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#long susan
homerjacksons · 29 days
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Susan Hart RIPPER STREET S02E08
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junequillay · 8 months
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I miss her 🥹🥲 and I would rewatch ripper street, but I already suffered enough 😭
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pxmlx · 7 months
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Officially done watching Ripper Street and I recommend it so much!!
I will take that laudanum tho @corpyburd
I will say that Susan Hart/Caitlin Swift is my favourite character (which tbh she probably should be just for being played by MyAnna) because she is such a complex character in my opinion. MyAnna plays her beautifully. I truly believe that she wanted to be a good person but basically every choice she made resulted in her being portrayed as this evil woman, which was especially hard to watch because in most scenes you could just see the pain and the anguish in her eyes, the scene with Jackson in season 3 is a great example of her being very aware of the situation she put herself in and showed her guilt over it. I loved her because even though she wanted to be a good person she was aware that she made choices ‘good’ people wouldn’t and she does a lot of good anyway but she doesn’t even take credit most of the time. In the end even though it pained me greatly I knew she would accept her fate and hang, which broke my heart because she was and is my favourite character.
And another thing, even though her relationship with Matthew was toxic, unhealthy most of the time (almost all of the time tbh) it was epic, I loved it. They were destined for one another and it shows. It was hard to watch when he was with another but I always knew that they would end up together anyway because, to me, he clearly loved her for the entire duration of the show even though they fought more than anything else. Every time they called each other by their original names I got so soft and giddy idk
Reid often annoyed me though 🙄 but even with that the show was still enjoyable, it’s amazing actually, I finished it and immediately started rewatching my favourite episodes that’s how captivating it is
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scribbledbyhand · 12 days
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OK, there are maybe easier ways to get a certain book necessary for important research, but that would be too obvious. Here’s the brand new #ripperstreetcartoon #ripperstreetcomic of the week - S09E15 - ❤️ #ripperstreet
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zippocreed501 · 1 year
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MyAnna Buring as 'Long Susan' Hart
Ripper Street
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supernovasilence · 1 year
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Ok we all talk about the Pevensies' trauma at returning to Earth at the end of The Lion, the Witch, and the Wardrobe and their trouble readjusting to life there again but think of all the funny/good parts too
They return from the country, and their mom is surprised when all her children hug her at the station. Even Peter, who thinks he's all grown up. Even Edmund, who went away surly and withdrawn. She doesn't know her children haven't seen her in over a decade.
They miss their dear Cair Paravel, but they absolutely do not miss its chamber pots. Indoor plumbing is amazing.
It takes a while to remember how modern technology works, though. How many heart attacks did the siblings give their parents or the professor because they walked into a dark room only to turn on the light and find the children sitting there in the dark. (They were by the window! There was still plenty of light from the sunset! They would have gotten a candle in a minute!) The kids sheepishly remember oh yeah electricity is a thing.
(Edmund has a new electric torch in Prince Caspian. He was so excited to get that torch. Almost more excited than you'd think a kid his age would be, and his parents expect Peter at least to tease him, but the siblings all agree light in your hand at the touch of a switch is terrific.)
Suddenly getting really high grades in some subjects and terrible in others. Their grammar, reading comprehension, spelling, vocab, even penmanship? Amazing. History and geography? They don't remember anything. One time in class Susan forgets Earth is round and wants to die.
Also they can never remember what the date is supposed to be because Narnia uses different months and years. They can estimate time really well by looking at the sun though, and Edmund at least can always tell which way is north etc without thinking about it (again, using the sun)
Okay but how many times did they go to pick something up or reach something and realize they are so much shorter and less muscled than they expect? It's a common sight to see Peter climbing on counters to reach a top cabinet, grumbling about how he's High King this is demeaning. (No he never takes the extra five seconds to grab a stool. He will climb that shelf.)
Peter and Susan being delighted because they are no longer almost thirty. (In a few years Edmund and Lucy will tease them about being old and their parents will not understand.)
