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#love me some strong women
blueskittlesart · 2 days
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deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao
not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad
#people ask me sometimes why ill occasionally talk about something i like and then go 'but it's bad' and the answer is usually because it is#i love teen wolf. i love genshin impact. i love detective conan. and i fucking LOVE taylor swift. that doesnt mean theyre good#it just means i like them. and recognizing their flaws actually helps me better identify what i like about them!#it's like. in my mind bad > good is the x axis and i like it > i dont like it is the y axis yk. they're not mutually exclusive#tldr it's not that serious. we can all relax a little#irt taylor swift i do also think she has done some real harm to her fans in enabling them to deflect all criticism of her as misogyny#and i don't think it's fully the fault of these people who are parroting that response bc so much of her marketing has deliberately#reinforced this idea that to be a swiftie is to be a part of a sisterhood and that any attack on taylor is an attack on all of those women#who are in that in-group. when that's obviously not the case. but she's marketed herself as. for lack of a better term. 'girl music'#to the point where it makes her fans feel as though any criticism of the music or the woman responsible for it is an attack on their#personal experience of womanhood/girlhood/sisterhood/etc. and that's how you get all of thess bad-faith accusations of misogyny#i don't necessarily think this was her deliberate goal with her marketing tho because like. on first glance such a strong sense of communit#among fans sounds like a great thing. the friendship bracelets i got at the eras tour movie are really genuinely special to me.#but it does present a problem when your fans are unable to separate how they feel about the community and experience your music has fostere#from how they feel about you as a person. especially when you are a billionaire who absolutely CANNOT be above criticism in this economy#anyway. tldr i love taylor's music and i don't think swiftie hivemind is as deliberately malicious as it may seem#but it's obviously necessary to be able to take a step back and look objectively at what you're participating in.#anyway stream ttpd or don't idc <3#taylor swift
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sherlock-is-ace · 8 months
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Bill Masters as a character generates four distinct reactions within me:
Jesus Christ, he's a piece of shit I want him murdered.
Omg nooo, you poor babie ily, come here
Pathetic wet cardboard of a man
Damn he's so gorgeous
And i think they're all very correct
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wisebeth · 23 days
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why does the pjo series have to unnecessarily villainize goddesses (hera & athena) or show them as silly ladies (aphrodite & demeter) BUT posiedon and apollo are somehow shown as the coolest/most likeable gods, even though arguably, they're right after zeus on terms of corruption?
ares shown as the worst god after zeus and hera amuses me. last time i checked, he was the patron god of amazons and literally killed a man for attempting to rape his daughter but guess who cursed women for rejection? apollo. guess who raped women when they said no (aside from zeus)? posiedon.
#all the gods and goddesses in the greek mythology are flawed in their own way#it doesn't make sense why the books were so unnecessarily biased towards certain gods?#it bothers me specifically that hera and athena are SO unnecessarily painted as villains#while posiedon is ‘cool’ dad ‘great’ lover ‘decent’ god ‘reasonable’ than other olympians#i get it he's the main character's father of a children's fantasy novel so rick painted him in a good light#but my man? then why are you painting other gods who are arguably just as bad as him as WORSE#shut up i feel strongly about it#i love the percy jackson series#but i hate how the gods are portrayed#is trials of apollo a good series? yes#does it make sense why he's shown as a human-like god with redemption arc#while hera is reduced to ‘evil stepmom’ and ‘bitch to annabeth’ even if apollo is JUST as bad as her?#no#and aphrodite is not some ‘silly fangirl’ whose personality revolves around shipping percabeth#she is powerful terrifying and cunning who can bestow some of worst revenge on those who offend her#demeter is not a silly crop goddess#her love for her daughter was so strong it almost ended the world and destroyed mankind#shes in charge of harvest and agriculture without her humanity will starve to death#shes just as powerful as the big-3 or at least she should be#posiedon is not this cool perfect rational god#medusa would disagree demeter would disagree pasiphae would disagree odysseus would disagree#apollo cursed women posiedon raped yet ares killed a rapist BUT nooo let's make ares the bad one#percy jackson#rr crit#greek mythology#heroes of olympus#trials of apollo
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tournament-of-ninjago · 2 months
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happy international women’s day !!
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Yet another wild crackship between my LDB and some Skyrim dumbo, but this time it's General Tullius, and it actually gets madder from there
Look, a lot of this surprised me too. It sure surprised @elder-dragon-reposes and yet it makes sense and that's the strange beauty of it
He could be forgiven for not seeing her at Helgen. Between Ulfric's capture and the following dragon attack, Tullius had his hands full with escaped prisoners and a town in ruins. Not to mention Elenwen's attempts to take over his execution. One half-elf caught in the crossfire was below his attention at the time. When she came into Castle Dour, a cold wind in her wake as she spoke about fire and death, he had no choice but to pay attention to her. Especially when she brought up things like "peace" and "ceasefire." This Last Dragonborn was out of her mind.
Yet somehow, she led him into an agreement to meet with the Stormcloaks at High Hrothgar.
Tullius isn't quite sure he likes that. She's as double-edged as any Thalmor diplomat with her words. As noble as her intentions appear on the surface, he's not sure he can trust her.
At High Hrothgar, the Last Dragonborn, Leara, leads both sides into an agreement where no one gets what they want, but no one is worse off, and she plans to trap a dragon in a castle.
She . . . plans to trap a dragon in a castle.
