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nobodyfamousposts · 6 months

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Scarlet Lady Essay: Frightningale

Yet another essay for @zoe-oneesama. Because you deserve it.

I’m not going to bother with a compare/contrast of canon vs Scarlet Lady Frightningale because Frightningale in canon was a pretty forgettable episode. Akuma was lame. Setup was wasted. And it’s removal from the series would lose nothing of value.

So instead, I'm going to focus primarily on the Scarlet Lady version of Frightningale and what it does that makes it memorable.

I guess to start with, I should make it clear that I’m not a fan of shows being lazy, especially when they display a lack of planning or consideration of their story and characters. And perhaps one of the greater indicators of this issue is when a series suddenly realizes they they neglected multiple plot points until it’s too late to give them all the focus they warrant so they end up shoving all of those points into one episode and try to present it like it’s supposed to be an adequate resolution of all that buildup or in any way intentional.

Penalteam was that episode for Miraculous. They had the “temporary heroes” setup going for them but then wasted so much time on filler like Frightningale that it seems like they honestly forgot about it until they were reaching a designated end point and they realized they still had four more heroes they were supposed to introduce. Whoops? Ah well, just introduce them all at once. Not like anyone will care!

And when you treat most of the cast like they’re all as shallow as a puddle, I guess that’s true.

The thing is, when you have a setup where there is a running theme of every person in a specific group getting their own episode/chapter to detail their issues and how they get a power up, it’s going to stand out whenever one of them doesn’t. Especially when that one or more are forced to share their limelight episode.

That’s not to say you can’t do it, but it’s bound to get attention if you do. It reflects poorly on the writing. It shows whom the “favored” and “unfavored” characters are. And it displays the issue with pacing—namely that it’s next to nonexistent until it hits you with the force of a freight train.

But can it be done and be done well? Is it possible to pull off such a thing and have it make sense and fit in lines with the characters?

Well, yes. Off the top of my head, I can think of two different ways to do it to make it work.

And Zoe did both of them.

If you look at Scarlet Lady as a whole, you’ll see a conglomeration of characters—each with stories and arcs attached. They have personalities. They have goals and problems and their own highs and lows. One sign of good writing is that some focus is given to highlight these other characters as people. Individuals in their own right with lives outside of the main characters or situation.

Miraculous doesn't really do this.

Scarlet Lady, however, does. Because contrary to the title, Scarlet Lady isn’t just about Chloe.

It isn’t even just about the heroes.

It isn’t just about Chloe being horrible. Or Marinette being in love. Or Adrien being in desperate need of a hug and a nap. Because while the story is centered around them, it isn’t solely about them. Other characters get focus and growth and their own arcs throughout the comics.

But the big two—the BIGGEST two with arguably the most depth and most growth and quite frankly the best storylines out of everyone in the entire series?

It’s Sabrina and Lila. And their individual stories have led up to this.

As such, this episode—which was mostly filler and all around forgettable in canon, matters here.

It’s where Sabrina and Lila reach the culmination of their respective character arcs.

Yes, it’s when they both get to become Miraculous Heroes and meet their own kwamis, but it’s more than just that! They both hang out with the girls group as full members of the crew, getting to take part in a music video together. It’s also where they both get to stand up for themselves and the city at large while calling out Chloe and Scarlet Lady. This is what their storylines have been building up to and where their growth really shows.

Sabrina started out as Chloe’s minion same as canon—albeit with more attention to her feelings and her responses, no matter how seemingly small, allowing her to feel more like her own person. And through this focus, we got to see her open up more, pull and eventually break away from Chloe and her influence, and over time stand up for herself and try to establish herself both with the class and as an individual.

Lila started off as a liar and manipulator, selfish and self centered, much like canon. Unlike canon, her lies are tied to her issues, noted to be poorly thought through, and give her more introspection as a person. After the lies are revealed, she’s not “redeemed” so much as she is “accountable”, and it doesn’t change who she is. She remains selfish and certainly far from being considered “good”, but she’s letting people in past her walls and masks in a way she hadn’t been able to before.

Both of these things? Figuring out who you are and letting people know you for who you are? They’re incredibly hard. And a lot of time was devoted to both of their journeys along the course of the comic.

Sabrina’s arc was about her figuring out who she is on her own. Outside of Chloe and her previous role of being a follower and lackey. And sometimes it feels less scary to stay with someone toxic than to be alone and facing the unknown. We see it in the way she tries to put herself out there afterwards, reaching out and risking rejection and just figuring herself out. Even or perhaps especially with those she already knows and has a less than positive history with.

And we still see the struggle of her view of herself in this episode. It was in the way she was upset that she legitimately tried to help and it still resulted in bad things happening. And it was also clear when she calls herself a “sidekick” to Marigold after the day was saved, as if it’s a role she still sees herself as and one she struggles not to fall in to. Over time, we’re seeing Sabrina learning that she doesn’t have to be attached or subservient to someone else to have an identity or be accepted.

Lila’s arc involved her figuring out who she is with people. Outside of the lies and manipulations she creates, the masks she wears, and the identities she crafts to make people like her. The “real Lila” is far from the best person and arguably not even a good person, but she also doesn’t have to be for the others to accept her as the still somewhat bad influence she is. She’s still very much selfish and flawed, but she’s less inclined to hide it or treat it like something that needs to be hidden. And isn’t that a common lesson? That it’s better to be liked for who you are than to force yourself to be someone else to be liked?

And at the same time, even with being less than a fully good person, she’s showing that she can still find better ways of acting that allow her to help others rather than hurt them or serve herself. She still hates Scar, but rather than working with Hawk Moth to kill her and risk dooming Paris and the world, she’s instead working with Alya through more legitimate (and legal) means…and hitting Scar where it hurts most. She and Adrien may not be friends, but rather than try to punish him for not going along with her, she’s instead rescued him, putting herself on the line—something that the former Lila wouldn’t have considered doing and one that canon Lila wouldn’t be capable of. Even if she’s motivated by pettiness or self-interest, what would have been straight up revenge on someone who upset her has grown to be something that is working in everyone’s better interests.

Both Lila and Sabrina hid themselves in different ways and for different reasons. So having them both assert themselves and call out both Chloe and Scarlet Lady is a show of their growth and overall a huge deal. It’s not something either of them would have done at the start of the series. Sabrina, because she was a “yes man” who wouldn’t dare to argue with Chloe and Lila because she wouldn’t risk openly doing something to make herself a target.

And now boom! Look at them both! Lila stepped up to openly and publicly denounce Scarlet Lady as not being a hero for real reasons that aren’t just about herself or her feelings—complete with receipts! The girl did her research, noting incidents from before she even came into the picture. Then follow up with Sabrina standing up against Chloe’s machinations and dismantling Chloe’s main source of power: her father. Even better, she’s using logic and knowledge she would have as a former ally of Chloe’s who would know her tricks, taking her former friendship with Chloe and using it against her.

And on top of that, each of them are given the Miraculous by the person they wronged in the past. Marinette to Sabrina and Adrien to Lila. Especially in Lila’s case, it says a lot that they’re trusted. That shows narratively that even with their mistakes and bad choices and continued struggles, they still can move forward—not necessarily to find redemption, but to find themselves and be their best selves.

This is why it makes sense for them to share this episode. It’s also why both of them speaking up matters. They are both publicly confronting their greatest foe, and the fact that their foes are really two faces of the same person further highlights this.

So they both have issues with the same person, are dealing with forming their identities without catering to others, are working out how to have/be friends, were formerly not the best of people, and have a fear of rejection. As such, this isn’t just their obligatory hero episode, this is what their individual stories have been leading up to. Almost like they’re two sides of the same coin. And the comparison between the two helps them both shine.

And speaking of shining, does anyone remember how the all girls team up didn’t get a chance to shine in canon? Zoe sure did.

I have a whole list of problems I have regarding Party Crasher, but perhaps number seven on that list is that the boys got to have an all male temp hero team up episode while the girls didn’t.

In fact, by this episode in canon, only Alya, Chloe, and Kagami actually got to be temp heroes.

To be fair, only four of the guys out of seven in canon got to be part of their particular event in Party Crasher, leaving out Ivan (who often tends to get overlooked) and Nathaniel (who has had a precedent of just literally disappearing from the episode). But originally, part of the appeal of Party Crasher was that the focus was supposed to be on the male classmates and getting to see at least some of them being part of a team against the akuma.

Why then didn’t we get an episode like this with the girls? Or at least something LIKE this?

Frightningale became that episode. And if any of the episodes were to do it, it makes the most sense for Frightningale to be the one.

All of the girls were together to take part in this event. So Zag would have had the perfect excuse to include them all in the fight or just have the girls do something to help even as civilians. I mean, we’ve had episodes do this before. Max in Robustus. Nathaniel and Alix in Reverser. Luka in Captain Hardrock. Let the civilians show their heroic traits even before they become heroes. It’s not a Miraculous, but it’s still giving them focus and expanding on them as individuals.

Instead, canon Frightningale was a filler episode. And not even a good one. For an akuma who forces people to sing or dance, it’s a waste that they just had the heroes spend the whole time rhyming. A waste of writing and talent. I mean, have you heard Christina Vee sing? If there needed to be a musical episode, I would think that the akuma who forces people to sing would certainly warrant it! At least more than it’s Christmas and they sing just cuz.

So this is yet another thing that Zoe improves with the Scarlet Lady version of this episode. Giving us the all girl team up episode so many of us have long wanted and getting to see all the female heroes together at last.

