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#like... we can talk about both
inkskinned · 1 year
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
#this was much longer i had to cut it down for legibility#but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion#that is because it deserves its own post with a completely different tone#i am an environmental educator#so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering#that people are going through#without doing my research and providing real ways to help#this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning#to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering#unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this#and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this#and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity#(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself#for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion#i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out#rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free#is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i#which is more than their CEOs can say
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firelordhotman · 2 years
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“disability isnt a competition or something you have to Prove is Bad Enough to deserve being taken seriously” and “some people are objectively more or less disabled in certain areas than you are and that isnt an attack on you” are two concepts that yall absolutely MUST allow to coexist. im so tired
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wonderstrevors · 6 months
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Jason being done with being the child of divorce in Catwoman #58
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clairenatural · 1 year
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i think dean should have fought with cas' angel blade. i know we see him (and sam) use angel blades occasionally but i want a scene where it's explicitly shown to be cas'. cas has been injured and is out of the fight and without even thinking he hands off the blade to dean who kills whatever injured him, like just one fluid motion instinctively. i also think after cas died in s12 we should have seen dean take the blade off his body and then seen him use it later. i think this would have made me specifically insane and therefore we deserved to see it
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fictiongods · 1 month
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I find it so funny when people say fuffy is one sided, Faith and Buffy are literally BOTH so obsessed with each other, like Faith is the more obvious one (to the point where people say it’s one sided) but Buffy is literally so insane about her too like “oh pretty girl with big brown eyes who is taller than me and wears a lot of leather just drew a heart on the window while I’m in the middle of my chem test?? The one I’ve said I needed to study for (but didn’t cause I was hanging out with her) and repeatedly said I might fail and was worried for like half of the episode…but like you guys!! She drew a heart on the window!! I have to go…no choice…” and this is AFTER she spent the whole period absolutely GUSHING over slaying (but specifically about faith slaying) like I can promise you this is not one sided
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hecksupremechips · 2 months
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Akihiko becoming a cop is something that simply doesn’t happen in the coma route cuz Shinji would see that shit and be like Aki what the actual hell is wrong with you
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crave-mp3 · 1 year
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I LOVE BEING ARO SO MUCH!!!!!! I WILL NEVER FEEL ROMANTIC ATTRACTION AND THATS BEAUTIFUL AND NATURAL AND SOMETHING I WILL WIELD AS A WEAPON AND A SHIELD AGAINST ANYONE WHO WOULD CHANGE ME OR ERASE ME!!!!!! REALIZING I AM ARO WAS ONE OF THE MOST JOYFUL AND FREEING AND ILLUMINATING EXPERIENCES OF MY LIFE!!!!!!!!!!!!!!!! MY EXUBERANCE AT LIVING WITHOUT THE NARROW SOCIETAL IDEA OF "LOVE" KNOWS NO BOUNDS AND I SEE BEAUTY IN EVERYTHING!!!!!!!!! MY LIFE OVERFLOWS WITH JOYFUL ABUNDANCE!!!!!!!! I AM BURSTING FOR AFFECTION WITH EVERYTHING!!!!!!!!!!!!!!! I WILL NEVER BE "ALONE" (I WILL NEVER BE LONELY) BECAUSE I WILL MAKE FOR MYSELF A LIFE THAT SINGS AND SHINES!!!!!!!!!!!!! I LOVE LIVING A LOVELESS LIFE!!!!!!!!!!!!!!!!!!!!!! I LOVE THE SELF RELIANCE OF MY HAPPINESS!!!!!!!!!!!!!! I AM INFINITE AND BOUNDLESS AND DEFY DESCRIPTION OR CATEGORIZATION!!!!!!!!!!!!!!! I AM AROMANTIC!!!!!!!! ALL IS JOY!!!!!!!!!!!!!!!! ALL IS LIFE!!!!!!!!!!!!!!!!!!!!!
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skitskatdacat63 · 6 months
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2023 Brazilian Grand Prix - Fernando Alonso & Oscar Piastri exchanging helmets
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pepperpixel · 1 year
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Some inside job art! Mostly just trying to figure out how to draw these two
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aquickstart · 4 months
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
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another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
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but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
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but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
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farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
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the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
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but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
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to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
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and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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Prompt 12
Geralt has a thing for biting. Jaskier has a thing for not looking like a mauling victim the day he performs at a very prestigious court. Geralt agrees he'll hold off on the biting for a few nights, so Jaskier is "presentable." But now he looks unclaimed. He looks like he has nobody that loves him and watches over him. Nobody that can bite him in the heat of passion. Geralt sucks it up and decides that he'll just have to come along to make sure nobody gets any ideas about doing anything to his bard. And so what if he spends most of the night staring longingly at Jaskier's neck like some kind of starved vampire? Who says you get to judge? *grumpy witcher noises*
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atopvisenyashill · 6 months
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IN THIS LIGHT SHE COULD ALMOST BE A BEAUTY IN THIS LIGHT SHE COULD ALMOST BE A KNIGHT.
