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#looney tunes rabbits run
kyraxyrespace · 29 days
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Day Twenty-Nine - Bugs Bunny/Lola Bunny, Bola (Looney Tunes)
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just-honey-dewd · 9 months
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Looney tunes shitpost idea/au: Daffy gets turned into a hunk for insulting a witch. And now he and Bugs have to find that witch or he’s stuck like this. Which is bad. Cuz… Daffy Human sounds like a terrible name.
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ddarker-dreams · 1 year
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lock i hate to break it to you, but your bunny is absolutely literate, and your fanfics are the reason she hates men
SHE SNEEZED AS I READ THIS... a sign mayhaps... i think your theory holds some weight. there have been times i glance over my shoulder and she's just staring at me, like she knows too much. i need to start moving my laptop screen out of her line of sight.
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hideawayfairy · 3 months
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Millie: Okay, you know there are male flight attendants. Moxxie: Yeah but I like the height the heels give me.
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Conversation
Lukas: Are you crazy?
Soren: Legally, no. There isn't a word for my condition.
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staytunewithdanny · 2 years
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You know party’s not good until you add some fun bugs bunny has the right idea
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leorobotsworld · 2 years
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Ruby: Are you crazy?
Jaune: Legally, no. There's no word for my condition
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Correcaminos: Industrias Acme se complace al presentar la primera red electromagnética en el mundo.
Wile E. Coyote: Gran parte de esa red fue diseñada por mi.
Giovanni Jones: ¿Tú la diseñaste?
Wile E. Coyote: ¡Ajá, si!
Giovanni Jones: Cómo no, y yo soy Súper Conejo.
Wile E. Coyote: (jalando a Giovanni de la camisa) ¡Tú no eres Súper Conejo! ¡Él es Leo y usted es Sagitario! ¡Sí lo vuelve a usurpar le arrancaré su bonito peinadito! (lo suelta).
Giovanni Jones: Ya ve a trabajar.
Fuente: El Sorprendente Hombre Araña 2: La Amenaza de Electro (2014)
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light-koe-pinsky · 2 years
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Another trans looney tune
#another trans looney tune#I love lola#I love everything she is as like a phenomena#I love that she started as a desperate attempt of marketing to drag more women into looney tunes AS IF looney tunes was ONLY a boyish thing#and instead it drag a WRONG public that they weren't supposedly aware of#and that it got called out as sexist and unecesary#love that for a long time they didnt know where to put her in regards of looney tunes projects#so they just sorta forget about her as if she never happened but kept using her in merchandise and valentine stuff lol#UNTIL the holy unexpected looney tunes show#where writers gave her a complete make over along with personality and everything#and people flip their SHIT over it#arguing that THAT was not HER and that she was very different to space jam lola cuz she wasnt sexy enough lmao#and she was cray..... a crazy looney tune goodness gracious god forbids#love that after the looney tunes show ended aknowledging she was one of the BEST things to happen to the show she got a protgonical movie#(rabbits run)#and in that movie she red one of the most iconic mascot of the last century as if it was nothing#I love that in the space jam movie 2 even tho she wasn't great character wise#she still caused controversy after revealing that she had removed her cartoon honkers#and once again people FLIP their SHITS#love that it seems like writers actually tried to give her her own light even tho is not been much is something#the looney tunes have always been about characters#character driven stories#big personalities#seeing in real time how a company desperately tries to find an identity for a female coded cartoon experimenting with her personality and#image cutting parts of her and adding others seeing what works and what doesn't and changing according to the reaction of the public#feels EXTREMELY personal to me and I don't think there are many things in media that can quite describe how being a girl#in a primarly male dominated space feels like as specific as this#I know is not intentional#god I love looney tunes#can you tell?
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logical--dreamer · 9 months
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I finished the looney tunes show....i need more. *eye twitch*
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helpicant-stop · 2 years
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I REBLOGFED THE DAFFY DUCK CLUTCH POST LIKE 3 DAYS AGO WHEN THERE WERE LIKE 25 NOTES HOW DID IT BREACH CONTAINMENT AND GET LIKE 100× THAT AMOUNT SO FAST AJDHJSHSA
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wildechildwrites · 25 days
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Looney Tunes
König/reader
Word Count: 1.2k
Warnings: N/A
No use of Y/N
Summary: You keep running into König in the elevator at your apartment building. He'd be incredibly intimidating, but he kind of reminds you of a cartoon character.