Tullius knows he was sent to Skyrim to tame the rebellion, but no one ever prepared him for how maddening the people of Skyrim were. No one is as maddening as the Nords' hero. Tullius cannot understand her. He's not sure he wants to, all things considered.
The Legate is amused by his consternation. He knows this even without her saying anything. But Tullius is worried. This Leara has the power to sway Skyrim in whatever way she chooses, and if she joins the Stormcloaks, then he has a feeling that the Empire might lose more than Skyrim before all is over.
He keeps an ear out for the Dragonborn's movements. His spy network throughout Skyrim is extensive: If she breathes in Windhelm's direction, if she says anything about the Civil War, then he'll need to be ready. This woman has slain dragons. He doesn't want to see what she'll do to a legion of mortal men. Tullius needs to be ready.
Tullius is not ready when Leara walks into Castle Dour again, armorless and prim as she waltzs into his war room. Legate Rikke greets her, but Tullius pretends to give half an ear. He looks like he's going through reports, but he's trying to keep an eye on the anomaly in the room.
Legate Rikke and the Dragonborn talk quietly together. And then the Dragonborn leaves and Tullius finally puts down his paperwork. Legate Rikke is frowning.
"What did she want?"
The Legate's attention snaps to him.
"She wanted to know about our support from Cyrodiil, sir." "Support?" "She mentioned your inability to negotiate a peace settlement, General."
Tullius recalled that. He'd told the Dragonborn he couldn't do more than accept Ulfric's surrender. But why did the Dragonborn want to know about the Imperials' ability to negotiate with the rebels? Didn't she already get her peace treaty and trap her dragon?
Tullius cannot wrap his head around her. Everything his spies have reported paints her as kindness. Even the coldest Nords seem to thaw around her. But Tullius can't base his understanding of such a power player like the Dragonborn on reports and a handful of interactions. He'd have to speak with her himself.
The Winking Skeever is busy when he steps in. A few heads turn, but otherwise, no one pays Tullius any particular attention. The Dragonborn isn't difficult to find, either: She's at a corner table with her nose buried in a dusty book.
Tullius makes his way over to her.
The Dragonborn is surprised to see him but still invites Tullius to sit at her table.
"I assume this is about my discussion with your legate earlier."
She's perceptive. But Tullius already knew that.
"Do you always discuss politics in a bar?"
At his question, the Dragonborn offers a little half-smile, her eyes dancing with amusement.
"Do you?"
No. Honestly, Tullius couldn't recall the last tie he even visited a bar or tavern other than while traveling. Perhaps he was working too late, but between the Civil War, Elenwen, the dragons, and (maybe) the Dragonborn, he couldn't afford to slack off. Why else would Tullius chase the Dragonborn down to the local inn?
"Have you read much about Skyrim?"
Her question surprises him.
"War commentaries mostly. Military history."
The nod of her precise head is measured as if she expected that response. Marking her page, she closes her book and shows him the cover. It's some thick tome he's never heard of, but the knotwork dragon design around the edges breathes of old Nordic craftsmanship.
"As Dragonborn . . . [she pauses for a long moment] . . . As Dragonborn, I am highly invested in the preservation of the Empire and Skyrim."
She chews her lip.
Tullius almost asks if she's about to join the Legion. He can't deny that he'd hoped that would be her ultimate decision, but sitting here across from the Dragonborn as she was now, deliberating over words and tapping her book's cover, Tullius knew she wasn't about to swear fealty to the Emperor.
When she continues, she speaks slowly.
"General Tullius, would you be willing to help me? I need to reach out to people in the Imperial City about a peace summit, and I don't know where to begin."
A peace summit?
"I take it Ulfric didn't put you up to this?"
Her frown is surprising.
"No, he didn't. I asked him."
The Dragonborn asked Ulfric if she could talk to the Empire about a peace summit?
Before he could ask what in Oblivion that was supposed to mean, the server brought a tea service to the table. Just as quickly, he was gone.
"Would you care for a cup, General? I'm afraid all they have is lavender honey." "I . . . would like that--" "Leara."
She supplied. Her lips quirked.
So Tullius found himself ensconced at a table in The Winking Skeever and discussing different politicians and diplomats back in the Imperial City with the Dragonborn – Leara. He's halfway through his second cup when she admits that she's trying to find a peaceful resolution to the Civil War that could please everyone. He calls her a hopeful idiot, but she smiles.
"You can't please everyone." "Well, I don't think I can please the Dominion, but I can tie them in legal knots."
Leara wiggles her fingers at him, her rings glittering in the candlelight, and Tullius finds himself speechless.
If the Dragonborn – Leara – can tie the Thalmor up with a loophole, how imminent would their retaliation be? Tullius is at once intrigued and put off.
She was mad.
"Here, you'll want to write . . ."
But by the Divines, he was going to help her anyway, wasn't he? If Leara could talk Ulfric off his warpath, then maybe there was something to her hair-brained scheme.
Tullius sees Leara a few days later. She's been to the Blue Palace and the Bards College, she tells him when he meets her again at the 'Skeever. She's combing through maps and treaties, drafting letters, and making lists. Her mind is running at speeds Tullius can't comprehend, and yet she keeps looking to him for advice.
As Leara stirs a lump of sugar into her snowberry spice tea and peruses another list, Tullius wonders if she did this with Ulfric when she went to ask him to consider peace.
Her penmanship is as poised as the rest of her. He cannot see her against the harsh stony backdrop of Windhelm, amidst the snow and vitriol. She's too civilized for Skyrim. She's almost too civilized for Cyrodiil, but Tullius won't think of that.