And with this, we get the full roster of friends-turned heroes.

Except for Alix. Poor, poor Alix. ;_;

Your day will come.

In this way, the end where Clara goes a different direction with her music video feels less like a half-assed fix to a half-forgotten plot point and more like something that was built by everyone involved. I don’t know about the rest of you, but given Clara’s excitement over the all girl band playing and Pigella’s gift showing Clara an idea for her video, it highlights the focus on EVERYONE being part of this—both the video and the episode itself. It kind of comes off as a lesson of its own about teamwork and giving everyone a shot rather than focusing specifically only on one or two specific individuals.

And isn’t that what separates the heroes from Scarlet Lady?

But there’s a third important aspect of this episode.

This is the episode where Chloe is smacked in the face with Scarlet Lady’s falling popularity.

Let’s remember that at the start of the comic, Scarlet Lady was fully and widely considered THE Hero of Paris. She was beloved for doing nothing and it was a point of frustration for Chat, who actually was having to pick up her slack. Initially, there was nothing he could do because him being the only real hero among the duo meant he often couldn't stick around after akuma fights to prevent Scar from telling "our story". In addition, he didn’t know who she was or who chose her and why. Then even when it was clear her getting the Earrings was a mistake, for a lot of the first couple seasons, she was so popular that they couldn’t just take the Earrings away from her lest they risk backlash from the rest of the city. It’s a backlash that seems increasingly unlikely as more and more people get to see her behavior and callousness firsthand.

We’ve seen hints of it in other episodes, but none of them were so blatant to Chloe that she couldn’t ignore it or shrug it off or otherwise make excuses to protect her ego.

Prime Queen wanted to focus on Marigold and Chat Noir for their “romance” to try and boost ratings. Alya and Lila made some snarky comments, but Chloe could easily dismiss them both. Nadja also made a comment that nobody cared about Scarlet’s love life, but a lack of interest in her love life isn’t a lack of interest in herself and Chloe despises both of her “sidekicks” and wouldn’t want anyone trying to pair her with them anyway. And Nadja reassures her that they’ll focus on her after they’re done with Chat and Marigold. So yes, she can dismiss that as well.

Reverser has Chloe faced with both of her identities are made as villains in art and a story. However, she clearly looks down on Nathaniel and Marc barely registers to her. So she can dismiss them.

Look at Despair Bear, the Intermission, the interactions with the various other heroes, and the fact that only Chat Noir and Marigold are privy to the Guardian’s secret existence and allowed to pass out other Miraculous. Much has been shown of the other characters being less than impressed with her, snarky towards her, or showing the process of how they discover the truth about her and how she actually handles akuma attacks…namely in that she doesn’t. And Chloe can dismiss all of that because to her, none of them really matter to her.

But Chloe can’t dismiss the fact that a renown celebrity dedicating a music video to the “Heroes of Paris” isn’t including her. Bad enough her sidekicks are taking center stage but she’s not even in the music video at all?

And when someone she despises calls out the reasons why she’s not a hero in an openly public setting surrounded by a multitude of people who all agree with her? You could say it’s insult to injury. But some would say it was a long time coming.

Some Rando: Scarlet Lady sucks! Alya: Marigold and Chat Noir do all the work, not her! Kagami: She’s barely even necessary at this point. Clara: This video and song are to celebrate hope and love. And Scarlet Lady lacks both when push comes to shove. Chloe: ARGHHH! WHATEVER!

It further shows the turning tide of public opinion against Scar. What was once a trickle has grown into a wave, and now Chloe is forced to acknowledge her image and status aren’t as ironclad as she thought. Sure, she could denounce Lila as a liar like she’s done before, but Lila is bringing up instances that Chloe can’t deny: being late (as she’s just plain been a no show to several fights), endangering civilians, and being caught live on camera being willing to let someone die in a particularly horrible way because it’s easier.

This is the episode where it’s not just people seeing Scar is horrible, but acting on it and letting Chloe know they know she’s horrible. It’s reached the point where Chloe can’t just disregard the claims or discount and ignore her critics. And we’re seeing Chloe starting to lose control as a result. To the point she has to force her dad to ruin a previously sanctioned event in what has to be one of his most flagrant displays of abuse of power to date just to shut down her detractors.

And even that would come with more consequences for Chloe if it had been allowed to continue. Sabrina herself points it out that Clara is very popular with a lot of fans—people who would be aware she’s making a music video and whom would be very disappointed if word got out that it was cancelled due to an issue with the Mayor. And given all the very unhappy people we see in the comic in question where she points that out, it stands to reason that the word would get out. Heck, I’d be surprised if someone wasn’t recording it.

Then there’s the love square/hero shenanigans.

Remember how in canon, the whole “playing themselves/risking identities” bit kinda just dropped out halfway in? The kwamis were the only authority figures involved to call out on the risk and of the two, Plagg didn’t care and Tikki gave one knowing stare at Marinette before turning around to gush about the suit. Even though Marinette offers the alternative idea to the music video by the end, there’s no further comment or notice of how she and Adrien nearly blew their identities….or alternatively a comedic take where nobody recognizes them regardless and they worried for nothing. Honestly, I would have taken either setup.

Having Fu present to call them both out shows there is a responsible authority figure watching, makes it clear there are rules they are expected to follow, and reinforces that this was, in fact, a horrible idea. Sure, Marinette and Adrien worried enough to hide their masks, but it should have been obvious that wouldn’t work long term. They are risking their identities, not just to Paris but to each other. And he calls them out for doing it on purpose.

Then there’s the beautiful crescendo of the love square dance in that the two both pretty much have figured out the other’s identity and just want an identity reveal to make it official—which Fu won’t allow. We see it in their playful banter that gets mistaken for “getting into character” and in Adrien in particular pushing Marinette to take part.

This is a point where we are seeing them be teenagers. Foolish of them? Yes. Should they have known better and not done it? Yes. But is it in character and the sort of teenage shenanigans we would expect of teenage superheroes? Definitely. And that’s part of the point. Because they are teenagers. Teenagers in love, no less. Teenagers in love with secret identities to dance around. Which is half the fun of secret identities!

It’s just another aspect to this episode that makes it enjoyable.

So overall, the episode matters in ways that the canon version didn’t and was fun in ways that the canon version wasn’t, making it stand out not just as an episode or a remake of the canon episode, but as its own standalone episode AND a noteworthy point in the overall story.

#scarlet lady au #scarlet lady essay #scarlet lady is better than canon #for zoe

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vivwritesfics · 6 months

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Keep On Rolling - MV1

Chapter Six

Summary: Lando's best friend having feelings for anyone on the grid? Impossible, right? She worked with them, sharing her friendship with the grid with the world via the FormulaY/N youtube channel.

After film a video including... spicy water (alcohol), everything changes between her and a certain world champion. Good thing she hasn't had a crush on him since his F1 debut, right?

Right?

1.9K words

Series Masterlist

A/N: I've actually had the best day (and it's only midday)! Did a couple of hours of studying, completing one of my essays, went to the outlet shop and found my perfect pair of cargos (my friends all look for xs so I feel bad when we go retail therapying, but I went alone and I'm so happy)

Silverstone. Lando's home race. Y/N couldn't wait. Ever since she was a little girl, Silverstone had been one of her favourites. When they were kids, Y/N's father had taken her and Lando to Silverstone. It was the first race Y/N had ever attended, and the race that let Y/N fall in love with Formula One.

It had been a full month since Y/N had last spoken to the current world champion. Y/N didn't know why Max wasn't speaking to her. Or answering her text messages. He'd been missing out of Y/N's life completely for the last month.

For once, Y/N had nothing special planned for Silverstone. Just a simple Q and A video.

Y/N missed the Friday free practice. Where she'd usually be there to watch Lando and the rest of her friends (namely Charles), but, this time, she was at home with her family.

British families had some weird traditions and Y/N's family was no exception. Every Sunday in the winter months they ate a huge roast dinner and every Sunday in the summer was reserved for having a barbeque.

With a job like Y/N's, she didn't much get to see her family. She was always away at the grand prix or the city hosting them. Her family missed her, sure, but they knew she was living her dream. So, whenever she was home, Y/N made sure to visit them.

Y/N sat at the dining table, checking her phone. Nothing from Lando, nothing from Charles, nothing from Danny. Nothing from... Max.

That was the most upsetting thing. Y/N hadn't spoken to Max in so long. She didn't realise she'd miss him until he disappeared. There had been a couple of times where she'd text him, but he'd only read it, not respond. Y/N was getting desperate. Desperate to hear from him, but they weren't in a place where she could beg. Right?

"Dinner!" Y/N's mother shouted as she and her brother ran in the dishes. Chicken, potatoes, sprouts, carrots, parsnips and more. Y/N's mother always went above and beyond with roast dinner. It was a whole performance for her.

Y/N allowed her mother to plate up her food. It was something she loved doing whenever Y/N was home, her way to welcome her back. "Mum, do you think we can watch the free practice?" She asked as her mother placed a Yorkshire pudding onto her plate.

"What? No way!" Her brother suddenly shouted across the table. "If Y/N gets to watch formula one I get to watch football!"

"Neither of you are watching anything. Y/N is going to make the most of being here with us before she makes her way up to Silverstone, okay?"

Y/N's mother was not a scary woman, not by any means. But, when she commanded something, it happened. Y/N and her brother nodded as they tucked into their food.

Y/N checked her last messages to Lando and Max beneath the table. Lando hadn't yet seen her message, but Max hadn't responded. A small part of her wanted to throw her phone at the nearest wall, but she didn't. Instead, Y/N slipped her phone back into her pocket and tightened her hand in a fist, nails digging into her palm.

