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#linn aesthetics
bydido · 9 months
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Çiçekli köy, Rize
🌿🌱🪨💦
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the-cricket-chirps · 6 months
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Judy Linn
Patti Smith
circa 1969
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up-your-pansy · 30 days
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𐔌    ♡     𝒊 ' 𝗆  𝖺   𝗌𝗆𝖺𝗋𝗍𝖾𝗋   𝖻𝖺𝖻𝗒 ,    𐙚     𝐬𝐦𝐚𝐫𝐭𝐞𝐫  . ୨୧
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terristarstrike · 3 months
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Terri Starstrike Moodboard // Meg Del-Linn
Meg Del-Linn is Terrina's childhood friend from Eve El Doe, and a timid Jotuzon/Human hybrid seeking for Terri's guidance through the human world. As a sizeshifting 50-foot-tall wallflower of Mexican descent, she values the importance and fragility of human life and other Earth creatures, and doesn't want to draw too much attention to herself, but she is always open to helping the residents of Westshore. She enjoys art, sewing, and surrounding herself with lush forests.
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nandebro · 2 years
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arundolyn · 2 years
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HAPPY (EARLY) AUTISTIC GIRL AUGUST
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WOOOOOOOOOOOO YEAH AUTISM SEASON 2
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fleurie1 · 2 months
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old pic i took on a walk :)
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Gaelic Song Moodboards // Thugamar Féin an Samhradh Linn (We Have Brought the Summer In)
Samhradh buí na nóinín glégeal, thugamar féin an samhradh linn.
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Linn Park Birmingham, Alabama March 19, 2022
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dustedmagazine · 5 months
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Dust Volume Nine, Number 10
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Older, but not a bit wiser, the Hives return
Fall comes with its smell of maple in the leaves, its intimations of mortality and, this year, its share of unsettling events—war in the middle east, AI in everything and the murder of our beloved Bandcamp by capitalist privateers.  (We are not equating these things by any means.)  Like always, we turn to music, the annihilating blare of metal, the agile interplay of improvisation, the well-shaped contours of pop, depending on our individual tastes.  We hope you’ll find something to ease your own personal burden in all this as well.  Contributors include Bryon Hayes, Bill Meyer, Andrew Forell, Tim Clarke, Jonathan Shaw, Ian Mathers, Alex Johnson, Jennifer Kelly and Ray Garraty. 
Due to technical issues we're posting this in two parts, so don't miss the second one.
Ad Hoc — Corpse (Shame File Music / Albert’s Basement)
Ad Hoc was a Melbourne-based improvising unit, an experimental outfit that should have higher prominence. It only took 40-plus years, but Shame File Music and Albert’s Basement are finally spearheading a reissue initiative. Last year saw the arrival of the trio’s sole release, the hypnotic Distance cassette. It disappeared the moment it became available. Corpse documents an unconventional live performance from the group. They prepared their instruments (guitars, an EMS Synthi AKS synth and tape loops) for performance prior to the arrival of the audience and then shut off their amps. When all were seated, the trio turned on the amplifiers and unfurled an aleatoric blast of sound. The resulting music is far removed from the ambient tone clusters of Distance. The first piece shimmers in a way that calls to mind Matthew Bower’s Sunroof project, while the latter piece bathes in guitar noise so thick that it may have influenced The Dead C’s The Operation of the Sonne EP. Ad Hoc have today’s noisemakers beat: Corpse presents itself with a freshness that belies its 1980 provenance.
Bryon Hayes
Axolotl — Abrasive (Souffle Continu)
The French trio Axolotl existed for a few years in the early 1980s, and it reflects the aesthetic concerns of its time. Guitarist Marc Dufourd’s playing betrays some acquaintance with the work of Derek Bailey and Henry Kaiser, and the fibrous tones and agile exchanges between reeds players Jacques Oger and Etienne Brunet recall Evan Parker. All three double on electronics, hand percussion and utterances. These accessories, in combination with the concentration of the album’s 12 tracks, give the music a truculent attitude and just-the-facts brevity that brings to mind punk and post-punk. This may be free improvisation, but it is improvised from a point of view, and it’s that informed attitude that makes the album worth visiting nearly 40 years after its original release.
