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#loving sokka more on this run as well
unfriedough · 3 months
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Hey sorry if your request aren’t open but I had a thought about Zuko x water tribe/bender reader!Like three years after the war he wants to propose to reader and So he ask Katara and Sokka about marriage traditions within the tribe and he carves a betrothal necklace for her?? And the readers reaction!! Thank you
An: HEY. Sorry this took like, so long I think you requested last summer, however I’ve kinda lost most of my determination to write and this account became more of a chore than what I had initially wanted. Either way, maybe somehow I’ll be able to be more consistent soon but I also don’t wanna make myself hate writing so :(
Thank you for requesting, I really do appreciate it, hope you enjoy :)
Zuko’s nose twitched as the cold nipped away at his extremities, huddled up in a few too many jackets. There’s a striking difference between cold and cold and right now he wished he was on fire.
Your gloved hand was intertwined with his as you lead him off of the fire nation ship and onto the white snow of the southern water tribe. This trip was planned as a way to visit Sokka and Katara, but Zuko had another plan in mind.
Finally, after three years of struggling to settle down, the fire people finally relaxed and he was able to make more time. In that time, he realized he’d wanted to marry you more than anything. So here he was, in a nation far too cold for someone like him, with a goal in mind.
He had exactly 5 days (and a half if you’re counting from now) to get ready a betrothal necklace. Why a necklace? Well, Zuko had watched you for days on end in the castle library, a book bigger than your head on the table being analysed by your eyes. You’d smile brightly when you locked eyes, and call him over. He’d sit next to you, shoulder to shoulder, attempting to read with you. The books were always about old water tribe traditions, tales, legends, history, everything of the sort. You’d wanted to stay connected to your culture and upbringing - it made you who you were today.
And so that brings you to today, here, the water tribe.
“Katara!” You squealed, running forward and pulling her into a hug. You two squeezed each other tightly, excited noises being expressed.
Zuko and Sokka nodded to each other, trying to be kinda nonchalant but Sokka couldn’t hold it much longer, he sprinted at Zuko and tackled him to the ground into an oh-so-warm hug. You laughed at the site, Katara too. Zuko felt a twinge of pink on his cheek, from the cold or embarrassment he couldn’t really tell, but he still wrapped his shaking arm around his buddy. After a few more ‘I missed you!’s and giggles, Zuko and Sokka got back up. Katara grabbed your hand and pulled you deeper into the village, you laughed the entire way, giddy from being back home here with your family. You threw a glance backwards at the fire lord, there was something very slightly off about the way he was smiling, you brushed it off as just the cold getting to him.
It was most definitely the cold getting to him.
Sokka led him to the ice on the outskirts of the village and brought some chairs along. They were gonna go fishing while they talked. As they both sat, another shiver ran up the poor fire bender’s back.
“How do you guys survive the cold?” He groaned.
Sokka chuckled, handing him a rod, pushing the bucket of bait closer to him, “You get used to it… I could ask you the same thing about the heat,”
“I’m a fire bender it’s in my blood,”
“Yeah well you learn a thing or two when your lovely sister starts learning how to bend and suddenly you’re always wet,” he cast the line, leaning back, putting one leg over the other.
“I guess,” he laughed.
They sat in a suffocating silence for a minute, Zuko just awkwardly holding the pole and Sokka staring into the sky.
“Are we going to address the camelephant in the room?”
Zuko looked to him from his peripheral, “I’m kinda nervous I guess, I don’t know what to do,”
Sokka sat up a little straighter, getting up to help Zuko with his fishing issues. He stood behind him and helped his arm into the correct place, slowly to be sure he understood.
“Just like fishing, you have to be precise and confident to get what you want, and if you cast your line just right, you’ll catch the fish,” he winked once the bob hit the water, stepping back to admire his own work.
“Not sure that’s the best metaphor,”
“Say you love it, he's been working on it ever since you wrote to him,” Katara rolled her eyes, holding your hand as you both struggled to not slip on the ice.
“KATARA.”
Zuko couldn't help but laugh, then he was met with the puzzled look on your face.
“I thought this was a surprise trip, when’d you write to them,” you tilted your head, eyes narrowed suspiciously.
“…needed to make sure they were free,”
“Yeah?”
“Yeah…”
“That totally checks out,” you rolled your eyes, getting a serious case of FOMO.
Sokka coughed to try to clear the awkwardness, “So fishing…”
“What’re you trying to catch anyways?”
“Does it matter, it’s about the process YN get with the times,”
“Since when did you fish for fun?”
“Since now.”
“I thought you hated fishing,” you were all standing up by this point, including Sokka and Zuko.
“Only because Miss Katara always splashed me,”
“And I won’t hesitate to do it again!” She bent a small stream into his face, giggling when he stumbled back.
“Oh it’s on Katara,” he paused, “As soon as I get snow,” he waddled away to get to the snow on shore.
You laughed when the waterbender used more ice to cause him to slip.
“I’ll go help him up,” you laughed, moving towards him as he laid helplessly on the ice, not even bothering to get up anymore.
Zuko watched your figure, missing the way Katara turned to look at him.
“I think you should do it here,”
“What?”
“The proposal,”
“That’s not enough time, it’s barely enough for me to learn how to carve the necklace,”
“Lucky for you, Sokka’s pretty efficient with plans, he’s been plotting since you told him,”
The fire bender smiled, shoving his hands into the pocket of his jacket. “Okay, maybe, but how can I get started when she’s with us all the time?”
“Don’t worry, I’ll handle her,” she smirked.
-
“Are you sure this is safe?” You shivered, standing in your bathing suit on top of a huge rock, below it freezing water.
“No!” Katara, “But let’s do it anyways,”
“I don’t know, what if I freeze?”
“Good thing we have a fire bender with us,” she pointed to Zuko, who was in the distance learning about what tools to carve and what stones to use, he’d settled on one that reminded him of your eyes, and the band matching the deep royal blue usually used. He wanted to alter the pattern as a way of commemorating both elements. Currently, he and Sokka were doodling designs on the snow with sticks.
“Look at those dorks, I wonder what they’re doing,”
“You know Sokka, they’re probably drawing,” she laughed nervously.
“Hmm, that kind of looks like a-“ you were cut off as she pushed you off of the rock. You shrieked as you first dropped, then as you got more air time you changed into a more streamlined position with your head downwards. Instant regret when you hit the water though.
You resurfaced, drenched and in pain from the cold. Your fingers felt like they were gonna fall off any second now. Before you got to dwell on it, Katara joined you, also screaming in fun-agony.
“WHY’D YOU PUSH ME?” You splashed her.
“You were talking for too long…” she giggled, going under and pulling you down.
You inhaled a large amount of air before going under, making sure to keep her under with you as well. After a few seconds of freezing cold, you resurfaced, feeling pain in all your joints from the water.
“Why did I ever think this was a good idea?”
“I’m honestly not sure,” she shrugged, waterbending herself back up to the ledge so she could jump again, “But it sure is fun,”
Sokka and Zuko heard a splash in the distance.
“I think Katara is torturing your wife,”
“What?” he mumbled, looking at where you were very clearly lecturing her about something, “What’re they doing?”
“Ice bath, Katara tricked me into doing it once… I never fully recovered,”
Zuko chuckled, using his stick to doodle another design. Which he then stared at for a while.
“This is it.”
“Oh?” Sokka glanced at it, “It’s perfect.”
The men stared at each other proudly, as if they’ve just completed a super hard mission.
Immediately, Sokka took him inside a tent, quickly teaching him methods of carving with different tools. A few more splashes could be heard and you and Katara had fun.
“I wonder what he’s doing to Zuko,”
“Boy stuff,”
You furrowed your brows, “what does that even mean?”
After a lot of time (and a few cuts) Zuko finally had a necklace ready. Sure, it needed to be refined, but his hands were tired and shaky. Sokka patted him on the back, watching the fire bender weave the blue band into the loops.
What they failed to notice was you approaching, now covered in a warm coat.
“What’re y'all up to?” You breathed out, still cold but beginning to gain your senses.
Zuko panicked, hiding it under his leg. You looked at him weird.
By this time, Katara had joined the group, and behind her the sun fell into a pink and purple type hue. Zuko didn’t miss the way your breaths were so laboured, and he took it upon himself to lead you back to where Sokka said you two were staying. You changed into some clothes while he surveyed the room, moving around nervously.
“You’ve been acting weird all day,” you pulled a sweater over the thermal shirt, reaching over to grab an undercoat.
He walked up to you, fingers working shakily to button up the buttons. “Just cold,”
“No, the cold doesn’t make you avoid me.”
“I’m not avoiding you,”
“Really? It feels like Katara and Sokka are trying to keep us apart.” He grabbed another, heavier coat and draped it over your shoulder, you inserted your arms in the holes.
“I didn’t notice,”
“You’re lying,” you stepped back, putting your boots back on and tucking your pants into them.
He frowned, reaching out to you, but you stepped back.
“It’s weird, the letter thing as well- why didn’t you tell me you sent it to them? I thought it was last minute?”
“It was!”
“You’re lying again,” you frowned, folding your arms.
“I promise it’ll all make sense soon,”
“How soon? What’re you hiding?”
“I-“
“Actually. Don’t tell me. I don’t wanna know.” You huffed, storming out of the room, leaving a different kind of cold lingering.
Zuko sat down on the large bed, dropping his head into his hands. He sighed deeply, reaching over multiple layers of clothing to his pocket to pull out the carved stone. Truly, it was mediocre at best. And after this misunderstanding, the sinking feeling of impending rejection poisoned his thoughts. He couldn’t help but trace his finger over the patterns, wondering what could’ve been- he was half sure he was single now.
“I forgot-“ you gasped as you walked back in the room, catching a glimpse of the rock in his hand.
“Yn!” He quickly shoved it behind him.
“Zuko… what was that?”
“What was what?” He said, looking so suspicious it was stupid.
You took a few steps closer, inching towards him slowly, “In your hand,”
“My hand’s empty…”
“Liar…” you dragged on, standing right infront of him now.
“Zuko,”
“Yn,”
You tried pulling at his arms, but he wasn’t budging.
“Cut it out! What’s behind you?”
“Nothing!”
You sighed, walking away in defeat, just as he let his guard down, you pounced, having to grab it and rolling onto the bed. He barely had time to process it when your face immediately changed.
You sat up, moving on your knees towards him on the bed, patting his bicep, “Zuko light,”
The fire lord frowned, embarrassed that he was about to get rejected, although that’s no foreign feeling. A small, dancing red flame illuminated the carved necklace.
“It’s…” you covered your mouth with one hand, tears welling in your eyes.
“Tacky- I know, I just thought- you don’t have to do a-“
“Beautiful…” he glanced sideways at you, “Zuko…”
“This isn’t at all how I wanted this to go…” he sighed, dropping his head.
“No… probably not,” you sniffled, “but it was perfect,” you laughed, he chuckled as well.
He got up, lighting an oil lamp for better lighting. Zuko circled the bed and stood next to you, still nervous and fidgety.
“Yn,” he breathed out, shakily.
You nodded, glossy eyes meeting his.
“The years you’ve spent by my side, against me, with me- those have been the best years of my life. When I’m with you, I feel like I’m truly myself. I’ve never,” he swallowed harshly, “I’ve never felt more at home,” he paused again, looking up at the ceiling, “then when I’m with you.”
You let out a small noise of excitement, bouncing your legs.
“I’ve made so- so many mistakes in my life, every single day of it, but I think… I think letting you go would be my biggest mistake, Yn-“
“YES!!” You pounced on him, hugging him so tight as your heartbeats both skyrocketed.
You giggled as he looped the necklace around your neck, it was simple, and dainty, but most of all it was so Zuko. The more someone could stare at the imperfections in the craftsmanship, the more they’d love it. A man carved it with love and intention.
You held each other for a while, just swaying in the dimly lit room. You leaned back, cupping his face in your hands.
“Is this why we're here? You wanted to carve the necklace?”
“Yeah, pretty much, you ruined my plans though,”
“I did, didn't I?” You giggled.
“I had a lot planned for us, with the help of Sokka of course,”
“Ohh now that makes sense,”
“What makes sense,”
“Literally everything, you were being so weird,”
“I’m not great at keeping secrets,”
“Good, never keep one again,” you kissed his cheek.
“I suppose we should tell Katara and Sokka,”
“Yeah, I suppose we should.”
And so, hand in hand, you walked out to the bonfire, where the siblings sat.
Sokka was so mad his plan foiled.
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'Fake' Feelings
Zuko x Reader
Summary- In a pinch, you have to pretend to be in a relationship with Zuko. Little do you know it was never pretend for Zuko.
A/N- HAPPY BIRTHDAY @thethreeeyed-raven!!!!! This isn't my typical fandom as y'all know. I wrote this as a birthday gift to my best best best online friend. SHE'S AWESOME. Go check her fics out <3<3! CONTAINS A SINGLE BAD WORD >:)
Word Count- 2,468
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"Mai, I already told you. I can't be with you!" Zuko was getting frustrated. While he did love Mai at one point, that was a long time ago. Zuko was now the Fire Lord, their relationship seemed like ages ago.
"And why not Zuko? We've been through this a hundred times. You always come running back, you're so pathetic. May as well cut the middle part and we can act like nothing happened." She stepped closer, pressing herself on his arm. "Like we always do..."
Zuko had finally realized how Mai controlled him. When he was weaker he was naive, now he knew what he wanted. Someone who never put him down, someone who never called him 'Pathetic.'
You.
He immediately thought of you. How you were so strong, but never put others down to feel powerful. How you always spoke your mind, but only out of the kindness you hid deep down.
Your walls were built up so high, but he knew who you were. He knew how beautiful you were.
"I can't be with you because I'm dating someone else." The words left his mouth faster than he could think.
This stopped Mai in her tracks. "Excuse me?"
"Yeah, you're not the only one I am allowed to go out with. We've been broken up for awhile now." Zuko was no longer on the defense, but the attack.
"You do know that I am the only one who could love you. Who could love a traitor, a banished prince. Who else, huh?" Her arms were crossed, a smirk on her face. She knew she outwitted him.
Releasing his bit lip, Zuko exclaims your name.
Her face dropped. She knew exactly who you were. She was furious.
"We'll see about that..." With that, she left the room.
You were on your way to visit Zuko, one of your closest friends, for a 'friend reunion' Sokka had planned. You were of course excited to see him after so long. Though, the ride on Appa was miserable. About a hundred "are we there yet"s and "I'm hungry"s from Sokka.