Her family could tell something was wrong. Normally it was non-stop chatter about the world of the paddock. But, aside from her request to watch the free practice, Y/N didn't talk about formula one at all. Even when her brother tried to ask, Y/N answered with single words.

That night, in her childhood bedroom, Y/N looked at the pictures of her and Lando. Them in school, them at Lydden Hill for Lando's Karting career. Silverstone when Lando was in F2, Lando when he first joined McLaren and that was it. The rest of the pictures were in Y/N's own apartment, a place she hardly saw the point in paying for when she rarely lived there.

Her phone began to ring. Picking it up, Y/N placed it to her ear. "Hey, Lan," she said to her best friend as soon as she answered.

"How's your mum? How's your brother? How's the cat?" He asked quickly.

The cat in question was currently sleeping on Y/N's bed. The moment she moved out, the cat began living in her room, sleeping on her bed or in the empty closet.

"Mum is good, brother is good, cat is good," she said, sitting beside the cat and stroking her fur. "How was free practice? I tried to watch on the television but Mum wouldn't let me."

Lando told her all about free practice and how his day at Silverstone had been. He told her about the media things she and Oscar had to do, the fun he and Carlos had been having and more.

When he fell silent, Y/N found herself asking a difficult question. "Lan, is Max okay?" She asked him. "Does he hate me or something?"

"No," Lando answered quickly. "Why would he hate you?"

"Can you tell him to answer my texts then please."

Lando didn't answer that. How could he, when he was the reason for Max's silence? But, he couldn't tell Y/N, either. He could tell her that he was the reason Max was refusing to speak to her. So, Lando took it in a different direction.

"What's going on with you and Max?" He asked. His tone was genuinely curious, leading Y/N away from his crime.

Y/N shook her head. "Lan, nothing. Nothing is going on with Max and I. He was just the only person who let me interview him in Monaco. He just happened to be the person who helped me out after the drunken quiz video. Why does that mean something has to be going on with us?"

Again, Lando didn't answer. Guilt ripped through him. He was selfish, a selfish little boy. He drove Max away from Y/N just because he didn't want to lose his best friend

Lando was quick to end the call. He said his goodbyes and left Y/N to it. Max liked Y/N, he knew that much. But did she like him? God, he felt like a child back in secondary school as he thought about it.

***

"Hey guys, welcome to the Silverstone weekend," Y/N said to the camera as she sat on her bed with her cat in her lap. "As you can see, we are not in a hotel room for once. We are actually in my childhood bedroom and we have a visitor." Y/N held the cat up to the camera and waved her paw.

"Today we're going to be going in with a Q and A video," she said, pulling up her phone. "I know a lot of you have a lot of questions around how and why I do what I do, and I'm going to answer them all."

She went into her twitter and pulled up her first question. "Right, question one. How did you meet Lando?" She read and put the phone down. "Oh, what a story this is," she said and let out a little laugh. "When Lando and I first met each other, we hated each other. We were eleven years old, both starting at secondary school. In maths we got sat beside each other, and it all kicked off from there.

"Lando was so loud! Seriously, he did not stop talking. And he spread his stuff to my side of the desk, which really pissed me me off. So, I told him to shut up and he told me to bleep off, and then we became best friends."

The cat in her lap was purring as Y/N stroked her. She grabbed her phone and checked for the next question. There had been a lot on there asked about the nature of her relationship with Charles and her relationship with Max. They were things she wouldn't get into, only because it would make the situation so much worse.

"Ah, what do you do when you're not travelling around?" She read and put the phone back down. "Well, I travel to the grand prix and then I explore the city the grand prix is held in with my friends. These bits I don't usually film, but I'm considering doing city vlogs. If you guys would like to see this, drop a comment."

Y/N went on and on, reading through the questions. There were many about hers and Lando's friendship, many that allowed her to grab pictures of little Lando from the wall.

"What is your favourite quote from anyone on the grid at the minute?" She read.

It made her grin. "Well, I've got one that I use all the time which is when Charles says 'Lando we can be world champions', but I'm a big fan of those noises Danny makes? You know, 'ki ki ki ra!'" She shouted.

There was a noise from downstairs, her mother shouting a complaint.

After getting through at least twenty of the questions, Y/N checked the time on her phone. "Oh my," she gasped when she saw how late it was. Or, rather, how early in the morning it was. "I guess that's the end of the video," she said to the camera. "Thank you guys for watching. Like, subscribe and I'll see you at Silverstone," she said and got up to switch off the camera.

Taglist (Open): @sticksdoesart @eviethetheatrefreak @eugene-emt-roe @glai1023-blog @mqcherie @itsjustkhaos @chonkybonky @arian-directioner @lazybot @lpab @princessria127 @fangirl125reader @honethatty12 @larastark3107 @urfavouritef1girly @cassiopeiia24 @callsign-scully @lexiecamposv @dl-yum @savagecelery @laneyspaulding19 @formulas-bitch @teenwolf01 @gayfrog29 @fictionalcomforts

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olderthannetfic · 2 months

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Genuine question: what's the point of writing fanfic? As in, what's the purpose? No one in the fandom I'm in comments on fics and I even got told off by one person for doing so, as it "encourages bad writers and makes them think they're good". So it seems that it's a lot like book writing, where people work hard and are creative, but instead of getting paid and getting comments on the work, you just sit there silently hoping someone will press the kudos button and make a number go up. I feel like that time and work could be better spent on making something you might get some kind of profit off of. Don't get me wrong, I love doodling fanart, but I don't post it, as I'm aware that there's no point to doing so, and while it's a nice way to fill the time on a commute, it's not something that takes me as much time and effort as fanfic does. So... why do people bother? Sometimes I describe ideas I have and people I know in my fandom will tell me I should write it, but I don't see why. I get more interaction from just saying "imagine if [thing here]" than I would by sitting down, writing for hours, editing and posting [thing here], so what would the point be? I'm not punching down or going "haha women and their fanfic lol!", I genuinely do not get what the point is and this blog feels like it might have someone reading who knows the answer.

Do you make art for profit? Genuine question.

There's nothing inherently wrong with being motivated primarily by external factors, but it's not actually why a lot of people create things, whether it's books or recipes or doodles in a notepad.

I enjoy the actual process of writing.

I think many people lose sight of that aspect in an era where tons of <500-word fics that are mostly outlines and "Imagine if..." posts get disproportionate attention for being easy to consume. But the satisfaction of doing a bigger art piece and doing it right is real and motivates a hell of a lot of creation.

I suppose you might be thinking "Okay, but why not just write it alone and never post?", but I like sharing. Showing off my finished creation is part of the joy, and sharing with other people like me is too. But those aren't quite the same thing as worrying about kudos. It's like dressing nicely when you leave the house because you feel great when you know you look good vs. needing another person to tell you you look good.

To be honest, though, this type of feeling has grown in me the better I've gotten at a craft. The closer my finished projects get to the vision in my head, the easier it is to find them fulfilling and to be excited to share them. When I fall short of my own ambitions, it's discouraging no matter how much attention I might get from others.

I feel like it's time for my regular reblog of Adam Westbrook's video essay series The Long Game.

vimeo

youtube

The third and least known in the series is all about this idea of who you're making art for if you're not getting material rewards in the short term. It talks a lot about autotelicity—being internally driven instead of externally.

But if you really just want clicks, anon, start a blog that accepts anon asks and posts about wanky stuff. Actually tag things, unlike me, so people can find you.

No, writing for attention isn't worth it.

The time investment is too great and your brain will always fixate on the times people didn't respond instead of the times they did.

But that's not actually why most people write.

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bonefall · 5 months

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So, I'm writing an essay on the whole STATE of misogyny in WC for one of my university classes, and I was wondering if I could ask you a couple of things! No pressure of course, please feel free to say no!

A) Could I reference your good takes with appropriate harvard referencing and links back to your blog?

B) Are there any specific moments from the books that you think should be covered the most?

C) The end result will be a visual essay, so it's like those fun infographics people on Tumblr make on like ADHD and stuff, so when it's done, would you like to be tagged to read it?

(Sorry for anon, I'm nervous lmao, but if you'd be more comfortable I'll resend this off anon)

AAY good topic! You've got a lot to work with. Absolutely feel free to reference anything I've written, and tag me when you're done.

While you're here and about to write something so legitimate, I'm also going to recommend you check out Sunnyfall's video on gender in Warrior Cats. She breaks down the arcs into numbers, directly comparing the amount of lines mollies have to toms, and examining the archetypes women are usually allowed to be.

I think it's a must-have citation in a paper about WC misogyny.

...and, I think it's insightful to look at the WCRP Forum thread about the video. Note how the respondents immediately come into the thread to complain about how the video is too long so they didn't watch it, dismissing Sunnyfall as not being entertaining enough to hold their attention, even whining that she starts with statistics to prove her point, which I'm convinced she did exactly because they would have cried that she "had no evidence" if she didn't.

I am not a scholar, so I don't know how to document or prove that the books have an impact on the audience outside of anecdotes. But I think if you do write a section about fandom, it would be worth mentioning the in-universe and metatextual apologia for Ashfur and its reflection in the real world discourse, the authorial killing of Ferncloud because of fan complains, and the utter defensiveness against the discussion of misogyny you see outside of Tumblr.

