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#lion king the musical
locallibrarylover · 7 months
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*by live theatre i mean plays, musicals, operas, ballets, concert versions of musicals, staged readings, & things of that nature. EDIT: YES this includes amateur, local, kids, high school, & community theatre. almost every show i've seen has been local
if you want, list the names of the shows you've seen in the tags!
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plague-vulture · 2 years
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Theatre is great i found a box full of plastic mice n rats while looking for a cow puppet that's our stand-in baby simba
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holly-mckenzie · 23 days
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Jamari Johnson Williams as Hades in Act I of Hadestown
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they're on a walmart date
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fansids · 7 months
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Being in multiple fandoms is so tough as an artist cause I want to draw everything, but I have time to draw nothing ahhhh. Even when I do just picking what I want to do is it's whole issue.
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periru3 · 1 year
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It's time for a showdown of the winners (and closest runners up) of all my Tony-winners-by-decade polls, or as I like to call it...
Previous closed polls: 50s - 60s - 70s - 80s - 90s - 00s - 10s
And for bonus points, in the tags put which shows you're angriest/most surprised didn't win for their respective decades
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its-to-the-death · 4 months
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Villain Song Showdown Preliminary Round #11
Top two will make it into the bracket
The Lion King only has one more spot though.
Songs below the cut
I Want More - Villain: Claudia
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Descole's theme live version - Villain: Jean Descole (It was the live version that was submitted)
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In Circles/_n C_rcl_s - Villain: Sybil Reisz
Going to include the propaganda for this one because it seems important: "sadly can't get this across with the ost recording, but Sybil is being taken over by the Process, in game, the song gradually switches from In Circles to _n C_rcles, and grows more distorted as Sybil is Processed more and more"
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Ya Got Trouble - Villain: Harold Hill
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Evil Like Me - Villain: Maleficent
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Be Prepared Reprise - Villain: Scar
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The Madness of King Scar - Villain: Scar (and hyenas)
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Chow Down - Villain: Hyenas
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Isabella's Lullaby - Villain: Isabella
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duhmemo · 3 months
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Odysseus at the end of Im just a man
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marchmusicalmadness · 15 days
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Musical Madness
Meow, it’s a cat fight! How much do we control our destiny? Do you let the past hurt you or do you try for a new life? How do you translate animals to the stage? All these unanswerable questions will be answered in the heaviside layer. It’s the circle of life!
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bestmusicalworldcup · 6 months
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So this performance features members of the current Broadway/National Tour casts of The Lion King, Aladdin, and Frozen, the cast of Hercules that is headed to Germany next year for what I suspect could possibly end up being a pre-Broadway run, and the American casts of Newsies, who have not performed since the national tour ended 7 years ago?
I'm tempted to say this means Disney is plotting something, but I don't want to get my hopes up for what could just be a fun tribute and nothing more.
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velvet4510 · 1 month
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Note: I’m not including “Lavender’s Blue” from Cinderella (2015) because it was not written for the movie. It’s a 17th century English folk song.
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infinityinakiss · 8 months
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me just casually watching around the world in 80 days and vibing to the theme song that was composed by HANS ZIMMER AND CHRISTIAN LUNDBERG. WHAT THE FUCK.
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erikahenningsen · 2 months
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42 cadina?
42. “Stop being so cute.”
Regina's been inviting Cady to hang with her a lot.
Just Cady and Regina, no one else.
At first, Cady just thought Regina felt sorry for Cady when she and Aaron broke up, but she never tries to talk to Cady about it. Cady is glad she doesn't—it probably would be very awkward.
But even several weeks after the breakup, when Cady goes entire days without thinking about Aaron, Regina keeps texting Cady invites or even showing up at her house unannounced, buying her coffee or just-because little gifts, offering to do Cady's hair and makeup, giving her compliments, walking her down the hallways between classes.
Cady isn't thinking about Aaron. She is thinking about Regina. A lot.
It's all been very confusing.
It's a Saturday and they're in Regina's room. Cady is trying to convince Regina to watch The Lion King. (Yes, again, but they haven't watched it in two months! Cady thinks she's being reasonable.) It hasn't been the best week—she had a big calculus test and a ten-page paper for her AP Literature class, and she just wants to zone out with her favorite movie with her favorite person.