Bill Meyer
Will Butler + Sister Squares — Self-Titled (Merge)
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Will Butler joins with Sister Squares — multi-instrumentalists Jenny (Butler’s wife) and Julie Shore, Sara Dobbs and drummer/producer Miles Francis — for their debut album. Bouncy, heartland rock garlanded with that 1980s Fairlight and Linn drum sound mixes with touches of art rock as Butler emotes wholehearted. The influence of the 20 years Butler spent with Arcade Fire is inescapable, but it feels like the quintet have also been listening to Billy MacKenzie (“Long Grass”) and Russell Mael (“Arrow of Time”) as well as Springsteen, Mellencamp and company. “Hee Loop” sounds like a mash of Paul Simon and Peter Gabriel. The themes and emotions can be big in that Arcade Fire way that’s equal parts exhilarating and exhausting, but the album works best when the band dial down the melodramatic flourishes as on “Car Crash” and “The Window,” where Butler is right in your ear, tired, disillusioned, real. This is a record I wanted to like both more and less. For every heartfelt moment and interesting musical choice, there’s a cringe-inducing gestural overreach that makes you wince. A bit like his former band but with enough promise to persevere with.
Andrew Forell
Claire Deak — Sotto Voce (Lost Tribe Sound)
Melbourne-based composer Claire Deak’s last release on Lost Tribe Sound was 2020’s The Old Capital, a fantastic collaboration with Tony Dupé. In my Dusted review I said, “There’s so much wonderful stuff going on across these seven songs that it’s a delight to revisit.” As its title suggests, Deak’s solo debut, Sotto Voce, very much sits at the opposite end of the musical spectrum. This is subtle, minimal music that softly arises out of silence and speaks an elusive language. The background to the album’s creation is Deak’s exploration of the work of two women composers from the early baroque era, Francesca Caccini (1587–c.1645) and Barbara Strozzi (1619–1677). The dominant musical elements are strings, harp and voice, with other instruments coloring the edges of these understated, starkly beautiful compositions. Across the album’s 42 minutes the music feels, at times, to be battling the entropy of erasure, struggling to be heard amid the cacophony of these overstimulated times. For that reason alone, it’s necessary to invest your attention and listen closely. The experience is eerie and transportive.
Tim Clarke
Mike Donovan — Meets the Mighty Flashlight (Drag City)
On a musical Venn diagram showing the intersecting circles of garage rock, lo-fi, and psych, Mike Donovan has set up his sandbox. With Sic Alps he veered more noisy and lo-fi; with Peacers he favored a straight-ahead garage-rock sound. On this new record with Mike Fellows, AKA The Mighty Flashlight, Donovan steers in the direction of shambolic psychedelic-pop in the vein of the Olivia Tremor Control. (To anyone who knows and loves OTC, this is obviously a very good thing.) The splashy drums and percussion tracks feel like a gestural afterthought rather than a rhythmic backbone the songs are built around, and Donovan and Fellows steer these songs into some choppy, unexpected waters. Opener “Planet Metley” is the clearest and most successful distillation of their aesthetic, offering up a staggering range of ideas in under four minutes, stopping and starting erratically, the bass roving all over the fretboard. At the other end of the spectrum, “Laurel Lotus Dub” is the kind of experiment that sounds like it was more fun to create that it is to listen back to. Between these two extremes there’s the junkshop boogie of “A Capital Pitch,” which features the hilarious line, “Hanging out on the ramparts with some dickheads in black,” the concise drum-machine and organ instrumental “Amalgam Wagon,” and the plaintive, country-flavored “Whistledown.” Wherever Donovan roams it’s usually worth following, and Meets the Mighty Flashlight is a winning collaboration that fizzes with fun.
Tim Clarke
Everything Falls Apart — Everything Falls Apart (Totalism)
“Somn” means sleep, or more poetically death. It’s the title of six of the seven tracks from Everything Falls Apart, the self-titled album from the duo of Belgian bassist Otto Lindholm (born Cyrille de Haes) and English producer Ross Tones. Those titles (numbered six to 11) and the coda “Wonderfully Desolate” tell you only part of the story of the music the pair produce. Their conversation focuses on the nuance of the Lindholm’s double bass which Tones swathes in electronic effects, stretching notes and motifs into near drones in timbres that rise from the murk like lugubrious sentinels. This is seriously heavy music but the dynamism of the duo’s understanding and interplay distinguishes Everything Falls Apart. Whilst many of the pieces focus on stasis and decay, “Somn 9” is a desert storm with clicking percussion, almost didgeridoo like growls from the bass and screeching electronic noise. On “Somn 11”, deep bowed notes support Lindholm’s move through the registers as if shaking from fitful dreams into the morning light. “Wonderfully Desolate” is comparatively unadorned, a string quartet playing against the end times, shimmers of light through the cracks.