He doesn't have a chance to give it much thought anyway when she's asking him about neutrality and the terms of the Concordat.
It's late when Tullius leaves her the second time. As he leaves, she's carrying a stack of papers upstairs. She has a hopeful lift in her step.
Tullius almost smiles.
Almost.
The next morning, Legate Rikke drops a new report on his desk. It's from Captain Aldis.
"What's this, Legate?" "There was a break-in, sir." "And we're concerned with this, because?"
Legate Rikke's jaw tightens, her eyes are wide. Whatever it is has unsettled her.
"It was at The Winking Skeever."
She sighs. Heavy. It's a familiar frustration.
"General, I believe that the Thalmor were exercising their Concordat-given rights."
A pit settles in Tullius's stomach.
"They took the Dragonborn, sir." "On what grounds?" "It doesn't say. sir. It doesn't even mention the Thalmor at all. But you know–"
Tullius doesn't hear the rest of the sentence because he realizes his mistake. He should never have discussed the possibility of an armistice with Leara in a public room. Who overheard her? Who saw Leara's notes and lists and books? Who ratted her out to the Thalmor?
Tullius's fist clenches, his knuckles pale. The one person with a Divine's chance in Oblivion to bring a favorable resolution to the Civil War and the Thalmor took her like every Talos worshipper the Empire was supposed to turn a blind eye too.
He paces around his office. Legate Rikke has left him alone, and now all Tullius can do is think and walk. Turn. Think and walk. Turn. The cycle repeats throughout his office. He only suspects that the Thalmor took Leara. Without concrete proof, he can't accuse them or he'll risk something far more uncomfortable than paperwork. But if he does nothing, then every hope for peace in Skyrim vanishes in the Dragonborn's wake.
Tullius stopped in the middle of his office, standing at a crossroads. Was it possible to ascertain that the Thalmoor abducted Leara and to request her freedom without bringing Elenwen down on his head? Probably not. But . . .
Tullius recalled the wide eyes, the fear swimming in the teary blue when Leara was faced with Elenwen at High Hrothgar. At the time, Tullius didn't think much of the Dragonborn's aversion to her. Most people hated the Thalmor Ambassador on a good day. But the terror that flickered in Leara's face before she grew cold and distant and manipulated the entire table to her own ends came back to him.
No, Tullius knew Elenwen personally had the Dragonborn. There was a history there he couldn't see, but it peeked at the edges of his vision in brilliant horror.
Elenwen had Leara, and she wouldn't let the half-elf go lightly.
If Leara could cheat an entire room of warring politicians and soldiers while ensuring a truce, then Tullius could sure as Hell try to manipulate Elenwen.
Sitting at his desk, the General ruled out any official Legion channels. Those would be tied back to him and ruin any chance Leara had of negotiating her armistice. Something under the table, then.
Mercenaries were messy. Robbing Elenwen would take a different hand. He grimaces and drafts a letter.
General . . .
The messenger hawk returns the next evening. Tullius doesn't want to think about why the hawk returned so quickly. He just hoped his charade would hold.
(Writing Galmar Stone-Fist of all people to encourage a Stormcloak raid on Northwatch Keep was something Tullius knew he could never live down if it got back to any of his superiors in Cyrodiil. He couldn't trust that General Stone-Fist would take an anonymous tip at face value, but as Leara soliloquised late that last night,)
"The enemy of my enemy is my friend."
It's four long days of giving only half his attention to his job before an Imperial scout reports that the Stormcloaks attacked the Thalmor fortress of Northwatch. When the Legion got there, nothing was left but smoldering ruins.
"They had a dragon, sir."
Tullius didn't want to know how they had a dragon, but he was optimistic that it meant Leara made it out of there alive.
With the Stormcloaks, but alive.
He sleeps through the night for the first time in over a week. When Tullius wakes up, he wonders how he could turn to the rebels to save the Dragonborn. Effective, yes, but it went against everything he was supposed to represent.
But she's alive.
She would be dead or worse off if he hadn't done it.
Tullius uses that thought to bolster himself through the coming weeks.
Then, a letter addressed to Tullius comes by way of Whiterun of all places. He recognizes the slender script curling his name across the paper. It's a short letter asking him to retrieve her belongings from her room at the 'Skeever. Two things stand out to him: The first is the thank you. Tullius cannot tell what Leara means by it because he knows that Stone-Fist didn't know who sent the tip about Northwatch. And yet there's a tearstain on the parchment, small and alone as if any others were quickly dashed away after the first one fell. The second is that all her books, papers, the things she worked on for her peace talk were all hidden in a panel behind the bookshelf in her boardroom.
Tullius didn't even think of Leara losing all her work. He was more concerned about getting her out. He was more worried about her than anything else.
Tullius buries his face in his hands.
This was a familiar feeling. It'd been years since the last time he felt like this.
Although, Tullius gave himself a wry smile, he doubted he'd have betrayed the Empire for the Countess of Anvil's cousin.
Tullius goes early the next morning to retrieve Leara's things, hidden or otherwise. A member of his spy network is tasked with getting the parcels to a Lydia in Whiterun. Then Tullius watches as every connection he has to the Dragonborn disappears out the doors of Castle Dour.
It's back to the everyday humdrum of war, then.
Until, some months later, a familiar half-elf comes into Solitude. Now, she's accompanied by a dark-haired Nord woman in heavy armor. Her stormy expression and hawkish eyes remind Tullius of Rikke at times. Leara introduces her as Lydia, her housecarl. Then Leara is handing him a folio of papers.