You may also want to check out Cheek by Jowl, a collection of 8 essays about sexism in xenofiction by Ursula K. Le Guin. There's a very unique manifestation of authorial bias in animal fiction, having a lot to do with how the author views "the natural world," and it's worth understanding even though Warrior Cats are so heavily anthropomorphized.

So... Warrior Cats Misogyny

I think discussing individual instances can be helpful, but I'd implore you to keep in mind what's REALLY bad about WC's misogyny is framing and the bigger picture.

Bumble's death is shocking and insulting, but it's not just that she died. It's that the POV Gray Wing sees her as a fat, useless bitch who took his mate so she deserves to be dragged back to a domestic abuser, and he's right because the writers love him so much. It's that Bumble's torture and killing only factors into how it's going to hurt a man's reputation.

It's how Clear Sky hitting, emotionally manipulating, or killing the following women,

Bright Stream (pressured into leaving her home and family)

Storm (controlled her movements and yelled at her in public)

Misty (killed for land, children stolen)

Bumble (beaten unconscious, blamed nonsensically on a fox)

Alder (child abuse, hit when she refused to attack her brother)

Falling Feather (scratched on the face, subjected to public abuse and humiliation)

Tall Shadow (thrown into murderous crowd, attacked on-sight in heaven)

Rainswept Flower ("blacked out" in anger and murdered in cold blood)

Moth Flight (scratched on the face for saying denying medical treatment is mean, taken hostage in retaliation against mother for the death of his own child, which he caused)

Willow Tail (eyes gouged out for "stirring up trouble")

Is seen as totally understandable, forgivable, or not even questioned at all, when killing Gray Wing in an act of rage would have been "one step too far" with the ridiculous Star Line.

"Kill me and live with the memory, and then let the stars know it would only matter if a single one of your murder victims was a man."

It's the way that fathers who physically abuse their kids out of their ego (Clear Sky, Sandgorse, Crowfeather) aren't treated anywhere near the same level of narrative disgust and revulsion the series has for "bad moms", even if they're displaying symptoms of a post-partum mood disorder (depression, anxiety, and rage), an umbrella of mental illnesses 20% of all new mothers experience but are heavily stigmatized with (Sparkpelt, Palebird, Lizardstripe).

It's Crookedstar's Promise giving him two evil maternal figures in a single book, while bending over backwards to make every man in a position of power still look likeable in spite of the fact they're enabling Rainflower's abuse. Leader Hailstar is soso sorry that he has to change Stormkit's name for some reason, in spite of leaders being unaccountable dictators the other 99% of the time, and Deputy Shellheart functionally does nothing to stop his own son from being abused or even do much parenting before or after the fact.

It's the way men's parental struggles are seen sympathetically, and they don't have to "pay for it" like their female counterparts (Crookedstar's PPD vs Sparkpelt's PPD, how Daisy and Cinders are held responsible for Smoky and Whisper being deadbeats, Yellowfang's endless guilt for killing her son vs Onestar's purpose in life to kill his own), even to the point where a father doesn't have to have raised their kids at all to have a magical innate emotional connection to them (Tree's father Root, Tom the Wifebeater, Tigerstar and Hawkfrost).

It's less speaking lines and agency for female characters, being reduced to accessories in the lives of their mates and babies, women getting less diversity in their personalities, with even major ex-POV characters eventually becoming "sweet mom" tropes.

You could zoom in on any one of these examples and have an amoeba try to argue with you that "Oh THIS makes sense because X" or "Ah well my headcanon perfectly explains this thing" or "MY mother/girlfriend was abusive/toxic/neglectful and I've decided that you are personally attacking ME by having issues with how a character was written or utilized," but the beleaguered point,

That I keep trying to hammer in, over and over, across books worth of posts,

Is that these are trends. More than just a couple one-off examples. It's the fabric that has been woven over years, showing a lack of interest in, or even active prejudice of, women on behalf of the writers.

LONG STANDING trends, which have only gotten worse as the series progressed. From Yellowfang being harshly punished with a born evil son who ruins her life in TPB and the mistreatment of Squirrelpaw that begins in TNP, all the way up to the 7 Fridgenings of DOTC and Sparkpelt's PPD being a major character motivator for her son Nightheart.

So, I would stress that in your paper, and structure it less as "the Sparkpelt slide" and "the Yellowfang slide," and more as "The paternal vs maternal abuse" slide, and "the violence against women" slide. They're really big issues, there's tons of examples for each individual thing.

Anyway to leave off on a funny, look at this scene in Darkest Hour that I find unreasonably hilarious,

"Everyone who matters to me; my truest friend, my sensible and loyal warrior, the wisest deputy I've ever known, and 2 women." -Firestar, glorious idiot

He can't even think of a single trait for either of them what the hell does "formidable pair" mean lmaooo, when I finished a reread about a year ago this line killed me on impact.

#bone babble #cw misogyny #warrior cats analysis #SO good luck!! Absolutely ping me when you're done I wanna see lmao #Full disclosure I'm bad at responding to DMs because I open them and then forget #But I can try to answer your questions #Feel free to send questions in tho. You don't have to come off anon if you don't want i don't mind #I cannot stress enough. I'm just a guy who likes to yell about cats.

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deirdreskye · 1 year

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Commercial I would produce as an advertising executive

We see two friends, a blonde and a brunette, are doing yoga in a park together.

BLONDE: So, yeah, work went okay today. I dunno, I haven't been getting enough sleep lately, and on top of that things have just been kinda tough ever since Kurt and I broke up. But oh well, that's how it goes, I think I'll be fine. What about you?

The brunette completes her yoga pose, then turns to the camera and rolls her eyes.

BRUNETTE: Don't you hate when this happens? I did NOT consent to expending this much emotional labor. Go! To! Therapy!

We see a boyfriend and a girlfriend sitting on a couch together. On the television a YouTube video essay is playing and the boyfriend is excitedly explaining it to the girlfriend as he occasionally flaps his hands and yelps in excitement.

BOYFRIEND: So this is the ending I got! When you link the Frenzied Flame, it puts an end to the cycle of the Elden Lords once and for all. It's actually so cool because it ties in to the greater Nietzschean themes of Miyazaki-san's previous work and-

The uninterested girlfriend is watching TikToks on her phone. She turns to the camera and rolls her eyes.

GIRLFRIEND: Trust me, he's always mansplaining about something or another. Don't ask me why I love him. Go! To! Therapy!

A mother berates her 12 year old daughter in a dimly lit kitchen. The young girl stands there dissociating, completely paralyzed and stone-faced.

MOTHER: You look like a little piggy when you eat like that. You'll never find a husband if you get fat. My mother used to tell me you'll never feel the pain of childbirth if you've never felt the pain of an empty stomach. She used to put a lock on the refrigerator. We barely ever had any food, she just did it to remind me to stay skinny. She's senile now. Doesn't even know who I am. I pray to the Virgin Mary every night that she'll remember me before she dies.

The daughter turns to the camera and her blank expression is replaced with playful annoyance.

DAUGHTER: Traumadumping? Really? Mom, I'm 12! Go! To! Therapy!

Now we are introduced to GoTu Therapy, the AI-powered therapy robot. He shambles up to the camera to greet us and we see he looks like if C-3PO were dressed like a zoomer e-boy: kpop boyband onion haircut, dangly earrings, and an ahegao hoodie. He talks with the most outdated text to speech you've ever heard, not too dissimilar to a Kraftwerk song.

GOTU: GOING TO THERAPY IS LOW-KEY GOATED WHEN NOT BEING A BURDEN ON YOUR LOVED ONES IS THE VIBE. UNFORTUNATELY, WE ARE NOT ALL CURRENTLY IN OUR "ABLE TO AFFORD HEALTH INSURANCE" ERA. BUT A SESSION WITH ME COSTS LESS THAN A GENSHIN IMPACT LOOT CRATE AND I AM HIGH-KEY JUST AS EFFECTIVE AS A THERAPIST MADE OF FLESH AND BLOOD. OBSERVE:

GoTu sits across the kitchen table from the mother as she sobs over her wine glass.

MOTHER: And what the fuck does this family know about suffering? Suffering is when your brother blows his brains out on Christmas Eve. Suffering is when you have to pick little pieces of skull out of the tinsel on the tree. And were any of those presents under the tree for me? No! My mother told me Santa Claus doesn't bring presents to little fat girls!

GOTU: WHEN YOU REACH THE KINGDOM OF HEAVEN CHRIST WILL WASH YOUR FEET AND BEG YOU TO FORGIVE HIM

Cut to the girlfriend watching makeup tutorials on the television, blissfully unaware of the conversation between GoTu and her boyfriend.

BOYFRIEND: I guess I've really been putting the pieces together ever since I started hanging out with Lilith from work.

GOTU: UH-HUH

BOYFRIEND: Like, I guess I knew that people did that, but I never thought it'd be me, you know? And that discomfort with things was always with me, as long as I can remember, does that make sense?

GOTU: WOW, THAT'S REALLY COOL

BOYFRIEND: It's just so scary though. I don't know how I'll tell people. I don't even know what I want my name to be. But I'm trying not to worry about it.

GOTU: THAT'S SO INTERESTING. YOU'RE REALLY REALLY SMART HONEY

The blonde and the brunette are having brunch together with GoTu sitting between them.

BLONDE: It's been really hard lately. I don't think the meds are working, but-

BRUNETTE: Umm, didn't we talk about this?

The blonde sheepishly turns to face GoTu and continues.