Andrew Forell
False Fed — Let Them Eat Fake (Neurot Recordings)
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Is it accurate to call a band including members of legendary underground acts Amebix (Stig Miller), Nausea (Roy Mayorga) and Broken Bones (Jeff Janiak) a “supergroup”? It might help to note that Janiak has sung for Discharge since 2014, and Mayorga has done a couple stints as drummer for Ministry. All names to conjure with (though a few of us first encountered Mayorga as a teenager back in the 1980s Lehigh Valley hardcore scene, when he drummed for Youthquake; West Catty Playground Building forever, man). In any case, the players have pooled their talents to create this death-rocking, sorta goth, sorta post-punk record, and it’s a lot of grim, grimy fun. Most of the music is mid-tempo, grand and romantic in its gestures, but shot through with a crusty growl in the guitars and production tone. The best songs speed things up a bit; both “The Tyrant Dies” and “The Big Sleep” have compelling momentum, complementing the stakes of songs’ ideas. It's Armagideon Time, people. Here’s your soundtrack, from dudes that know.
Jonathan Shaw
Hauschka— Philanthropy (City Slang)
German composer Volker Bertelmann’s 15th album of prepared piano pieces under the name Hauschka is noticeably warmer than some of his previous works. Joined by Samuli Kosminen on percussion and electronics and cellist Laura Wiek, Hauschka continues his exploration of the rhythmic and timbral possibilities of his instrument. At times almost jaunty, there are echoes of Bertelmann’s previous experiments with melancholic atmospherics but the general tone here is welcoming and optimistic. Kosminen adds subtle effects which frame rather than obscure the piano. There’s a touch of Satie in Hauschka’s playful iconoclastic approach to the piano and his deceptively simple melodies, especially on “Loved Ones” where Wiek’s plangent cello lines sustain and decay over an allusive harmony that speaks both of innocence and experience. At the other end of the spectrum, the closing piece “Noise” builds abstract ambience from repeated piano notes, smears of cello and a quiet wash of effects as if the players are enveloped in a thick damp fog. A lovely album for both fans and newcomers.
Andrew Forell
The Hives — The Death of Randy Fitzsimmons (Disques Hives)
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There are usually going to be some questions when a band comes back with a new record after over a decade, maybe especially so with an act like Swedish garage/punk flamboyants the Hives; can they match the energy of their youth? Are they still willing and able to give us the old thrills? Or have they (and this is usually asked with a small, tasteful shudder of disgust) matured? It doesn’t take very long into first single/first track “Bogus Operandi” for the concerned listener to have reason for a sigh of relief. Anyone who used to (or still does?) blast “Main Offender” or “Hate to Say I Told You So” or “Walk Idiot Walk” should feel the galvanizing charge of a true, Frankensteinian resurrection once the riff hits. And across these not-quite-32 minutes (the brevity is also a promising sign) Howlin’ Pelle Almqvist and the boys kick up exactly the kind of racket you’d want from them, with tracks like “Trapdoor Solution” and “The Bomb” savoring the kind of gleefully dumb fun they’ve always provided (with a nice sideline in some of Almqvist’s deliberately, over-the-top awful narrators on “Two Kinds of Trouble” and “What Did I Ever Do to You?”). They even continue to throw out small, satisfying variations on the classic Hives sound like the brassy swagger of “Stick Up” and the surprisingly heartfelt thrash of “Smoke & Mirrors”. They may have killed off their “sixth member,” but the Hives are otherwise in rude health.
Ian Mathers
Islet — Soft Fascination (Fire)
The Welsh psych-electronic oddballs in Islet are on their fourth full-length now but show no signs of settling down. Soft Fascination is a bonkers mash up of dance pop, art song, hip hop, noise and folk. “Euphoria” floats a feather-light daze, a la Avey Tare, then punctures it the rat-at-tat of snare, the rifle shot rap repartee of Emma Daman Thomas. Gossamer textures of synth weave in and around the main action, snapping tight at intervals, like sails catching a hard wind. The whole thing is butterfly ephemeral with strong wires holding it up, a combination of daydream and architecture. “River Body,” if anything, tips even crazier, with its infectious sing-song, skip-rope vocals, its tootling toy keyboards, its blasts of noise and friction. And what can you make of “Sherry” which bucks and heaves and shouts out “Ay, ay, ay, ay,” like a lost Matias Aguayar cut? “Ay, ay, ay, ay,” indeed.