A/N: König is so serious with all his war crimes and intensity, and you are... not serious
AO3 Link: Looney Tunes
The man who steps on the elevator is giant, bigger than anyone you've ever seen in real life, and you can't help looking up at him, craning your neck. He's wearing a sweatshirt, the hood up and cloaking most of his face, disguising his eyes, but you see his nose point down at you, and you know he’s staring back at you.
"How tall are you?" You ask, before cringing at your own social awkwardness. It's silent for a moment, and you wonder if he heard you at all. The elevator dings for your floor and as you step off, a quiet, accented voice calls out.
“Two hundred centimeters.”
You whip your phone out, googling the conversion almost immediately as the doors shut behind you. He’s huge, with shoulders so widely set it's almost comical. You marvel at it briefly, then he slips your mind.
The next time you see the man, he’s got his hood off, his long hair pulled back into a bun. He’s older than you’d thought he’d be, strands of gray catching the light, standing out against the auburn. You step into the elevator with a greeting he doesn’t acknowledge. You both stand in silence, listening to the quiet ding as you pass the floors.
You've developed a quiet rhythm with the elevator man, leaving in the mornings at the same time, your greetings always met by a silence that should probably deter you but doesn't. You're staring at his reflection in the elevator doors, noting the way he seems to slightly slouch into himself, when your unbidden thoughts cause you to giggle. His eyes shoot up instantly to meet yours.
“You remind me of the looney tunes monster,” you blurt suddenly, the aimless rambling of your inner monologue spilling out before you can stop yourself. The man beside you stiffens, before turning his body fully to look down at you. You try not to cower, unable to meet his eye.
“The… um… the orange one? Have you ever seen looney tunes?” you push on moronically. He’s glaring down at you, and you wonder if getting murdered in an elevator is really the way to go.
“What is ‘looney’ tunes?” He finally asks, his voice low and hoarse, as if he's not used to speaking.
"It's a children's show… there's a bunch of little characters and they have their own personalities…" You know your face is bright red, and you thank whatever deity is involved when the elevator chimes and you can step off, too embarrassed to say goodbye.
You consider taking the stairs when you see him again the next day. You give a quiet greeting that he doesn't acknowledge, so you hope you're forgiven for yesterday. You're scrolling through your phone when he speaks, startling you.
"You are der hase?" He asks.
"What?" You respond, looking up with wide eyes, off guard.
He huffs, looking at the ceiling.
"The— rabbit. That is you?"
You scrunch your nose in momentary confusion, then the realization hits you.
"Oh. Bugs Bunny, you mean?" You laugh. "I guess I could be him."
You two stand in silence for the rest of the elevator ride.
You forgot you could be this drunk, staring at the elevator buttons in a daze. You couldn’t quite remember which one you were supposed to press, only knew for sure this was your building because your friend had put your address into the uber. You don’t even hear the footsteps behind you, the irritated sigh as König watches you sway slightly. It’s only when he reaches around you, pressing the up button, that you startle.
“Jesus Christ!” you say, jumping back. An impossibly large hand grabs your arm, steading you. You tilt your head back, and the elevator man is towering over you. He’s in army fatigues, and as your inebriated mind processes that information, the door to the elevator chimes open.
He doesn’t wait for you to move, just picks you up like you weigh nothing before stepping inside. You blink upwards at him in a daze, and he glares down at you. He’s chastising you in his low voice, and it takes you a moment to realize the reason you can’t understand him is because he’s not speaking English.
“You can let me down now,” you interrupt, your voice quiet and slightly slurred. He somehow manages to look even more pissed, staring down at you, incensed, and you’re sorry for saying anything. He fumbles in his other language before finding the words.
“You can— You can not stand.” He says with finality. You relax against him, lapsing into familiar silence as the elevator shoots upwards. This close to him, you can hear his heart beating, and you wonder why it's thumping so fast.
He carries you to your door, and you're too distracted to think about how he knows which apartment is yours. He sets you down, plucking the keys out of your hand with ease when you fumble with them, watching as you sway slightly.
"I keep thinking about the cartoon." He says suddenly, abandoning the key in the lock. He’s leaning over you, shadowing you in the small doorway as you look up at him, your expression confused. His face holds a neutral expression, but his eyes seem to glint in an odd way.