"No! Cady, come on." Regina tilts her head back and lets out an exasperated breath.
Regina looks pretty today. She looks pretty every day, but her hair looks extra shiny, and she's wearing a low-cut shirt that is not helping Cady keep her thoughts PG.
"Please? It's been so long," Cady says.
"I'm so tired of it," Regina says, like she's trying not to hurt Cady's feelings.
"I'll do something for you in exchange," Cady offers.
Regina rolls her eyes. "Normally I would be all over that, but it's not worth it."
"Please? For me?" Cady asks, clasping her hands under her chin and batting her eyelashes. "Please? Please please please?"
"No," Regina repeats. She pats Cady's cheek. "Now stop being so cute."
"Uh."
It's like someone pulls the plug on Cady's brain and she has to wait a moment for it to come back online. This seems to please Regina, who smirks at her. Something clicks into place.
"Um," Cady says, clearing her throat. "A point of clarification?"
Regina raises her eyebrows.
"Have you been flirting with me?" Cady can't meet Regina's eyes when she asks, just in case she's wrong.
"Yes, thank you for noticing," Regina says dryly, and Cady's head snaps up.
"Really?"
"Really."
"Oh." Cady's stomach flips over, and she wonders if Regina can hear how hard her heart is beating. The idea of Regina liking her is... exhilarating. She feels almost powerful.
"Well, in that case..." Cady sits down next to Regina on the bed, much closer than she would normally sit. She leans in close, close enough to feel Regina's breath come a little faster, to see her pupils dilate.
"Can we watch The Lion King?" Cady whispers.
Cady barely has time to blink before Regina pushes her, hard. Cady falls onto her back, and Regina leans over her. Her grin isn't friendly—it's predatory.
"No," Regina says simply, before her eyes start to drift down Cady's body.
Cady finds isn't sad about it.
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schmergo · 10 months
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I really loved seeing the West End production of The Lion King last month and was especially intrigued by the costuming and puppetry. In honor of the tour coming to DC, I wanted to share some cool info about Mufasa and Scar’s costumes from the stage production!
Mufasa’s costume was designed to represent wisdom, strength, and above all else, balance. His mask and mane are rounded and symmetrical in a design reminiscent of the sun and its rays as well as the “Circle of Life.” The golden tones of his costume represent sunlight and also tie him to the other lions. He uses two swords in moments of action and animal instinct throughout the play, representing the lion’s forelegs. Many elements of his costume are inspired by the Maasai people.
Scar’s costuming achieves opposite goals from Mufasa’s. His entire look is one of assymetry and imbalance, as he threw off the legitimate circle of life, line of succession, and even the local ecosystem in the course of his story. His mask is angular with a spiky mane that only sticks straight up. The actor’s makeup is painted on as a disdainful sneer- one eyebrow raised, one lip higher than the other- that makes him look snarky but also asymmetrical. The same goes for his lounging postures, leaning on one hip.
The actor leans on a cane throughout the show, which he also uses as a weapon. It reads as a foppish, aristocratic affectation, but also perhaps a sign of a physical injury in addition to his facial scar. If Mufasa’s two swords represent his forelegs, Scar’s single cane may represent an injured or even partly missing foreleg.
Every actor who plays a lion in the musical wears a corset, and each one is unique, but Scar’s is the most different of all. The “boning” of his corset actually looks like exposed bones, emphasizing his character’s gaunt, angular frame as seen in the movie. Even his pants come to sharp points, representing his haunches. There are more exposed bones on his elbows and a ruff of bones that looks like a bony hunched back attached to his back as opposed to Mufasa’s flowing fabric cape. This definitely amped up the Richard III vibes in a show already full of Shakespearean echos— and all those bones also clearly tie him in with themes of death!
Both Scar’s and Mufasa’s “lion heads” are used interchangeably as headpieces and masks at different times in the show. The actors “puppeteer” the position of the mask with a mechanism controlled by a switch in the palm of their hands.
What are some of your favorite musical theatre costumes?
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