"I've been corresponding with some of the Elder Council. I'm planning a summit in Whiterun."
He takes the folio from her.
"What's this?" "My draft for a permanent peace treaty. I thought that since you helped me, you'd like to peruse it. Of course, I need to get it to Jarl Elisif when you're finished."
That Leara is offering to let him be a part of her peace treaty isn't lost on Tullius. He sets the folio on the table but leaves his hand on top, protecting it.
"I can come back for it tomorrow." "I'll get it back to you tonight."
Legate Rikke coughs, obviously. Tullius adds,
". . . we can discuss it over dinner, if you like?"
Leara's smile is full.
"I would like that."
They don't end up talking much about the draft. But Tullius gives Leara some of his favorite brandy after their dinner of roast lamb and stewed vegetables. Her giggle is light and airy, and her hand is cool like spring water when he takes it across the table.
Perhaps he drank more than he should have, but liquid courage was a reassuring friend.
At the end of the night, Leara, tipsy and yet all grace, presses a petal soft kiss to the corner of his mouth. She pulls away.
His hands slide up her arms, callused fingers catching on the soft linen of her sleeves. And he pulls her back and kisses her, full and properly on the mouth.
Leara tastes of tea and winter and something floral and frosted. There's more than magic in her mouth – there's music and mercy. If Tullius wasn't drunk before, he finds himself intoxicated on Leara.
She strokes his face, smiling, always smiling, and then backs away. Her eyes are bright and liquid and as deep as Lake Rumare. In the low glow of golden orange firelight, she is beautiful.
He loves her.
He doesn't say it, and soon she's gone, slipping through doors into the night. An angel passing from the room.
The next day, he finds that she left him her address. It had been a long time since Tullius even tried to write a love letter. They were never his strong suit, but Leara had a way of inspiring madness in him. He wrote her.
And Leara wrote him back.
Again and again and again.
Tullius doesn't expect for his presence to be needed when the summit is called in Whiterun. The Empire has its own group of delegates to negotiate the terms of Skyrim's division. But still, Elisif the Fair says that General Tullius has been asked to attend. The young queen seems as if she can't quite believe it, but she was often wide-eyed and overwhelmed as it was.
(Maybe Julia was right. He should listen to Elisif more. But pretty soon, it was likely Tullius would never see the Queen of Solitude again.)
Leara is there in Whiterun, laying out the terms of the Armistice with the light and delicacy he'd come to expect from her. How many others here knew she was anxious that things would crumble apart, that things would come to blows, and that the war would escalate for all her efforts to temper the fire?
Ulfric's face is a dark stormcloud, but somehow the Jarl of Windhelm appears to hold his tongue around the Dragonborn. He watches her, defers to her, and in return, Leara smiles at him.
Tullius is simply in an advisory position for the Imperial delegates to mine information on the state of the Civil War and the Imperial Legion. He never speaks to Ulfric, and seldom to Leara during the weeklong summit. But he sees the Jarl speak to her between sessions. Leara is quiet and nods. Her eyes are faraway and thoughtful.
Tullius remembers that when she first brought the idea of the summit to him, Leara mentioned that she convinced Ulfric to agree to it. For the first time, Tullius wonders how Leara went about winning Ulfric Stormcloak to her side.
His chest burns.
When the Armistice is signed and Skyrim divided in two–
"Divided, you can finally be united."
Leara said.
–there is a feast. Leara is in demand all night. Tullius watches from the sidelines, some Cyrodilic brandy in hand as he watches one person after another flit around her, bees buzzing around a blooming rose. After a while, Tullius gets up and retires to the quiet of the Dragonsreach porch.
He isn't out there long when the doors open again. From the dark stairwell where he sat, he saw Leara flit by, orbited by Ulfric.
Tullius's hand tightened on his glass.
"You must be relieved that's over." "I'm glad we could reach a resolution."
She deflected Ulfric's concern with a wave of her hand.
But Tullius knew the truth: She was terrified of the summit. She was terrified she'd fail.
"What will you do now?"
Leara's question broke through Tullius's thoughts.
Ulfric shifted.
"There's much to do. Skyrim hasn't been in a state like this since the Second Era. I'll need to work quickly to bring stability to the east before we can truly reap any of tonight's rewards." "You have a busy schedule, Jarl Ulfric! [her laugh is musical] Even when my work ends, you still have so much to do!" "Leara . . ."
There's a hesitation in Ulfric's voice that Tullius never would have imagined from the man who Shouted High King Torygg apart. Leara's responding,
"Yes, Ulfric?"
is careful.
"I was hoping that you would come to Windhelm with me. To help me." "Help you? As an advisor? Certainly, but–" "Not as an advisor. Not . . . as you're thinking. Leara, surely you must know what I feel for you." "Oh."
If Tullius didn't fear being caught, he'd have stormed from the porch. Or over to Ulfric and pushed him off. Or something. His blood was rushing in his ears.
Certainly, he and Leara hadn't truly defined what it was between them. This week was the first time he'd seen her since kissing her that night in Solitude, and in this week, they'd hardly been alone together long enough to discuss anything beyond the summit and the usual pleasantries.
But her letters were candid and funny and full of ideas. Her mind spilled across the page in curling and shifting lines.
Tullius knew then that while he had Leara's mind, there was every possibility that Ulfric had her heart. She was as divided as Skyrim was.
"Ulfric–" "While Skyrim was at war, I knew I couldn't give you the attention you deserved. But now that we can have some peace, I wish to ask you for your hand. Leara, you ignite a fire in my chest that burns my heart when you are near. Please do me the honor of agreeing to marry me."