“The monster, he wants to eat the rabbit.” He states, taking a step towards you, crowding you against your door. The wood is cool against your back, and you’re blinking up at him through your drunken haze, trying to figure out what he’s talking about.
"Looney Tunes?" You finally respond, remembering your last conversation. He nods and reaches out one large hand to tuck a loose strand of hair behind your ear. Your heart skips, and you wonder if he can hear it as he drags his fingertips along your jaw, cupping your chin softly.
“Does the rabbit want to be eaten?” He asks, his head cocked. His eyes are like molten steel, his voice so soft and deep it’s practically a purr. It feels like the oxygen has been sucked out of the hallway, leaving you lightheaded.
“Oh,” you breathe, your lips parting softly, what little mental clarity you had abandoning you. There’s a scar that runs up from the man’s chin, stopping just below his bottom lip, and you’re staring at the scar, staring at his mouth, when he bends down, guiding your chin up as you raise yourself unsteadily on your tiptoes.
His lips are warm, scorching against yours, and you open your mouth, letting him deepen the kiss, whimpering when he presses his hard body against yours. His hand slides into your hair, his palm curling around the back of your neck, holding you steady. You shudder at the contact, and he breaks the kiss, pulling away, leaving you dazed and breathless. Everything is spinning, and you can’t tell if it’s because of the alcohol still coursing through your veins, or the fact that he’s still leaning over you, caging you in.
His pupils are blown wide, and you watch his chest rise and fall. He’s monstrous like this, a man at the brink of self control, his hands trembling at the effort to not touch you. He pushes away, creating distance, and you stare at him, stunned and confused. He’s muttering to himself again, and it finally cuts through your stupid, intoxicated brain that he’s speaking German.
He’s looking at you like he’d like to devour you. Instead he breathes, slow and deep, and takes another step back from you.
“Have a good night, häschen” He says, and then he turns, heading towards the elevator, away from you.
Part Two
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bunnyrabbitbracket · 1 year
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THE BUNNY RABBIT BRACKET: ROUND ONE
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Bracket Template by @mad-scientist-showdown
Round One will be broken up into two parts. Basically Part One is on the left, Part Two is on the right. Just to avoid overwhelming and all that.
Part One will begin March 24th at 12pm UTC. (over)
Part Two will begin March 26th at 12pm UTC. (over)
They will be tagged as #round 1 part 1 and #round 1 part 2 respectively, as well as #round 1!
See you there!
[MASTERPOST]
Full Round One lineup under the cut
Round One, Part One
Bugs Bunny [Looney Tunes] vs The Rabbids [Raving Rabbids]
Moon Rabbit Cookie [Cookie Run] vs Nice Cream Guy [Undertale]
The White Rabbit [Alice in Wonderland] vs Buster Baxter [Arthur]
The Easter Bunny [Real Life] vs Juan Carlos Bodoque [31 Minutos]
Buneary and Lopunny [Pokemon] vs Vibri [Vib-Ribbon]
Bonnie [Five Nights at Freddy's] vs E. Aster Bunnymund [Rise of the Guardians]
Cream the Rabbit [Sonic the Hedgehog] vs Hazel [Watership Down]
Max [Sam & Max] vs Time [The Property of Hate]
Round One, Part Two
Roger Rabbit [Who Framed Roger Rabbit] vs Peck [Animal Jam]
Haru [Beastars] vs Angel Bunny [My Little Pony]
My Melody [Sanrio] vs Peter Rabbit [Peter Rabbit]
Rabbit [Winnie the Pooh] vs Dr Harris Bonkers, PhD [The Adventure Zone: Amnesty]
Thumper [Bambi] vs Max and Ruby [Max & Ruby]
Nabbit [Mario] vs Bunnicula [Bunnicula]
The Killer Rabbit of Caerbannog [Monty Python] vs Miyamoto Usagi [Usagi Yojimbo]
Oswald the Lucky Rabbit [Walt Disney] vs Allison Goleta [Super Lesbian Animal RPG]
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prokopetz · 9 months
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I will be running a session of eat god for looney toons action. I was thinking about gags at 2am and have some questions. Where would the bit in roger rabbit of him getting out of the handcuffs be? What about when popeye socks someone a mile away? Lastly where does seduction resulting in heart eyes end up?
