Flowers in my hair, I belong by the sea
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ELECTRA HEART: THE MUSICAL
FULL SCRIPT NOW PUBLISHED
This musical is based on the concept album "Electra Heart" written by Marina Diamandis. The story is based on Diamandis' inspirations; love, female archetypes and Greek tragedy.
Marina's sophomore album Electra Heart was a defining moment in her career and became a favourite among fans. It is an electro-pop concept album that follows the romantic and personal troubles of the main character Electra Heart.
The character is known by the small heart tattoo under the right eye.
The album chronicles the tale of Electra Heart, (as will the production) and how she tries to deal with her trauma from youth into womanhood. Marina refers to themes of mental health (mainly depression and anxiety), sex, gender roles, and adolescence to tell the story of Electra.
PLEASE READ AND COMMENT REACTIONS OR IDEAS
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I was thinking about dungeon based media and I made this alignment chart
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something about Hephaestus saying "you're a good kid, Annabeth" really stands out to me. he didn't point out the very obvious about her, like her intellect and interest in his creations, or her hubris in thinking she could dismantle the chair. he said that she's a good kid. because Hephaestus was mistreated by the gods. because Annabeth was shunned by Athena. because he believes that gods shouldn't treat their own children like that and he wants to be better. because he knows how much it means to a little girl who's fought for approval from her own mother her whole life, whose father neglected her. because he wants to break the cycle. don't touch me
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my party are starving when there are perfectly good ghouls around, are they stupid?
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The first completed draft of the script is now live! Please tell me if you are downloading and performing the show.
The folder also includes the complete soundtrack (Platinum Blonde Album) and Lonely Hearts Club Tour Remasters of some songs featured. You are welcome to use either the studio album or the tour album versions for your productions.
If you have any recommendations on how to take the script further or come across any inconsistences or simply have questions, please write below.
Thank you, please enjoy reading and preforming the production!
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