There's silence. Long, drawn-out silence. Somewhere on the plains, a wolf howls. Its cry echoes the pain in Tullius's chest.
"Ulfric . . ."
Leara's voice is choked, emotional but she is forcing it down.
"Ulfric, you're very dear to me, but I can't marry you."
It was only Ulfric's loud,
"You can't? Why?"
That covered the sound of Tullius's brandy glass slipping to shatter on the stone stairs.
Leara hesitated.
"I can't give you my heart because it belongs to someone else. I can't take it back." "Who?"
Leara quieted.
"Please, Leara, if you won't marry me, then allow me the courtesy of knowing who I lost you to!" "I–"
Leara choked.
Tullius's heart sped up as his hands shook. He was as anxious as Ulfric to hear her answer.
"You won't like it." "Who is it? Galmar? I know he was the one to pull you from that Thalmor pit."
Divines. That would just be the cherry on top of this entire fiasco, wouldn't it?
"No, not . . . It's . . . General Tullius."
The silence that followed was more deafening than any that proceeded it. Even from the darkened stairwell, Tullius could since the thunder around Ulfric, rumbling silent and yet violent.
"You won't marry me because you're in love with Tullius?" "If that's how you want to put it, yes, that's it." "Leara – I, he . . ."
For once, all of Ulfric's fine speeches seemed to fail him.
"Please don't be upset."
Leara's voice is as soothing as the first spring rain, as far apart from Ulfric's hurricane as possible.
There was a rustle of skirts.
"You are a very important person to me, for more than you can possibly know, but I can't give you the love you want. It's not mine to give you." "But Tullius–" "Has been so vital to me during these last several months. We would not have this peace if not for him. I needed him." "I need you." "I know, but I've given you all I can. I can't give you any more."
Tullius peeks around the corner far enough to see Leara on her tiptoes. She whispers something in Ulfric's ear, then presses a fleeting kiss to his cheek. Tullius ducks back just in time to be hidden as Ulfric turns and leaves the porch. The doors shut behind him with a whisper of finality.
"You can come out now, General."
Tullius's knees are stiff as he gets up from the steps. Leara is waiting for him in the middle of the porch, her red hair a dark contrast against the white gold of her skin and the pale ivory of her gown. She's aetheric in the moon and aurora lights.
"I hope you finished your brandy before the glass fell."
His neck grows warm with embarrassment.
"Is that how you knew I was there?"
Leara's coy smile was her only answer. Yes, then. Well.
"Ulfric Stormcloak proposed to you." "Yes, he did." "And you turned him down." "Yes, I did. " "Why . . ."
Her hand was on the side of his face. She was perhaps a hairsbreadth taller than him, maybe an inch, but her hand felt so small against his face that Tullius couldn't help but reach up and clasp it with his own for fear that it slip away.
"I thought you were eavesdropping." "Well, I wouldn't say that–" "And, therefore, would know why I turned Ulfric down."
Tullius tries to swallow, but his throat is tight. Leara's hand is cool against his skin, and he takes comfort in that.
"You love me." "Yes, I do."
Her smile is radiant.
Tullius's hand slips from Leara's, but then his arms are around her waist, pulling her into him. She is slim and cool and everything a flower in winter might be. He buries his nose in her neck, amidst the frost and flowers.
"I love you."
She doesn't reply. She only tightens her arms around his torso. They stand there in the quiet of the night, away from the celebrations but togehter under the stars.
Later, when Tullius returns to Solitude for the last time, he packs his things for the return to the Imperial City. He takes his bags to the docks.
And there Leara is waiting for him, Lydia her housecarl in tow. She smiles at him, full and vivid.
"You're late. My trunks are already on board. Right, Lydia?"
Lydia rolls her eyes.
"All eleven of them, my Thane."
Tullius chuckles, quiet.
Leara's hand finds his, and he helps her up the gangplank of the Imperial Naval ship. It would be a long voyage, but Leara had never sailed before, so that would be their mode of transportation back to the Imperial City.
"What will we do when we get there?"
Leara's question is teasing and free of the burden of being Dragonborn and peacemaker. There were still the Thalmor to worry about, but after the ruin of Northwatch and the signing of the armistice, Tullius hoped they'd think thrice before going after Leara again.
"I'll buy you expensive teas and you'll drain my accounts on tea and books."
Her giggle rang out amidst the sounds of the ship preparing to leave the harbor.
"Oh yes, that must be why I've gone and married you."
Tullius pulled his wife to his side and slipped his arm around her waist.
"Must be."
It couldn't possibly be that she was the most maddening thing in the world and she drove him mad by proximity.
Madly in love.
What nonsense.
fin
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possumteeths · 1 year
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As someone who reads like a LOT of dumb romance books, one thing that ticks me off is that the authors always strive so hard for body diversity when it comes to ladies, but that courtesy is never given to the guys. All dudes are always described to be square jawed and muscled and very tall and like… its boring lol.
Its not woke or special to go out of your way to diversify women’s bodies and describe them to be different and then write 1018301 books with the same muscled beefcake abs upon abs motherfucker but like with different hair colors or something. Such emphasis on the lovely softness of plus size women, but then clear disgust for fat or softness when it comes to a guy. Sure. Alright. I hate it.