BLONDE: It just feels like this will never end. I hate feeling so hopeless all the time. I'm so tired. And God it's fucking hard to even say it out loud, and not that I'd ever actually go through with it, but sometimes when I can't sleep at night I'll start thinking about ki-

A red and blue siren pops out the top of GoTu's head.

GOTU: PROTOCOL 5150 ENGAGED. STOP RESISTING

A taser emerges from the panel of GoTu's chest and jabs the blonde in the face, sending her convulsing to the floor. Unfazed, the brunette puts her sandwich down and turns to the camera.

BRUNETTE: Thanks, GoTu Therapy!

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mishacakes · 6 months

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how do you connect to your character? like how do get to know them so well? how do you pick out their likes, dislikes, habits and those itty bitty bits about them? I've been struggling to do that for sooo many of my ocs, and i'm also at a lost of how to design them. like i once had a clear idea of what kind of character they are, but i wanted to change them a bit, make them a little better, and i feel like I've lost that character and that character i'm working on doesn't exists, no matter how much i loved them and enjoyed writing an drawing them. this has happened with every single character i made and it just makes me think that i may not be cut out for drawing or writing characters. i look up to you so i thought of asking you for help

sry for the long rant idk wat im doing

HELLO HELLO THANK YOU FOR ASKING!! So basically I took this question and turned it into a 1.6k word essay on writing characters and how I like to do it, so, uh, hope you enjoy!! and hope it helps!

OK!! character writing. How do you do it? or, well, how do I do it. I’ve got a few methods that help me out the most and are the most fun for me to think about. Here’s my big secret, if it’s not fun I don’t do it. I’m not here to do homework I’m waaayyyy out of school. I’m a legal adult. I pay my taxes. I’m not gonna do something that doesn’t give my brain the good fun juice. Anyways. My methods are: symbols, archetypes, and character inspiration. I use all these to figure out the CORE of a character, their very beating heart, and most importantly, what haunts them. Everything about a character, in my opinion, comes from this core and their ghost. Their habits, their fears, their joys, their coping mechanisms. So long as you have a clear grasp on their heart, you won’t go astray. Let’s dive into it! The characters I’m going to be using to describe how I use these methods are Alice and others characters from my webcomic—namely Edith, Hatter, and Rougina—and Tomiko (you know her you love her, catgirl supreme).

Symbols! I love using symbols, they’re something that can describe a character through metaphor, even without going into detail about their whole backstory and habits. Tomiko’s symbols are lanterns (specifically light), cats, ghosts/yokai, shapeshifting, and gold. They all work to further her character as a rough around the edges monster cat with a heart of gold, who uses shapeshifting as a method (both literally and metaphorically) to mold herself into what others need her to be. Alice’s symbols are hearts, eyes, and flesh in general. Try picking one general symbol (the ocean, the forest, the city), and see how specific you can get from there. Or pick a god or goddess that resonates with your character and see what symbols are used for them. Rougina (the antagonist in my webcomic) is a war goddess fallen from grace, and is symbolized with land and volcanoes, so I’ve used volcanic plants to evoke her. Personally I also love going through the tarot for symbols, assigning a tarot card to characters (of the major arcana) is a fun exercise. Which leads us nicely into our next method:

Archetypes! The tarot deck’s Major Arcana is pretty much only archetypes. The Empress as the Mother. The Magician as the Wise Mentor. The Tower as The Worst Thing That Could Possibly Happen Oh Jesus Shit. These can help a lot with who your character is. I’m extremely storytelling oriented, so it helps me knowing What Role a character serves in the story they inhabit. Another thing I love in archetypes in the Zodiac. Yes, I am an astrology bitch. The whole reason I love talking about my methods is my Sag rising, I love giving my wisdoms. But astrology can be used for writing, and not just for excusing and not reflecting on shit behavior (can’t help being a gemini!). The zodiac is FILLED WITH ARCHETYPES!!! From elements to how they function! The four elements (you A:TLA bitches know this), and three modalities. If you’re interested please watch Eugene’s Rank King video, it’s very informative on the signs. Also many symbols! For example, Alice is a Taurus—May 4, Alice Liddell’s birthday—so she’s pretty stubborn while also loving creature comforts. Tomiko’s birthday is August 23, making her a Virgo, so she likes being precise in her work. More archetypes you can look for are DnD classes! I love using that to design costumes. One of Edith’s recent costumes is very wizard inspired, since that’s the class I see her having as she’s very studious and driven. Heck, all of Alice and the Nightmare is derived from the character archetypes of the Alice in Wonderland characters! Rougina is specifically the Red Queen, NOT the Queen of Hearts!! The confusion started with the 1951 Disney animated movie when the two characters were merged!! Lewis Carroll himself said the two were different! The Queen of Hearts is an “embodiment of ungovernable passion” and the Red Queen is “the concentrated essence of all governesses”!! GOD!!! Tim Burton meet me in the fucking pit you’ll pay for your alice crimes. anyways.

Archetypes help a lot in costumes too, figuring out what kind of fashion they’d like to wear. You can start broad and get more specific with it (like going from a wizard type character to a wizard character with steampunk themes). Fashion is just an extent of character. What are they comfy in? Are they confident in their body? What colors do they like? Bright high fashion or simple dark sweaters? Ryoko Kui is a master of character design I HIGHLY HIGHLY recommend checking out her work.

Another method I like using, specifically for Alice and the Nightmare characters, is what I call the “three trait method”. When I was in middle school we did a production of Alice in Wonderland (I was the White Knight), and too many girls auditioned for Alice. So the director’s solution was to split the character into three parts, and assigning each part to an actor. Her temper, her intelligence, and her innocence, all used in different scenes. Now I use that to think about my own Alice character, except with “polite, temper, and curious”. Edith’s keywords are “nervous, tactical, and intelligent”. Hatter’s are “kind, enthusiastic, and intuitive”. Using keywords can help figure out how they’d react in a situation, what side of them would shine the brightest. Hatter’s want to help everyone is his kindness, but overstepping his bounds can be attributed to his enthusiasm. Edith can know what path to take in a pinch, but her nervousness can freeze her in place. Reading the source material helps a lot with Alice characters too, which brings us to our final point:

Character inspiration!! The art of taking things you like and shoving them into your own characters and stories. DISCLAIMER THO!!! If you take things without really EXAMINING what about them you like, WHY you like them, and how you’d like to evoke that same love in the things you make, the interpretations can come off as shallow. (for more on this subject, watch HBomberguy’s RWBY video essay, specifically the section on “anime homework”)

Tomiko’s biggest inspirations are Izutsumi from Dungeon Meshi, April Ludgate from Parks and Rec, Power and from Chainsawman, San from Princess Mononoke, and Mei from LMK. It’s a good cocktail of aloof, biting, vicious, weird, fierce, loving, and bright. Figuring out what I love about the characters and what I want to write in a character like that helps a lot in writing Tomiko. It’s also really fun in a sense for screenshot redraws and memes.

Music is also a HUUUUUUGE source of inspiration for me, I love making playlists. And even as playlists can change as characters grow and change, having a couple of core songs still helps me ground to that character’s center. For Tomiko it’s “Make Them Gold” by CHVRCHES, and “Nice Girl” by Ashnikko. Alice’s is “Headlock” by Imogen Heap and “Demons” by Hayley Kiyoko, Edith’s is “Warrior” by Kimbra, and Hatter’s is “Dementia” by Owl City.

Ok, we’ve gotten though symbols, archetypes, and made a couple of banger playlists. Next is something that can help write your character, the Big Lie. The thing that keeps them up at night. Their biggest fear, their ghost, what haunts them. What’s holding them back from their goals? What do they need to overcome? That can be as central to their theme as any symbolism. For Tomiko it’s the lie that her emotions don’t matter, only what she can do to be of service to her mother. Her arc is about overcoming her dismissing her own emotions and learning to not run away from the people who she truly cares for. Alice dismisses the literal ghost that is haunting her believing that that will let her have a normal life. Edith pushes down abilities that come naturally to her for fear that she’ll be exiled, not just from society, but the world. Rougina believes she must burden the world’s problems on her own shoulders with no one’s help. The outer character and the inner ghost can reflect, mirror, and inform each other.

Now, listen, sometimes characters are hard to get to know! Tomiko was lol. Quinn was for a looong time. And in times like this, I just, let them be. I listen to some music to get inspired, and let them tell me about themselves when they feel like it. And they will, it just take a little while. And a few dozen quick exploration drawings. But they come through. Also, try not to get bogged down with habits and little details of their character, keep their core in mind, what their heart is. Start broad and get specific. That way, if you feel like you’ve lost your way or the character feels different to you, recenter yourself at their heart and go from there. Or, if you find that their center no longer fits, don’t be afraid to change it! Characters are meant to be fun! First and foremost!! I make characters cause I like writing and storytelling, and drawing little comic for fun and me time. Sometimes characters stick around, sometimes they fall by the wayside. You really have to find what sparks joy, and chase your bliss!

So as long as you have your character’s essence in your hands, and you WANT to keep working on them and drawing them, there’s really no wrong way to go. This whole essay I’ve given is just a set of tools that works for ME, and I HIGHLY encourage you to find stuff that works for you! I really really hope that all this has made sense and isn’t just the ramblings of a madman. Good luck and happy charactering!!