The five of you- Sokka, Toph, Katara, and Aang made it safely to The Fire Nation shortly.
Upon landing, a man in red robes greeted everyone.
"The Fire Lord sends his deepest regards, as he could not see to you himself. You are instructed to follow me to your rooms." He had a stoic expression, but you guessed he greeted people all the time.
Oh well, Zuko must be very busy as a Fire Lord. You were sad, but couldn't blame him.
What you didn't know was that Zuko was pacing his room, definitely not busy. In reality, he cleared his schedule as much as possible for the week you were all visiting.
How was he going to tell you? He was deeply embarrassed, not to mention Mai might try and pull something with you. He knew not to underestimate her.
The thought of her trying to hurt you was enough to rack up the nerve to confess. He just needed a moment alone with you.
A grand dinner was prepared for the Avatars arrival, the rest of you reaped the rewards of being his friends.
"This is SOO good!" Sokka exclaimed, "Zuko sure has a way with food....." He slammed a fist on the table, before quickly lifting more food to his mouth,
"Sokka, you know he has chefs who make the food, right? Please tell me you know that..." You deadpanned, looking at him.
"Uh... Yeah! Yeah, definitely...." He looked down, that was until a new voice appeared.
"Sokka, did you really think I cooked all this?" Zuko walked to the seat at the head of the table. You noticed you were sat to his right.
It was a Fire Nation tradition that the Lady of the house would sit to the right of the Lord... You brushed the thought off quickly, writing it all off as a coincidence.
"W-well I don't know! You've been working ALL DAY!" Sokka squawked.
The dinner went on smoothly, well as smoothly a dinner can go with this group. You could feel the servants and servers rolling their eyes at all the unprofessional comments, jokes, and laughter.
You didn't care, you were just happy Zuko was able to be himself.
Hours later, when everyone was worn out and had their stomachs filled, they started to head to bed.
You were one of the last to leave, having been helping tidy up as much as you could.
You thanked and farewelled the servers, trying your best to remember where your room was.
The Palace was much bigger than you remembered. The halls upon halls blurred together. You were soon lost.
Every direction you turned looked the same, you started to breathe heavy.
You could already see it, 'cause of death, starvation in the Fire Nation Palace.' Or maybe dehydration would take you quicker?
A man passed by, you were saved! Though, the closer you got the bigger his scowl grew.
"Excuse me, I think I'm lost. Can you help me?" You were nervous asking, it was so 'common' for someone to get lost in a palace. You were sure your cheeks were red.
His face was dark, his eyes covered by his demeanor. For some reason he seemed annoyed at you.
"Sir?"
A hand rested on your shoulder from behind. It started you, putting you into a 'fight mode.'
Turning around swiftly calmed your nerves as quickly as they came. It was Zuko.
"Can I help you?" Zuko was talking to the strange man, who was no longer so 'big and bad.'
"No Fire Lord Zuko, my apologies." He barred his head in a bow and left.
You had a small smile on your lips, "Thanks, he was starting to scare me." While you were positive you could have taken the man, you were tired and didn't really feel like fighting.
"Of course, I can show you to your room." He held his arm out, you took it.
The gesture was friendly, you told yourself. Nothing more.
You must have been lost for awhile, as it took a few minutes to get to your room. The small talk exchanged was nice, but something told you Zuko was hiding something.
At your door, he stopped. "Zuko, do you want to come in? You seem restless."
"Actually, I do have something to tell you..." The tone of his voice scared you.
"Oh, then please sit." He joined you on the edge of your end. The door shut behind you two.
You pushed a strand of hair back, nervously sitting. "What's wrong?"
"I'm not really sure how to tell you this... I really am ashamed to have to ask you for a really big favor..." You had seen him on edge a lot, he was quite the stressor. Nothing like this, though.
"Zuko, anything. What do you need me to do?" You questioned.
He looked down at his hands, "You can tell me. I'm in no position to judge you, you know that."
"I uh," He rubbed the back of his neck, "I told Mai that we were dating so she would stop trying to get with me." He spit out so fast you almost missed what he said.
"Oh."
Well that's not what you thought he would say...
"That's not the worst part." He lowered his face to his hands, "The ball in four days, well I told her you were going with me... She's got Ty Lee lining up suitor for her. Trying to make me mad. Also she uh, she's probably told everyone now..."
"Oh." You were at a loss for words.
"I... I don't know... I'm sorry. This is stupid, at the ball I'll tell everyone what happened. I am so, so sorry. I didn't mean for this to happen! It just slipped out an-"
"Zuko."
"Yes?"
"What if you don't have to tell everyone?"
You hadn't looked at him since he started talking. Honestly, a night with Zuko at a ball? It sounded like a dream. Zuko was handsome, kind, generous, and you'd had a crush on him for months. You knew he wouldn't ever really date you... So you might as well seize the opportunity, right? What could go wrong!
The two of you decided it would be wise to not tell anyone else it was fake, as Sokka, Toph, and Aang had big mouths. They'd slip up sooner or later. As for Katara, she wouldn't have kept that big of a secret from Aang.
So, for the next few days you and Zuko spent every second together. At first, it was coming up with plans for the ball. It turned into getting more physically comfortable with each other. That eventually escalated to spilling each other's deepest secrets, ya know... just in case...
Even in four days, you found yourself going from a crush to madly in love. You found out his quirks, what made him tick, his hidden likes and dislikes. Not a second was spent apart.
The afternoon before the ball you were stressed. It had been easy up until the ball. You just had to be yourself around Zuko, now you had to pretend in front of hundreds...
Katara helped you pick out a beautiful red and black dress. To match Zuko's of course.
A big scene was planned out between the two of you, Zuko would introduce you to everyone in an announcement and you'd walk don't the grand starts arm in arm with him.
It was fun to imagine and talk about, but now the 'what ifs' were running wild.
You somehow made your way to Zuko's room, knocking hesitantly. He begrudgingly opened, but became excited when he saw you.
"Zuko, I'm terrified." He quickly guided you into his room.
"What happened?"
"What if I fall? What if no one likes me? It's a lot of steps it-" He cut you off.
"Hey, it's okay... We can throw everything out the window. Just saw the words."
You swallowed thick. "No, no just... Just promise you'll be there? For me?"
Your name was a whisper on his lips, "Ill always be here for you... Just imagines its only us up there... Just normal day."
You nodded, more relaxed knowing he'd be by your side through I tall. It also gave you a wicked feeling of comfort to know he was still willing to do whatever you preferred. He would have ended the lie immediately if you asked, but you wanted to be there for him as well. To make sure Mai would leave him alone.
The Palace was bustling with people, waiters, food, activities, and entertainment. It all came to an abrupt stop when Lord Zuko appeared.
It was comical, trumpets blared and all head turned.
"Fire Lord Zuko, accompanied by-" Your name seemed unreal on his lips. To be announced with a Fire Lord? You felt you didn't deserve it.
You slowly walked into view of everyone, whispers erupting. To be 'accompanied by' was essentially dating for Lords and Ladys.
All eyes were on you as you took Zuko's arm, walking down the steps. You felt light, your grip tightening on Zukos.
"Almost there, I'm right here." His words were all the comfort you needed.
Music resumed and the party goers continued their fun.
That was expect for one person. Mai. She marched up to you, her questioning eyes on guard. Watching her march over sparked a fury in you, the fire started and didn't stop until you spoke.
"Hello Mai. How can I help you? Is your father well, since he lost his job as Governor and all..." You passively aggressively asked, a mock frown on your face.
"What would you know about Governor dad's and all? You grew up poor." Damn, she got you there.
"I guess the difference in poor and rich is personality. Cause you don't have one..." You shrugged your shoulders at her, biting back a laugh.
"At least Zuko loved me for who I am, not who I was pretending to be." She remarked, not really knowing why Zuko loved her or you.
"Damn Mai, you must know a lot about pretending. Seeing as you're a two faced bitch. Should I go and tell Ty Lee you called her an 'easy bed'." A gasp left her lips in shock, how did you know she said that? Well, you wouldn't tell her, but a gossiping Fire Sage spilled the beans.
Zuko, who had been temporarily called away to exchange pleasantries with a Navy Captain, had returned.
"Mai, I see you've met my girlfriend." He said, snaking a hand around your waist. Chills were sent up your spine.
She gave a scoff, "It'll never last. You're only in it because he's the Fire Lord." She pointed to you, then him, "And you, you just seemed to pick up the next girl you saw laying around. Talk about a downgrade. When you get tired of her, i'll be waiting." She walked away.
"What is her problem!" You exclaimed, face hot with anger.
"Jealousy, I think." He said.
You turned to face him completely. "What for, she doesn't even seem to like you anymore?"
"Maybe cause you're prettier than her?" He said, not realizing his own words.
Your cheeks were now flushed for a different reason. You swiped your lips with your tongue before speaking, "Thank you..."
Hours of dancing, partying, and eating went by. Everyone bought the act easily, you and Zuko were naturals at dating. The fun died down, and many were starting to go back home.
Zuko walked you back to your room, hand in hand.
"Thank you. I really cannot thank you enough, just ask. Whatever you want is yours." Zuko said, still grasping your hands at your bedroom door.
"I don't need anything. This was really fun actually, I know you were just pretending... but i've had the best time the past five days."
"Pretend?" His face screwed up, like he was in denial.
You blinked a few times, own lip curling. "Well, I mean... You made it pretty clear this was all just an act. I-I am not hurt." You were, but wouldn't let him know.
"Words cannot express how genuine these days have been... Oh gosh, I haven't felt this free since I was a child." He pressed on, serious.
"Y-you mean, none of this has been fake to you?"
"Well, I know you signed up for 'fake'." He looked over you, face uncertain.
With a step forward you spoke, "This hasn't been fake for me either..."
"Really?" He pressed his chest to your slightly, hand wavering around your waist. "Because I don't think I could live if you're lying right now."
"Will this answer your questions?" You leaned up, closing the gap and kissing him.
A/N- Thank you for reading, I haven't fully watched ATLA In a little bit sorry if Zuko is OOC!! When it's not midnight and I'm not super tired, I will edit any mistakes!
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blluespirit · 2 months
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Overall NATLA Thoughts
Okay, now that I've watched the series, I can give my thoughts.
Overall, I thought it was good!!! I had fun watching it! I'd rate it a solid 6.5/10. It's nowhere as good as the original, but it was definitely enjoyable and made some nice changes here and there that I liked. There were also some things I was also Not a fan of too.
I said in another post that it's best to treat this like an AU of the original. There will things that are great and things that are bad. That's the nature of adapting something.
Having said that, I need to get my initial thoughts off my chest... here we go.
Things I thought were good:
Sokka's characterisation - I really enjoyed him! I thought Ian did a good job! He played the funny moments well and retained the underlying seriousness/cautiousness. It wasn't perfect, but I enjoyed the changes a lot and think it was overall a solid performance.
Zuko's characterisation - Like Sokka, I do think I was most satisfied with their performances. A lot of Zuko's moments from the cartoon are sometimes... well, cartoonish and definitely wouldn't translate to live action, but I think Dallas did a nice job at balancing Zuko's desperate anger and that occasional sassiness well.
Zuko and Iroh moments were great. Had me on the floor crying. As it should have.
The bending looks a trillion times better than the movie - I understand it would not have been easy for the actors but, overall, I was very happy about it.
The scenery was stunning. It just looked so beautiful. I loved it so much.
Absolutely ADORE that they made Zuko a good calligrapher and artist. I read a fic about a million years ago where Zuko is a fantastic calligrapher and I thought it was perfect and made so much sense, and now I can say it's canon. This is perfect for me.
S U K I
The Freedom Fighters were ✨ perfect
They were so real for making Oma and Shu lesbians
Koh, Wan Shi Tong and Hei Bai looked fantastic, but I have more to say about all of them below, unfortunately.
I actually like the change they made that Katara is Aang's sole waterbending teacher.
Aang is not perfect, and needed more goofy scenes HOWEVER, I did like how they've had Aang's guilt more prominent in the story. The original didn't do a very good job with that, imo.
Zuko entering is breaking and entering era by breaking into an impenetrable Earth Kingdom prison is just perfect.
In Masks, I like how Aang and Zuko got a longer conversation - that was pretty cute.
I liked how they changed Yue a bit and got her out of the arranged marriage... how Yue saw Sokka in the Spirit World before meeting him in the real world.
Things I didn't like:
Far too much info-dumping/exposition. So much spelling things out. It was not as egregious as the movie, and I get there's a lot of information that needs to be conveyed well and quickly... but sometimes it really took me out of the show.
Why are Mai and Ty Lee here.... I was hoping the live action would give them a bit more depth (and they might as it goes forward!), but why put them in season 1 at all if they're just going to stand around???
Some odd changes - putting this as one point, but there are some bizarre changes that didn't make sense to me, as they did not benefit the story or deepen the characters. I have two main examples: a) making it so Aang didn't run away from home, and b) making it so Zuko actually fights Ozai in the Agni Kai.
Characterisation of Katara was Not Great. I don't think I got many hints of the reckless, compassionate, badass Katara until the end when she fights Pakku and rallies all the women together to fight (which happens off-screen). She was sweet and kind, but she just lacked the fire that OG Katara has.
Azula's characterisation - Azula is desperate to impress Ozai and so her character is just…. brewing with anger, frustration, desperation. I was SO excited to see the Azula we are introduced too… perpetually and irritatingly calm, calculating and ruthless. She's perfect, she's terrifying! She's literally the character of all time. But this Azula had more Zuko vibes? I don't think there's anything wrong with giving Azula more concrete motivation by wanting to impress Ozai and establishing that Ozai is abusive to both his kids, but I do think trying to do that right off the bat is a mistake.
WHY is Wan Shi Tong here. I love Wan Shi Tong, but like I said: Why Is He Here? Why could we not have his iconic, ominous as fuck introduction from The Library, and instead he's introduced in a random season 1 episode giving Aang Information(tm) about the Spirit World.
When Aang gave Koh the statue, and then he just takes it and immediately lets all the villages go, and neither of them even say anything, I actually laughed out loud. Like, I am so sorry, but what in the jesus fuck was that.
Speaking of Koh - I think Koh is better the less we know about him. Roku saying ~all Koh wants is a family like the rest of us~ just pissed me off?? I like my Koh the Face Stealer Terrifying and Unknowable, thank you.