Lucy doesn't have to deal with periods anymore for a few years yet. Susan might not either. Heck yeah
Lucy loves to climb into her siblings' laps and be cuddled. In Narnia she eventually she grew too big, but now she is small and snuggleable again. Peter is her favorite, and if she's upset, he'll tickle her and tell bad jokes until she's smiling again, but really she loves cuddling with all her family. She grew up without her parents; how many times did she just want to crawl into her mom's lap and her mom was a world away? Imagine the first time she realizes she can now. Or, imagine one day, a cold and grey sort of day, when the rain is pattering against the windows, and it sounds like the rain on the windows of the Professor's house, that first day they went exploring. It sounds like the day they played hide and seek. It sounds so like the rain on the windows of Cair Paravel, that if Lucy closes her eyes she can imagine she's back there, having tea and chatting with Mr. Tumnus before the fireplace of her room, and soon the rain will stop, and they will go out on the balcony and wave to the naiads and the dryads and the mermaids, who have come out to enjoy the rain and visit one other on the banks of the Great River winding past Cair Paravel down to the sea.
But if Lucy looks out the window, all she'll see is the rain over London, so it's not only a cold and grey sort of day, it's a lonely sort of day too.
Susan and Edmund are playing chess in the living room (and they must have studied with Professor Kirke, thinks their mother, because they certainly weren't that good when they left). Lucy goes over to Edmund, and oh dear, thinks their mother, now he's going to call her a baby and be horrible to her, but instead he picks her up and puts her on his lap without even taking his eyes off the chessboard; it's simply a matter of course.
"Doesn't the rain sound familiar?" says Lucy in a solemn, wistful way.
Their mother doesn't know what that means, but her siblings must, because Susan says, "Yes, Lu, it does,” and Edmund gives her a little hug with his free arm as she tucks herself under his chin to watch the chess match.
(Five minutes later there is a crash from the next room as Peter falls off a counter. Their mother does not understand the words he must have picked up from the Professor, but he's grounded for them anyway. His siblings have no respect for their High King, because they refuse to stop laughing.)
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horseonvhs · 8 months
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normally susan loves all the funny orange comics but there's something about this new direction she finds off-putting stupid fanart for susan taxpayer by the homie @punkitt-is-here go play her Fweakin video game
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C 👏 S 👏 LEWIS 👏 WAS 👏 NOT 👏 MISOGYNISTIC
IM SO SICK OF THIS TAKE
“But he said girls shouldn’t fight in battles—" No, actually. What he said was “Battles are ugly when women fight.” Which literally translates to “in a war where women are required to fight to help win it, it means the war itself is really bad.” And this literally just means that the war has gotten so bad that women have to fight, not that women shouldn’t fight. Just that they shouldn’t be forced to. Anyway, remember Lucy?? Lucy who rode to battle in The Horse and His Boy?? Lucy who fought as an archer?? “But Susan didn’t—" Yeah. Because she didn’t want to. No one was forcing her not to fight. She had free will to fight or to not fight, and she chose not to because she didn’t want to, not because a man made her stay home.
“He punished Susan for growing up—" S i g h. This is the one I see the most often. “He did Susan dirty” “he made her suffer because she liked lipstick” “etc etc blah blah blah” First of all Narnia is a children’s book series. For CS Lewis to delve into why Susan forgot Narnia, talk about her dealing with the death of her entire family, discuss her grief, and write about her eventual return to Narnia (more on that in a second), it would’ve made for a pretty dark and heavy children’s book, and Lewis said that he didn’t think that was something he wanted to write. But he also encouraged people to finish Susan’s story themselves, and said she might eventually make her own way back to Narnia. Not only this, but Susan’s name means lily, and the waters around Aslan’s country are covered in lilies. Coincidence? I think not. I think it symbolizes she was going to go back. (Especially considering I think Lewis was very careful in choosing each of the Pevensie’s names, since they all relate to their character).
Also, Lewis did not condemn Susan simply for growing up and liking makeup and clothing and boys. If so why would he have written about Aravis and Shasta/Cor, or Caspian and Liliandil? Why would he have written about Susan and Lucy being beautiful and having many suitors? So no, he wasn’t condemning her for that, and in fact he wasn’t condemning her at all. It’s extremely probable that her family’s death would have brought Susan back to her senses. Because here’s the thing: she forgot. She threw herself so much into the world and approval and convinced herself that her life as a queen and her acquaintance with Aslan was all a silly game they played as children, that it wasn’t real. But, she very well could remember again, and I 1000% believe she did.
