so a few select people know that i've been working on these bad boys for a few weeks now. this collection started because @mortimerlatrice had the audacity to try and tell me that fem!kinn wouldn't wear skirts and dresses and i pretty much broke my tablet pen in the rush to prove her wrong. also i felt like redesigning my fem!kinn and fem!porsche ideas. beneath the cut are my thoughts on these outfits plus the fashion collections they're inspired by/referencing.
fem!kinn businesswear looks
fem!kinn i feel like is the type of person who weaponises her gender expression. every part of how she presents herself is a carefully cultivated power play. she smokes cigars and drinks scotch and can talk at length about stocks and cryptocurrency, but she wears high heels even though she had to teach herself how to run in them, has long hair even though styling it is a nightmare, and is never seen without make-up, because every part of her must straddle a line of being masculine enough to be respected without being dismissed as butch, or a transgressor of gender norms. so: power suits and heels.
most of these are just riffs on the show's suits, so no real reference images, though hilarious @elnotwoods and i managed to parallel brain the exact same corset + suit look bc we are bloggers of TASTE.
fem!kinn occasionwear looks
the product launch -- upon rewatching clips from this episode i realised that the product launch apparently has a roaring 20s theme? which be wildin'. i spent so long looking at pictures of 20s style dresses until i found eliza jane howell who is a tiny british designer who has an entire collection of 20s inspired gowns. the inspo for kinn's dress was the miranda dress from her eveningwear collection.
the diamond auction -- i've drawn fem!kinn in this dress before, and i stand by it. this is a dress from ralph and russo's fall 2015 couture collection, specifically look 12. i first saw this dress months ago when i was looking for clothes for a project i was working on and it's lived in my brain rent free since.
date night i and date night ii -- both of these dresses i saw on pinterest somewhere and forget to save the link bc when i do art i usually have abt 50 billion tabs open. (i make firefox weep each time i open a new one.)
looks that almost made it in: michael cors rtw fall 2022 look 24; and schiaparelli couture spring 2022 look 24.
fem!kinn misc looks
okay so the theme for this one was actually "iconic kinn looks" and you know what? the towel was iconic. there i said it.
the sleepwear look -- *cries in detail work* yes all that lace is hand-drawn YES MY WRIST ACHED SO BAD AFTER FINISHING IT, this one is just conjured out of my head, no inspo look
the suspenders -- real ones know which kinn look this one is based off. just google kinn in suspenders or something i guess because we were ROBBED that it wasn't in the show. ROBBED.
the towel -- since drawing it multiple ppl have told me that they think fem!kinn would just wear the towel on her hips, tits out, no shame, and they are all so valid.
family portrait -- when i was drawing this, i got sent a look by siv that i initially discounted because it was a skirt suit and fem!kinn all about those power suits. and then i was looking for thai designers and i saw the same look and i was like, "okay but she'd only wear this in a family portrait," and then i was like hhrrrrnngngn family portrait outfits for all of them, so now it's a category. this is a recoloured version of poem bangkok's fall 2022 rtw collection look 19.
fem!porsche "pre-kinn" looks
okay so my thoughts on fem!porsche are as someone for whom gender is almost an afterthought, whose main friends are all guys, who drinks bear and kicks ass and cuts her own hair whenever it gets too annoying, who buys male toilettries because they're cheaper, who's made a career out of being rich girl's experimental whirl into lesbianism, and who can get them off real easy but isn't so good at getting herself off. she's hooked up with her fair share of guys, and considers herself more of a male-leaning bisexual. like, girls are fun and all, but she tends to have a better time when she hooks up with guys. (kinn's gonna blow that out of the water, hahaha.)
the fighter outfit -- originally this was going to be just a sports bra + jeans, but then i saw a pic of a cropped hoodie and my brain just sort of blanked out and when i was done the art was finished. porsche's abs are very important to me. as are her arms. and her thighs. she's an itty bitty titty committee member tho and i stand by that.
the bartender outfit -- i've drawn this one before, but yes! all the buttons undone! cheapest black shirt and slacks! converse!!! YESS
the casual outfit -- bike shorts, big t, big shirt? yes. fem!porsche sits somewhere between jock and gonna-fix-your-appliances on a fashion basis and i am here for it.
fem-porsche "kinn era" looks
one of the big ideas i had going into this project was the idea that porsche feels divorced from her femininity in a way that she's not altogether satisfied with and that kinn helps her reconnect with it. because, like, let's be real: porsche has no major feminine influences in her life growing up, and she's literally always got bigger concerns. she defo plays up the idea that she's above it all, whilst also completely lost as to how to get to there. kinn is probably both an object of envy and attraction for her.