NOTHING EVER REALLY HAPPENS WITH HEI BAI!!?? where's my precious spirit bear?? Like Aang never really does anything with him and the replacement Koh story is boring and it sucks.
Bumi.... sorry I just didn't vibe with him at all.
Things I can't decide on:
Fancy spirit knife to kill the moon spirit annoyed me a bit, but I guess they wanted to Kuruk something to work with and a little bit more interaction with Aang which I get but idk. I really flip/flop on this one.
I've been very on the fence about having Azula (and Ozai) being in the show in season 1 in general. I'm not sure if it benefited either of their characters.
Azula & Ozai's dynamic - Okay, so, I think they're trying to give Azula more depth, right? They're trying to establish what it was like for Azula to live with Ozai and that she's also (like Zuko) trying to desperately prove herself to him, but Ozai using Zuko's... achievements to do that just felt so weird. I get he's doing it to manipulate her, but that just felt so wrong when in canon it's very obvious that Ozai just didn't give a single fuck about Zuko. Ozai pits Azula against Zuko by saying he's a failure, he's a bad bender etc. Azula is born lucky, Zuko is lucky to be born - like, Ozai says that to Zuko's face. I don't know if I am communicating this point very well, but it just didn't seem right to me??
Zuko vs Zhao in the Siege of the North... I genuinely do not know how to feel about it! I didn't love it, I didn't hate it. I don't know how to feel about Zhao telling Zuko that his mission is a sham and that Azula is the prized one... It feels like it's saying the quiet part out loud? In the OG we all know that Ozai sending Zuko on that mission was an excuse to get rid of him, but we can work that out, no one actually says it. And then Iroh just fucking killing him/mortally wounding him instead of the Iconic scene where Zuko reaches out to save him despite everything Zhao has done to him, but Zhao's own pride gets in the way from letting him accept help from Zuko.
Zuko’s crew being the 41st is not necessarily a bad thing at all!!! But I do just want to say that in the original, the attack goes ahead, and presumably, those soldiers die. It’s horrible. Zuko’s sacrifice is in vain, and it was always going to be in vain because the Fire Nation as it stands would not allow Zuko's compassion to win. Ozai would not allow it. While not necessarily a bad choice (all the soldiers bowing to Zuko on the boat was so sweet I loved it!) but I think it does take away some of the horror of Zuko’s story (same as it does with making Zuko fight back in my opinion) because the whole point is that Zuko did the right thing - and he was punished for it, and those soldiers died anyway.
anyway...
Okay!! got that off my chest. I know I just had a big whine here, but I still had a lot of fun watching this show. I think some of the backlash is a bit over the top and unwarranted. It was never going to stand up to the original - and that's okay.
Enjoy it for what it is!
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zutarawasrobbed · 2 months
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ALTA Live Action Season 1 Initial Thoughts (Spoilers)
I just finished the season, and holy shit!
Quick things that need to be addressed/debunked:
“Sokka is no longer sexist”
I dont know what people were talking about when they talked about Sokka’s “sexism” being removed. It’s still there! But not in the overly exaggerated comical way it was in the original.
In fact, it’s more in line with ancient practices of indigenous tribes where men are seen as protectors and providers while women are expected to nurture. It’s not the same “boys are better than girls” narrative in the original.
Additionally, Suki still beats the fuck out of Sokka and humbled him really quick. They’re super cute by the way. And I love Suki’s “I like my men a little stupid” vibe. She’s great.
“Aang doesn’t run away like the original!”
That is not true. He does run away, but not because he’s trying to get away from the temple but instead to get some air because he feels overwhelmed. He’s more like taking a quick break and planning to come back. It’s not exactly the same, but almost. It also is done in a way where his guilt feels more justified.
“Katara doesn’t talk about her mom anymore like the original”
This is true… BECAUSE THEY SHOW INSTEAD OF TELL. I was honestly not prepared to see the death Kya in such graphic detail and how Katara was in the room hiding when it happened. It’s honestly really sad and more heartbreaking.
Plot:
The timeline seems to be ambiguous compared to the original series where it was “end of current year.” In fact, they repeat “three years” a few times, which makes me think if the series get greenlit for more seasons, it would be over a three year period.
Jet is still villainized but given more nuance and not a simple "good v bad" way like the original.
Zuko’s story about how he got his scar has additional lore that makes him come across as even more selfless and compassionate. The additional context of the platoon he advocated for in the war meeting, becoming his current crew, really added to the story.
Eradicated the nepotism baby plot point with Pakku only training Katara when he finds out he used to date her grandma. Instead, Katara proves herself and ends up teaching the other male fighters the techniques she learned from watching other benders use their elements and mimics them.
This season doesn’t have Aang learning any waterbending, but rather facing his trauma and the consequences of his actions. He get roasted by all his past lives. Which is an interesting choice, but I think it works well in how they executed it.
This season seems to actually be Katara focused and her journey of learning waterbending which I honestly loved because it really hits home the element of “water” being the story of an untrained waterbender learning her element. But, I do think Aang could’ve learned a little bending. It felt a little off.
Katara ends up advocating for all waterbending women and ends up leading an army of both men and women during the siege. She’s really bad ass and is given the title of master without being formally trained by Pakku. She made herself a master.
I think the timeline is a little wonky because of how much they had to fit in with the limited episodes they had.
Kuruk is given respect! I loved that.
June actually seems into Iroh which I thought was a funny but cool way to flip the script from the original.
The relationship between Zuko and Iroh is really beautifully executed. I love the depth they added with flashback scenes and their bond prior to the Agni Kai. It also wasn’t as frustrating watching Iroh and Zuko’s dynamic because Iroh communicated with Zuko in a way he could understand with straight answers rather than seeming to actively sabotage him with cryptic puns and shenanigans like the original.
They changed the love triangle with Yue Hahn and Sokka to be very healthy. They gave Yue autonomy and a choice in her relationship- which- again- is much more in line with indigenous cultures. Also, Hahn and Sokka’s relationship is really supportive and full of respect and no ill will.
They way they handled grief and the realities of war with the loss of life was very well done and really drove home the point that this is a war and these are child soldiers.
There’s a lot more but these are my initial thoughts. Will probably post more later.
Shipping:
Kataang is all but removed. Literally DOA. There is no indication of a crust on either side. It’s painted like a sibling relationship, which is like the original, but this time everyone seems to be on the same page. But, I swear the writers had to have read ZK fics because damn.
They canonized a popular Zutara theory/hc about the cave of two lovers and how the crystals would light up once it went completely dark instead of a “kiss” activating the crystal glow.
Speaking of the Cave of two lovers. They keep the Oma and Shu story with red and blue coloring. Making it come across more as foreshadowing than a direct link to the present tunnel story.
Sokka is put in Aang’s place with Katara in the tunnels and turned it into a story about the love of family and sibling bonds. Aang wasn’t even present.
Zuko and Katara share a meaningful look when they first see each other and continue to have a Katara centric scene followed by a Zuko centric scene and vice versa.
The scarf scene. I will not be elaborating further. If you know, you know.
Zuko and Katara fight scene in the North is epic. He still taunts her with almost the exact same dialogue but it’s so sassy- I love the banter.
Suki and Sokka were really cute and the actors had great chemistry. I think Yue and Sokka was really rushed and didn’t really feel anything about them, honestly. But I attribute that to lack of episodes to develop all that plot.
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saijspellhart · 2 months
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Things I liked about the Netflix ATLA and some critiques:
Before you read. Please go watch the series, take off your blinders and keep an open mind. It’s surprisingly good. This review has spoilers.
They reordered some scenes so that emotional moments would have a larger pay off. Like getting to see and experience Aang’s relationship with Monk Gyatsu, and seeing his tribe before it was destroyed. So when he has his breakdown in the air temple with Sokka and Katara later, you really feel and understand his agony.
Azula is introduced earlier, with a story running simultaneously with the Aang’s journey but not involved with his. So she has a chance to be more fleshed out and explored before she becomes a major threat. Only time will tell if this more complicated Azula comes close to the animated one. Big shoes to fill, but not a bad start.
Fire Lord Ozai plays a more sinister and oppressive role. Not a faceless boogeyman anymore. You get to see his machinations and the cruel games he’s playing with his family, and see the emotional abuse that warps them.
Appa is adorable as fuck, and so is Momo. So well animated, such gorgeous care put into them.
Kyoshi, Kuruk, and Roku make more of an appearance. With Kyoshi narrating the prologue. And if you loved the novels you’ll see they incorporated more of Kyoshi and Kuruk’s backstory from the novels than what we saw in the animated cartoon.
The acting was competent, even if a little wonky at times. I found Sokka very endearing, I loved the kid they cast as Aang and you can tell they really tried to find a balance between serious and playful. They didn’t always hit it, but the effort was there.
Zuko was great. I think they nailed him and he had great chemistry with the actor playing Iroh.
King Bumi was great, I love how they made his internal struggles more complex. He wasn’t just a crazy old man anymore. He was a crazy old man who was weary and worn down by the horrors of loss and war. A crazy old man who struggled to reconcile that the best friend he lost is the avatar and wasn’t there for him.
I loved the costume and set design. It was like stepping into the actual world of ATLA. Cities were complex and well constructed. Every setting was incredible and the attention to detail was intense.
Zuko’s boat is full of artifacts he pilfered from the Air Nomads while hunting for the avatar.
They changed how Aang got the bison whistle so it makes more sense and fits more seamlessly into the story. It never made sense why a random peddler would be selling a bison whistle if air nomads and bison have been gone for 100 years. Not impossible for a peddler to do, but not probable. The Netflix series actually gave more meaning for the artifact and changed how Aang received it.
Emotional points in the show are now more intense and brought me to tears.
Commander Zhao is more competent and conniving, and his presence felt more dangerous and less comedic.
Sokka’s outright sexism was changed from putting girls down, to just manly machismo, talking himself up. Not gone, but not degrading. They decided to let the sexism message shine more prominently with the northern water tribe, rather than tackle it twice with Sokka too. (Sokka’s sexism being solved in one episode was never well written to begin with. And the animated series quickly forgot about it and moved on to him tackling more important issues, like his being a non bender inadequacy, his leadership journey, his physical combat journey, and him finding himself as more than just the funny sarcastic guy.) For time constraints, it was better the Netflix series did not to tackle the same problem twice, especially when you might not have the resources to give both sexism issues the gravity it deserves. By focusing the sexism problem to the northern water tribe they were able to give Katara more attention.
We got to see Katara’s water-bending go from being ultra sloppy and weak to badass. It feels like they are spending more time focusing on her developing into a warrior rather than being the mom of the group. I’m honestly not sad about it. She’s still the hope ridden, emotional glue, but now it feels like she explores that warrior side a little deeper. It felt so earned when she got the title of master at the northern water tribe finale.
The actor playing uncle Iroh nailed the role. I couldn’t think of a better live action adaptation of Iroh. I love him so much.
The shirshu looks fucking phemonal.
Koh was scary as fuck and I love it. They really nailed his horror elements. Even if I’m a little sad that they changed some things about his face stealing. (He eats faces now to steal them, rather than stealing when someone shows emotion.)
The three actresses who play Mei, Azula and Tailee actually look appropriate for their age. Since they are introduced earlier, they are clearly younger, and since this show is intended to get more seasons, the casting choice made sense as we are intended to watch these girls grow up over the course of the entire show. These actors will get older, and the characters will get more menacing and sharper. It’s great. It’s thoughtful. I love it.
We get to see Zuko’s dynamics with his crew more. And find out that he did more than just speak out against his father at that meeting. His outburst at that meeting saved an entire squad of soldiers, and they don’t even know it. Zuko feels such disdain and bitterness because of the situation, and his crew doesn’t even know why. It’s so complex, you can see how the abuse Zuko endured causes him to take out his anger on his crew, and in turn they are bitter back. And it’s this cycle, that festers. But the crew also grows with Zuko, they change and evolve as he evolves. And it’s such a delight to watch.
They could have cut the Secret Tunnel minstrels altogether, given the time constraints and that the episode was mostly fluff in season two. A fun romp, but not necessary. But the creators knew people loved the minstrels so they found a way to use them anyway. Because they knew they were special. I am thankful for that, even if they show up waaay earlier than they should.
I was honestly more sold on Sokka and Suki’s relationship in the live action. It’s was so adorkable. Do I wish it had more time to develop? Yeah, of course I love a good slow burn. But that didn’t mean it wasn’t fun as hell watching the two flirt so badly with each other. Sokka being a buffoon, and Suki overstepping and being too rough, before realizing she was being too hard.
Some Critiques:
They reordered some episode storylines to happen at the same time, and while it does bloat some episodes. it’s understandable due the episode and budget limitations. In the cartoon, during the inventor episode Katara didn’t have a lot to do, and during the freedom fighters episode Sokka didn’t have a lot to do. So they ended up combining both stories into one hour long episode in the live action, so that both Katara and Sokka would be involved in something. Is it the best? No. But it makes sense. I get it.
Katara starts off bland in the first episode and it takes a bit for her to grow into the character.
The past avatars can be a bit strong with the doom and gloom, and I wish they’d toned that back.
Koh and Heibei (I dunno how to spell the panda spirit’s name) got combined to the same episode, and Koh stole Heibei’s spotlight. Again, I understand why these got combined, but I think it could have been handled a little better and Heibei should have gotten more closure.
There should have been a ninth episode, placed between the two episode Koh storyline, and the Northern Water Tribe storyline. Why? Because the Koh storyline was really heavy and intense. And it leads right into the season finale. An extra ninth episode should have been added with a more lighthearted tone. Something to ease the tension between the two very intense storylines.
Aang should have been using a glider to flit about the temples in the first episode. But it’s not something that ruins the whole show. It was a dumb that only happens in a single episode in the season.
I really missed Momo and Appa’s presence. They appeared atleast once in every episode, but it was still sad they weren’t more of a presence. Again I understand why. They were so beautifully animated that everytime they were on screen it (without a doubt) cost the production thousands of dollars. They were generous including as many of the unique animals and creatures as they had.
I still don’t think Sokka had enough time to develop a relationship with Yue at the northern water tribe. It was rushed and contrived in the animated version, and it was rushed and contrived in this Netflix version. There also wasn’t any of the chemistry like Sokka had with Suki to make the whirlwind romance work. I never liked the romance from the original, and I wasn’t a fan of it here. But that’s ok, because it’s such a small and insignificant thing.