Thinking about traits i can only think of cute (puppy dog eyes sustained action?)
For arts i find it rly interesting there isnt one for sneaking on your tip toes and hiding behind objects
Another is when a character get serious and eat their spinach or booze and get really good at punching things or very strong and buff for a few minutes more than mighty might be needed
Another that i want your take on is like You refute the lie of typical social procedure which reflects the ability to radicly change tone from serious to funny or to calm or getting mad and riling people up i think of bugs distracting elmer and then they end up laughing forgeting about there animosity for a bit Feel free to split this all up. Ty ty ily
Broadly, quick sight gags don't require an Art – they're just the sorts of surreal details you might describe after rolling a successful test that's been enhanced by the expenditure of Obstinacy. The forthcoming 0.3 revision of Eat God clarifies what those effects actually do as follows:
When you spend Obstinacy in this way, you may optionally include surreal details in your description on a success, as the laws of God briefly loosen their grip on you. Such details might include bodily distortions, moving in impossible directions, or the literalisation of figures of speech. These manifestations won't allow you to accomplish anything you couldn't without them; however, with a suitable description, they may allow you to ignore effect penalties that would ordinarily apply to your Result. This can't push your final effect modifier higher than +0, and it's up to the GM how large a penalty – if any – your description offsets.
Offsetting the effect penalty for trying to hide somewhere it shouldn't really be practical to hide is a good example of what using a surreal description to ignore an effect penalty might look like in practice.
More pointedly, remember that player characters in Eat God are not literally Looney Tunes characters; they're sword-and-sorcery fantasy monsters whose powers just happen to operate according to cartoon logic. You're not obligated to describe their operation in terms of Looney Tunes tropes; like, you can if you want to, but don't let yourself get hung up on cases where that doesn't hold true.
With respect to punching things at a distance in particular, the forthcoming 0.3 revision of Eat God includes revisions to several Rebellious Arts (mostly powering them up a bit), including the following rewrite to the Art of Ubiquity:
You refute the lie of separation. For as long as this Art is sustained, you may act upon creatures and objects at Near or Far range as though you were at Touch range. You may act at Near range in this way as you wish; doing so at Far range causes the Art to end once that action is complete. Acting at a distance in this way doesn't cause you to move, but you suffer the consequences of your actions (marking Stress, etc.) as though you were actually within Touch range of whatever you acted upon. The GM is free to invent an explanation for this, but isn't obligated to do so.
It's not quite punching things from a mile away, but then, God-eaters are very small, so it's operating on a similar relative scale.
With respect to being supernaturally cute, that's just an off-label version of the Trait "Striking Mien".
Finally, regarding the proposed Art, the problem there is the same as with having an Art for breaking the fourth wall: making doing tonally incongruous shit a special ability with a defined cost creates an implicit obligation to stick to a consistent tone whenever that ability isn't in play, which probably isn't a reasonable expectation for many of the sorts of groups who would be interested in playing Eat God.
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ducktracy · 2 months
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HI just a quick followup on my last ask: I wholly agree with you!! I think the Bugs and Daffy shorts are good objectively (not my favorites, though, I’m biased towards the 40’s rabbit and duck as well) but I think after the run of Looney Tunes ended Daffy kind of got more and more portrayed as purely Bugs’s foil and still an unrepentant jerk even when not paired up with Bugs. It makes him feel like a Character With One Joke, and you see it all the time in post-Golden Age stuff.
As iconic as TLTS is, it’s a really bad example of this, making Daffy a callous jerk with no regard for anyone else and such a moronic failure that it’s a surprise he had the brains to hatch out of his egg.
And I think you CAN make Daffy a bit of an egocentric jerk and still have him be funny! Birth of a Notion (which PREDATES Rabbit Fire, for those who think his negative traits were birthed from it) is one of my favorite shorts and Daffy is lazy, deceptive, trigger-happy, but is still so chummy and charming that you can’t help but love him. For an even more brutal example, The Ducksters has Daffy be completely callous, but he still manages to be likable enough that you can still feel bad for him when the cartoon ends, because he’s just having so much fun the whole time. MORBID fun, he ABSOLUTELY gets what he deserves at the end, but fun nonetheless!