“in this light” that they’re both in, to be clear - twin flames fighting in the darkness. fighting against the darkness. brienne looking at the ghosts that haunt jaime, from the very real physical threats of the war he helped start to the metaphorical wounds of knighthood, chivalry, and oath-keeping , from the betrayal of realizing your father is not the man you wanted him to be, from his own stupidity, and saying “this is nothing. i can fight them all.” to help him remember the ideals of his youth, to BE the ideal of his youth; an oathbreaker to save the lives of innocent children but it won’t break her soul the way it broke his!! she’s got a beauty that goes deeper than his, and the soul of a knight much more unshakable as well. he dreams of her fighting with him, beside him, saving him, facing down the wrathful dead, and watching as he fails, but knowing she is there and she will do what he cannot!
HE DREAMT IT. HE DREAMT OF HER.
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findingcrow · 8 months
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Can we talk about how breaking the burning bridge is for a second. Will goes off on his first-kinda-not-solo-mission and halt, who has come to love this fucking dumbass as his son, loses his mind for a little bit. He just starts throwing people into moats, and it gets so bad that Alyss has to go with him and he STILL THROWS SOMEONE IN A MOAT. And meanwhile, Will is panicking because his best friend and this random girl (who turns out to be THE CROWN PRINCESS) are RELYING ON HIM to get them out of danger. AND THEN HE HAS TO BURN DOWN A BRIDGE WHICH IS GOING TO BE USED TO TAKE OVER THE KINGDOM. And even though he’s never done any of this, even though he’s only been an apprentice for a YEAR, he does it without hesitation and SAVES THE KINGDOM. And then he gets kidnapped. And put in even more danger not only because he burned down the bridge, but because of a necklace he wears. THE GUY IS THEN SHIPPED AWAY. And Halt realizes what’s happening, he’s running so fast that he’s fucking up his steps- the one thing he was always trained to never do, and. He’s too late. No matter how many arrows he shoots, no matter how loud he calls, he never hears Will call back to him. Will can barely hear him. It’s over. Morgarath is defeated, but Will is gone, and the chance of his survival is so low that Halt is seen as crazy for committing treason for him. And Halt copes with the loss of his bright, kind, intelligent apprentice by making him a new bow. He cries about him, claiming that he was worth the tears. Will, meanwhile, only wants to go home, but because of the warmweed, he doesn’t even remember where home is. He doesn’t remember halt. He doesn’t remember the cabin in the trees. He doesn’t even care if there’s a future left for him. But Halt travels across seas, across countries, through every obstacle imaginable to get to him. And when they reunite, it’s been a year since they saw each other, and Will is just rambling and crying and hugging him and Halt cries too and god they make me sick
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aemiron-main · 1 year
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kept awake by the fact that mike didn’t even TRY and hit the water when he stepped off the cliff at the quarry. like he didn’t even try. he just stepped off the edge. he didn’t even leap or run. he just stood there and finally stepped off, as if he’d been on the edge for awhile, both literally/physically and metaphorically/mentally.
like what was it that Powell and Callahan said about Joyce in season 1? Yknow, the only other person alongside Mike who believed Will was still alive and therefore they’re paralleled to eachother in that way and likely other ways? Oh right, they said:
“Joyce? About one step from falling off the edge.”
“She’s been a few steps for awhile now, hasn’t she?”
Just like Mike. Mike literally at the quarry was one step away from falling off the edge (he STEPPED OFF, FELL OFF, he didn’t jump, just like how Joyce has been a “few steps” from “falling off” the edge), but stood there for a fair while/walked up to it and was literally “a few steps away for awhile” from it. this applies not only physically to Mike but also mentally/emotionally. It took so little to make Mike step off the edge because mentally he’d already been on that edge for awhile, already been a “few steps from the edge.”
like do we really think this specific wording related to Joyce’s grief and depression is just coincidental in how it aligns exactly with Mike’s actions? That they chose to write those lines in that specific way for fun? That they chose to have Mike STEP off the edge instead of jump off because they were in a silly goofy mood? Do you think that they connected Mike’s actions to Joyce’s grief over Will via that quote and then ALSO had mike step off at the EXACT same spot where Will was though to have died all accidentally?? Because the duffers tripped and dropped that subtext in there? NO! It’s deeper than Dustin’s baby teeth for Mike, deeper than the bullies. It’s about grief and loss and depression and Mike’s self-sacrificing but also self-loathing nature and his difficulty with processing loss and strange tendency to both catastrophize AND be good in a crisis. (hint: he’s probably so good in crises BECAUSE of how his brain catastrophizes and goes to the worst case scenario, because it means that he’s more ready for that worst case scenario. but it also leads to him being READY to do ‘worst case scenario’ things like stepping off of a cliff to his death.)
Michael “‘See? Physics!’ in s3” Wheeler very likely knew that he wouldn’t hit the water with the way he ‘jumped’ (key point: he didn’t jump, he stepped off) He Knew. It was never just about the baby teeth.
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arsenicflame · 5 months
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absolutely delicious flavour of edizzy is where theyre Actually Married but neither of them know it, while also being acutely aware of everything-
they celebrated 25 years of their matelotage. they are having sex on the regular. both of them think the other thinks their contract is purely for financial reasons and the sex is just fun + convenience.
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