In conclusion most of the changes I can see made were due to budget, and episode limitations. The creators were clearly trying to bring theater-cinematic quality to what was essentially an eight hour long film. And you cannot deny that this show is stunning. Absolutely breathtaking. Most of the episodes cut were filler, and while hilarious and mostly loved by fans, were stories not as necessary in the grand scope. You could feel the love and appreciation the creators included in this series. It wasn’t soulless, it wasn’t a heartless cash grab, it wasn’t a shot for shot (thank god) but it also didn’t butcher the source material.
I understand that the animated show creators had creative differences with the live action Netflix adaptation creators. But that doesn’t mean that the Netflix series completely failed. As every fanfic writer out there knows, the original authors are not going to love what you create based on their works. Tolkien hated every adaptation of his works, HATED them. But no one is going about saying that the Lord of the Rings trilogy movies were hot garbage. A creator doesn’t have to endorse a project for it to be good.
Netflix ATLA is good, it’s not perfect. And it never was going to be perfect. The cartoon it was based on wasn’t perfect either. But the ATLA cartoon was definitely some huge shoes to fill that set a bar very high. Any adaptation was going to struggle to be just as good.
I think the Netflix adaptation was a treat and a pleasure to watch. I think people should go into it with an open mind and see that it’s not trying to replace the cartoon. It’s a love letter to the cartoon.
PS: According to behind the scenes commentary on the Nickelodeon ATLA cartoon, the reason we didn’t get a season 4 was because the creators wanted a live action film. Nickelodeon offered the original cartoon creators the option to make season 4 or to spend the budget meant for season four on a live action ATLA film. The original creators chose the live action film directed by M. Night Shamalan. They wanted a live action for their show over a 4th season. They had no idea M. night would butcher their baby with his pathetic film all those years ago.
This show was a second chance after the M. night abomination. And you know what? It’s a pretty decent adaptation. And guess what? With a resurgence of interest in the series, we are getting more animated content for the original animated series. There’s definitely something for everyone on the horizon if this succeeds.
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five-flavor-soup · 1 month
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This is technically in response/as an addition to a post on the supposed ‘double standard’ in the fandom between Zuko and Jet as Katara’s love interests, but it’s been so long since it was posted and I figured the OP would be entirely uninterested in my word vomit, especially after like one and half years—so, separate post. I added a link for those interested. There's a cut because this got quite long lmao.
In short, the post supposes the argument that though Jet would’ve made Katara kill people (something Zuko very much Did Not Do, no matter what you think about The Southern Raiders), he cleaned up his act after this. Zuko, on the other hand, did lots of Really Bad Things to Katara & Co. with far more frequency than Jet did and got redeemed after a multitude of episodes doing Various Things Moste Evile. To then slap Jet with The Toxic Ex-label and see Zuko as the ‘healthier’ and ‘better’ option creates a Double Standard(™) within the fandom, which is supposedly bad and not an arguably incorrect reading. 
But the differences in fandom perception between Jet and Zuko as Love Interests for Katara (one of which canonically, and the other potentially and apparently talked about in the writer’s room) are easily explained, as can the Supposed Double Standard—just by thinking about it from Katara’s viewpoint, or even the audience’s. Because, well, the worst things Jet ‘almost’ ended up doing didn’t happen because of outside interference only. 
That’s the important bit here. He 100% would’ve drowned an entire village just to get rid of a handful of Fire Nation soldiers, had Sokka not managed to evacuate everybody. He 100% would’ve grievously injured two people who, as far as Jet and everybody else were aware, were refugees who might not even be firebenders — considering nobody else saw Iroh heat up his tea, he could’ve been wrong — in an attempt to prove his own hunch. Had the guards not been there, had Zuko not been able to fight back with swords, Jet would’ve genuinely attempted to wound them for as much as a puff of smoke. And Jet consistently involves bystanders (innocent or not) in his desperate quest to harm and defeat the Fire Nation: the Gaang (and particularly Katara, through explicitly manipulative means) and the villagers in Jet; Zuko, Iroh, and the people in the teashop in City of Walls and Secrets. Additionally, we don’t see more violence from him because he’s not a main character like Zuko is—though it’s implied that Jet beats up villagers who are supposedly in cahoots with the Fire Nation often, only agreeing to turn over a new leaf when he, Smellerbee, and Longshot decide to move to Ba Sing Se. 
Zuko explicitly and frequently doesn’t harm people: that, or it isn’t important to the plot. He doesn’t burn down the village on Kyoshi, he literally only manages to lightly singe it. He threatens people with violence frequently but never actually goes in for the kill. I’d argue that the most explicitly violent thing he does in Book 1 is breaking Aang out of the Pouhai Stronghold—for his own ends obviously, but if it’s spelled like treason and sounds like treason, it’s probably treason. When he thinks of robbing the pregnant couple while he’s on the run, he stops himself of his own volition; when he considers using Appa to catch Aang (this was a point made against Zuko in the post), he’s unaware of what Appa’s been through prior to that point and sees him as no more than an animal used for travel, much like the ostrich horse he stole earlier in the season. 
Zuko’s schtick throughout Book 1 and 2 is that he doesn’t want to think of the consequences of his actions. His plans are never fully complete. He doesn’t think of how he’s going to get a chained, notoriously slippery little eel of an Avatar to the Fire Nation, and he doesn’t think about what would happen to twelve-year-old Aang after they got there—which is horrible of him, but it also shows an odd, ignorant kind of innocence that you’d associate with a kid who’s got a hard time telling right from wrong. Like, I love Zuko dearly, adore him even, but kiddo doesn’t think ahead until the Book 2 finale and even that’s debatable. He’ll eventually start thinking ahead a little bit but for the most part, he doesn’t. Not saying that takes away responsibility, because it absolutely doesn’t, but it is telling of Zuko’s character: he’s an ‘act first, think later’-kind of guy, all ‘fuck around; find out; maybe success’. His sole goal throughout Book 1 and 2 is going home, without even thinking on how to get there beyond like, Avatar in my custody => back in Fire Nation with Avatar => dad loves me again. And he says that his only intention is to go home too, in Ep 2 of Book 1:
Aang: If I go with you, [He holds his staff in front of him as an offer, making sure Zuko understands that he does not wish to continue fighting.] will you promise to leave everyone alone? [The camera cuts to a side-view of the area, Zuko's men still surrounding him, spears poised. After a brief moment of hesitation, Zuko erects himself and nods in agreement. Aang is apprehended by Zuko's men, who take his staff . . . ] Zuko: [Boarding the ship up the walkway. Determined.] Head a course for the Fire Nation. I'm going home.
(Added emphasis for my point)
Zuko is not the Big Bad. He’s not The Largest Threat. He never is. In Book 1 it’s Zhao, in Book 2 it’s Azula, and in Book 3 it’s Ozai. Zuko is a consistent threat, yes, but not a particularly large one no matter how good of a fighter he is. Because he’s presented to us as a disastrously hurt and traumatised little brat who we, the audience, are supposed to feel sorry for, and slowly grow fond of. Because we learn in The Storm that the notion of “caring for others is weak” has literally been branded into him. Because he keeps getting back up to fight, but consistently holds back. We are shown that he knows, on some level, that what he’s doing is wrong: the text suggests that Zuko is actively suppressing his morals. And by the time Zuko hires an assassin to ensure the Avatar is dead, we know that Zuko is incredibly unhappy with his choice(s) and is desperate to be safe; that he’s uncomfortable but wants to be comfortable; that he’s incorrect about the source of his fear while he’s back in the palace. The audience is shown this explicitly. 
By contrast, we’re shown that Jet is fully aware that those villagers will die. He’s fully aware that, if he manages to prove the two refugees are firebenders, they’ll be arrested and probably mutilated (if the hand-crushing is any indication). I love Jet and his character, but he’s supposed to be the example of poisoning yourself with your hatred, anger, and hurt. He’s revenge that goes too far, because he doesn’t allow himself closure. He knows the consequences and isn’t shown to care for them, as long as his goal is furthered.
And there is the small, but significant, difference between the two characters: Zuko initially just wants to capture the Avatar, is purposefully remaining unaware of what will happen when he does so, and is clearly shown to change, while Jet just wants to punish firebenders and is very aware of what will be necessary for him to do so, with a handful of lines of how he ‘stopped being like that’. And honestly, Jet is far more mature than Zuko is for quite some time, regarding the violence of war—basically as mature as Zuko eventually becomes at the tail-end of his redemption arc. But Zuko’s maturity is at that point healthier, because he doesn’t want to genuinely do harm. 
In regards to their separate relationships with Katara, there’s these fantastic points that @sokkastyles made in reply to the post:
The fact that Zuko actually did change and Katara actually forgave him makes ALL the difference. [ . . . ] The thing about Jet is how manipulative he was with Katara. He not only almost made her kill innocents, but he lied to her about the man he attacked having a knife when he was called out, so that Katara would see her as righteous. Someone who is willing to lie in order to make themselves seem good and someone who says they are going to change but then does the same things doesn’t have a good track record, and that’s a more troubling relationship dynamic than someone who acts as an upfront enemy but then sincerely changes.
And: 
I do think it makes sense to focus on manipulation being worse than being a cartoon villain when we're talking about personal relationships. I think many people can relate to having someone like Jet in their lives who seems nice but who lies and manipulates to justify their own bad behavior despite repeatedly claiming that they will change. Not that many people will experience being tied to a tree by someone who wants you to tell them where the Avatar is, and it is completely reasonable for people to be more forgivable of things Zuko did as a villain than things Jet did to Katara when he claimed to be a friend.
I actually don’t have anything to add to this, lol. It’s succinct and well-worded.
Lastly, in addition the relatability and the relationships being different (the manipulative, emotionally hurt, and self-proclaimed anti-hero versus the initially childish, explicitly confused and desperate cartoon villain, plus the girl they hurt horribly), there’s also the problem of Jet not being a main character. Jet is a relatively well-written side character, whilst Zuko is very quickly established as a main-ish character with his own POV (as the writers decided during the conceptualisation that he’d be joining Team Avatar eventually). Zuko’s troubling, self-destructive nature that has been forced upon him and his Tragic Childhood is shown in high definition. The audience is supposed to eventually be okay with Zuko and hopefully like him, slowly adding puzzle pieces to complete the picture of a horrific earlier youth and treatment by nearly everybody he knows except Iroh. Something like this isn’t necessary with Jet, not just because he was already incredibly likeable and understandable from his introduction and onwards, but also because he’s neither a villain nor a main character. 
There’s multiple reasons as to why Zuko is often seen as the ‘better’ option, just like there are multiple reasons why Jet and Zuko are compared so frequently—they’re both traumatised teenage boys who ‘rebel’ to get some semblance of control back, but we see Zuko change into a kid anyone would be a little bit proud and fond of and that doesn’t happen with Jet. Double standard or not, Zuko and Jet are different characters who the writers also treated very differently, on purpose. It makes sense to me that the audience would think Zutara is the ‘less bad’ or far better option. We know far more about Zuko than we know about Jet; and Jet’s redemption arc, if we can even call it that, halts permanently when Zuko’s is reaching the height it for him to go into a freefall, ultimately culminating in a genuine redemption. We, the audience, know this. So does Katara.
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abcjxyzyeo · 1 month
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haiii!! i have a request for you! could you maybe do a Sokka x Kiyoshi Warrior reader who watches over Sokkas trainings with Suki and he becomes embarrassed or wtvr because of how much hes failing? it can go any way you want, idm really. thanks sweets!<33
-🦢
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Heart of a Warrior
AN; Request by 🦢 !!! Omg I absolutely love this idea sm, I had a little field day w this one 😘😘 But tbh I didn't know how to end this too the ending is kinda rushed and bad !!! Also for this js imagine Sokka and Suki r 20 and reader is 18 !!(It doesn't matter but Katara and Aang r still 12/14 !!) AND ONE MORE THING OMFG anyways just imagine that the gaang stayed at kyoshi for a little bit longer like 2 weeks before the fire nation came. (why does it feel so weird writing a fic for Sukis' sister x Sokka like dam she rlly stole her sisters man 😭😭)
Pairing; Sokka x afab!reader(romantic), Suki x afab!reader(family)
summary; When the gaang visits Kyoshi Island to ride some Koi fish, Sokka seems too distracted too even try to figure out whatever is going on with Katara and Aang. And distracted by a certain younger Kyoshi Warrior
warnings; not proof read!!, angst(?), sumwhat sfw ? semi one sided enemies to lovers
You sighed, wiping off the lengthy make up you wear to be a warrior. You loved being a Kyoshi Warrior more than anything, but it was tiring. You were two+ years younger than everyone else so Suki, your older sister and the leader, let you take breaks every so often. Luckily she said you can take the day off. You started to lay down to take a nap when you heard running and yelled outside, in your pjs you ran to grab your fan and went quickly outside. Staring at the trio that was tied to the podium you were star struck. Their clothes were so different than anything you have ever seen. You had honestly(but luckily) been sheltered to only have to know clothing from the earth kingdom and Kyoshi island. After debating between the three and your sister, the young bald monk was revealed to be the avatar. Something about it irked you and you rolled your eyes. When you looked back you had caught the attention of a water tribe boy who seemed to be your sisters age. he started to walk over and talk to you, but nothing peaked your interest. Mostly just him giving back handed sexist compliments.
"Your sister is pretty strong for a girl!" He chuckled, obviously annoyed he was ambushed by girls.
"Uh huh" not giving him common curtesy to look him in the eyes.
After a few more comments you simply zoned him out. Well until he asked something that you were actually interested in.
"Sooo.. are you one of the painted fighters too?"
"Um. A Kyoshi warrior? Yea I am" and he gave an interesting look so with that you walked off sighing to yourself. The first outsiders to visit during this 100 year war had to be the most uninteresting people ever. (Cuz honestly you weren't completely convinced the Avatar was here on good terms, he'd probably just lead the fire nation here.)
For the next few days you saw Sokka try and learn how to fight like a Kyoshi Warrior. It kind of disgusted you, you know he just wanted to be better than Suki, but luckily she was the best of the best so you had nothing to fear.
Suddenly you found your feet moving towards the duo practicing, against your will. You knew you disliked Sokka, you avoided him as much as possible. It was baffling to you how different he is from his sister, at least you could stand her. Once you reached the two you sat on a near-by tree stump. Sokka looked over mid attack and absolutely fumbled falling straight on his face. You rolled your eyes and his face went bright red. For the hour that you watched them, Sokka missed every hit and took every hit thrown at him. By this time you were annoyed, instead of finding it humorous. It was like he was trying to be funny and mess with a sacred art form. Frustrated, you loudly groaned and walked away. Sokka knew he had messed up, he wanted to be good, he wasn't sure if it was for him or for you. He thanked Suki and ran off to find you.