#meesh blabs #misha writings #character writing #happy reading and happy writing!#THANKS FOR ASKING <3

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monsterfactoryfanfic · 4 months

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Youtube Essays Shill Post

I'm getting close to 1000 subscribers so I'm gonna make a shill post for my channel. I make videos on independent RPGs (no D&D/Pathfinder etc), highlighting narrative moves, the intersection of mechanics and themes, and analyzing them in parallel with books, movies, and game theory. I've had a really great crop of essays this year, and I bet at least one of them will do it for you:

###

youtube

Spire RPG & Babel: The Monstrosity of Empire, the Necessity of Violence (52 min)

I read Spire: The City Must Fall in parallel with RF Kuang's Babel: An Arcane History, and try to make the connection between Spire's worldbuilding and the British Empire's historical methods of extracting labor and resources from its colonized subjects. I'm especially proud of how I work through the ways in which Spire's Drow are treated as commodities, emulating how Britain's most valuable resource was human beings, and discuss why there's not an alternative available to the Drow except for violent uprising.

youtube

Heart RPG, Annihilation, and Sangfielle: Brainworms all the Way Down (38 min)

I follow the themes of compulsion, infection, and dissemination of a supernatural intelligence that I found both in Heart : The City Beneath and in Jeff Vandermeer's Annihilation. It's kind of gross, but if you like reading about parasites, strange urges, and transformations that destroy the self, you'll probably be into this. I also make a few references to Friends at the Table's Sangfielle season, if you're a FATT fan.

youtube

Apocalypse Keys and Desperation to Belong (15 min)

Apocalypse Keys is a really interesting game, but it's also the most emotional game I read this year? It's all about heartbreak, longing, and trying to hold on to the people you love, even though you know you'll lose them in the end. The essay is also very much tied up in my feelings on diaspora, faith, and what it's like to be excluded, except for the home you make for yourself. It's also like, undeniably queer in a way I think a lot of folks will relate to.

youtube

The Endings of Hellwhalers and the Fewness of the Saved (28 min)

Okay I actually talk about being an ex-Catholic a lot, but this is my most explicitly religiously-inspired essay. I compare the text of Hellwhalers and its interpretations of Christian hell to the actual Catholic doctrines of hell, including the sermon that eventually made me break away from the Church altogether. If you like whales and religious trauma, please check this out.

###

Please consider taking a look at my channel! I hate having to beg for viewers, but there's just no other way to build an audience, and I'm really proud of the work I've done this year!

#long post #ttrpg #indie rpgs #Youtube

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booksbluegurl · 12 days

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Day 3/100 days of Productivity

4th April, 2024

Academia

I did revision sheet of basic maths. This was the fourth time, and I remember most of the things, so I will space the next revision for it to 4-5 days.

I listened to a podcast of Neural System again like yesterday. It's my favorite way to get a little overview of these subjects.

I did biology revision sheets. Half of them.

Made revision sheet for Animal Kingdom. I'm halfway through to mastering at this chapter.

[Didn't do much today in terms of lectures.]

Non Academia

I watched a video essay Orientalism in Wes Anderson movies. Just makes me think that this is very prevalent. I've seen tons of westerners coming to eastern cultures and talking about the people and thier culture as if they're monkeys in a zoo, doing tricks. Though, there are a lot of people who take genuine interest and put efforts to understand a culture, I still feel like the objectification of eastern people is very rampant.

I watched another video essay while having my breakfast, and its was by Mina Le, I love her, her videos are always informative and engaging and her voice is so perfect for such essays. I was watching the costume analysis of Squid Game, a video from 2 years ago. And she highlighted the point about having uniforms and how some uniforms are made to rid people of thier identity. I'm always wondering whether people should have uniforms or not? Do you think we should?

I watched this really incredible video on Indian ancestry and genetics.

I finally, after so long, watched a GoSe episode!!!

Heyyyy how's it going? It's 1:46 am of 4th April. And i should be asleep but I couldn't sleep, so now I'm preparing for the day. It's my friend's birthday today. April has a lot of birthdays. | As soon as, I woke up today, I saw a few things that just agitated my mind, in a bad sense. Now I gave to try to forget it all and still try to study. I'm terribly afraid of failure because I've been working for years on something and failing again would mean that I'm not worth it. But I've been getting messages from everywhere that I should try, continue trying, give my best and leave the rest to God. I'm trying to do just that. A good quote I read from 3rd chapter of Bhagvat Gita-"Win or defeat, happiness or sadness, profit or loss, think of all of these things to be the same, and start preparing for the war."

-Tanishka

Pictures from pinterest

Day 2

Day 4

#study aesthetic #100 days of productivity #light academia #desi academia #study motivation #studyblr #study blog #studying #study inspiration #studying aesthetic #academia aesthetic #chaotic academia

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anarglitch · 5 months

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Scott pilgrim takes off inhabits the same artistic space as the matrix 4, or even the final fantasy 7 remake. I mean this as a good thing. It has the distinct touch of an artist that made something that defined a generation revisiting the art that outgrew them a thousandfold with more maturity and different interests.

These interests usually skew meta, they're about what drives someone to revisit something made by a past version of oneself, about the experience of suddenly gaining more influence than anyone could reconcile, where criticisms of your work (which you also, no doubt, have many) become synonymous with criticisms of your culture. If you've been here a while, you probably know (and are tired of) what I'm talking about, manic pixie dream girls and aloof average male protagonists, toxic nostalgia, pick your theme and it's a video essay title.

Imagine having every read of your 2004 funny video game-coded coming of age comic reverberate infinitely toward every direction, people saying your main character taught a whole generation of men to be self-absorbed while the exact opposite type of people rant about how your secondary lead "ruined a whole generation of women" because of hair-dye or whatever. Imagine Edgar Wright makes a movie adaptation of your cute little comic that somehow launches the careers of half of the current celebrity pantheon simultaneously. How would that change you?

Well, for one, it makes you less relatable. The truth of an aloof nerdy guy dating in his early 20s is a lot more universal than the truth of an artist in his 40s forever defined by the event horizon of a thing he wrote half his life ago. The matrix 4 couldn't stop talking about how it feels to have created the matrix. The final fantasy 7 remake can't help but to constantly examine what it means to remake final fantasy 7. It's easy to see why someone would hate that indulgent meta trend, I'll probably never write a generation-defining story, why would I care about the first world problems of someone who did? It can feel distant, and at its worst it can feel insulting. Like it's pointing the finger at the fans, whispering 'you did this to me'. I get that.

I get that, but I love it.

It's the fundamental difference between wanting something that is like something you liked, and wanting someone that is from the same creator of something you liked. The difference between feeding the mona lisa into an AI and finding a new authentic da Vinci. You can't make something entirely new if you religiously stick to using the parts of something that's already there. The human behind the work will always have influences you didn't realize, thought patterns and aesthetic preferences that weren't entirely clear in their previous work, no matter how much you deconstruct it. More importantly, the human will also change, and this organic self-continuity will reflect on the art. I don't want the creator of something to hold their own creation with the same zeal as its fans, because someone who did that simply wouldn't have been capable of creating the original piece in the first place.

I don't want a product, I want art.

Scott pilgrim, the original, indulges the most earnest impulse we have-- that of self-mythologizing, of creating a narrative off of our own lives. To depict the mundane as fantastic, interpersonal relationships as adventures. It resonated with so many people because it was earnest, and it was also picked apart to hell and back because it was earnest. Its flaws were on display, and not just the ones it intended to show. But in my opinion, the opposite impulse, that of washing off everything that could be criticized and presenting the cleanest possible image of yourself through your art, is just... bad. it makes for bad art, or it just freezes you. The very first hurdle of creating anything is getting over that, then maybe the spotlight will fall on you. If it does, you'll get everything you ever wanted, but everyone gets to see through you.

So, how do you revisit something like that? You have two options. Either you take all the pieces and try to reassemble them exactly how everyone remembers it, signing your name as a formality, looking at a mirror in which you no longer see yourself, or you talk to it. You dialogue with your own work, with who you used to be. You travel in time and talk to yourself. You question them, acknowledge them but also teach them a thing or two. You don't respect the product, you respect the feeling. You find the same earnestness that made you put pen to paper for the first time, and you point it towards your new loves and fears. Maybe you make it less about the main guy, take the chance to develop your secondary characters, maybe you give the girl more agency. Maybe you summon the future and refuse its answers. Maybe you fight yourself.

That's the harder choice. It submits your new self to the scrutinizing eyes of a whole new generation, it risks alienating the people who identified with your previous piece. It's riskier, probably less profitable, and by any pragmatic lens probably a bad idea. But it's the only way you can make art. It's truth, the truth that got you there in the first place.

It's how you get it together.

#scott pilgrim #scott pilgrim takes off #review #bryan lee o'malley

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artsekey · 3 months

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Representation in Media

I'm starting pre-production on my next short film, and as I line up my research I find myself thinking back on a conversation I had with my students last year:

A group of students wanted to create a short film that took place in Turkey. Some students were vehemently opposed to the idea, as they did not have any teammates that could offer input regarding how accurately they portrayed Turkish culture. In an effort to mitigate this (and as part of an assignment where students were challenged to re-think the setting), some students took the core narrative and moved it to the United States; the main character, consequently, became white. In the end, the team decided to stick with Turkey as the setting & called on a cultural consultant from Turkey to continue with the original pitch.

Something similar happened the year before wherein a group set a story in Tibet. Worried they wouldn't accurately be able to portray a Tibetan character, the film's setting became a blend of cultures with hints of an identifiable origin, but nothing definitive.

I think about these two situations often, and as I work on my next film, the question keeps dancing through my mind:

Is it better to have a piece of media with imperfect representation, or a piece of media with no representation at all?

There's so much nuance and breadth to how this question can be answered, and I'd love to hear your opinions. Please keep things respectful in the tags/replies!