Jennifer Kelly
Jute Gyte — Unus Mundus Patet (Self-released)
Unus Mundus Patet is not the most dissonant or challenging record Adam Kalmbach has released during his 20-plus-year run under the Jute Gyte moniker. But neither is this black metal for the kvlt trve believers or for the hipster-adjacent sets, be they transcendental or ecstatic or blackgazy. The songs twist and turn in on themselves, always clear in their expressions of complex musical ideas, and also — somehow, someway — listenable and enjoyable. Avant-garde? Sure thing, and likely a much more authentic iteration of that phrase’s meaning than the music many other metal bands churn out under cover of high-minded beard stroking. See the by-turns undulating and fragmenting “Killing a Sword” or the trudging, vertiginous and then utterly thrilling “Philoctetes.” Jute Gyte doesn’t make music for the background, but if you can give these songs your full attention, you’ll be rewarded. Turn it up and open the portal into somewhere much weirder and more marvelous.
Jonathan Shaw
Danny Kamins / Chris Alford / Charles Pagano — The Secret Stop (Musical Eschatology)
Free improvisation may be a little sparser on the ground in the southern USA than it is in Chicago or New York, but The Secret Stop affirms the vigor of those who participate. Guitarist Chris Alford and drummer Charles Pagano play in New Orleans, and Danny Kamins is a saxophonist from Texas; this encounter took place in the Crescent City. As even players in places like the aforementioned northern cities or London will affirm, travel comes with this territory. Their interactions display a capacity to sustain balance when the energy is high and to back off when doing so will transform the music’s tension. Kamins intersperses long, coarse tones with emphatic pops, and Alford evidences a fluent stutter that suggests he’s spent a lot of time studying James “Blood” Ulmer’s sound grammar. Pagano’s cymbal sizzle and mutating not-quite-patterns provide both forward momentum and a framework within which the action occurs.
Bill Meyer
MIKE \ Wiki \ The Alchemist — Faith Is a Rock (ALC)
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The long awaited collaboration between The Alchemist and MIKE took a sudden turn when they took on board another New York rapper Wiki who steals the show here. Both Wiki and MIKE were outcasts recording music in the vein of Earl Sweatshirt, even though MIKE was always a better version of Earl with only possibly a tenth of his fame. Knowing no rest, The Alchemist (that is his fourth collab this year) takes both MCs way out of their comfort zone, refusing to pander to the needs. MIKE and Wiki have to deal with The Alchemist’s fast and thick layered production, and it works for all of them. “Mayors A Cop” is a standout here, and Faith Is a Rock is one strong contender for the tape of the year.
Ray Garraty
Camila Nebbia — Una Ofrenda A La Ausencía (Relative Pitch)
The title translates as An Offering To Absence, which of course raises the question, what’s missing? Camila Nebbia is a multidisciplinary artist who grew up in Buenos Aires, Argentina, but has seems to have spent a fair chunk of time moving around Europe in recent years, and is currently based in Berlin. She has a sizable discography, but this correspondent has not heard most of it, so let’s just focus on the album at hand. Its 16 tracks present three facets of her work — acoustic tenor saxophone, electronically adjusted saxophone and poetry — with the first method best represented. The unaccompanied saxophone performances reveal her mastery of both weight-bearing muscularity and adroit tap-dancing on the far side of the fences that confine conventional tonality. But when she layers long tones and feedback, Nebbia becomes a one-woman orchestra transmitting heavy Penderecki vibes. The one poem included, “Dejo que me lieve” (“I let it lie”), is recited in Spanish, and no translation is offered; perhaps home is what’s not there, so she needs to manifest it creatively?
Bill Meyer
[Continued in Part 2, because Tumblr decided we only get 10 audio links.]
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medicus-felini · 4 months
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ᓚᘏᗢ I most likely go with gold for Linn's threads because it fits nicely with her icons. I am a big fucking fan of lilac but it looks awful with the icons 🫠
Maybe if I have the muse to work on new borders I will consider lilac. It hurts a bit bc it fits the kitten well but AESTHETICS am I right!