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demigodofhoolemere · 2 months
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I’ve been seeing this float around on Facebook lately and it’s bugging the crud out of me:
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What is with everyone’s obsession with insisting it’s bad to need to be rescued? For as long as the human race has been on the planet, people have had problems that they needed other people’s help to resolve. Needing help is not a failing nor should it be the takeaway from these princesses’ stories as if it’s a bad thing that makes them weak. Yes, they do need help. Your point?
Snow White and Aurora were both under a curse that rendered each of them effectively dead. Were they supposed to magically wake themselves up? I’d want to be rescued if I were them. Plus, breaking it down to “she needed a prince” belittles the efforts of the Seven Dwarfs and the Three Good Fairies, who did most of the legwork in the resolution of their respective movie plots out of deep platonic love for the girls under their care. Then there’s Cinderella, who lived in an abusive household. It’s not a weakness that she wasn’t able to get out of that situation on her own, and once again, giving all the credit to the prince (and credit where credit is due, he did search far and wide for her and was able to take her away from that life in the end) detracts from the aid provided by the Fairy Godmother who enabled her to get out in the first place. All of these ladies had more helpers than just their princes, and it is because of the combined love and efforts of all of these people that our heroines were able to have their happy endings. There are plenty of great stories where the heroine is able to fight for herself, but these particular stories aren’t about that because these ladies are each in terrible circumstances where they simply don’t have the ability to do so. They do what they can, but in the end they can’t save themselves alone and there’s nothing wrong with that. These are beautiful stories about having people in your life that value you enough to fight for you when you can’t fight for yourself. Wouldn’t we all want someone to come to our rescue when there’s nothing we can do about our situation? Is it not a good and comforting moral to show that there are people in your corner who will show up for you no matter what the circumstances?
The other thing that’s bugging me about this:
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Leia has to be rescued. By a man, and at that, one who could technically be seen as a prince. No one bats an eye at this, because it’s understood that she’s being held prisoner on the Death Star and couldn’t possibly be expected to get out of that on her own. It’s not seen as a weakness that someone had to come for her and take her away from there. Leia is awesome and is rightfully acknowledged as a great heroine, but she also needs help sometimes, because everybody does.
So WHY do people get so hung up on these princesses who also shouldn’t be expected to get out of their own prison cells of eternal sleep or abusive family by themselves? Why the strong negative reaction to girls needing outside help in such serious scenarios? For all that people say these stories teach girls to sit and wait for a man to save them, the stories themselves absolutely never try to say that, and frankly, with the opposite trend in recent years of fictional women who have to do everything on their own and can’t be shown to need help because they have to be the Strong Female Character, I’d be far more concerned about the impact that would have on girls. Far better to say you might need help at some point in your life than to instill the idea that you’re not a strong girl or not good enough if you can’t do everything by yourself.
Anyway. Justice for the classic Disney princesses.
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tomboyyyaoi · 8 months
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o i wanted to make a post that im honestly not smart enough to actually sit down and think out but i like the way meryls trauma doesnt completely woobify her character but does still affect her, it just feels nice to see a female charcater not be completely reduced to a wet soggy mess bc of trauma but also not to (very unrealistically) just Get Over It i think trigun has a nice balance and its refreshing
#also not saying its a secret feminist masterpiece or anything (coz ive seen ppl say that and. come on) but i still think it does well-#enough to be given an appreciative nod#i mean its clear nightow didnt know what to do w milly n meryl after a certain point bc there was just. So much goin on w vash and knives#so he just has the girls do some nomad stuff offscreen until he was ready to bring them back in and yknow what i dont hate that#i think its important to note the women in trigun are fucking amazing tho like. rem meryl luida elendira even lina#and yeah millys underdeveloped but still shes so good#so im not gnna sit here and criticise nightow for being just as misogynistic as some other male mangaka bc i think he does very well#and thats not even to say the bar is on the floor like i truly believe that. i love meryl for a reason#but. ppl can we maybe stop w the 'trigun is so feminist' praise bc lets be real nightow probably just has a thing for strong women#98 anime is a little different tho i was pullin some faces while rewatching some clips.#im obvs talking abt the manga#and stampede is still not done so i wont comment too much on that besides the fact i like where its going (girlwise)#i dont usually like viewing manga thru this lense bc its not the same culture and feminism looks different in japan than it does over here#but i saw a chart. it made me twist up my face and go hrrrrnnnmmmmmnnnnmmnnm..... nnhhnnhhjnnn... mmmmmmmm#jesus i didnt mean to go off in these tags i just wanted to make another 'meryl good' post for the pile#ig im still thinkin abt that chart idk i guess it stuck w me (regretfully)#anyway point is i love meryl for a reason trigun women are great thanks nightow but im not gnna praise him for bein a feminist icon
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mqfx · 5 months
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id love to hear your thoughts on jyl! freudian or otherwise, with however many mentions of soup that you prefer 🥺🤲
just saw this :0 well i wouldn't say that i have many intelligent thoughts about jyl anymore especially since i don't really get the chance to talk about mdzs / cql much so i'm afraid i'll have to disappoint you on this count (which makes me a hypocrite i know)
but i did go insane below this line so watch out!
but i will say again what i said a few weeks back about us (fandom, society--you choose) missing out on a broader richer storytelling experience (?) when we continue to look over women's stories to get to the "more interesting" men because "well the author made more content about them so there's more to work with". not gonna belabor this point bc many have already pointed out that people will come up with all sorts of elaborate headcanons to talk about mr. blorbo who showed up in the back for ten seconds but nary a word to spare for the women who did quite a lot of narrative heavy lifting. did you know that i literally found a fic where wen chao becomes a ghost and gets together with qi rong in the underworld? do you see the same effort given to women with a similar level of narrative importance or prominence?