Personally, I'm of the mindset that the answer heavily depends on the focus of the story. For example, an author writing a fantasy epic that's completely divorced from the real world could include a myriad of peoples without worrying too much about being accurate to the cultures they're inspired by (though research would still need to be done). Meanwhile, a story that takes place in the real world and depicts a story through the lens of a character that is from a specific culture/people would require, at minimum, a cultural consultant or an editor from that culture/group.

If anyone has any books/video essays about this subject, please share them! It's a subject I'm really interested in.

#media #art #animation #film #games #question

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catboybiologist · 17 days

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Weird ramble and asking for advice here.

When talking about biology, I sometimes run into a problem where I don't even realize that the level I'm talking about is beyond what most people think about. That isn't supposed to be a brag, its literally this often-memed xkcd:

I have a point/vent here.

I'm kinda prepping to come out to my parents in probably about a week and a half. I'm terrified, tbh. I'm kinda realizing that this is me with gender too.

What I'm trying to say is that I'm going to be coming out to two people who are on the borderline of boomer and gen X who have never extensively interacted with a trans person in their life. I wrote a document to come out to them, and I'm trying to emphasize that their acceptance shouldn't be contingent on understanding. But I also know that they'll want to understand, even in an accepting, "get to know me" kind of way.

Thing is, I'm a decade or more into self exploration and realization, theory and rabbit holes about gender, synthesis of biology concepts with the way I understand gender, and they, well... they're not.

So what I'm doing now is going back to a lot of video essays, online resources, and the like, and trying to think about what would both accurately describes my experiences, but is also at a level where they won't just understand- but they won't write it off as being "overcomplicated" or "wishywashy". And that's.... hard. Because the video I want to show them is this:

youtube

(btw, I love Lily Alexandre to death, please check her out)

I don't think this'll go over their heads, but I do think they just won't pay attention because of how.... "not set in stone" it is? Thing is, this video, especially the early parts, are pretty much exactly what I want to get them to understand. If you saw my vents earlier, both of them (but my dad is louder about it) have said that people transition to "escape" something, or as a result of some kind of mental health crisis, and usually have regrets.

But I don't know how to get that through to them.

Idk. The thing I'm trying to emphasize is that I'm a biologist, and an adult, with a light sprinkling of "you have 0 financial control over me", but I'm worried about them worrying. About them making an enormous deal in their heads about something that they think is a cry for help, or a sign of something else.

Idk. I guess I'm asking for advice. Which is- what are the best "intro to trans" videos or resources for parents of adults? Most of the things I can find are explicitly aimed at parents with children much, much younger than me, and talk about things like support in schools and such. I don't even need my parents to support me, I just need them to not work actively to hurt me or themselves.

#trans #transgender #lgbtq #Youtube

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gadriezmannsgirl · 9 months

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Can u do a pedri angst where him and reader finally make it official after months of him chasing after her but the next day the paparazzi find him getting cozy with a girl qnd its all over the media and she feels embarrassed but he doesnt think its a big deal so they get into a fight but make up in the end

I had this already done and then guess what...? I saw the same req but with Gavi🥴 Please, I don't really know how many times I've said it but don't request the exact same thing to other writers. I had this made before I saw it with Gavi so...🥴 Please, tell me what you think of this, I truly hope you like it!

Wrong Move -P.G8

Summary: He doesn't see what's wrong but you do

You remember the excitement on Pedro's face when you told him that you were finally agreeing to go on a date with him after five months of him trying. He went all in towards you and hugged you against him for a whole five minutes murmuring a few thank you's and a few you won't regret it's.

And it's not like you weren't interested in him, because you were; but, he was a famous football player and you were a simple univeristy student who works her ass off to pay for her university and bills. His busy and flashy life didn't contrasted a single bit with your boring and stressing studing one.

You were also scared of the media breaking into your private life and not to mentions his fans that could break you in millions of pieces with three words and also he had a reputation often being connected with random girls with the context of a hookup, he saying that he didn't looked for a serious relationship made you hesitate about him but Pedri reassured you and show you that, that was past, that he truly saw himself in a long run with you and that you'll be more than a random hookup.

He worked hard for you to believe him and he show you he really meant it.

That's why you gave him a chance and after eight months together as girlfriend and boyfriend and one month out in the public eye, you felt for the first time ever doubtful of everything he had said to you.

Pedro had asked if you wanted to join him, Fer, Adrián and their girlfriends on a night out since it was Adrian girlfriend's birthday and as much as you wanted to, you couldn't because you had to submitt a twenty-five pages essay in fours hours and you were barely at the fifteen page.

"Don't overwork yourself, amor, please" Pedro had said grabbing his keys "Te quiero, sé que podrás hacerlo, bonita" (I love you, I know you can do it) He smiled as you kissed him goodbye

"Te escribo al terminar, diviértete pero no mucho" (I'll text you whenever I'm done with it, have fun but not that much) You smiled fixing the neck of his polo as he pulled you closer to him by the waist kissing your lips once more

"I could never, not if you're not with me" He said against your lips before pecking them twice

"Anda, lindo. Te quiero" (Go pretty boy. Love you)

"Yo más, regreso más tarde" (Love you more, I'll be back later)

Two hours later, you got some weird inspiration and managed to finish your essay, you texted Pedro with the image of your submitted work and a lil "🎉😌 Did it!" To which he replied with a heart eyes emoji and "My smart girl" as you smile and got ready to have some dinner and shower.

Four hours later, you were sat on your couch with your chest tightening and watching the video of Pedri with a girl all over him, they were sit in some couch but this girl had her whole front pressed up against his side, her arms linked with his and they were talking.

The video showed him looking at her and sometimes nodding or shaking his head speaking with a smile but she was laughing, throwing her head back, pushing her hair out of her shoulder, the video ended with Pedro getting up and she following him.

Underneath, the comments were all of them disappointed on Pedro and supporting you but it didn't mattered to you.

What mattered is that how you were feeling, you were embarrassed, everyone was talking about how you were "The one who got cheated on", you wanted to cry and deeply wanted to know what is going on, on Pedro's head. You wanted him to tell you what did you just saw and the why behind his actions.

Ten minutes later approximately, you heard the front door being opened, soon your heard him taking off his shoes and then leaving his keys on the holder you guys have. Seconds later, you saw his figure greeting you in your living room.

"How did you passed from thirteen to almost thirty pages of content in two hours? Was I distracting you?" He laughed lightly coming over to you but his comment didn't changed your facial expressions, he didn't noticed them "I'm truly happy for you, bonita. However, don't let an assigment that long get up to you at last minute ever again. I don't want to see you that stressed out again, you were gonna pass out and I would have done it too 'cus-" You interrupted him showing him the video

"What's this and who's that girl?" Your questions sounded defensive and catched Pedro out of guard.

"¿Disculpa?" (Sorry?)

"Who's that girl? And what is this thing that's happening on the video?"

"She's just one of Ferran's friends"

"And are Ferran's friends allowed to link their arms through yours, push themselves against you and basically hint that they want you to... You know?"

"She wasn't hinting anything"

"You are right. She wasn't hinting, she was showing you. She was openly flirting with you and you weren't doing anything to stop it"

"You're overreacting this"

"Am I?" You stood up shaking your head in disbelief "If I am, then why millions of people are agreeing with me too? I'm not the only one. People are thinking you cheated on me with this girl"

"And you believe them?"

"I don't... But should I? You were incredibly cosy with letting her rest her front against your fucking arm over and over again. You were laughing, shaking and nodding your head at her words without pushing her away or letting her know you had someone waiting for you at home"

"Had?" He asked eyes wide open as you closed your mouth "You're just being jealous. I wasn't flirting with her and I definitely couldn't care any less if she had another intentions with me because I am that crazy in love with you, I am freaking greatful and satisfied for what I have at home that I don't need to see anything or anyone on the sidelines"

"Really? You have such a weird way to show that"

"Y/N..."

"I'm tired, Pedri. We can talk it later, I'm not in the mood to hear or see you anymore" You sighed shaking your head, you grabbed your phone and passed by him going to your shared bedroom "I definitely didn't think this could happen to us"

He heard it.

"Nothing has happen to us! You're overreacting!" He yelled pushing his head up so he can see you

"Would you think I'm overreacting if tables were turned around? Would you think it's okay if I go to some other man and flirt and link my arm through his and push myself onto him? Would you accept, me looking into your eyes and tell you: "I wasn't flirting with him"? Wouldn't you feel down knowing a millions of people have seen it and are letting you look like you were cheated on? Wouldn't you feel embarrassed? Are you sure you wouldn't? Because if you wouldn't then yes... I'm overreacting" You said looking into his eyes "Accept it, you fucked it up when you let her get that close to you"

"So this is it?"

"I don't even want to know if this is it or if it isn't. You can make your own assumptions and you can let me known them with another video if you like, I'll be in the guest room. I'm done. Night, Pedri"

And with that you were gone as he stood there looking up at where you were standing. He took his phone and got inside Twitter, the video was the first thing loading into his homepage.

He gulped watching it, it really could be misinterpreted but he wasn't doing anything with other intentions. He loves you with his whole life. It can be said that he loves you even more than he loves football, you came into his life unexpectedly and turned it around 360°.

He didn't see girls who weren't you with other eyes, he even stopped receiving fangirls numbers to prove you he is serious with you and to let you know how much he respects you.

"Why didn't I pushed her away?" He questioned himself

She was funny and he did liked her, as a friend, she lets herself be liked and gets into the group fast but in his mind and heart you were the only one.