(also i have in my head that the sauna conversation goes something like:
porsche: do you have a boyfriend, then?
kinn: i've never once found a man that truly wants a powerful woman.
porsche: huh, that's weird. i've had no trouble finding guys who want me to hold the up against a wall.)
anyway it's important to me that kinn makes porsche feel dainty and feminine.
the bodyguard look -- hrrrrngngng waist. that is all.
clubbing with tankhun -- you know how i said somewhere between jock and owns a monkey wrench? meet porsche out clubbing. love it for her.
first public date with kinn -- so the background i had imagined for this outfit was that porsche and kinn are going public, and kinn sends her a box with a dress to wear plus heels, only porsche can literally not stand for more than two seconds in the heels and hates them, so she wears her converse instead. this is almost a direct copy of look 12 from monse's spring 2021 rtw collection.
black tie date with kinn -- obvs this is a dress that kinn picked out for her, so i thought long and hard about what kinn would choose. in the end, i figured kinn would probably want her to look regal. i looked at so many dresses for this one, esp bc there was a secret requirement where i wanted the skirt to be loose enough that kinn could eat her out in it. look, i just think it would be gender if kinn dressed porsche up in this dress and porsche felt all pretty and feminine and then kinn ate her out in the bathroom at the event or something. you know. girl things. this dress is look 6 from valdrin sahiti's spring 2022 bridal collection and i had to download a pdf to get a reference picture, so appreciate my work. also shoutout literally the only time porsche is wearing heels. kinn had to give her like three hours of walking lessons.
fem!porsche minor family head looks
michael kors collection saved my bacon here. i really struggled to figure out what fem!porsche's overall aesthetic would be for her minor family head position. i wanted something distinct from kinn, but didn't think she'd go full androgyny. in the end i settled on a well-tailored suits with a military flare in their cut.
first business look -- this one is based on look 19 from michael kors collection's fall 2022 rtw collection. dem arms.
second business look -- same song, different verse. same collection, but look 7. the thigh-high boots were added by me, though. i wasn't drawing lesbian kinnporsche without putting one of them in thigh-high boots.
visiting mum -- a couple of things. this one is based on this photo i found on pinterest, because i just really liked the neckline. details you might miss: this is arguably porsche's most femme outfit here, but she doesn't have the perfectly styled hair that she has when she's on mafia business, and she's still wearing her ratty beat-up converse. she's feminine, but trying to be authentic. it's a specific kind of messaging she's trying to get across to her mum. she probably agonised for hours over what to wear. kinn definitely really likes her in it.
family portrait -- again, plucked from my own imagination. the original inspiration for this look was look 9 from altuzarra pre-fall 2020 but if you click that link you'll probably be able to tell i went completely off-script. the more i drew it, basically, the more the altuzarra look looked too japanese, which is understandable, because that collection's whole thing was about blending modern and traditional japanese fashion. in the end, i pivoted, and brought it more in line with kinn's look, because i really did want them to have similar vibes. (couples outfits? couples outfits!!)
near misses -- these ones almost ended up involved: altuzarra pre-fall 2020 look 6 for the family portrait; michael kors fall 2020 look 60 also for the family portrait; michael kors fall 2020 look 30 for minor family mafia business; look 17 from alexander mcqueen's 2011 pre-fall collection also for mafia business; this look from pinterest for mafia business that got discounted bc i was going in a different direction; and this dress from rouba.g's spring 2019 rtw collection for the black tie dress which literally only avoided inclusion here because i couldn't make the sheer fabric look right.
anyway the takeaway here is don't get into an argument with me because i will bring receipts. mort learned their lesson, don't worry.
also @yeetlegay i gave you adequate warning. you knew it was coming.