in this case part of it IS the fault of mxtx; more named men have died in mdzs than there are named women characters in it altogether (and even then, most of those women died too!). let's count:
women: wen qing, granny wen, jiang yanli, yu ziyuan, luo qingyang (mianmian), baoshan sanren, cangse sanren, a-qing, madam jin, jinzhu and yinzhu, meng shi (jgy's mom), qin su (jgy's wife). i bolded the ones who are dead by the end of the series (total: 13 women, 11 of whom are dead)
"important" men who died: wei changze, jiang fengmian, jin guangshan, jin zixuan, jin zixun, jin guangyao, jin rusong (child), su she, wen chao, wen zhuliu, wen ruohan, wen xu, wen ning (came back), song lan, xiao xingchen, xue yang, nie mingjue, wei wuxian (came back), mo xuanyu (total dead: 19, or 17 if you don't count the resurrected, 16 if you don't count the child)
13 total women characters vs let's say 16 dead men. and i'm sure i missed a few (<- nearly forgot xue yang) but who cares right now. what does this say about mxtx's priorities as a writer, or at the very least how women figure in her imagination?
''but charlie! they had a great impact on the narrative!" this is true. without meng shi's suffering there would be no raison d'etre for jin guangyao. without baoshan sanren's teachings there would be no xiao xingchen and song lan's tragedy, and no a-qing means we wouldn't even have known. no cangse sanren means no wei wuxian means no story at all. no wen qing = no core transfer. no jiang yanli = no jin ling, no yunmeng brothers, no heart to tether them from falling off the edge of morality (both have committed heinous acts in war regardless but jiang yanli represents for them why they had to do it. she's their home and their family that they fought to protect--and for what!) i could go on with each one, but my point is that if you take even one of these women out of the story, it all falls apart, right?
so why don't i hear anything about them?
and because you asked and i love you, let's focus on jiang yanli here: WHY is she more often than not excluded or otherwise glossed over in all the myriad discussions about how tragic the yunmeng brothers are? was she not also their sibling, their family? did she not also suffer the war and the near-total wipeout of her sect? the death of her husband? she DID but no one seems to give a shit about her unless it's to fucking call her SOUP as if that's the only thing she did!
no paragaph-long popular elegiac posts on her experiences and the incredible fortitude it might have taken not only to withstand all that but to do so with nothing but forgiveness? (speaking of forgiveness: that she forgive jin zixuan at all? out of unwavering love????) because it's not easy to stay kind in regular real-life conditions let alone what she had to face, on top of which was the daily terror that she might lose the last three people in her family she depended on as a non-powerful woman in a misogynistic society. how much of this was because mxtx couldn't be assed to develop her character, and how much of it is actually because despite what mxtx might have written, most people would not even notice because she's a woman?
the thing with interpreting fictional works or talking about characters is that you can't accurately pinpoint how much of the character was authorial intent, how much is your projection, and how much was a happy accident. what makes the curtains blue? i could just as easily say that "jiang yanli was the strongest character in mdzs because unlike the men who used their pain to justify their descents into crimes, heinous acts, and corruption, she (who had suffered equally or worse) managed to remain steadfast to her principles" as i could "jiang yanli remained static as a character because mxtx couldn't think of a way to develop her, or otherwise didn't give a shit about her role aside from sacrificial lamb for wei wuxian's and jiang cheng's pain".
but we can't even get to those goddamn discussions when people refuse to take her as seriously as they take their fucking war criminal beeboos so i'd be wasting everyone's FUCKING TIME
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throttlegainwell · 23 days
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Another blorbo woman of mine (aside from Amy from Superstore) is Diane Chambers. Cheers was so fucking brutal to her (a woman on a sitcom in the 80s? can't let her have shit like ideas or, heaven forbid, an ego), but I adore her.
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bluesadansey · 2 months
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remembering on my circa 2017 booklr I used to tell people to read Gemma Doyle by describing it as trc but with an all girls boarding school / all girl group in a historical setting… I was trying to do the lord’s work she deserved tumblr fame
#I do think that was an oversimplification of both but. Not totally off base there are some similar char tropes used I’m proud of past me for#the attempt. Also I think I’m going to start advocating for Diviners in that way now that trc fandom is apparently quite miserable post GW#you like gay people doing dream magic? you like witchcraft and ghosts and strong ensemble casts?#you like an ambitious abuse survivor getting a healing arc with learning to control magic/psychic abilities as a metaphor? you like four#book series where the first three books rock and the last book which is named king + corvid is a bit underwhelm who said that?#a positive point in diviners favor is Ling x Wei Mei >>>> RonanKavinsky. Generally find the take on dream magic in diviners more compelling#(although LingHenry + RonanHennessy both being mlm wlw duos who are the dreamers is kinda fun)#anyway. This is not actually a fair comparison because Ling is my fav or at least top two w Theta of the leads and I love Ronan but he is m#least favorite of the trc leads of which there are four all of whom I love so it says nothing bad about him. But it does put me as an#outlier re: fandom priorities..#on the flip side while I love diviners dynamics sadly I don’t think they ever come anywhere close to Gangsey levels of extreme codependency#so I can not care quite as much….#from what I remember the girls in Gemma Doyle are a lot more codependent good for them. Would have to reread to compare codependency levels#Ling and Theta are both my favorite in diviners in the same way Blue and Adam are my favorite in trc and Abed and Annie are both my fav for#community. basically one char who I love and overidentify with (Ling/Blue/Abed) and one char I love who in many ways I’m not like#but in a handful of very niche specific ways I also relate quite a bit. And am fascinated with (Theta/Adam/Annie)#s speaks#very off topic from my initial point which was you should read Libba Bray’s books#and in both cases I have a second and a half tier fav (Evie/Gansey/Britta) who I love fictionally but if I was trapped in a room w them I’d#kill myself. with the white blonde women I’d also want to make out w them debatable if that makes it better or worse#but like. I could not stand listening to them speak for that long I know this#Gansey might just die a third time by my hands…
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bbqhooligan · 2 months
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through all of it, after all of it, ill still be mulling over Bella Swan. unlike other parts of smeyers writing where the glaring issues take the front seat to parts that are well written or interesting, bella remains special to me. genuinely worlds most boring girl, meant to be a mormon self insert but her humanity fleshes out so nicely its hard not to think this is an interesting character who is stuck in a bad premise. i dont know if many fanfics have it in them to do her justice but i be Wondering.