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alienfuckeronmain · 7 months
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10 songs 10 people
Thank you @sensoryseekinganakin for tagging me!!
Rules: shuffle your on repeat playlist and post the first 10 tracks, then tag 10 people
Valged ood- KOIT TOOME
Suburbia-Pet Shop Boys
You Are the Only One- Sergey Lazarev
Love Song- LP
Big Bad Wolf-Aesthetic Perfection
SNAP- Rosa Linn
You're on Your Own, Kid- Taylor Swift
The 1- Taylor Swift
Grammofon- Getter Jaani
The Power and the Glory- IAMX
This is so funny, I guess I've been listening to a lot of eurotrash and Scandanavian EDM??
@largishcat @jlf23tumble @mollymorgansshovel @spurious @colonelshepparrrrd @perditious @elwing come play!
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confession-session · 10 months
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Thank you @sillylittlenonbinarygremlin!! This was really fun :) /gen
Interview Music Tag Game
Put your playlist on shuffle. For each of the 10 interview questions, select a lyric from the random song that comes up. (Skip if there aren't any lyrics and make sure to drop the name of the song in your interview answer!) <3
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1. First off, how would you describe yourself in one sentence?
I don’t really give a fuck if it’s a Monday / I just want to hear this song on replay | Fruity - chloe moriondo
2. What kind of [Scorpio] are you?
I wanna pick you up and put you in the clouds | Get Up - Mother Mother
3. You're visiting your favorite spot, what are you thinking about?
I kinda like it / crazy little thing called love | Crazy Little Thing Called Love - Queen
4. If your life was a movie, what do you think the first review would say about it?
Did I get the message in the way you intended? | Read your Mind - Sabrina Carpenter
5. Say you get a book deal, what are you titling your memoir?
Sway in the moonlight, dance in the dark, I | The Feels - TWICE
6. What would you say about your best friends?
No one can leave once they merge | Spider Web - Melanie Martinez (This sounds so threatening but I swear the other lyrics were way worse :P ily guys tho and if I got a luckier song I would tell y’all so)
7. Think back to when you had everything all figured out in high school, what was your life motto as a teenager?
I’m going to escape, but you won’t know how | Christmas Kids - Roar (I never thought of it this way but this song could be me as Ronnie vs Phil as the toxic part of the educational system)
8. Describe your aesthetic now:
Where are you? / You’re still in my heart | Snap - Rosa Linn
9. What's a lyric that they'll quote in your eulogy?
When I’m not with you / think of me always / love you, love you | Good Old-Fashioned Lover Boy - Queen
10. And for our final question, say we believe in soulmates, what do you think their first impression of meeting you will be?
I show up at your place right away / wipe the tears off of your face / while you beg me to stay, well | Maniac - Conan Gray
11. BONUS THAT I JUST MADE UP HEHEHE 😈: If you had to narrow the meaning of life down to a sentence, what would it be?
Sweet tooth for you / my dreamin’ space | Sweet Tooth - Cavetown
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@bellflowering @boingomania @holycatsandrabbits @lesbianflowercrown
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nerice · 1 year
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rating (roasting) my novel titles
(((saw a post like that abt films n thought it would be funny. here's plot synopses also plug plug hehe))))
nerice/black cat story: 3/10 functional but is literally a placerholder title. i hate it here
the rise of azra: 5/10 no points for creativity and spoils the ending but at least its accurate!
lighthearts/nighthearts: 10/10 biased opinion but i am right. superior aesthetics in the soulless department and fun to abbreviate & works perfectly for the two narrative arcs. god tier
shadow revenge: 7/10 sounds like a random YA novel unfortunately but will make you go OOOOH!!! Fuck. at the end when shit clicks & is elevated thru that. also teen me's first novel title i have to like it <3
dream game: 12/10 im a liar i still like lhnh best but THIS TITLE !! is my favourite !!!! the endgame the dream game of winning of succeeding (everybody was hurt in the process) nd specifically on the lucie/faye front (dream games..) IT DOES SO MUCH AT ONCE. impeccable
melody of the doomed: 7.5/10 motd is one of my favourite abbreviations so while the full title is very basic, writing an entire book for the sake of the cathartic linn/faye rematch & titling it like that is so sexy of me
long lost flame: 8/10 THERE IS SO MUCH WARMTH IN IT !!!!! everyone is finally going home and recovering what they lost. i am soft for it, even if i have the sneaking suspicion it was sparked by a hamilton quote gifset (unknowingly) back in the day f.
bonus round: novella, offcanon & au (no placeholders)
white crown: 6/10 sounds very good but has very little actual plot relevance past a single rune/ash thruline. oops
reefair: -2/10 this used to be an oc last name. repurposed into a short story collection title. the point ???????
