Remake of the paper book covers for some of my favorite/classic fics:
These Inconvenient Fireworks by mdasch & everydayslike - (more covers here)
Own The Scars by crinkle-eyed-boo ( @crinkle-eyed-boo) - (more covers here)
Tired Tired Sea by MediaWhore ( @mediawhorefics ) - (more covers here)
Love After The End of the World by mercurial-madhouse ( @mercurial-madhouse ) - (more covers here)
Young and Beautiful by Velvetoscar ( @mizzwilde ) - (more covers here)
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hi!! I just reread Love After the End of the World (in my top 5 all time fics) and I wanted to ask if you ever followed up with an epilogue? I would LOVE to know what happened for them afterwards with finding all of their families, how they expose prometheus and what happened with the world after the lights turned back on. Also would love to know what did happen when LiLo were separated from the others- what caused the explosion, how did liam get them out? so many questions!!! anyway thanks for writing such a gem, I really love it!
Hi, darling! I’m thrilled that you love LATEotW so much! That fic holds such a dear place in my heart and I had a blast writing it. I have not put the epilogue up yet. I’m still in the process of thinking through exactly how to go about it, so it’s in the brainstorming stages at the moment. I don’t want to create an entirely new fic, so figuring out what to include in a single epilogue is difficult! But I’ll keep your interests in mind for what I should answer in it!
As for when LiLo were separated, I haven’t written that one yet either, mostly because it’ll be incredibly painful to step into Liam’s POV in order to write it. But I do know exactly what happened during that time, what caused the explosion, and how Liam got them out. He’s really impressive in this fic and especially this moment that we didn’t get to see in the main story. But that companion piece is also in the works!
Thank you so much for your sweet compliments! You’ve made my happy little heart bubble and bounce. <3
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"it's so embarrassing you like that popular thing" "oh ew that geeky/strange thing is so cringe lol" "oh it's kind of weird you get excited about that harmless shit"
dude i love how ironic and jaded you are and that's so cool and sexy of you. and i am so so glad to tell you - you won!! we all had a meeting and we decided that you won, and we are writing your name on the inside of a burger king crown. the marker smeared, sorry, but we knew any form of real effort is ugly to you. but anyway. congrats! you are officially the coolest, most ironic, most jaded person in-the-world-right-now. we would throw you a party but you would think it was totally boring - and besides, we're weird so we wouldn't have been coming. we would have brought our love of beetles and of baking and of little canapes. we would have brought our artsy videogames and pages of writing. we would have written a poem with you, our hands covered in ink, and spread out a canvas to dance on, the night so lurid and pink.
but do not worry. we will not throw the party. we will just get you a ringlight and that crown i mentioned. it is a nice crown, except for where one of us dropped it.
the vote was a really hard one because we had so many cool ironic people to pick off the shelves. all of you have hands that rot fruit, how strange is that - you can't look at something without destroying it for other people. you like it when you can squeeze a person into a pinpoint - all us small ones scampering our little feet around our ugly joys. the vote was also a hard one because we kept our voices down because you don't like it when we talk too loud. you were on your phone at the time, talking to people other than us. you are a ghoul of every moment - half in, half out, you resent us for being here without shame or embarrassment.
so good news! we have invented an island for people like you. you get to go there and speak into the air things like if you still like watching harmless twitch streamers in 2023 you're fucking boring. you will say things like liveplay podcasts are fucking ugly and it's kind of awkward they try to make everything gay. on the island we made you, all of your words will have weight. they will form in the air like icicles, large white behemoth letters that will crumple in anvils around your feet. maybe we will send someone there once in a while to sweep, but honestly you might be there for a while, alone, waiting. we are busy being outside looking for mushrooms and flapping our hands and humming. we are busy kicking our little heels while we watch cringey tv. we are busy - sorry! as an apology, we have pre-filled the island with every bland, mediocre, unscented thing we could find. the island has the texture of american cheese. the island has an ocean that never gets angry. the island is perfect for you, trust me. you will be so happy there - as happy as you can be, ironically.
we want to say we are sorry for doing harmless things that you find annoying, childish, or unappealing - but we are not sorry. we thought we could help you, because we don't mind laughing at ourselves, but it turns out you are allergic to color and noise and atmosphere, so this is the best that we can do for now. we are all making a big shirt that says i voted in the ironic monarchy. we got you one that is just a fast fashion buttondown. i am so excited for you and this island and the big life you have won. you have a cool jaded grey life and miles of irony to roam. i love you! be well.
now leave us alone.
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lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
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a little morning pick-me-up
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A morning on the way to Baldur's Gate. The party booked themselves into an inn and enjoyed real beds, hot baths, and privacy for the first time since the Nautiloid.
Gale and Mayhew shared a room, of course. They were filled with the relief of surviving the shadows and the glow of finally getting together, so their private room was probably a blessing for the whole party, honestly.
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This was some ascended anatomy practice! Referenced some great stock from @null-entity.
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Time & Space pages 1-2 ( This is the start || ao3 (not yet!) || next )
Starts less than 24 hours after the death of Willy Stampler. With the job done, there's finally time to sort some things out. They just need the right amount of space.
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Hot take:
I wouldn't mind too much if Caleb wasn't a dateable character. I know the game description says he's a 'childhood friend' and him and the MC being 'taken in' by grandma was probably like, in an orphanage way not an adoption way.
But hear me out. The sibling dynamic between these two. They're the siblings who are
"You are 100% my ride or die, I would walk through hellfire for you." but also "no officer I've never seen this person in my life."
Also I want to see protective nii-san Caleb just staring down Xavier and Rafayel because,
"what makes you think you're good enough to date my sister—"
To Xavier: "—you can't cook, you sleep like a koala, and you have a tendency to disappear under mysterious circumstances."
To Rafayel: "—you're literally a fish."
and giving Zayne SO much shit for taking so long to admit his feelings for MC.
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I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
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I need more fluff vanilla happy post S4 Yumalia and Brotherhood of the Tofu content pls lanskbsjdbdhbdhd let them being silly adults for once pls pls pls
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Of course our good southern boy would get down on one knee to propose, even in a zombie apocalypse.
Rick wouldn’t give Michonne anything less because she deserves nothing but the best love he can possibly give, and he’s committed to giving her that for the rest of his life.
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In middle of sex?👀 Does that mean we will get to read steamy stuff written by you? I dont think Ive read any of your fics that had sex scenes BUT correct me if I'm wrong but if its so I'm looking forward to it👀 The plot seems interestingg too! Alsoo I love the fact that you have such interesting ways of storytelling. Like the vibe is just different when I'm reading your fics💓
😂 it’s basically right at the end of sex but yes, it’s a very surprising moment for it to happen, both in terms of most ABO universes and also for this one! But this fic won’t have the explicit steamy scene because it doesn’t fit the tone of the fic.
I’ve actually written three explicit scenes. Three Days in February and Love After the End of the World both have them. And there’s an explicit one shot from the TDIF universe called Interlude: Night in March.
I’m assuming the explicit scenes have a different vibe to match my style? Whenever I write them they always have a very large plot reason to be there, so you’ll have to tell me. 🥰 I really appreciate the compliment though. I absolutely love the worlds I create and I love to add some sort of a world-twist whenever I play around with a common trope!
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You know, I feel like other trans people might get this, but it's honestly kind of refreshing when a cis person has, like, undeniable tboy/tgirl/whatever swag. It's like when you come across somebody who speaks the same language as you and you only find out when they start speaking it, too.
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I just finished Fourth Wing and I realized that the reason that Xaden never really hated Violet is because he knew about her from her brother and already knew she was a good person and I want to CRY
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