“All his female characters were weak and did nothing—" My friend. Lucy Pevensie was a female. She discovered Narnia. It was because of her. Her siblings would never have found it without her. Lucy is one of THE most important characters in the entire series. And her title? The Valiant. Lucy’s very title as queen denoted her bravery and fortitude without one even knowing her. As for Susan, she was not any weaker for being “The Gentle.” I would say gentleness is honestly one of the strongest traits a person can have, because it takes a lot to live and be gentle. Also remember Aravis? A major character in The Horse and His Boy and future wife of Shasta, Aravis literally nearly killed herself to escape an arranged marriage. She was not someone to be dictated to; she made her own choices and escaped rather than submitting. And in the end, she’s still fiery, just a little more humble and with less of a chip on her shoulder. Then there’s Polly, who is the more logical person in The Magician’s Nephew and tries to stop Digory from ringing the bell that wakes the White Witch. A boy causes her to awaken, not a girl. It was Digory’s fault she woke up, not Polly’s!!
Also, Peter and Edmund do not ignore their sisters because they’re girls. They listen to what they have to say and speak to them as equals. They don’t forbid them from fighting; Susan chooses not to, but Lucy goes straight into the heart of the battle with them! So don’t even say Lewis made his female characters weak. They were the backbone of much of the series and without them much of the plot would never have happened!!
So don’t you ever say to me that CS Lewis was misogynistic because it’s the furthest thing from the truth
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metamorphesque · 2 years
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— Susan Sontag, As Consciousness Is Harnessed to Flesh: Journals and Notebooks
[text ID: My library is an archive of longings.]
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anouri · 1 year
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i am nothing better than a monster. touch the locket and the argentine of fondness will kill me.
franz kafka // evelyn waugh // miles j. johnston // franz kafka // clarice lispector // charles baudelaire // albert camus // skip liepke // susan sontag // @anouri
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junequillay · 8 months
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Started watching Ripper Street and I'm loving her 💜💜❤️❤️
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personinthepalace · 1 year
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I am OBSESSED with Drew Sarich's performance of Poor Unfortunate Souls. Also while you're here, go check out the full concert celebrating the works of Alan Menken (Hollywood in Vienna 2022)
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scribbledbyhand · 14 days
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Bringing potential criminals back onto the path of law and order is no easy task...even if you consult the book of the books.
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losticaruss · 10 months
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chronicles of narnia: prince caspian will forever be a tragedy to me, especially in the way the movie presents it. it opens with peter, desperate to return to the respect he deserves (or thinks he deserves), a fully grown man trapped in this child's, this stranger's body, still adjusting to the life he'd long since forgotten. he gets into a fight because it's natural to him. don't they realize who is he is? not selfishly (a little bit selfishly) he expects people, his siblings, the crowd, to be with him in battle. it's another battle to him, and edmund, lovely edmund, young edmund, edmund who was 12 and on the verge of death, edmund who loves his siblings the most one could ever love your own blood, is in the fray with him, and they fall back into the rhythm they were used to back home- back in narnia, and lucy and susan are screaming at them to stop, and edmund and peter see the soldiers coming home from war, and all they wants is to go back with them, and they understand how these soldiers feel, shell-shocked and distant and they want to fall into line with them, but they're kids and they're fighting other kids, they're not undisciplined, they're unadjusted. nothing changed but so did everything.
and they hop on the train and none of the pevensies want to talk about what happened and they end back in narnia and they're finally back in narnia they're home on the beaches of their home and it's a joy so grand that there's nothing they can do but go back to being kids- again, and they find cair paraval, and everything's gone- and the chessboard that edmund loved, the chessboard he played on when he first beat peter, is gone, there's nothing left of it, and they fall through the ruins like ghosts. here's the dining hall, the ballroom. remember this, lu? it used to be your bed. do you remember when you were so homesick you begged me to stay with you until you fell asleep? do you remember the way the garden bloomed in the spring? and they fall naturally in step into the dais, empty, not even the familiar sound of their shoes clacking against the polished floor. everything's gone now, of course it is. they knew how time worked in narnia, but it didn't happen to them. how could it move on without them? and they make their way into the lower floors, peter naturally falls into the trait of the leader, hes the first to forget the world they came from, but edmund, clever edmund, desperate edmund, brings a torch. he doesn't say how he packed it in his bag every day, how he packed it and prayed that they'd return. and everything is still there, in that room. nothing prepares you for seeing statues of your face- not your face, but what will be your face, what used to be your face- cracked and covered in moss. their crowns are there. everything is there. peters sword returns to his side, and it's the first time he looks complete since they left narnia. and they adventure- how much had changed? the trees are so much taller. how long now had they been gone? it was natural for narnia to have moved on, but they were meant to move on with them. peter tries to bring his siblings through his usual shortcuts, through an overpass, far from the well-trod paths that had cropped up since theyd been gone. he can't have been abandoned by his home, not so soon.
