eucanthos
the intricacies of joy / we are here to go, mai 27 ‘23:
Gianpetrino: Death of Cleopatra (Aspis snake suicide), 1500
Goya: Manuel Osorio Manrique de Zuñiga, earlier than 1792
Shirley Baker: Manchester working-class, 1960s-70s [laughing boy]
Cameroon Shaman figure from 1916 Franz Thorbecke's Im Hochland von Mittel Kamerun (Mesöng ngegang mask game)
Sigismond Laskowski (illustrator) Anatomy, 1894
Mary A Waters: Girl no.- unknown. Dark Girl portrait series [textile]
White Horse detail photo found at alicefrom3am
Burt Glinn: NY 1965 portrait of Andy Warhol, Edie Sedgwick and Chuck Wein posing in a manhole [border notes]
Sigmar Polke: Lösungen V (Solutions) 1967
https://www.nlm.nih.gov/exhibition/historicalanatomies/laskowski_home.html
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A Legend of Strangford Lough
John Vinycomb
When fairies lived in this old land,
And kelpies held the streams,
Such nights were seen and music heard
As come to me in dreams.
To the lone peasant’s fond belief,
In legend wild and gory,
Of sprite benign and goblin dam’d,
Is due to this wondrous story:
How the rude savage glories most
In terrors weird and fearful,
While timid souls take up the tale
With sadd’ning hearts and tearful.
They saw in fairy-haunted earth
The elfins sport and play;
They heard unearthly music float
Between the night and the day,
And feared, if seen, to be bewitched,
Or carried under ground,
To dance by night in fairyland
To magic music’s sound.
They feared the moonlight’s baleful sheen
By lonely moor or river;
They feared the dreaded weird banshee
That wails for mortals over.
But more they feared the Sweet Merroe
That haunts the lonely shore,
For he who hears th’ enchanting strain
Is lost for evermore.
And who is there that has not heard
Of sirens of the sea,
The mirrow dread of Strangford Lough,
The Mermaid of Mahee?
The sea-maid there would of times haunt,
At evening’s silent close,
With tuneful harp and songs so sweet,
When from the waves she rose.
Her golden locks in freedom float
Around her lovely form;
Her beauteous face, with eyes so blue,
Deride the coming storm.
She thrills the air with melodie,
So sweet, so clear, so high,
That the lone fisher turns to hear,
And listen with a sigh.
For well he know he may not stay,
His earthly lot is over;
Follow he must beneath the waves
The Mermaid, as her lover.
And tales are told how many a one,
Lost in Loch Cuan’s tide,
Had heard the Mermaid’s charmed strain,
And fied with her to bide,
In coral caves beneath the waves,
Or sport by pearly strand;
Transformed by fairy sea-maid’s power
To Merman jovial band.
And once, ‘tis said, a holy monk,
On Mahee sacred soil,
Was lost to sight for many a day,
No more a priest to toil.
For he, beguiled by character’s strains,
Swiftly dived in after,
Nor had he thought of brethren,
Or Abbot’s hearty laughter.
For, married to a Mer-Mayden
At bottom of the sea,
He lived and frolic’d with the best,
Forgot was Isle Mahee.
Till once again her heard the chime
Of Matins sweetly sound,
And blessed himself – before he knew,
Transported was to ground.
Beside his round tower’s lofty pile
He knelt him down to pray,
And bade the brethren – this believe –
To swear by Saint Mochae.
And now in after years come back,
With mind distressed and hazy,
Told how he’d lived beneath the sea,
The brethren cried, “He’s crazy.”
The Abbot frowned with look severe,
Thought sadly of the man –
And maiden’s eye – then slowly said,
“We’ll put him under ban.”
Said he, “You’ll live and dream your dreams
Within your prison cell,
High in the round tower’s topmost round,
And ring the service bell.”
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