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Now that I’ve read the entirety of TGCF, here is the result of my grand research on:
“The number of times that Xie Lian did not know whether to laugh or cry”
Volume 1
Pages 79, 107, 235, 330, and 367 - 5 times
Volume 2
Pages 28, 80 (81), 206, 256, and 339 - 5/6 times
Volume 3
Pages 321, 330, and 363 - 3 times
Volume 4
pages 212, 290, 298, 311, 317, 338, and 368 - 7 times
Volume 5
Pages 27, 121, 177, 246, and 300 - 5 times
Volume 6
Pages 22, 40, 80, and 119 - 4 times
Volume 7
Pages 33, 81, 124, 134, 151, 164, 171 and 196 - 8 times
Volume 8
Pages 176, 213, 266, 285, 305 and 322 - 6 times
Which makes it a whopping average of 5 times with the Median being 5~5.5, Mode being 5/6 (depending on whether it was 5 or 6 times in volume 2), and the range of 5.
I could be missing a couple more of the instances so if I find anymore at any point in time during my re-read, I’ll come back and add it up and recalculate everything.
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Path to Freedom: an Amprule First Note analysis thingy
Due to popular demand (of my 3 friends), I've decided to type up another break down of an amprule illustration!!! yippee!!!!
Once again let's start simple!! the light composition!! There is a clear light/shadow duality happening in this illustration so here's a neat chart I made to show it:
Now you might notice the red/green tint I added, as well as how Chungsung is in the light meanwhile Dongha is in the dark. So let's break down the components of each side.
Dongha is surrounded by shadows. The shadows likely show how he feels trapped in the Yeon family. The paintings that surround him add even more pressure because he has the Yeon family name to live up to.
He is looked down by the paintings behind him (it's only Chungsung who's looking up at him) meanwhile Dongha doesn't look at anyone, he fears that he has failed the family (his father). He seems to be considering his choices between the two paths he could take.
What are his two paths exactly? Well, they're shown through the doors! The door next to him and the door below him.
The door next to him will possibly take him deeper into the mansion. The path is pitch-black and the darkness will make him feel even more lost. This path will probably keep him trapped in the mansion forever.
The door below him is lit up and will possibly lead him to the exit. The path is lit up and it all seems good, but there is yet another painting in the way. His fight for freedom won't be easy but we already know that he is determined to take that step forward.
The physical locations of the doors could also mean something. The one that leads inside the mansion is higher up, it means that if Dongha wants to keep his social status he's gonna have to give up his freedom. But if he wants to become free he'll have to "lower" himself and possibly lose his status. (It is worth pointing out how the positions of the characters show their imbalance as well.)
Now, everything I've mentioned to this point has been focusing on Dongha's struggles, so where's Chungsung in all of this?
I've talked about the role colors play in Amprule art in my previous post. Chungsung's red contrasts with the Yeon family green and gives Dongha a place to Be. There is no red in this illustration, Chungsung is as trapped in the family as Dongha is.
Just with the way he's positioned shows us that he is leaning toward the idea of freedom (is it his freedom, does he want Dongha to be free, or is it just his willingness to be a tool for Dongha's freedom). And if we take account of the light = freedom & shadow = restraint meanings, the light is practically shining upon him.
But at the end of the day, he is still only a butler and he is waiting for Dongha to make a decision. His loyalty to Dongha is not something to question, we all know that Chungsung will stand by his side no matter which path he chooses. However, if Dongha chooses to go deeper into the mansion he might end up being separated from Chungsung and their distance would become even bigger.
"To me Amprule means freedom." is something Dongha says to Hajun in the Showdown Aftermath drama track. Dongha forming Amprule is not only him choosing his freedom but choosing to get closer to Chungsung as well. Though I suppose neither of them are aware of how they've been closing the gap.
Considering how this is a bit of a "prequel to Amprule" type of image it gives us a decent look into just how suffocating their lives in the Yeon family were. They still haven't made it to equal footing, but we know that they're slowly getting there and setting themselves free.
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