Practicing all your moves you had learned over the course of your young teenage life, you left someone creep behind you. Stopping what you're doing you turn around, expecting Suki, but finding Sokka. You simply crossed your arms expecting him to speak.
"You saw me practice today" he uttered embarrassed
"Indeed I did," rolling your eyes
"I didn't mean to mess up, I was just nervous with you watching!"
"Whatever you say water boy, just stay out of my way and stop making a fool out of yourself." you turned back around and tried expanding your fan, but suddenly a hand was on your wrist and your hip, spinning you around instantaneously. Sokka's face was mere inches from yours, he looked down at your lips and back up to your eyes making the hair on the back of your neck stand up.
"Why won't you give me a chance?" he whispered low
Your mind whirred, 'chance for what? Why does he want a chance? Why is he so close?'
"Um what do you mean?" you gulped loudly
He let go of you lightly, "Why don't you give me a chance to show you I'm not who you think I am, I'm strong and a warrior."
You immediately scoffed "Yea right, what I saw today really showed that." this obviously pissed Sokka off, and he lowered his head down to stare at you in the eyes. Suddenly you could smell him, taking a moment to appreciate how clean he kept himself, you gathered and studied every inch of his face. Pausing to look at how nice his lips looked in the light. A moment of silence was suddenly broke.
"Like what you see?" He said smirking, leaning in to close the distance between yours and his lips.
You yelped loudly before throwing him over your shoulder and running away.
After what happened it was easy to ignore him and his practices. But your heart didn't want to, some how that stupid pony tail boy made you yearn for him. But your brain knew it wasn't a good idea to fall for a strange boy, let alone let him know that. But fate was against the organ in your head and as you turned the corner you saw, once again, your sister practicing with the water tribe boy. You walked up to them to watch but this time when Sokka noticed you, he gave it his all. Easily overpowering Suki, her face turning bright red that you could see through the makeup. Sokka crossing his eyes and giving a smug look. Your jaw dropped and you felt something inside your stomach, a tight knot that wouldn't untie. Sokka walked over to you after thanking Suki and bowing to her.
"How was that?"
you just stared at him, shellshocked. Causing him to laugh he rolled his eyes at you, he wrapped one hand around your waist and one around the back of your neck pulling you in for a kiss.
You eased yourself into it, kissing back. Your brain knew it was wrong but what was so bad with letting your heart win?
"Well Sokka, you do have the heard of a warrior." you laughed before leaning in for another kiss.
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Netflix Avatar the Last Airbender S1 - Overall Thoughts [SPOILERS]
I am a longtime fan of Avatar the Last Airbender. I did not watch it in its original 2005 run, but I discovered it in around 2010 after my good friend R.S. recommended it to me. It's been my #1 favorite TV show ever since and I have rewatched it more times than I can count. I was cautiously optimistic about NATLA.
Now, having watched the whole first season of NATLA, and looking at the season as a whole, I think the best word to describe it is uneven. I can't say that I loved it, and I can't say that I hated it. But there were things I really liked about it and things that really did not work for me. Overall, I enjoyed watching it -- if only to dissect what did and did not work about the adaptation -- and would want to watch more.
WHAT WORKED
Everything to do with Zuko and Iroh. I found myself going back through just to rewatch all of the Zuko and Iroh-related scenes. I thought Dallas Liu really nailed Zuko -- from tantrums about his journal being stolen to incredible action sequences to the boyish vulnerability of worrying about the laces on his gauntlets. He took an iconic character and made him his own. NATLA added some incredible scenes and lines to my favorite duo: Lu Ten's funeral (coupled with orchestral version of "Leaves from the Vine"); Zuko's first war council; Iroh choosing to go with Zuko on the boat; the 41st Division; Iroh putting a blanket on Zuko. And I liked that NATLA emphasized that Iroh needed Zuko in the wake of Lu Ten's death as much as Zuko needed Iroh after his mother left.
Daniel Dae Kim's interpretation of Ozai. Ozai in ATLA is kind of one-dimensional. Daniel Dae Kim's Ozai adds a deeper layer to him in that he genuinely seems to think he's doing legitimate parenting -- even going so far as to visit Zuko after burning his face and remarking, glibly, that he'll recover ("but he'll never heal," says Iroh). It adds an even more monstrous angle to his cruelty because Kim's Ozai seems to think he's doing it for his children's own good. This post perfectly encapsulates my feelings about why I thought the agni kai between Ozai and Zuko was an excellent addition to NATLA.
Zuko/Aang. These two bonding over goat hair brushes was the scene I never knew I needed. The way Aang managed to wrest a little smile out of Zuko in that scene before Zuko blew up at him for criticizing the Fire Lord? And the way that tied into the "Compassion is a sign of weakness" scene from the agni kai? Great character work.
WHAT DID NOT WORK
Dialogue. I already observed at length my dissatisfaction with the clunky, exposition-dumping dialogue in my episode-by-episode writeups. It certainly wasn't as bad as the Movie-That-Shall-Not-Be-Named, but . . . there was no art or subtlety to it, and no trust in the audience. A disappointment.
The GAang did not feel like family. The lack of breathing room in the 8-episode season meant that all of the "filler" episodes that fleshed out the relationships between Aang, Katara, and Sokka were sacrificed. I am not saying NATLA needed to recapture each of the filler episodes. But they needed to build the foundational bonds between the main trio with showing not telling and they really didn't. They separated them for big chunks of 2 episodes. And, really, they just felt like traveling companions. That took all of the emotional heft out of, well, everything related to Aang, Katara, and Sokka. I mean, frankly, the kid actors did a better job establishing the "family" dynamic just by being themselves in their press interviews than the show did with the characters.
Aang did not run away from responsibility. I am not one of those people that's just mad that the show wasn't exactly like the cartoon. No. What I mean is, even putting aside the cartoon, even if you just look at NATLA itself: their own themes were undercut by never showing Aang actually running away from responsibility. Each avatar seemed to be berating Aang for doing something he was never actually shown to be doing.
Katara. I really don't think this one is on the actress. Katara felt like a fundamentally different character from ATLA's Katara. It's not to say an adaption is not allowed to have their own interpretation of a character, but... I just did not understand NATLA Katara. There was no passion, no rage, no overbearing nurturing. She was... I don't know what she was. Traumatized, yes, but nothing grew out of that trauma? Meek, until the plot demanded that she suddenly become a waterbending master without any guidance other than a waterbending scroll? The "younger sister"? More than any of the main characters, I'm not sure what NATLA was trying to say about Katara at all. And, as a result, I'm afraid the word to describe it might be uninteresting. And given that she is the heart and soul of Team Avatar, this one was really tough.
Despite the fact that a lot of NATLA did not work for me, I still enjoyed it because the things that did work for me, well, really worked. So. I'm here for all of the Zuko/Iroh scenes!
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comradekatara · 1 year
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i think about their relationship so often.
the chiastic parallels between kanna risking her life to travel to the other side of the world during a war, only for katara to make the same perilous yet inverse journey north two generations later. how the shot with kanna looking on with tears in her eyes as hama is taken by the fire nation, the ship's hull closing as she looks out at her decimated tribe, her best friend with tears in her eyes, is a beat for beat exact callback to katara looking on at aang, the only difference being that aang attempts to smile hopefully for katara before his face, too, ultimately clouds over with despair. the fact that kanna is constantly nagging katara to do her chores, to stop messing around, to follow the rules, to stay put, to listen to her brother. she knows katara, knows her intimately, because she once was her. that brave, daring, hopeful, adventurous girl who wanted nothing more than to escape the confines of her of her monotonous existence, who wanted to travel and find freedom and hope elsewhere.
but katara is now her responsibility, and she knows all too well that a girl like that can be trouble, can be a danger to herself and others. especially if she's a waterbender. kanna saw her people massacred, her best friend taken by the fire nation, her daughter killed sacrificing herself for katara, the girl who carries the hope of her entire people on her shoulders. and she loves katara, she loves her so much, sees so much of herself in her, but it is also her job to rein her in, to keep her indoors, doing domestic busywork like sewing and laundry so she doesn't try to run off, try to run all the way to the other side of the world, so her antics, through her bending mishaps or otherwise, don't cause her to accidentally alert the fire nation and have their entire fragile existence come crumbling down after she and sokka have done so much to maintain it, to protect katara, even when katara feels like she is being smothered and overdisciplined and robbed of a childhood.
katara wants the opportunity to train with a master. of course she does. she considers her waterbending the most important part of her identity, the part of her that brought hope to her tribe and killed her mother in equal measure. she's the only person left who holds the key to their cultural artform, this crucial piece of their heritage. and of course kanna would love it if katara could hone her craft, but her first priority is always keeping katara alive, and if that means she can't become a bending master, then so be it.
raising a teenager is hard, really hard. they don't like being told that ordering them around and telling them to stay in the borders you've drawn for them is "for their own good." the only reason kanna doesn't have the same problem with sokka is because he doesn't actually consider himself a teenager (although he very much is), and he not only follows her rules but enforces them. they are on the same page; safety is the priority, katara is the priority. but katara hates how restrictive their rules are, hates how sullen and strict and serious they are. how hopeless they are, how resigned they are to leading lives of misery in the fraught safety they've created for themselves. she wants to see the world, to have fun, to have friends, to help others instead of being the one constantly being protected and sheltered.
of course, kanna and sokka are not hopeless and depressed and numb by nature; they have been hollowed out into shells of themselves by the war, by the promises they've made to keep katara safe. sokka grows so much by traveling the world, absorbs so much new knowledge so quickly, makes new friends and lovers, gains new perspectives, reaches his full, incredible potential by being dragged out of the comfort zone he clings to in the pilot. and kanna has already undergone her bildungsroman, lifetimes ago. she knows what it is like, what it means to experience the adventure katara desires. but she never told her. she never once mentioned to katara that the south pole is not all she knows, that she too once longed to leave the place that was stifling her, suppressing her freedom. she is afraid to tempt katara, to be anything other than the strict authority from which she once left everything she ever knew behind to escape.
until the avatar returns. until the legend she used to tell katara before their world became too hopeless, of the old days when the avatar kept balance and the world was not at war, is made real again. when katara, who found aang, who believed in him from the beginning, brings the avatar back, through her desperation and her rage and her indomitable hope for a life that can be bigger and better than kanna and sokka's dour little pocket of resignation and grief.
kanna has always believed in katara, has always known that there would come a time when katara was to bring back hope to their tribe. so now, trusting sokka, katara's sworn protector, to stay by her side and do right by her, she ushers them on their journey. katara, her little waterbender, hero of the southern water tribe, and spitting image of kanna.
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xkaidaxxxx · 2 months
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Pt2 for Zuko x Chubby reader?
Zuko x chubby reader pt.2
Mentions: body shaming, foul language, angst, aggression, lying, fluff
Simple! :) sorry for the errors.
"One day there will be an amazing man who will fall in love with you. He'll love everything about you." Katara said. You smiled and hugged her. "Awe" Aang and Sokka said in unison. You are very fortunate to have wonderful supportive friends. Katara's words came true. Years later. When you dumped Zuko that was the day Zuko and Mai decided to leave. You missed him more than anything. Once the war was over you went back to your parents. People still judged them for taking a water bender into their family.
"Well I'm off mama," you said. You turned to the door and your father was blocking it. "Dad please don't start." he smiled rolling his eyes as he added a blade into your bag. "Just in case y/n. Now run along," he said moving away. Your dad is very protective.
You didn't want to be late for your business. Since you learned how to heal with water bending back in the war you finally found it useful in the fire nation. You saw soldiers at your place. "Excuse me soldiers...is there a problem?" you asked and crossed your arms. They turned to face you. Zuko was right at your door waiting. He thinks he can show up because he's the Fire Lord. You gladly ignored him. Opening up and walking inside. His eyes widened as the door slammed in his face. A little boy giggled. "Your girlfriend is mad at you?" he then gasped realizing Zuko was the fire lord, bowed, and ran off. He walked inside waving off the soldiers. "I'm here to see Y/n." He spoke looking around. You're a doctor. "Zuko get the hell out of here. You can seek help elsewhere." he frowned. After you went separate ways he never forgot about what you did for him. How many sacrifices have you committed? You left your family..your home...You always put him first. " My heart is aching Y/n...ever since the day we went our separate ways. I never lost thought of you. My mind kept replaying how many times you showed me all your love and support. You're the one. It took me a while to know that." he confessed. "Zuko...you're losing your mind. You obviously need to see a therapist." you continued looking at your list of incoming patients. He held your hand, gripping it lightly. He now has your undivided attention. " Y/n I'm in love with you. I need you in my life. I know you still have feelings for me." he said hoping you'd kiss him or hug him. "I don't have feelings for you Zuko. I'm flattered by your confession." you pulled away and started organizing your files. " Then why do you still have the ring I gave you on our 2nd date..and the necklace too." he called you out on it. He's willing to make it up to you even if it takes long. He frowned as you placed the necklace and ring in his hand. "Here I should've given them to you that day," you said with a shakey voice. You did still love him. More than anything. "I love you y/n. why...why did I have to break something I love too much?" those words made you cry. "you..love me Zuko?" he looked up in hope you'd let him back into your life. He nodded. "I..I love you too. Always had. Now give me those back!" you yelled snatching the ring and necklace. He blushed as you put them back on. " I want to meet your parents." you smacked his arm. "way too soon. We need to take things slowly ya know.." your first patient walked in with her lovely daughter. "Hi little one are you ready for your treatment today," you asked as you carried her. Zuko was already thinking about how many kids you'd be willing to have.
Taking things slowly was revoked. Within a month he met your parents and 5 months later you're married and living in the palace. "so..how many kids are you willing to have with me?" he asked as he undressed you for a bath. " When the time is right I'll know," you replied. You already knew the answer to that. 4.Eventually, you had a little boy. He has his Daddy's black hair and his Mommy's pretty dark brown eyes. "Daddy this hard," Akio complained and started crying. "Akio momma said no fire bending yet. wait...where did you get this scroll?" Akio pointed a the wall. Where a portrait of Iroh was placed. "Uncle is yours," Akio said. Zuko carried Akio and sighed. " yes now let us go to momma. She's waiting for us to head into town." Akio giggled excited to attend the festival. Before leaving Zuko looked at the portrait and smiled.
