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vincekris · 6 months
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Lola Alvarez Bravo
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Auto-Mex facility, Lola Alvarez Bravo photomontage displayed
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diana-andraste · 2 months
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Ruth Rivera Marín
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Sexo Vegetal (Vegetable Sex)
Lola Álvarez Bravo, c. 1949
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mariaangels · 4 months
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Lola Álvarez Bravo
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fragrantblossoms · 2 years
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Acapulco en el sueño / por Francisco Tario ; con fotografías de Lola Alvarez Bravo.
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papayajuan2019 · 10 months
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Lola Alvarez Bravo, recamara de Frida Kahlo, con fotografias de Diego Rivera y Mao, 1950
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thinkingimages · 2 years
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Isabel Villaseñor circa 1930 | LOLA ALVAREZ BRAVO Mexican, 1903 - 1993
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cocosse · 28 days
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“What have you done to your eyes? They’re all red. Have you been crying?” “No,” he answers, laughing, “but I’ve been staring into my fairy tales, where the sun is very strong.” Knut Hamsun, Victoria, 1898
Lola Alvarez Bravo, Mariana Yampolsky, 1940s
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yama-bato · 2 years
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Lola Álvarez Bravo
https://awarewomenartists.com/en/artiste/lola-alvarez-bravo/
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fuckyeahmexico · 2 years
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Quien tomo la foto de Frida kalo en el espejo ?
Hace varios meses que no subo nada de Frida Kahlo, pero voy a suponer que hablas de esta foto que tomo Lola Álvarez Bravo en 1944.
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r-c-1 · 2 years
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Photomontage for Auto Mex (Chrysler Mexico) by Lola Alvarez Bravo 1954
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journalette · 6 months
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Frida Kahlo, 1944 by Lola Alvarez Bravo
In this photograph, Frida is looking in a mirror on a wall. She’s outdoors, and in the reflection, we see a garden. This creates the illusion of a window and makes us really question the boundaries between the self and the outer world. Frida is looking at herself, but the composition makes it look like there are actually two Fridas: one is watching, and the other is being watched. Kahlo’s self-portraits feature the subject who suffers, who feels chronic pain due to a bus accident, and emotional aches because of a tortuous romance with Diego Rivera. However, there is a second component without which her iconic paintings would not be possible: the Frida turning her back to us in the picture, or, in other words, the Frida who self-perceives. Her paintings are the result of self-exploration.
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mariaangels · 4 months
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Lola Álvarez Bravo isabel villaseñor tena catita jalisco 1941
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fashionbooksmilano · 1 year
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Frida Kahlo   Her Photos
Pablo Ortiz Monasterio
Texts James Oles, Horacio Fernandez, Masayo Nonaka, Laura Gonzalez, Mauricio Ortiz, Gerardo Estrada, Rainer Huhle, Gaby Franger
Editorial RM, Barcelona 2021, 522 pages, 460 photos,17.15 x 24.13 cm, English, ISBN 978-84-92480-75-3
euro 52,50
orders to:     [email protected]
When Frida Kahlo died, her husband Diego Rivera asked the poet Carlos Pellicerto turn the Blue House into a museum that the people of Mexico could visit to admire the work of the artist. Pellicer selected those of Frida's paintings which were in the house, along with drawings, photographs, books, and ceramics, maintaining the spaces just as Frida and Diego had arranged them to live and work in. The rest of the objects, clothing, documents, drawings, and letters, as well as over 6,000 photographs collected by Frida in the course of her life, were put away in bathrooms converted into storerooms. This remarkable collection remained hidden for more than half a century. A few years ago the storerooms, wardrobes, and trunks that safeguarded it were opened. The collection of photographs is a treasure that reveals the tastes and interests of the famous couple, not only through the images themselves but also through the annotations made on them. The collection allows us to speculate about Frida's and Diego's likes and dislikes, and makes it possible to document their family origins. Photography had always been a part of Frida's life. Her father Guillermo Kahlo was one of the great photographers of Mexico at the beginning of the twentieth century, whose images of colonial architecture and numerous self-portraits have been preserved. Frida's collection constitutes a roll call of great photographers: Man Ray, Brassai, Martin Munkacsi, Pierre Verger, George Hurrel, Tina Modotti, Edward Weston, Manuel and Lola Alvarez Bravo, Gisele Freund, and many others, including Frida Kahlo herself. It is likely that many of the photographs in the collection were taken by her, though we can only be sure of the few that she decided to sign in 1929.
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19/02/23
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Lola Alvarez Bravo
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