Something something current favourite characters vs childhood favourite characters
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hot take? but the Twilight fandom needs to stop citing Mormonism for everything that happens in this hell series.
the characters aren't Mormon. the plot isn't Mormon. the wardrobe isn't Mormon. this series was WRITTEN BY a Mormon woman whose religious indoctrination influenced her work. there are themes, plot points, characterizations, etc, that are related to or in line with LDS teachings. saying the book/characters are Mormon is not the same.
the more you label everything in text as Mormon, the less likely you'll be able to identify the actual religious influences
and if you think you are somehow immune to the influence of something you cannot correctly identify, think again
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hi ! 24f looking for some new writing partners on discord :] please be 21+ , and match my energy when it comes to plotting and interacting . i like gushing about our ships and plot, making edits , and pinterest boards if i'm invested :] im a semi-literate to literate writer, and also like doing back and forth and texting threads . my activity fluctuates , but i'm a laid back partner and i like talking ooc . i gravitate towards f/f ships but i also like f/m ships if the plot is good and exciting. i love angst and drama and intense romance . i write smut with muns im comfortable with and have plotted with . possible 🕊️ tw depending on what kind of things you're interested in!
currently wanting : oc x oc fandomless , or fandom roleplays (oc x cc or cc x cc ) . any ship are up for discussion .
fandoms : the vampire diaries , legacies, the originals , twilight , yellowjackets , the boys & gen v .
things i like !
gothic romance . monster romance ( vampires , werewolves , etc ) . historical / period. medium to high fantasy . scifi . dystopia . survival games . horror movie tropes . celebrity and musician verses . soulmates . exes . rich people drama . seasonal plots ( so rn im in a halloween mood! ) and more :]
if you're interested please like this .
like if interested!
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popular (ya) media is so overrun with teen wolf, sjm-esque supernatural creatures. rn it's fae, ten years ago it was vampires and werewolves, but they're always the same: basically human with just a little extra oomf. sexy white men with six pack abs but they have ~fangs~ ;) and they're ~super strong~ ;)
coward behavior. love interests or not, give me the monsters. give me a shifter who's less and less human every time they shift. give me a vampire whose wounds never heal bc they're not alive enough. give me a werewolf whose cheeks and lips are scarred because their canid teeth are too big and sharp for their human mouth.
give me a real celtic fae, a creature like the old legends, a selki who's always dripping water and smelling of the sea, even in human form. a banshee whose gaze is always fixed towards the next to die, whether she can see them or not.
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The scent of earth receiving water, slaking its thirst in great gulps and releasing that green scent of freshness, coolness.
Anita Desai, Games at Twilight
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does anyone have any book recommendations. like at all. any genre. I'd like it to be fiction but other than that literally anything goes. anything u consider a Good Book. I want to learn to write again and I figure the first step is to start reading again lmao
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Something something Van Helsing slowly introducing everyone in Dracula to vampires without actually telling them vs Edward Cullen telling Bella to “say it out loud” without actually telling her
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I think I had a breakthrough as to why the tiresome fan theory that Meyer was racist towards Jacob to the point of “destroying” her own character to elevate Team Edward is so popular. And I think it has to do with racism.
Almost from the very beginning Jacob has been framed as the socially appropriate and even conventional choice of suitor for Bella. His dad and Bella’s have been friends for years and Bella had known and played with Jacob’s sisters. When they meet again after many years Bella remarks how easy it is for her to talk to Jacob. During New Moon Charlie approves of Bella’s friendship with Jacob and is firmly Team Jacob in Eclipse. When Jacob says that he and Bella together as a couple would be as “easy as breathing” and that Bella wouldn’t have to give up anything of her human life with him, it not only rings true but is affirmed by Bella’s narrative, re: her vision of two kids running into the forest. And he’s a Native American character.
Edward, on the other hand, the inappropriate star-crossed lover—forbidden in a particularly visceral way—the one for whom it would be downright dangerous to Bella’s health to be with, the one who is most attracted to her blood, the one that haunts Bella’s dreams and fills her with aching passion, lust, and fascination, the one whom she goes the distance (literally) for to save and be with, the one who incurs Charlie’s wrath and disapproval and Renée’s concern…is the fantasy equivalent of a rich white guy.
Socially and economically, Bella is not supposed to be with Edward. Her true “social math” match as a girl from a working class white family is with Jacob.
In framing these love interests the way she has, Meyer subverts the common love triangle framing of dark/light, forbidden/conventional, even in classic romances (Linton as the conventional rich white guy and Heathcliff as the racially ambiguous forbidden lover in Wuthering Heights, the rich white Fleur-de-Lys and the poor but exotically beautiful Esmeralda in Notre Dame de Paris). In doing so Meyer elevates class as the most potent obstacle for the romance instead of race.
I’m not sure why Meyer did this—most likely her Austen influence reared its genteel bonneted head, as Brit Lit is notoriously class-obsessed. But for a series written for an American audience and is otherwise very American (the car culture especially, ho boy), this inevitably inspired backlash. Americans are notoriously very precious about race and Meyer’s blatant disregard for it in the romance definitely struck a racist (and classist) chord.
To say that a low-income Native American love interest would have been a perfectly acceptable if conventional choice for the white heroine than the rich white male love interest is something few people with racial prejudice (or who see everything through race and disregard class entirely) would accept. Meyer did not toe the race line—which means, of course, that she is racist herself, either in not making race the exclusive factor or in making the white lead as the superior and more intense love. Is she truly, though—or is that mere fan projection in being triggered by antiracist choices in the narrative?
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