#mypost#bella swan#twilight#kristen stewart as bella swan in 2008 was my first love yknow.#like shes only ''not like the other girls'' because the narrative compares her to ''Bitch Women'' like jessica or rose#shes only ''cringe love triangle thirst trap'' because narrative has jacob playing this disgusting ass role#shes only ending up in this cheesy happy ever after vampirism because the mormon writing#but what of the girl.#if smeyer had been more self aware and less religious we could truly explore that. what OF the girl?#like edward or jacob or vampirism and the plot ALL need huge reworks. their intrigue is weaker than their problems#but with bella... idk am i biased i always just her as a fellow abusive family teen. traumatized. coping mechanisms to hell and back#she isnt depressed -at first- but shes. emotionally frozen. carefully frozen. and shy and self conscious and...#scared in these ways that make me think renee was as strong in her negative feelings as she was with her positive ones#god shes just a. really beaten down girl who looks strong. who longs for a family and escape escape escape ESCAPE ESCAPE#she longs to be precious and loved deeply DEEP enough to penetrate her thick skin deep enough it warms her carefully frozen self#its so sad. how badly she needs assurance. renee sucks. charlie an emotionally constipated divorcee. and a fuckin. MAN.#bella needs edwards intense ''mate'' connection. because shes so alone. she needs to hear she will be ONE persons priority. forever.#and its god its so sad#i looked over some fics. ''bella swan with a back bone'' and ''bella swan is a self insert'' are the ovherwhelming majority#but of the girl... im tearing up thinking about my girl.. its ok bella... it gets better.....#she was just in high school. like sweetheart it will get better it will get better it will get better. god im#tearing up about bella swan in the club tonight. she was just 17. she couldnt have been in the club but should have been.
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hella1975 · 1 year
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I'm watching the hunger games with people who's opinions I don't agree with HELP they literally don't get the implications of children murdering eachother like I do
(hella I've been reminded of you all day lol this is my 2nd ask about my day kfmsks)
that's genuinely so sweet i dont think you realise how much i appreciate things like this
oh bleugh i hate it when people just dont get a piece of media and ur just kinda sat there trying not to rant like 'you're all missing the fucking POINT'
#and the hunger games too? id be furious#something similar happened to me recently#okay so im very ashamed by this considering the fuss i kicked up about it but i CANNOT resist a show with dragons in it#so i eventually pirated all of house of the dragon and low and behold#youd have some of the most detailed worldbuilding ever and beautiful dragons and a ginormous budget for a fantasty world#and youd be enjoying it and then BOOM violence against women for literally no reason#it bugs the fuckkkk out of me but at least hotd has HUGE wlw undertones and the two main characters are actually women#and are COMPLEX? im not giving any compliments for this bc it's just not good enough but still it wasnt as awful as it has been#(*Looks at game of thrones*)#AND ANYWAY there's this woman in it called alicent hightower when i tell you i will defend her with my LIFE#and it's the typical 'female character made strong due to the trauma inflicted upon her by men'#and she is literally torn from her closest female friendship (love interest?) BECAUSE of men#and it becomes the ENTIRE FUCKING PLOT OF THE SHOW god it bugs me anyway#and it's made me superrrrrrrr protective of her bc not only do i adore her but she deserves so much better#like she's supposed to be the villain and the fandom are so thick that they treat her that way but im just like alicent get behind me#AND MY SISTER SAID SHE HATES HER#LIKE WE WERE TALKING ABOUT THE SHOW AND MY SISTER JUST OUTRIGHT SAID SHE HATES ALICENT#I WAS LIKE NO YOU STUPID BITCH THIS IS WHAT THE MEN WANT ARE YOU JOKING YOU'RE FEEDING INTO IT#and i didnt know how to EXPLAIN to her why she was so wrong so im just there like why am i always right about everything#and everyone else is always so stupid why why why god im not you're strongest soldier#so yeah <3#ask
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wandaxpietro · 5 months
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i like that it's a relatively popular (as in i have seen several people draw it; not many in the grand scheme of things but more than a handful!) headcanon for wanda to be chubby bcuz it feels so right to me. i need her btw
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thatfantasylovingdork · 6 months
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Is this why I love it when male characters I’m attached strongly to faint? Because they are weak and vulnerable and I just want to take care of them? And uggghh, that quote is something I’d love to say to Starscream, except he’d think I was weird and run or disintegrate me, lol.
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versary · 8 months
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67.5 kg clean + 2 jerks tonight. felt easy. getting even stronger :^)
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