#lily greenham
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Lily Greenham, home computer graphic, (xerox print from a collage of computer generated images), 1982, Edition of 30 [Victoria and Albert Museum, London. © Lily Greenham]
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Lily Greenham - Untitled (1980-1983)
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Lily Greenham `Polar Polaris' Lingual Music, 1982
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Lily Greenham, Untitled, 1958
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Lily Greenham `Polar Polaris' 1971
Another important slice of history from Lily Greenham, composer, performer, concrete poet and optical-kinetic painter, born in 1924 and highly active in both the visual and electronic arts from the early '60s onward; peripatetic and multilingual, she lived in Vienna, Copenhagen, Paris, Madrid and Lisbon before finally settling in London in the early '70s, where she produced prize-winning electronic pieces; collaborated extensively with the radiophonic workshop, toured alone, performed with Hugh Davies, Bob Downes, Barry Guy, Peter Cusack, Max Eastley, John Tchicai and others, and helped shape an era in abstraction. She and her husband, concrete poet Arthur Greenham, made important contributions to the history of concrete poetry - both as it comes, and where the voice is radically processed, layered and made sound. English is seasoned with Danish, German, French and Spanish and, while the voice is source, sound is always the centre and Greenham consistently worked her materials at a high level of imagination and technique., memorializing this mature and consequently one-of-a-kind performer working at a highly productive historical moment in her personal life and in history... Excellent.
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Lily Greenham
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MÜNSTER LECTURE /// DR. EVA-MARINA FROITZHEIM, KURATORIN, KUNSTMUSEUM STUTTGART
„zwischen system & intuition: KONKRETE KÜNSTLERINNEN“ lautet eine Ausstellung im Kunstmuseum Stuttgart (26.06.–17.10.2021), die von Eva-Marina Froitzheim kuratiert wird und erstmals in Deutschland die Gruppe Konkreter Künstlerinnen zum Thema macht. Der zeitliche Bogen spannt sich von den 1920er- bis zu den 1970er-Jahren. Den Schwerpunkt bilden Werkgruppen von zwölf Künstlerinnen, beleuchtet werden zudem die Ausbildungs- und Präsentationsbedingungen für Frauen zu dieser Zeit sowie die Netzwerke, innerhalb derer die Künstlerinnen agieren konnten. In der Ausstellung vertreten sind Marcelle Cahn, Geneviève Claisse, Sonia Delaunay, Clara Friedrich-Jezler, Lily Greenham, Katarzyna Kobro, Verena Loewensberg, Vera Molnar, Aurelie Nemours, Charlotte Posenenske, Sophie Taeuber-Arp und Mary Vieira.
11.05.2021 18:00
Die Münster Lectures 2021 finden als Zoom-Konferenzen statt.
http://wwu.zoom.us/j/64330861073
Meeting-ID: 643 3086 1073
Kenncode: 884112
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Lily Greenham, Untitled, (B&W photo computer processed), 1980-1983 [Neue Galerie Graz, Graz. © Lily Greenham]
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Women on Noise...
women and tracks:
1. Glynis Jones : Magic Bird Song (1976)
2. Doris Norton : Norton Rythm Soft (1986)
3. Colette Magny : « Avec » Poème (1966)
4. Daphne Oram : Just For You (Excerpt 1)
5. Laurie Spiegel : Clockworks (1974)
6. Pauline Oliveiros : Bog Bog (1966)
7. Megan Roberts – I Could Sit Here All Day (1977)
8. Suzanne Ciani : Paris 1971
9. Laurie Anderson : Tape Bow Trio (Say Yes) (1981)
10. Glynis Jones : Schlum Rooli (1975)
11. Ruth White : Mists And Rains (1969)
12. Wendy Carlos : Spring (1972)
13. Ann McMillan : Syrinx (1978)
14. Delia Derbyshire : Restless Relays (1969)
15. Maggi Payne : Flights Of Fancy (1986)
16. Else Marie Pade : Syv Cirkler (1958)
17. Daniela Casa : Ricerca Della Materia (1975)
18. The Space Lady : Domine, Libra Nos (1990)
19. Johanna Beyer : Music Of The Spheres [1938]
20. Maddalena Fagandini : Interval Signal (1960)
21. Eliane Radigue : Chryptus I (1970)
22. Ruth White : Owls (1969)
23. Ursula Bogner : Speichen
24. Beatriz Ferreyra – Demeures Aquatiques (1967)
25. Doris Norton : War Mania Analysis (1983)
26. Tera De Marez Oyens : Safed
27. Daphne Oram : Rhythmic Variation II (1962)
28. Mireille Chamass-Kyrou : Etude 1 (1960)
29. Laurie Spiegel : Drums (1983)
30. Teresa Rampazzi : Stomaco 2
31. Teresa Rampazzi : Esofago 1
32. Suzanne Ciani : Fourth Voice: Sound Of Wetness (1970)
33. Ursula Bogner : Expansion (1979)
34. Alice Shields : Sacrifice (1993)
35. Megan Roberts and Raymond Ghirardo : ATVO II (1987)
36. Laurie Anderson : Drums (1981)
37. Doris Hays : Somersault Beat (1971)
38. Lily Greenham : Tillid (1973)
39. Ruth Anderson : Points (1973-74)
40. Pril Smiley : Kolyosa (1970)
41. Catherine Christer Hennix : The Electric Harpsichord (1976)
42. Joan La Barbara : Solo for Voice 45 (from Songbooks) (1977)
43. Slava Tsukerman, Brenda Hutchinson & Clive Smith : Night Club 1 (1983)
44. Monique Rollin : Motet (Etude Vocale)
45. Sofia Gubaidulina : Vivente – Non Vivente (1970)
46. Ruth White : Spleen (1967)
47. Doris Hays : Scared Trip (1971)
48. Daphne Oram : Pulse Persephone (Alternate Parts For Mixing)
49. Maggi Payne : Gamelan (1984)
50. Laurie Spiegel : The Unquestioned Answer (1980)
51. Ursula Bogner : Homöostat (1985)
52. Wendy Carlos : Summer (1972)
53. Suzanne Ciani : Princess With Orange Feet
54. Pauline Oliveiros : Poem Of Change (1993)
55. Suzanne Ciani : Thirteenth Voice: And All Dreams Are Not For Sale (1970)
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The concrete poetry is a form of poetry experiment that uses either the syntax or the pace but considers the poem as a sensitive object regardless of the direction.
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garadinervi: Lily Greenham spricht Intern. Sprachexperimente /... http://ift.tt/2quvkva
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Lily Greenham, Study of Differentiation and Similarity in Visual Perception, 3 Variations and Programmed Structure, 1965/68
#lily greenham#art#op art#abstraction#perception#sound art#concrete poetry#collage#pattern#grupa o.k.
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