ending planned and storyboarded but the crew spent too long arguing about everyone’s fursonas to finish animating it
madam mim was way less comedic in the original book but because her character was too similar to maleficent (who was in their latest film at the time), the sword and the stone crew decided to differentiate her by making her fucking hilarious
when making a goofy movie, jeffrey katzenberg (studio chairman at the time) told bill farmer to give goofy “a normal voice.” farmer, who had been voicing goofy for eight years at that point, including in the goof troop show that a goofy movie was a sequel to, was very confused. after making an attempt they decided to scrap that note completely.
as of march 2023, farmer is still voicing goofy, and tony anselmo has been voicing donald since 1986. the 2017 reboot of ducktales, which was slated as “wanting to do for donald what goofy movie did for goofy,” featured both actors as those characters; they had also been doing the voices for the original ducktales and goof troop/goofy movie. all the times goofy and donald interact in the 2017 ducktales however, donald was voiced by guest star don cheadle as a joke
current voice of mickey mouse bret iwan has stated that he has attempted to play kingdom hearts and did not do well
disneyland’s current world of color halloween overlay features a plot that is basically “the disney villains simultaneously adopt a goth kid” and i love it
people will make jokes about “well math says that the beast would’ve been 11 when he was cursed” well that was actually the original intent, but a flashback scene of baby beast was scrapped because he looked “too much like eddie munster”
when disney sent a representative to pixar to check on toy story production, she was like “this is all great! what style of music are you thinking” and they were like “for what” “for the songs” “we uh. we weren’t gonna have. any songs” and she went dead silent and then went “i have to make a call” and left the room
saludos amigos and the three caballeros were made as ww2 propaganda. the government commissioned disney to make movies to make latin america like them so that they wouldnt side with the nazis and provide them an in to invade, and latin america really liked donald duck so
saludos amigos was apparently the first time many usamericans realized that latin american people were like. people. film historian alfred charles richard jr said that the film “did more to cement a community of interest between peoples of the americas in a few months than the state department had in fifty years”
while latin america generally liked both films, chilean cartoonist rené rios boettiger fucking hated the chilean segment of saludos amigos, seeing the main character of pedro the plane as a weakass bitch, so in response he created condorito, the most popular comic character in all of latin america
disney wanted to adapt ts eliot’s old possum’s book of practical cats. his widow adamantly refused, and then sold the rights to andrew lloyd webber bc he wanted to make it sexy and she said “tom would’ve liked that”
in case you haven’t seen the defunctland, walt disney wanted epcot to be a futuristic utopia where he was basically the dictator. then he died so they just made it another theme park
speaking of defunctland the first defunctland video was on disneyworld’s alien attraction and please watch it. please it’s so funny
after the huge failure of the black cauldron disney was going to shut down its animation department. the department tried to convince them to keep them alive by showing them the one scene they had finished for the next movie– the mouse burlesque from the great mouse detective. it worked
the only attraction the black cauldron ever got was in tokyo disneyland where they put a tour under cinderella’s castle where everyone had to escape the disney villains trying to kill them, only to end at the horned king and the cauldron, who would try to sacrifice them to satan. this tour was popular but was closed in the early 2000s as the tunnels didn’t fit earthquake regulations and i want it in disneyworld so bad
walt disney once referred to his unionizing workers, led by goofy’s creator art babbitt, as “commie sons of bitches,” and i want a mickey build-a-bear that calls me a commie son-of-a-bitch whenever i squeeze its paw
32K notes
·
View notes