But when you have decades and decades of content after where Daffy’s only schtick is being ‘the angry and greedy one who always loses’, you lose the magic to his character. His charm. The reason Bugs and Daffy works in the first place, even!
I do not remember where I was going with this. But it’s something!
HONESTLY, the “Daffy as an unrepentant jerk” thing is something the actual golden age cartoons fall victim to! if you REALLY want to depress yourself, i invite you to watch the Speedy and Daffy cartoons. they actually helped me come to turn with Chuck Jones’ Duck and be less bitey towards him—there’s a difference between ego and lack of impulse control and just plain hatred. which, as you mentioned, have been some of his innate characteristics WAY further beyond Rabbit Fire. even some of the earliest Daffy shorts where he’s not all there yet. You Ought to Be in Pictures has been often propped up as a very apt example, but even as far back as 1939 in Daffy Duck and the Dinosaur, he paints a self portrait and says “not bad for a guy that never took a lesson in his life!”—the ego is there from day one! this may seem unremarkable, but that sort of self awareness is a genuinely groundbreaking development next to the Daffy cartoons Clampett was making at the same time, where Daffy genuinely seems to be locked in the throes of insanity and isn’t even half cognizant to his actual reality. and even in THOSE cartoons, he has an ego (he’s a general in Scalp Trouble! he’s a DICTATOR in What Price Porky!)
whereas in the Speedy and Daffy cartoons, you have plot lines that explicitly have characters saying “yeah Daffy hates poor people” (“how many times have i told you not to starve on my property” is a real quote from that short) or stories such as Daffy and Speedy are trapped on a deserted island and Daffy refuses to share any of the food with Speedy who barely asks for anything and has done LITERALLY NOTHING? i think Daffy even says something along the lines of “you can’t even speak English well” or something and it’s just like. jesus
BUT, i bring all that up because i think that is often conflated for what people understand Daffy to be. i do think some of Jones’ cartoons are guilty of Daffy becoming a bit one more—Ali-Baba Bunny is a great cartoon, but does feature a much more transparent “MINE MINE MINE” duck. and i again understand the transparency is half of the joke, but many adaptations take that transparency at face value. likewise, i’ve mentioned it many times before, but the Bugs and Daffy cartoons are written explicitly with Daffy in mind. he is the unequivocal star. in some of them, Bugs is just a means to an end, something to act off of and bounce off of. and as Daffy slowly grows more one dimensional over time, Bugs’ own passiveness doesn’t work as well—there isn’t enough given by Daffy to warrant that sidestepping. there needs to be more support. otherwise, Daffy is boiled down to his barest essentials, and those barest essentials are misconstrued and that’s how you end up with cartoons such as The Iceman Ducketh where Daffy IS HUNTING BUGS WITH A GUN! WITH AN ACTUAL INTENT TO KILL!!!!!! which wasn’t even his intent in the hunting trilogy with all his egging on Elmer. guns aren’t as big of a threat in those cartoons—the damage is temporary and comedic. Iceman Ducketh, Daffy is an actual, considerable threat and just seems like a complete misinterpretation of not only what makes the Bugs and Daffy dynamic click, but Daffy as a character.
I APPRECIATE YOUR THOUGHTS VERY MUCH ANON!! i echo the same sentiments. it seems so funny to say this over a cartoon duck who most people remember for funny catchphrases and drawings (as they should, but maybe ties back to what we’re talking about), but he genuinely is such a complex character and one of the most varied, and that i think prompts a lot of nuances to be missed OR misinterpreted. there’s a way to keep his greedy, bitter, egotistical tendencies in line and still have him be likable and charming. His Bitter Half is one of my favorites and a cartoon that i’d wage as one of the funniest Daffy shorts around, and he’s a complete jerk in that one!! the short starts with him acknowledging and saying he’s just marrying a woman for her money!!! who calls a kid “cute like a stomach pump”?? but, likewise, who even THINKS TO SAY “cute like a stomach pump”? that sort of specific little “quirk” is something that is so lacking in his aforementioned appearances of transparency.
HAHA sorry it took me so long to get around to this, but thank you for giving me a chance to blab about the duck some more!
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animatejournal · 2 years
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Looney Tunes: Rabbits Run | Director: Jeff Siergey Studio: Warner Bros. | USA, 2015
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