but he was. and there's a kid here, claiming to be the new ruler of narnia. who is he? he looks so young, and susan is looking at him and he's... looking back? and the civilians are looking at this stranger, this kid, like he's supposed to know what to do. had he even fought a battle? he rubs his beard- and is blocked by the bare skin of his chin (of course it's not there. he forgot.) and peter wants to be the bigger person, he's the high king, that's how it should be. but there are all these emotions he hadn't felt before- he thought, not in narnia at least. and he doesn't want to be the bigger person, he finds. stop looking at him like he should know what to do! he stands up to take over- his people forgot about him. he left and they forgot. and he sizes up this child as he speaks- high king peter of narnia, he says. the magnificent. and there it is, he thinks. the familiar look, shock, awe and- confusion? that's a new one- but not incorrect, as he realizes his situation.
he wants to be recognized how he used to be. the pevensies have returned to what they were, the warrior, the archer, the diplomat, the healer. and this new one, the one who wanted to be all four at once so desperately it made ed look wise. and finally- finally he gets his chance to shine, where he belongs, on the field, against The Enemy. of course, not how he'd like it, not in broad daylight, sword and armor gleaming, but it was the smart move. and he's filled with these emotions- not dread, or worry (maybe a little worry), but excitement, and everything is pounding in his head and the adrenaline- he forgot how good it feels- and he leads the army, his army. he's the warrior, the high king, and for a night, the people remember, they remember the golden age. and ed is brilliant, and peter can't help but grin with glee as he sees him pull of a maneuver that pete knows took months of training.
and then the hoards come and they're losing- they can't be losing, this was his chance! he's right, he's the king this was his chance to show them. and he cries for a retreat but it's too late- he was a fool, he watches his army, the army who trusted him, he watched them be slaughtered against the gates that had sealed their fate. he watched the blood spray and stain the metal, oozing between the stone bricks and he just stares. and it's all he can do and he wants- what does he want? to say he's sorry? to save them?
no- no, nothing like that. he should be in there with them. he should be gutted like the rest of them (a hero's death, not this cowards life). he went in too fast, too proud, he knows that. but to have these innocents follow him in willingly, blindly, and he's the one to make it out? it's unforgivable.
and then he's given another chance. a fight- a duel, to the death. he leaves the arena a victor, or he dies a martyr, and everyone forgets his sins of the night of the ambush. and he fights the best he can, he loses his helmet, he's injured and he can hear death whistling it's grim tune, and he almost doesn't pick up his sword, and he sees edmund, lovely edmund, young edmund, with hope in his eyes- with faith in his eyes, and peter knows, he certainly doesn't deserve the life he's been longing for, but he picks up his sword because his little brother, his little brother who almost died, whom he loves with all his heart and so much more. and he accepts it. he realizes he won't get it back, his golden age, but he can fight for edmund, for narnia. and he fights. he fights and he fights and he fights.
and when it's over he breaths the sweet narnian air, and he clasps the hand of caspian, another brother, not a blood one, nor a narnian one, but one of a deeper connection, deeper than any love, and he sees susan smiling. the pevensies and caspian are celebrated like kings, and the pevensies help caspian, still a child, overwhelmed with all this love, they guide him through it, preparing for the many days in the future when parades and celebrations fill the streets, and the people adore their rulers- their king.
it's their last time, he tells the others. once they leave, him and susan can't return. there's more on the other side, the other world, another way to return to narnia, to Aslan, and he doesn't share the fear in his heart. another way, but not this way. not through his home, where he's surrounded by it, drenched in it. not the same not the same, never the same again. they could stay, of course, says a foolish side of him. but not, they couldn't, it's stupid to say so. his mother- had he forgotten his mother so soon? she would go mad with loss. his golden age, it's come and past, and narnia moved on without him, and he steps through to the train station, not to his home, (no. he can never go home again.) and susan follows him, and she grasps his hand, a look shared between the two of them that she understands. and peter, one last chance to be the bigger person, he sees her loss and he squeezes her hand back. edmund and lucy they think they understand, and they grasp their elder siblings hands, and it's comforting, but peter and susan know, they know they won't understand, not until it's their turn, they won't know how empty it is, how lonely it is in this world.
so yeah. it's a tragedy
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