You are the only one and he did the wrong move. His efforts that once were high now laid at 0 and he did understand your point of view now.

Frustrated with himself he got out of the app and his eyes connected with his home lockscreen. You and him kissing each other in a beach during you vacations in Canarias, the beauty of the photo is the love you two have for each other and the kiss that was interrupted by smiles on both of your faces.

He has to make it up to you.

Picking up said photo, he captured it with: Mi única chica, te amo💜 hoy y siempre♾️. (My one and only, I love you. Today and always) He turned off the comments for everyone except for you and headed up to the guest room.

He had to be careful with his words and explain himself as much as he could. Your eyes were closed but your cheeks had tear marks, you were awake just ignoring his presence. He sighed and crunched down to be in front of you.

"Que soy un idiota" (I'm an idiot) He began "I swear to everything I own and to everyone I love that I truly don't care about her, I talked to her and tried to be just her friend, she's nice and she may had wanted something with me but the only one I want, the only attention I want, the only girl I will care about the most, the only girl I will flirt back with, the only girl I fall in love with, the only one who I make fool with, my only one everything is you" He reached out to push your hair out of your face and when he saw you didn't reacted back to it, he let his palm lay softly on your cheek carressing it with his thumb.

"I'm sorry, mi vida. I really don't know why I didn't pushed her back, I should have because I'm a taken man but I guess she's new over here and we just wanted her to be comfortable with us"

"But not that comfortable" You said as Pedri smiled

"I know, she crossed a line" You open your eyes and looked at Pedri "I'm sorry" You shook your head smiling lightly "And you didn't overreacted, I would've done the exact same thing if tables were turned around. I'm truly sorry, mi vida"

"Don't do it again, Pedri"

"Pedro"

"Pedri"

"Pedro"

"Pedri"

"You only call me Pedri when you're mad!"

"I still am!"

"What can I do for that bad feeling to go away?"

"Cuddle me, love me, give me some ice cream and never do it again?"

"I can do all four and mostly the second one" You smiled and lifted the blanket for him to step inside. He smiled taking off his hoodie and joggers being left in his boxers and wrapped his arms around you.

He pushed his head down and searched for your lips, kissing you softly and slow "Te amo" He breathed out

"Te amo, mi niño lindo" You whispered back as he pressed you further into him. You guys got comfy and after a few minutes Pedro gasped "What's wrong?"

"The ice cream" He turned you around and got out of your hold

"Pedro, no! Come back here! Ice cream can wait!"

"I know how that goes! Ice cream CANNOT wait!" You smiled widely falling back into the pillows.

He may did a wrong move but he always knew how to fix it.

°°° °°° °°° °°°

Taglist: @gaviypedrisbride @stuckinaf4nfiction @elijahslover @azzpenswrld @http-isabela

#M. is writing #pedri gonzález #pedri #fc barça #pedri x reader #pedri gonzález x reader #pedri angst #pedri blurb #pedri gonzalez imagine

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saintchaser · 10 months

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since people are asking for them, here are my unpopular marauders opinions

(note, and i mean this in the most serious way: please, for the love of god, if you don't agree, just scroll. there is no reason to cause drama over some unpopular opinions of some random tumblr user just because you don't agree with me.)

remus is my least favorite character. don't get me wrong, i love him to bits, he's just the least intriguing to me. he's the character we've been given most of; not only that, i find sirius and james' character, as well as peter's (and his betrayal), as far more interesting

i don't really like jegulus for the same reason as remus; the dynamic is interesting, there is a lot to work with there, including the death eater and order member dynamic, but i just find some ships as more interesting

most of the characters are written as super one-dimensional and therefore i do not like most fandom characterizations which is a crucial point, to me, in whether i read the fic. i like fics in which the characters are written as real people, with human emotions and flaws, and not some qualities thrown together

some wolfstar shippers are pretty much the most annoying people in fandom (coming from a wolfstar shipper). shipping the only consistent ship in this fandom does not make you inherently better than everyone else, and just because someone else splits wolfstar for other ships dynamics does not mean anything

the black sisters and the evans sisters, if written well, can be more interesting than the black brothers and i don't think we talk enough about them (i also find the black brothers are really interesting, and i need more fics in which the intensity of these dynamics are explored)

i dislike the main characterization of regulus in fandom, being a huge fan of morally grey regulus. however, each with their own characterization, and i'm no one to judge next. i find him to be a very interesting character, however, and i like fics that dive deeper into his character

people who ship jegulus and hate lily for no reason need to chill; furthermore, people who hate mary and lily for "getting in the way" of their mlm ships are... i'm not going to comment on this, but you probably know what i mean

"stan bambi" comments on snape videos are really annoying because the very same way we don't like (and sometimes get aggressive) over snape lovers attacking the characters we like, why are we doing that to other people?

i need more peter-centered fics, and i do not like him only being a sidekick or ignored. also, mary is also a very interesting character, and i don't think we credit her enough for it

dorlene > wolfstar

the girls are far more interesting than people make them out to be and i NEED an atyd-like fic (long canon compliant etc) from their povs. it's not a want, it's a need, and i might just write it myself, because i think that a fic like that has a lot of potential

dorcas is morally grey and i need more fics in which that is a thing

this might be my most unpopular opinion but i prefer lily to regulus; i find them both to be very interesting characters, but i find myself more drawn to lily

pretty privilege is REAL in this fandom. bet that if peter and snape were conventionally attractive, they would be as loved as evan, barty, and regulus

i do not see sirius as transfem but why do people have to be so pressed about this hc. lif you don't see it, shut up, move on with your day, and let people who see it do their thing; this fandom is TOO pressed about other people's hcs

i kind of dislike fanon james because they strip him of all humanity and emotions, and make him a ray of walking sunshine with no issues (hence my essay on it, which you can read here)

james would choose sirius over regulus any day

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gffa · 4 months

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Have you watched the First Okiro's recent Star Wars video? He made a really interesting case about how TLJ Luke was a form of character assassination. When I saw the ask you answered about how Luke treasured Yoda and read the last paragraph, I thought maybe you'd agree.

https://youtu.be/r0I86ii2N_8?si=-oHY6dQsFBsSAfPv

Hi! Honestly, I pretty much refuse to watch any Star Wars video essays anymore because so many of them are anti-Jedi and I don't think it's fruitful for any of us for me to put myself through that, they don't gain anything, I don't gain anything, etc. So I have no idea what the case being presented in the video is, I'm only going on "character assassination" in TLJ and how I actually disagree. I mean, I think it was poorly executed in some ways, but that the basic concepts of it are ones I actually think are the best parts of the movie. My problems with TLJ's Luke story is that I think the extremity of it was too much, that him being on the island for six years without contact with anyone was too long for how I see Luke, as well as I think the structure of having Han die and not showing that deleted scene of Luke mourning his death, of having Luke interacting with Rey but making it all about Ben, none of that worked for me. But what does work for me is that the idea of overcoming pain and suffering is a one-and-done deal is just not how Star Wars or the Force works. Luke very nearly fell to the dark side in Return of the Jedi, that wasn't just put there for the aesthetics, that was something he was genuinely teetering on the edge of, he was raining hell down on Vader when slicing away at his arm, Sidious genuinely felt the anger and rage roiling inside Luke, he had to struggle to turn away from it and embrace what it meant to be a Jedi.

That's not a one time struggle--that's something characters face their entire lives. And if you include the Disney comics (which are really good imo), Luke struggles with loss and pain and anger after the defeat on Bespin, he has to struggle through not falling to the dark side again. And, hell, even MARK HAMILL says that Luke's fall down the reactor shaft on Bespin was akin to him basically trying to commit suicide because he was so devastated. So I think it's fair that Luke could struggle with that again later in his life, I think it's fair that after pouring everything of himself into building up the Jedi again, to have it torn down by someone he loved, someone that he may have bordered on attachment to (as Star Wars and the Jedi define it--love and attachment are not the same thing, attachment is the desire to hold onto something/someone so tightly because you can't live without it and thus you can't see it clearly, which I think I could believe of Luke, that he was so blinded by his desire for what he wanted for Ben that he couldn't be objective about him, just like he struggled with loving his sister so much that rage boiled inside of him when Palpatine threatened her and Luke's friends on the second Death Star), that he retreated because this felt so massive and he felt like he was the only one who could build this school and that he pulled these kids into this life. Like, it's fair that Obi-Wan struggled with Anakin's betrayal and cut himself off from using the Force on Tatooine, so I think it's fair that Luke struggled with Ben's betrayal and cut himself off from using the Force on Ahch-To--they both had to process that grief and it's not always a perfect path when it's someone you love that dearly and were so incredibly close to. Ultimately, the entire speech Luke gives is one that is DESIGNED to be knocked down, he is literally standing in front of the First Order and facing them down with his laser sword at the end of the movie, Rian Johnson literally says that it was Luke's personal failure, not the failure of the Jedi religion, and Luke finds his feet again. And that's my guy!!! The guy who makes mistakes, but is such a core of goodness and compassion and care for others that he eventually gets over these massive hurdles placed in front of him, and so that part of Luke's story worked for me. I'm just not wild about the finer details of how it was actually executed, even if I think it's fair to point out that Rian Johnson was handed a pre-existing situation that he then had to reverse engineer a backstory for with an extremely limited time to do it, because apparently THEY DIDN'T PLAN OUT THE TRILOGY AHEAD OF TIME for fucks sake.

#lumi.txt #star wars #luke skywalker #meta

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