Once you all got to the festival you met up with your friends. " Oh, he's so adorable." Katara said holding out her arms to carry him."Akio this is my best friend Katara." you said. He hid his face in your neck. Sokka chuckled. "Ha, he doesn't like you." Katara smacked him. "Shut up." "Not in front of my son." Zuko scolded her. Katara dedicated herself to getting Akio to call her auntie. Sokka bought a small teddy bear just the right size for Akio. He was too shy to grab it at first from Sokka. "It's yours bud," you said and he grabbed it. "What do we say?" Zuko spoke to him. "Thank yous." Akio said. "Hey, kid. You look a lot like your dad. I'm Aang." "This kid is my son Akio,"Zuko said. He's grateful to Aang but boy can he be so annoying. "Right Akio. Hey!" that sudden loudness made Akio cry. "Dada" "Sshh shh it's okay come here." Zuko took him from you. He's such a daddy boy. All your friends were shocked. A kid does change people. Zuko was more open-minded and a little carefree. He's a good dad and husband. "let's go get sweets not tell momma okay." he whispered to Akio. You knew what he told him because he quickly stopped crying. Sweets. It's Akio's weakness. " we'll be back baby love you." They left. "He looks like such a good dad," Aang commented. Sokka and Katara agreed. "Yes, he is and will be again. I plan on telling him tonight. Although I think he already knows.," you replied.
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oneatlatime · 6 months
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Bitter Work
Life took me out at the knees for a couple of weeks but I'm back! I'm hoping this is a nice restful episode after the relentlessness of The Chase.
I have to say, Toph's nicknaming skills are on point. I never would have thought of Sugarqueen, but it fits perfectly.
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This is me. Every morning.
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Full nose plant from Appa.
And the beat up Sokka quota is fulfilled. Very funny Toph, but completely uncalled for. If someone had catapulted teenage me 50 feet into the air while I was trying to sleep, it would have been fully justifiable homicide.
Aang is always trying to run before he can walk. What was Iroh always saying to Zuko about basics? Aang needs that speech too.
I was really on the ball in my post about how airbenders aren't homicidal, actually. Rock is a stubborn element. Yay me!
Aang earthbends = Earth bends Aang.
Seriously, how did he mess up that badly?
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Cozy.
Thank you Zuko for the incredibly obvious exposition that's somehow completely in character. Interesting to see that Iroh and his son had brown hair, but Zuko seems to have black hair. More hair variety in the Fire Nation than I thought.
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Tangent time! I love the contrast in social intelligence (I guess that's the term?) in this scene. Zuko wakes Iroh up with an infodump, some bad tea, and then gets straight to discussing strategy. Iroh's first actions are to compliment the bad tea, then dispose of the refill in a way that won't hurt Zuko's feelings (probably not necessary, as Zuko seems to be the type that's oblivious to all things other than the task at hand when he's focused). Iroh, injured and awake for all of 15 seconds, jumps straight to actions that help look after his nephew. And Zuko is trying! That's why he made tea! But still, he doesn't even ask if his uncle's feeling ok. Zuko has such a massive gap in his education - he can probably reel off the specs of all Fire Nation battleships, but he doesn't know how to be a human person. Contrast that with Iroh, and especially Katara, who makes friends and connections with such aggressive forwardness that she's at times more steamroller than teenage girl. It's funny how privilege plays into this too - Zuko comes from probably the single most privileged (on paper) family in the world, yet it's the children of the impoverished water tribe who have the more well-rounded education/socialisation.
"She's crazy and she needs to go down" go a full belly laugh out of me.
"What if I came at the boulder from a different angle?" Jesus I was REALLY on point with my post about the airbenders. Credit where credit is due, this show has such good writing/worldbuilding that viewers have picked up what Toph is laying out in this episode already. Also a little bit of stealth character work in there - since Toph is putting into words what we've been thinking this whole time, she now reads as trustworthy. This show is so good. So thought out.
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Maybe it's just VLC being weird, but methinks Katara is having some trouble with her eyeball.
Katara STOP BABYING HIM. This is why I don't like Aang having a crush on her.
Honestly it's refreshing to have Toph giving it to Aang straight, no softening the blows.
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I really like this texture.
Sokka's club is a giant bottle opener. Or at least a multitool.
ROCK SUITS
wait
ELEMENTAL FASHION
oh this is going to be haybending all over again.
They are totally going to have to nerf this girl. She could defeat the Fire Lord right now.
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Earth beats water tribe
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Someome who knows more about tea than I do: Why are both pots necessary?
"requires peace of mind" well that's out. Sorry Zuko, we'll have to get you a taser instead.
"So we're drinking tea to calm down?" "not it's to get the nasty ass taste of the sludge you brewed out of my mouth. I mean yes." For what's looking like an extended training montage, this episode is far funnier than it needs to be.
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I pretty much don't notice Zuko's scar anymore (it's just part of his character design) then every so often a certain frame of animation will come out of the blue and remind me that this kid's missing half his face. I don't know if it's intentional on the part of the animators, but his scar is prominent this episode.
So it sounds like bending lightning actually corresponds with how lightning in our world works. Neat.
In an absolutely Shocking turn of events (pun absolutely intended), Zuko fucks it up. Fucking shit up: the autobiography of a Fire Prince. Has a nice ring to it.
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Toph I know you go hard, but maybe apply a sense of proportion to this?
It kind of looks like Aang's about to be run over by a giant scoop of caramel ice cream.
Toph is such an interesting mishmash of bluntness and emotional intelligence. I don't think I've seen a character like that before.
Zuko being self aware for once! Everything always does explode in his face. Except when he's being the Blue Spirit. Seems he's more capable then.
It's a tragedy that this boy wasn't around for the emo movement. He would have single-handedly sustained Hot Topic.
Zuko going "WHAT TURMOIL?!?!?" is like Katara going "I'M COMPLETELY CALM!!!!!" last episode. Also got a laugh out of me.
"I'm as proud as ever." OF WHAT?!?!? What could he possibly be proud of? He's a homeless fugitive with a stolen horse bird and a half-dead uncle that he can't even properly brew tea for. The self-delusion is strong.
Is pride the source of shame? Honest question, I don't know.
There's a surprising variety of trees in this part of the Earth Kingdom. Where Zuko and Iroh are there are fluffly hardwoods, probably deciduous; Toph's training ground is ringed by cartoon pines.
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This whole bit is too cute for words.
"Now come back boomerang" This is a training episode, it's not supposed to be this funny!
Are there voice acting awards? Like voice acting oscars? Sokka's actor needs one. Or several.
I should have waited to answer the ask about airbenders and just copy pasted Iroh's speech here. Except for the water = change bit. That doesn't make sense.
What can I possibly say about Iroh's speech? It's the thesis for this show in a single paragraph.
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Pretty.
Are characters' eyes a different shape this episode? Aang's eyes change colour all the time, but everyone's eyes seem more cat-like.
I do love me some constructive bullying.
Sokka is so refreshingly self-aware while still totally oblivious. He is meat and sarcasm, but he's so much more!
"Have you got any meat?" He said that in an Irish accent.
"You're gonna pull my fingers off and I don't think the rest of me is coming!" Do you ever come across a sentence that is so obviously an innuendo that your brain trips over itself trying to decipher it?
Sokka's hair must be so fluffy. It's got so much volume.
Why can't he go get Toph? I think being stuck in a hole outranks avoiding an awkward encounter.
FOO FOO CUDDLYPOOPS
"You must not let the lightning pass through your heart, or the damage could be deadly." Foreshadowing?
Today in 'things Zuko thinks it's acceptable, nay, expected, for parental figures to do' - attempted murder as a teaching method! What went on in that palace?
Is this the closest Sokka's come to dying?
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He's earthbending the air! Doing air but earthlike. You know what I mean.
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I thought she was levitating.
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Toph is so smart. She does the airbender thing and comes at the problem from a different angle. Telling Aang to stand up for himself doesn't work? Fine. Let's bully him into standing up for himself. And it works!
This episode's MVP is Sokka's patience.
"You tried the positive reinforcement, didn't you?" uhhhhh sure!
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Appa getting vengeance for Sokka. Nice.
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Theatre kids.
I wish Zuko would just have the breakdown he's obviously hurtling towards so we can get started on the rebuilding arc. Every time I think he's a rock bottom, he keeps digging.
Luten is Katara. Let's not read too far into that one.
Final Thoughts
I defy any episode from this point on to fulfill the Beat Up Sokka Quota as thoroughly as this one did.
In a lesser show, the 'Aang learns earthbending episode' would have had Aang & Toph as the A-plot, and Sokka & Katara doing something completely unrelated as a b-plot, and probably no Zuko at all. Sokka does have his own thing going on this episode, but the fact that they managed to weave in both water tribe siblings so organically is so satisfying. Of course a team member struggling to learn a new skill would seek out his friends. Of course his friends are in the area, observing the lesson to varying degrees. It feels so much more real to have the characters who aren't 'useful' that episode still there, rather than conveniently absent.
Zuko was very Zuko this episode. He's correct that he needs more training for his inevitable next encounter with Zuko jr., but Iroh is also correct that Zuko is a bundle of issues held together by a different bundle of issues. Not to jinx it, but I thought I detected a hint of self-awareness from Zuko this episode, although it seems to have occurred despite his best efforts to suppress it.
Iroh's Zuko-wrangling skills were sharp this episode, despite being injured. And his wisdom was off the charts. Zuko was also not as annoying as I usually find him, and unlike in Zuko Alone where I found his quieter self to be out of character, it fit this episode. Maybe he's turned over a new, quieter, leaf? I loved "she's crazy and she needs to go down" both as a joke and as a statement. Shared blood doesn't trump someone's actions, and I'm glad to see a show meant for kids acknowledge that. Although, given that this show has no problem depicting objectively BAD parents and families, I can't say I'm surprised.
In a testament to Jack de Sena's skill, Sokka get a soliloquy this episode and pulls it off flawlessly. Kudos to the animation team for making Sokka's face fit the words so well. Double kudos for whoever had the balls to approve 'stick Sokka in a hole and put an apex predator on his head to force self-reflection' as a plotline.
There was a lot of exposition from a lot of different characters this episode, but it's mostly unnoticeable. It just makes sense that that's what they would be talking about at that point in time.
I think I said it above, but I'll say it again: the worldbuilding in this show is phenomenally well done. How do I know this? Because I was able to construct most of Iroh's monologue before watching this episode, just by paying attention. This show rewards focus and attentiveness. (Almost) nothing that Iroh said was not something the audience has already observed for themselves. Not heard, but observed. That 'show, don't tell' thing.
This episode was way funnier than it needed to be too. Not just the obvious stuff like *inhales*
FOO FOO CUDDLYPOOPS
but tiny one-liners buried mid-conversation and character interactions too. Momo turning into a reed didn't have to be there, but it was, and it was funny. It wasn't exactly restful, but it was a relief to have an episode that really didn't move around after The Chase.
What I like most about this episode was that it went farther than it had to. This was a training episode. It could have been just training. Anyone familiar with training episodes would expect just training, and be satisfied with just training. But Avatar said 'nope, we'll do better than that' and organically incorporated a heap of character stuff, worldbuilding from multiple perspectives, humour, multiple characters undergoing self-reflection, the next step in the domestication of Zuko, what I'm hoping wasn't a heap of foreshadowing, and pretty backgrounds as the cherry on top. They didn't have to go so hard, but Avatar always goes hard. I like that.
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bisexuallsokka · 19 days
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zukka + 39 haha no unless..
39. a kiss because time’s run out.
Sokka's fingers twitch in his grasp, and Zuko, who had been dozing off by his side, is suddenly wide awake.
"Sokka," he breathes, voice rough from disuse. He hasn't left Sokka's side since the Red Lotus attack, and other than whispered conversations with Katara, he hasn't talked to anyone today.
"Hey," Sokka says softly. It's the third time he's woken up since the attack. The first time came after days of Zuko pacing, holding his hand, pleading with every force in the universe to save his husband. He had been afraid Sokka would not wake again, and when he finally did, the relief was nearly overwhelming.
He had pulled himself together then, and the day after when Sokka stayed awake for just long enough to talk with him and Katara and get a thorough healing session. He can pull himself together now, even as the look in Sokka's eyes and the expression of pain on his face gives him a sinking feeling of dread.
"How are you feeling?" he asks, forcing a smile. "Can I get you anything?"
"I just need you," Sokka says, and Zuko grips his hand a bit tighter.
"You have me," he says.
"You'll take care of Izumi, right? And Katara?" Sokka asks after a few moments of silence.
There's a lump in Zuko's throat. "Sokka..."
"And I'm sure they'll take care of you. You'll be okay, won't you?"
There's a million things Zuko could say to that. How could he possibly be okay without Sokka? Even just imagining it, imagining life without this warm hand in his or those gorgeous eyes staring back at him is enough to let the tears spill over.
But Sokka is right. He'll have Izumi. And Katara. And all their other family and friends. He knows all his loved ones will be there for him and he can be there for them. And right now, that's what Sokka needs and deserves to hear.
"Of course I will," Zuko says, and as he says it, he thinks he really believes it. It could have been worse. It was so close to being worse, he was so close to not getting a goodbye, to not getting the chance to hold his hand again and to say...
"I love you," Zuko tells him, for what must be the millionth time, but Sokka gives him the same smile he did when he heard it for the first time.
Well, maybe not the exact same smile. This one is lined with decades of smiles, of laughter, of kisses. This one is a smile that Zuko has somehow fallen more and more in love with as time has passed. It's a smile that, as it always has, comforts him, fills him with love.
"I love you, too," Sokka tells him, and nothing could stop Zuko from matching his smile with one of his own, or from leaning forward to seal their love with a final kiss.
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dragonking10 · 5 months
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Jaune The Black Knight
An AU where Jaune and Ruby decided to say Fuck the world, got married after going rogue (they left Beacon after being betrayed by their friends) and had a daughter together named Olivia.
Salem was watching everything through her Grimm and decided to personally invite them to join her faction in turn they will get their revenge. With nowhere else to go they accepted now Ruby leads a battalion of Grimm with Jaune as her Second in Command.
And yes Salem cares about these two adorkable couple and vowed to never let anyone hurt them ever again.
I have baffled long enough, let's get this show on the road.