甘さ: 1(0)/10 LOOK AT LEAST I GET TO BE DISCREET ABT IT. would prefer to find a proper title at some point though if i come up with one for this before qs romnov im killing myself
platinum road: 4/10 but a 20/10 to me song reference title that has simply the perfect vibe and mouthfeel to it despite making absolutely no sense. also very easy to typo as #platinum toad, unfortunately lol
dark maiden: fml/10 as a standalone title it is atrocious. the song line applies to faye but any synopsis makes it sound like it would be about sky. awful we hate that; HOWEVER i am whipped for this song my lifeblood my everything my magnum opus one day ocmv and therefore. it is what it is <3
3 kingdoms au: 5/10 what it says on the tin. would be more upset if 3kau wasn't such a cute abbreviation
the great escape: 9/10 another Basic Music Reference but IN CONTEXT it is perfect <3 abbreviates beautifully, goes so well w tge minor/the quiet place on the side. that album sponsored the screenplay & there is no question abt this being the rightful title of it. taking off one point bc the guy doesn't even escape at the end lol as if i'd let him
rich girl pride: 10000000/10 ultimate perfect title for a qs hsau we stan. i take no criticism thanks for coming to my oc talk
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sweaterkittensahoy · 1 year
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15 questions
casually tagged by @sarahcakes613!
Nicknames - Perpet; SK; SKA; my actual name (Gayle) doesn't really nickname itself.
Zodiac Sign - Saggitarius
Height - 5'2-1/2"
Last Thing I Googled -How to pronounce Lyngbaker because Mr. Sweaterkittens was hearing it wrong (The 'b' is a 'v' and yes he's playing the new God of War).
Song Stuck In My Head - Currently Manamana because I reblogged about that song being from a softcore porn film; other times, a lot of Hamilton numbers
Number of Followers - 2.234; I was on here a long time before I left for awhiel and then came back BEFORE the current twitter influx but absolutely because of fuckery on twitter (fandom on twitter is either lovely or fucking unhinged, and my lovely fandom TURNED unhinged. So).
Amount of Sleep - Usually 8 hours-ish. On the weekends, 9 or 10. Glad the dog likes to snuggle.
Wearing - Flannel plaid pajama bottoms, 100% fuzzy Brookstone slippers with like an inch of memory foam (I am never taking them off; brave TJ Maxx and check for them), a black t-shirt that says "Wankers Country Store, West Linn, Oregon. Orange hair clip. My computer glasses.
Movies/Books that Summarize Me - The Poisonwood Bible by Barbara Kingsolver, Iron Man: World's Most Wanted by Matt Fraction; Hawkeye by Matt Fraction; Any Deadpool written by Cullen Bunn; Both Ghostbusters '84 and Ghostbusters '16; Inglorious Basterds, Alice in Wonderland (I often give myself very good advice)
Favourite Song - Short Skirt, Long Jacket by Cake.
Favourite Instrument - Theremin because it's a weird little guy. But I also love the flute and sort of play it (I used to do more than sort of play it, but time is time)
Aesthetic - A weird, base queer who could be friends with John Waters; White trash grand dame (is there a gender-neutral word for dame) in the making
Favourite Authors - Barbara Kingsolver, Matt Fraction, Kelly Sue DeConnick, Erik Larson
Random Fact - I got a toe broken as a five-year-old because me and the other five-year-old absolutely believed in cartoon physics. The nail never grew back right.
Tagging: Whoever wants to go for it.
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arundolyn · 2 years
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palette swap between mario and linne, same va type beat
i didnt believe you at first and then i looked it up and. what the fuck. ayane sakura is everything love her for that. idk mario's whole Deal. he's so funny. i dont know shit about him but just based on his frames he's like carl but more gay. what the fuck. also is his puppet thing even a PUPPET? its just straight up an actual nun. literally the guy of all time what the fuck
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linne has shorts i promise its literally just not fucking visible cause mario is so damn pale
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bonus linne superflash bc her eyes are super pretty in this one.... waw
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