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#lines of coke
azeneth-az · 1 year
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🤎
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de3d2me · 2 years
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jesus r u there? 😆😐
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wizzard890 · 5 months
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okay so picture this.
You're a man named Jim Steinman. You are one of the most prolific songwriters of the 80s. In your spirit, output and essence, you are eternally popping a wheelie on a motorcycle while a hot half-naked woman clings to you and bats wheel in the sky above.
You wrote a song in which Meatloaf plays a hideously disfigured hunk who steals a nubile lady back to his crumbling manor and introduces her to the pleasures of magic lesbian group sex.
You wrote a song in which Celine Dion sings as Heathcliff from Wuthering Heights, dancing with Cathy's corpse on a beach in the moonlight; a scene which you, Jim Steinman, believe should have been in the book. (The moors of Wuthering Heights are landlocked, but you, Jim Steinman, are too fucking real to care about that.)
You wrote the song for the opening scene of the movie Streets of Fire, in which evil leatherdaddy Willem Dafoe leads his malefic motorcycle crew into a concert to abduct Diane Lane while she's wearing a skintight satin jumpsuit.
You wrote a song in which Bonnie Tyler wanders a haunted boarding school as literal demon twinks gyrate at her out of the fog.
There is no peak of goth camp that you, Jim Steinman, have not summited, no horny energy you have not tapped. They say that Alexander the Great wept when he saw there were no more worlds to conquer. But you, Jim Steinman, are not Alexander the Great. You, Jim Steinman, are better. You, Jim Steinman, have vision.
You take your most successful song, the song everyone knows, the most big-haired, white dress, gothic arches, doves flying, possessed choir boys chanting, bombastic song you have, and think: what if this, but with vampires.
And so you change the lyrics to be about death and infinity and a powerful bloodsucking lord seducing a girl who is ALL ABOUT IT, and then toss off a whole musical for this song to be the centerpiece to, and the musical is bad but it's also a weird hit that's been staged in fourteen countries and revived seven times, because nothing has ever whipped as campily, as ridiculously, as perfectly as this:
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It never takes off in America. A prophet is without honor in his own land. But that doesn't matter. How could it matter? You are perhaps the most creatively self-actualized man who has ever lived. Look at that vampire. He's coming in hot and a hundred Venetian nuns gave their lives to make his ludicrously capacious lace sleeves. Look at that girl. She was born in a fog machine. She wore her best red velvet cape. She's down bad. She's singing Total Eclipse of the Heart the whole time.
You are Jim Steinman, and you have reached apotheosis.
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tibbycaps · 2 months
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rendog: Woew
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ratsapphic · 4 months
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Trying to do a line off a tgirl's dick but she keeps getting soft and dropping all the coke
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spreens · 1 year
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the more i learn/think about qcellbit the more i love him. he killed someone in prison. he hopped on some fucking cargo ship which crashed and then got trapped. unwilling and completely accidental child adoption. he has designer eyebags and chainsaw scars and is building a stimulant tolerance that would blow out the top floor of a building. he has fifty complexes and is routinely tormented by the Horrors. guy ever.
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lanaswansblog · 1 month
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iluvdubstep · 2 months
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titantheemoon · 6 months
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“i’ll answer in a sec”
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benzodolli3 · 4 months
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stoned-toda-bone · 6 months
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My friend brought some coke for us to do on my bday!😊
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de3d2me · 2 years
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🎀
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theedollydiaries · 5 months
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partygirl09 · 2 months
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Lines right now <3
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hum--hallelujah · 7 months
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actually we're going to talk about Folie more because it makes me frickin insane that the two songs that took lyrics from to you unfinished are Coffee's For Closers and w.a.m.s. and in both cases the words are twisted to make them so incredibly painful. because to you is basically to my reading a huge love letter to the band's through all their ups and downs, "all us believers still believe every time we sing "two more weeks'," "you put my head in such a flurry," "send my love, to everyone above" etc etc etc and then not only does CFC take "preaching electric to a microphone stand" and pair it with the words I will never believe in anything again, but w.a.m.s. pulls "worry worry you put my head in such a flurry/ freckle freckle what makes you so special" from the heart of a poem about a band that is also a family and then IMMEDIATELY AFTERWARD says I'm gonna leave you, I'm gonna teach you how we're all alone. everything about the spirit of to you unfinished is flipped on its head, recontextualized and handed back poisoned. Folie is almost a breakup album and What A Catch, Donnie sounds like a farewell going into a hiatus that no one knew if they'd come off of. the way to you unfinished fits in feels almost like the same sentiment behind I Don't Care, lyrics taken and twisted around and pointed back, extra sharp, extra venomous, without concern for the harm caused. Pete going down with the ship, maybe. my love and hate for you are infinite, etc etc etc. do you get what I'm saying here?? *shaking you* do you get it?!
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lostinsaltburn · 2 months
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Just thinking about how Felix would have fucking absolutely loved Oliver's dance scene ( if potentially the context wasn't the take over of his family home due to Oliver murdering his entire family and him ) but still.
He would have been shouting and screaming, Olivers cheerleader ! So proud of his confident little weirdo for his insane and cheeky nudie dance through the house. Such a funny juxtaposition to the decor and meaning of Saltburn.
Venecia and even Farleigh would have loved it too. All of them would have cheered Ollie on for sticking it to those stuffy rich societal norms and just dancing naked and free, grabbing a line of coke along the way.
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