This particular day Salem ordered for Ruby to get some needed rest after capturing a few villages in her name, Jaune got up from bed and got ready for another day of spreading fear around the world
He showered, brushed his teeth, puts on his black armor, his wife changed Crocea Mor's color scheme, instead of a white shield it's now black with a gold outline and their combined family symbol, instead of a blue hilt it's now blood red, instead of a silver blade it's now a black sword (like the one Sokka made from Avatar the Last Airbender)(As for Jaune's armor, it's the Rusted Knight armor but it's polished and the color is black and gold, helmet included)
Jaune walks into the kitchen where his wife made him some food to go, he grabbed the bag, kissed his wife and turned to leave when suddenly his wife stopped him
Ruby: Wait Jaune, do you know what day it is?
Jaune: Uh... Wednesday?
Ruby: No dummy it's take your daughter to work day!
Jaune: Uh I don't think it's a good idea to bring our daughter to our kind of work, at least not yet.
Ruby: I know, but she has been wanting to come with us for a while and since it's take your daughter to work day I figured now is the best time, plus she'd have my big strong dark knight as her protector~.
Jaune: Well yeah but-
Ruby caressed his face: Jaune you RoseArc-promised.
Jaune sighed: I did didn't I?
3 Hours Later
The scene shows a metal door to one of Atlesian's military bases exploded with Jaune rushes in while holding his daughter's hand but hit his head on the top of the door-way
Jaune holds his head for a second before activating his shield protecting his daughter amd himself from the bullets from the AK's
Jaune: Keep your head down Olvia!
Olivia holding a stuffed Ursa toy: Okay daddy-Whoa!
Jaune quickly dragged Olivia to cover but Olivia lost grip of her best friend.
Olivia: MR. CUZZYBOTTOM!!!
Olivia was about to run out to grab her friend but her father stopped her
Jaune looked down to his daughter and saw her pointing at her stuffed animal which is laying on the ground near the Atlesian Knights
Jaune sighs and looks at Olivia: I'll get him, you stay here where it's safe.
Jaune rushes out of cover, raised his shield and charged at the robot knights
Jaune quckly cut and sliced through the knights, grabbed the toy and rushed back to his daughter
Jaune out of breath and his daughter her toy: Here you go baby.
Salem: Who's the little girl?
Jaune nervous: Oh Lord Salem! Uh... it's bring your daughter to work day and uh I'm sorry for bringing, but my wife says we barely had time to spend together and let's be honest she's right, okay she's right!
Salem:...
Jaune even more nervous laughs a bit: Do you have kids? Cause heh I mean they change your world.
Salem:...
Jaune facepalms and mutters: Ugh I'm probably gonna get either fired or killed for this but... Fuck it.
Jaune grabs his daughter's hand: I love my daughter!
Salem brought her fist to her chest and smiles a bit: That really hits me where I'd live.
Salem noticed a survivor and used her powers to grab his neck
Salem: What have you done with those plans!? Jaune here never gets time to spend with his daughter because of PEOPLE LIKE YOU!!!
Salem snaps the survivor's neck and quickly realized there was a child present
Salem raised her other hand to her mouth: I'm so sorry you had to see that.
Salem drops the body
Salem kneels down to Olivia's eye level: Are you having fun being at work with your father?
Olivia gets nervous because she doesn't like talking to strangers and hides her face behind her father's leg
Salem chuckles: I know I'm pretty scary.
LATER IN MENAGERIE
Jaune was holding his daughter's hand as he and a White Fang goon was patroling a town looking for their targets when suddenly they come across an old man (Ozpin) wearing a hood with Weiss, Blake and Yang behind him also wearing hoods
Jaune stops them: Hold up you all seem familiar.
Ozpin uses his magic: These are not the students you're looking for.
Jaune: These are not the students we're looking for.
Olivia: Yes they are.
Ozpin: Move along
Jaune: Move along!
Ozpin and the three bitche- uh I mean students moved along going into the tavern for intel
Olivia: Daddy, You're not even trying!
Jaune: Honey, It's 110 DEGREES IN THIS CONTINENT!!! I CAN'T HEAR IN THIS THING!!! *points at his helmet* I WAS JUST REPEATING WHAT I THOUGHT THE GUY WAS SAYING! IT'S NOT LIKE IT'S MY OWN MOTHER FUCKING THOUGHT IN THE MATTER, OKAY!?
Olivia runs off crying and Jaune realized what he had done
Jaune feeling guilty and runs after his daughter: HONEY!!!
White Fang Goon: See? That's why I don't take my daugher to Jack Shit!
FEEL FREE TO ADD MORE IF YOU WANT
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endlessdaydream · 2 months
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I get it, live actions aren’t for everybody and that’s totally fine. Not everyone’s gonna like it. But to shit on the stupidest things, or draw the dumbest conclusions??? Blocked. Y’all look dense as fuck. Views will be mixed as they always are, quit clogging up the tags with your negativity and find some chill 😂 The originals are still there to watch or read and enjoy…so go do that…it’s literally on the same app 👏🏻 I’m trying to be understanding I am, but some of y’all are so damn hung up you’re letting it completely destroy something you’d otherwise enjoy
Anyways!! Here’s some of the stuff I loved from the atla live action!
•cinematography, soundtrack, costumes - all on point
•getting to see the airbenders flourishing!!! Also the dude who played Gyatso?! Didn’t think I could love him more!! Even though it was painful as FUCKKKK getting to see the first invasion of the fire benders was an epic masterpiece
•speaking of, the first scene?? With the earthbender soldiers in the fire nation?? Iconic
•Omashu: unpop opinion I’m sure (bc y’all hate change but simultaneously hate when it’s carbon copy????????🤦🏼‍♀️) I loved how they incorporated like 3 or 4 episodes into one, and they flowed really well together. Jet is FOINEEE. Mechanist was perfect & his son is a freaking badass, amazing casting! Even though it was change, the secret tunnel scenes were still really freaking cool and the badgermoles were SICK AS FUCK. Also I love that Bumi was still cooky but not just randomly cooky? Like mans was run down from being king basically the entire war…which FAIR. And it made sense that he was peeved with Aang BECAUSE they were such good friends. Like the other avatars being mad at him? Yea that’s whatever. But for Bumi it was kinda personal. Also CABBAGE MAN WE MISSED YOU 👏🏻👏🏻👏🏻 Oh! And the way they mentioned other episodes like they were lore when Zuko was trying to find Aang? That was an amazing way to tie back to the OG series
•I love how they incorporated the blue spirit, Koh, the fog of lost souls & parts of the ep where sokka and Katara got sick & Aang had to get them frogs - just reimagined it. Oh also Hei Bai! Yea, I loved that whole episode. Koh & Hei Bai were SCARY as fuck, it was awesome!!
•HAHN MY BELOVED…I ADORE YOU! Favorite character that they added/changed. Katara getting the other women involved in the battle?! Tui & La? The oasis?! 😭😭 stunning!!!! I also LOVEDDDDD Aangs avatar spirit that he turned into, literally perfect! And I loved the change that he gave himself over to the spirits wrath..fucking SICK. Also right before aang turned into the spirit/whatever that’s called, I was praying they’d do the line and thEY DIDDDD!!!
•Fire lord Ozai?? 😳😚 nothing needed to be said - perfection
•Kyoshi?! The Kyoshi warriors?! SUKI?! - speechless
•I like that they’re making more of a point to show how smart Sokka is! Mechanist calling him an engineer…I hope they play more into that! Ik they did a bit in the show with the subs (cartoon), but still
•”~hE rAn~” seriously my favorite line, I was DYINGGGG!!! The scenes with Zuko and Iroh, Zuko before the war meeting, the leaves from the vine being in the background at the funeral….ARE YOU FUCKING WITH ME?! Zuko’s crew being the crew he SAVED?! And when they find out they all do the fire nation bows to their prINCE?! 😭😭😭😭
I’m being fair y’all - things I don’t love/hope they change:
•this one I’m 50/50 on - I don’t love that they tried to give Kuruk a reason for disappearing. They tried to pull shit from Korra to make him look meaningful & not useless as an avatar and it didn’t hit for me
•some of the wigs: obviously we won’t see Yue again, but I wanted her hair to be white. I didn’t love the wig but it wouldn’t have been as bad for me if it wasn’t so grey. Also do NOT love Azula, Tylee or Mai’s hair. Ik they look just like the show but whether that’s wigs or their actual hair (I’m clueless) it needs some serious improvement. Azula’s looks great down, I just don’t like how big the side pieces are that frame her face when it’s up.
•Katara, my love, I am PRAYING part of your development is also going to be her becoming more outspoken and badass, bc this season we saw the tiniest of glimpses of it, not a fan (unless it’s a part of her development…she did grow up in a tiny ass tribe so I’m giving them the benefit of the doubt)
• IK they’re going with a much more serious Aang, but pleaseeeee give us some actual moments of him being a kid. We saw that like twice 😭
•Dante is the PERFECT ZUKO, I will hear NO slander. However, I need him to be more of a dick. I’m hoping we’ll get that when he gets super desolate when they’re on the run & then we have Zuko alone & he has his inner battle. I need snarky dickhead Zuko, so you can truly see the big differences between what he’s fighting (himself vs. who his dad wants him to be)
Have fun kids!
In case I haven’t made it clear, idgaf if you disagree. I go so hard for these live actions because it’s fun! It’s just supposed to be fun and different and new. If you get so serious about it you’re ALWAYS going to be disappointed, there’s no way around it bc nothing is ever going to be as good as the original book, the original show, the original tale. OG atla is ALWAYS gonna be the winner, nothing will compare! So sit back ~relax~ and find some joy in the little things
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tzilatza · 2 months
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NATLA Review - spoilers
Woke up today still feeling annoyed after finished the Netflix ATLA remake last night, and I think I've figured out the core reason.
It's the fact that: If they had held truer to the original source material, we could have had a truly great show. I disagree with those calling it a complete disaster. The acting was good, great in some cases. The effects were very well done, the bending looked about as good as it can in a live action media. The scenery was lovely.
But what happened in the writer's room?! The way they just reveal all the back stories up front EVERY TIME is honestly insulting to the audience. It's like they're so terrified that smartphone culture has made the public so accustomed to instant gratification that they have no faith we will stick around and keep watching if they make us wait for anything.
They're also clearly terrified of complexity. One of my biggest gripes with this remake is Jet's story. They completely took out his plans to murder a whole town of innocents in order to get a few enemy soldiers. Now, Jet isn't my favorite character, but his story is so important. Because it is real. The world is full of people who have been so brought down by injustice that they lose their sense of right and wrong, and we need to see that on screen. If Jet is too complex for them, how will they handle Ba Sing Se in the second season.
This goes along the same lines as removing Sokka's sexist moments. They felt they had to do it to make him more 'likable.' Yet the writers themselves went full sexist on Katara's character. They've taken out so much of her spark, her righteous and justified anger, and they've done it because even in 2024, people expect women to be more passive to be palatable. Enough people have already commented on them removing Aang's choice to run away. Heaven forbid the main character not be an absolute paragon. Did y'all notice that they even made Hahn likable? Hahn?! What reason do you have for making Hahn likable Netflix?! His role in the narrative is to be an example of toxic masculinity that is clearly the bad choice compared to Sokka who has learned and grown out of his own.
Don't even get me started with what they're doing with the fire nation family, I'm not ready to tackle that. In general, I have no problem with Azula getting a little more backstory and humanizing, but why season 1? Throwing in all these extra scenes just sacrifices screen-time where they could've actually fleshed out the real season one plots instead of rushing through things at breakneck pace. (ex: Aang escaping Zuko's ship in about 2 minutes flat)
At the end of the day, the scenes I most enjoyed were those that held true to the original like the Blue Spirit sequences. They could've easily done more of this, held onto the important plot points and even more important character complexity, while maturing it for an adult audience. I'm not disagreeing with every change they made. Go ahead and take out the silly Nickelodeon gags, add cussing and more realistic violence to get your mainstream viewers. Go ahead. They could've easily made a darker more mature version of the show and still held onto all the old fans in my opinion. But claiming that you're making a 'more mature' version and then removing the complexity and subtlety because they didn't think viewers could handle it...
What makes me most sad is that there are a lot of people who will experience ATLA for the first time through this show. There are a lot of adults who are not willing to watch original ATLA because they refuse to acknowledge an animated series can be anything other than a kid's show. Those people will watch this and think it's the real deal, and that just makes me sad.
If you've read this far, a very sincere thank you for listening to my rant. If you're an OG fan who enjoyed it, I have no problem with you. It was a fun watch, I was just hoping for more. If you are a new viewer who has never seen ATLA before, I sincerely want to hear your opinions. Is it a great show to someone who isn't holding it against the context of the original? And do you plan to watch the original now?
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itsmoonpeaches · 2 months
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Netflix's Avatar: The Last Airbender: A show with its heart in the right place but questionable execution
[An objective spoiler review from a fan of the original Avatar: The Last Airbender animated series who watched the live-action adaptation pretending to not know a thing about the original show.]
Episode scores
Episode 1: 7/10
Episode 2: 7.5/10
Episode 3: 6/10
Episode 4: 1.5/10
Episode 5: 7/10
Episode 6: 8/10
Episode 7: 5/10
Episode 8: 2.5/10
Overview
Netflix's Avatar: The Last Airbender is a show with some heart. When there are highs, they are very high, but when there are lows they take away from the rest of the story. The visuals are overall stunning with an attention to detail. The set design in particular is done with love including incredible pieces, CGI design, and beautiful cultural references. The fighting is creative and fun to watch, though waterbending fights seem too slow. Surprisingly, the CGI animals work very well. A highlight is Momo who works in the same way Grogu from The Mandalorian works. However, the close-ups of calligraphy pieces should have warranted more research.
The costuming is detailed, but there are some instances when it would have been better to interpret certain characters more realistically rather than try to copy the original animated design.
The cast is not bad, especially considering the focus on younger, less experienced actors. Of the younger cast, Ian Ousley (Sokka), Dallas Liu (Zuko), and Maria Zhang (Suki) are the standouts. Gordon Cormier (Aang) also has good scenes but is not always consistent. The kid is cute and embodies Aang well. The most disappointing was Kiawentiio Tarbell (Katara) who I so desperately wanted to be good, but was either not given the direction needed, or was told to keep the same flat face.
The writing in the show could have been a lot stronger, and many actors suffered from poor writing choices including clunky lines. They acted their hearts out with these but suffered for them at the same time. The show overall felt like a first draft of something that could have been great but fell flat because of either outside sources or a lack of trust in the audience.
For my short and sweet tweets on each episode click here. For a long, detailed review on each episode and my final thoughts keep reading.
Episode 1: Aang - 7/10
This episode started out incredibly strong. Immediately, I was immersed in the world and intrigue. We had an earthbender running through the streets of the Fire Nation Capital City with an intercepted missive that Fire Lord Sozin would attack the Earth Kingdom. The action was very cool to watch and the earthbending stood out. When Sozin captured him and warned that this information was just a diversion and that he had his sights set higher, the tone was exciting and interesting.
Seeing the Air Nomads and what their life was like, then being introduced to the main character, Aang, was fun. I enjoyed seeing the interactions between Monk Gyatso and Aang. They felt like they had an incredible bond.
The violence starts soon after when Aang runs away during the Comet Festival and Sozin's plans are revealed when he uses its power to attack the temples and boy is it brutal to watch. This scene was tough, but in a way that made the audience really hope that the Fire Nation loses because what they did was so incredibly cruel that it can't be put into words.
Where this episode begins to fall off is when we hit the Water Tribe. The writing here becomes a bit clunky and stilted. Gran Gran in particular was a choice. By a choice, I mean that out of all the actors she was unfortunately the worst. Every line that came out of her mouth was grating and poorly delivered, which was sad because her scenes weren't written particularly badly.
Sokka is a stand-out as well as Zuko, though they gave Iroh a scene and lines with Aang that felt so out of place. It felt like a disservice to Paul Sun-Hyung Lee (Iroh) who is an incredible actor to give him these awkward sentences to act around. Katara acts like (maybe?) she cares. It's hard to tell when she has no emotion and keeps telling me things that she supposedly cares about and I'm not seeing it.
Episode 2: Warriors - 7.5/10
It is here where things begin to pick up. I had a good time with this episode because to me it was so much fun, and it wasn't necessarily because of the main story going around. It was because the chemistry between Sokka and Suki was so unexpectedly good that I could not peel my eyes off the screen.
No seriously, it was fun. In just one episode, they made me believe that this was the couple for the show. Suki is portrayed as a silent, yet awkward warrior whom the village admires. She's blindsided by Sokka who is definitely not as good a warrior as she is, but is interesting for her to watch.
What's so refreshing about this take is that it's Suki who makes the first move and Sokka awkwardly flirts back with clearly no experience in talking to girls he's interested in. Suki starts peacocking for him! That's hilarious and endearing. We never see that in most media. It's usually the guy who does it, so him being the bumbling fool while Suki also flirts with absolutely no understanding of how to do it was a joy to watch.
Katara exists I guess? Aang's story with Kyoshi honestly was good enough for me to give it a pass, but they also gave Kyoshi so many long lines with nearly nothing to say. They could've cut her lines into a more condensed, stronger thing but instead left them long-winded. However, watching Kyoshi make a tornado of bodies is an experience I'll never forget. Continue what you're doing, fight choreography department.
Episode 3: Omashu - 6/10
This episode is fine. I enjoyed the beginning with Jet being revealed as the guy on the cart who lets the main characters into Omashu. However, the writing really starts falling off here. It starts to feel like they're cramming storylines into one episode.
The set design in Omashu in particular is incredible. I cannot emphasize how beautiful the markets were from the food stalls to the costuming. South and Southeast Asian foods, dried herbs and chilis, gold!!! Just watching the background was fun.
Katara's acting, however? Not fun. She's given so many good emotional beats here and does nothing with them. They keep showing me her flashbacks and I think seeing less of it would've made it more impactful. This is the episode when I realized that she is the most useless character in the trio. Does she need to be there? Does she do anything for the story? No. Sokka feels like the glue of the group while Katara merely causes problems. It doesn't help that everyone acts in circles around her. I wouldn't feel anything if they wrote her out.
Episode 4: Into the Dark - 1.5/10
I don't want to talk about this episode, but if I must, know this: It was awful. It was some of the worst written TV I've ever seen. They took the feeling of cramming too much in the previous episode and multiplied it by 100.
There were too many plot threads and not enough time to let any of them breathe. It felt like watching a show that didn't know what it was doing with itself and in the end, I still don't know what this episode accomplished other than making me frustrated as a viewer.
Sokka and Katara being in the Cave of Two Lovers was an...interesting choice. It looks very strange and borderline incestual considering the out-of-place story right beforehand about two lovers meeting up in the same cave Sokka and Katara had to venture through. The fact that Oma and Shu are both women was something I didn't even notice because of how terribly presented it was. It did not need to be there and was a disservice to the representation they wanted to include.
Sokka and Katara are siblings, so that was something. In fact, using that storyline at all felt so weird. They used it as an excuse to build their relationship when all I felt was confused about it.
Aang and Bumi could have been interesting if they executed it better. Instead, they TOLD me they were best friends and that Bumi went through a lot during the war and that Aang knew Bumi well. I needed to SEE it. (Show don't tell is a very real thing, and this episode is rife with crimes against the rule.) Instead they showed us a brief flashback that wasn't nearly enough. They had one strong plot point with Bumi making Aang the same bison whistle he had from the first episode to call Appa, but it didn't work because the rest of it was executed so badly.
This episode felt unnecessarily preachy and in a bad way. They kept telling us the war was bad, that Iroh hurt people, that Aang hurt people by leaving, yet they showed us none of it. This would've been a really impactful message otherwise, but all it gave me was a load of nothing dipped in nothing sauce.
I loved the orchestral rendition of Leaves From the Vine, but the lines were so long and awkwardly written during Lu Ten's funeral that if it weren't for the music, I would've felt nothing. From the perspective of a viewer who doesn't know anything about Avatar: The Last Airbender, I would still feel confused because it didn't fit with the convoluted tone of the episode in the first place. Why was this here? Why was any of this here?
From a fan and story perspective, we could've had a strong episode just combining The King of Omashu and Jet. Using Jet to try and assassinate King Bumi was such a good intrigue plot, but again the writing was terrible. We didn't also need The Northern Air Temple plot lines here. Danny Pudi deserves better than that.
Episode 5: Spirited Away - 7/10
I don't know if this episode was elevated because the previous episode was vomit level, but I really, genuinely enjoyed this one. After stepping back for a while, I've deduced that yes I liked this episode. This was also the one that I actually felt something emotionally.
I can tell why this one would be controversial from a fan perspective, but looking at it as a story that works within this universe and this version of Avatar: The Last Airbender, this really works. It finally felt like an adventure with stakes and characters I could feel for.
From a fan perspective, I enjoyed what this did with the Spirit World here, combining lore from different books in Avatar: The Last Airbender and The Legend of Korra. It felt fun and creative and worked for me.
From a new viewer perspective, it was the first episode that ended that I actually said, "Wait no, it can't end there!" The visuals of the spirits were so fun, the flashbacks emotional. Katara acted finally! Plus, her younger child actress was phenomenal. Gran Gran was...hm. Sokka stood out immensely. He melted down and I really felt for him. Aang's meeting with Gyatso was gut-wrenching. I teared up.
It was here I discovered the show really shines when they're not trying to copy the original show, and when they try to do their own thing with lore that exists as long as it fits with what they're trying to tell. It works, and it's enjoyable, and gives characters more depth. The kicker? This episode was so strong in comparison because they did a lot of showing us things, not telling us. But it's not without its flaws. There was some weird dialogue here and there. Really, I enjoyed Sokka's and Aang's scenes the most.
June of course, was such a perfect casting choice, and her scenes with Zuko and Iroh were fun. Though once again, they wrote Iroh's lines in a way I don't understand. Why make him this one-note wise man? Sometimes less is more.
Episode 6: Masks - 8/10
This is hands down the best episode of this show. I hardly have any complaints about it. Even Iroh's wisdom lines were doable. Zhao was such a fun ride. They made him this whiny officer with too much to prove and a cocky attitude, and I enjoyed every minute of it. He's like a grown man who is a child, but it works. Oh goodness it works. Give me more of him nitpicking the heck out of the way his speech is written. It was such a refreshing take on a villain.
The rest of the episode? BRILLIANT. Absolutely. Zuko as the Blue Spirit will never get old, but the live action presentation was so good I have no complaints about it at all. The fighting and choreography really worked, and boy was it a fun thing to watch come to life. I don't normally love when things are copied one-to-one from animated shows to live action because it doesn't always work, but this was one of those instances that I'm glad it did work. It was iconic of them to bring back the bamboo pole fight and what's crazy is that it ended up being some of the coolest fight choreography I've seen. They must've had a blast with it!
Zuko and Aang were so good in this. They have a lot of chemistry as actors, and I could believe they want to be friends but circumstances don't allow them. It makes their extended interaction trapped together and hiding from the Fire Nation in a shack that much more impactful. Adding in the fact that Aang stole Zuko's Avatar journal paid off from episode 1 because now they talked about it, bonded over calligraphy and brushes, and I wanted them to be friends with all my heart. Their inevitable separation hurt me.
But oh no, you thought that was all? They made Zuko's backstory better. They showed us more of the scene where Zuko speaks against his father, and it's actually worse than the original show. Worse, as in better story-wise but worse for Zuko. Ozai asks for Zuko's opinion in the war room, Zuko gives it, Ozai disapproves. Then, when the plan is made to sacrifice the 41st Division, Zuko speaks out and says it's a terrible plan.
I could unpack that scene forever. This makes Ozai seem more manipulative, and I love it. He tests Zuko, disapproves, yet punishes him for saying his opinion later when Ozai had asked him before.
They show us the Agni Kai. I enjoyed the choreography. It helps that Daniel Dae Kim (Ozai) is a sight to behold. His cloak was a good choice, and I'll leave it at that. He is also a perfect Ozai. He has the aura of a man who doesn't play around, and he is menacing. It's also his line delivery and voice.
But the thing that I could also obsess about forever? The fact that Ozai punished Zuko not just by banishing him, but by making his crew the same 41st Division he saved. Zuko and Iroh never told them either, not until Iroh decided he should by the end.
So when Zuko comes back injured from freeing the Avatar, it is a great earned scene when his crew bows to him and calls him their prince.
Episode 7: The North - 5/10
After the previous episode, this was such a let down. Not much stood out here, but the Northern Water Tribe was a great set design. I loved looking it at. Unexpectedly, Kuruk was in this, but it worked so well. So unbelievably well.
From a fan perspective, I've always loved Kuruk and when his backstory was revealed in the Kyoshi novels I felt validated. He has a tragic and interesting back story, and they delivered here. Meegwun Fairbrother (Kuruk) has such a commanding presence. I cannot state this enough. He is the Avatar. He is Kuruk. I genuinely want more of him and I want to know more about him. I wouldn't mind if there was a whole live action show about Kuruk with him as the star.
The rest of this episode though? I mean. It was fine I guess? It wasn't episode 4 level of terrible, and definitely had more that elevated it, but the writing started downgrading immensely from here. Also, Yue, girl, what was that wig? And it's so obviously a wig that it was distracting. Why?
Katara felt like she should've had a presence here but she barely did. She had a fight with Master Pakku that felt unearned. It was also the first fight I've seen in this show that I didn't enjoy watching. The choreography wasn't bad, but it wasn't good either. It was also slow-paced for some reason. It was like I watched two people decide they need to make a move with each move. Everything Katara did felt unearned this episode.
Episode 8: Legends - 2.5/10
Why. What was this finale and why was this the finale? Ignoring the fact the Yue is apparently a spirit trekking lady which could've been cool if they executed it better, this was a whole mess. I'm going to ignore this plot because apparently she was the three-tailed fox in episode 5, and I like episode 5 and don't want to bring that one down so I'll pretend this doesn't exist.
I wouldn't mind if this was the route they went with Yue, but it was so rushed. Her being a waterbender was new, but I also didn't mind it. It was just...shallow. Seeing Yue's romance with Sokka after Suki left a sour taste in my mouth because it was badly done. The actors had no chemistry, and Sokka seemed like a playboy.
The writing was so terrible. Everything was mashed together last minute, Kuruk was there for a cool second, and then my expectations fell past the floor of an outhouse.
Momo, the cute CGI animal, died for some reason saving a person from a falling ice block. Then Yue had to go revive him for some reason. My first reaction was "NO!! MOMO!" Then it was confusion, and then I started laughing because none of it felt right and none of it felt earned, and I was laughing so hard I started crying.
I forgot Aang never started waterbending.
Oh yeah, Katara called herself a master I guess? I don't know how that happened because she's been crap the whole season and never got Pakku to teach her, so I guess she's self-taught now and proved herself by fighting Pakku and convincing him to let the women fight even though they showed no indication of wanting to...so yay feminism? Katara has only been looking at a scroll and failing badly the whole season and learned from no master so I don't know where she got this "master" idea from.
What saved this episode from being episode 4 was that the fight choreography was the coolest I've seen. As a fan, I was scared about how they were going to interpret the black-and-white lunar eclipse scenes but they delivered well! The blasts, the bursts of fire and color, holy heck it worked so incredibly well. I was impressed. Genuinely. I loved watching all those scenes. The Fire Nation blasting through the walls was so cool.
Oh yeah I guess Aang not learning waterbending explains why him being a giant Ocean Spirit fish didn't allow him to waterbend the waves to beat the Fire Nation, but instead he crashed into them.
Katara, Sokka, and Aang were finally together most of the time. I still hardly know anything about them though. Are they friends?
The ending scene with Zuko and Iroh was heartfelt, but could've been stronger. Azula took over Omashu I guess? Sozin's Comet is coming "soon" I guess? None of it felt earned.
Final thoughts
Honestly, if this show ended on episode 6 maybe I'd want a season 2, but after that I don't feel any interest in seeing this iteration of the show. Half of it doesn't work and the writing is questionable. If I were a new fan, I don't think I'd like it just from the weird writing alone. I'd stop after episode 4.
I genuinely wish the cast and crew well, and I love many of them from previous works, but they do not need to be in more of this. They deserve better projects.
It was telling that once I finished the series and saw who wrote what, the original creators were the ones who had a hand in writing episodes 1 and 6, which are episodes on the stronger side. Especially 6, which is the best one. If anyone tells me that I am crazy to be skeptical over an adaptation of any kind without the original creator(s) involved, I'll point to this fact.
My advice? Watch Michael DiMartino and Bryan Konietzko's original Nickelodeon series, Avatar: The Last Airbender which you can also stream on Netflix.
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