#lucy katz

[longliverockback]

Roxy Music Live 2003 Eagle ————————————————— Tracks CD One: 01. Re-Make / Re-Model 02. Street Life 03. Ladytron 04. While My Heart Is Still Beating 05. Out of the Blue 06. A Song for Europe 07. My Only Love 08. In Every Dream Home a Heartache 09. Oh Yeah! 10. Both Ends Burning 11. Tara

Tracks CD Two: 01. More than This 02. If There Is Something 03. Mother of Pearl 04. Avalon 05. Dance Away 06. Jealous Guy 07. Editions of You 08. Virginia Plain 09. Love Is the Drug 10. Do the Strand 11. For Your Pleasure —————————————————

Bryan Ferry

Colin Good

Zev Katz

Andy Mackay

Phil Manzanera

Chris Spedding

Paul Thompson

Lucy Wilkins

* Long Live Rock Archive

#RoxyMusic #Roxy Music #Bryan Ferry #Colin Good #Zey Katz #Andy MacKay #Phil Manzanera #Chris Spedding #Paul Thompson #Lucy Wilkins #Roxy Music Live #Live #Glam #2003

[inevitablemoment]

Okay, I have a feeling that people will stop using this term because I finally used it, but I just want to share my current blorbos--

Samantha Maroun, Law & Order

Nolan Price, Law & Order

Lucy Lynskey and Frank Bannister, The Frighteners

Ellen Reed, Family Ties

Julia Ogden, Murdoch Mysteries

Llewelynn Watts, Murdoch Mysteries

Egon Spengler, Ghostbusters

Ray Stantz, Ghostbusters

Dana Barrett, Ghostbusters

Beverly Katz, Hannibal

Katherine Plumber Pulitzer, Newsies

Jack Kelly, Newsies

Davey Jacobs, Newsies

Mike Flaherty, Spin City

#Samantha Maroun #Sam Maroun #Nolan Price #Lucy Lynskey #Frank Bannister #Ellen Reed #Julia Ogden #Llewellyn Watts #Egon Spengler #Ray Stantz #Dana Barrett #Beverly Katz #Katherine Plumber #Katherine Pulitzer #Katherine Plumber Pulitzer #Jack Kelly #Davey Jacobs #David Jacobs #Mike Flaherty #Ella Says Shit #My Blorbos #Current Blorbos

[disneytva]

Disney Branded Television Attending TCA Fall Press Tour.

Like a year ago Disney Branded Television is going to attend the TCA Late Summer/Fall 2022 Press Tour, TODAY, the tour will showcase programming plans for Disney Channel,Disney Junior and Disney+ for Fall 2022 as well announcements and greenlights of upcoming Disney Channel,Disney Junior and Disney+ projects such as new shows, films and specials.

Last Edition on Winter 2022 showcased the following announcements on Animation. 

 -Moon Girl And Devil Dinosaur Character Key Art

 -Greenlight of Disney TVA's Superfudge Film 

-Greenlight for Disney Junior's Tiny Trailblazers

Today’s Press Tour Could Have The Following Announcements 

 -Greenlight of Nic Smal and Lucy Heavens Unnanounced Disney Channel Series 

-Greenlight Of Disney Junior's Untitled Time Traveler Treasure Hunter Series.

 -Showrunners for Winnie The Pooh Musical Driven Shorts

-Greenlight For Cheyenne Curtis Disney Channel  

-Greenlight For Noah Z Jones Disney Channel Series 

-Greenlight For Monica Ray's Disney Channel Series or if Disney got the rights of Magic Children Doing Things 

-Kiff Cast Reveal 

-Disney Junior Ariel Announcement

#TCA #TCA 2022 #Disney Channel #Disney Junior #Disney+ #Disney Plus #Suburbion #Dusty Dupree #Winnie The Pooh #Winnie The Pooh Shorts #Winnie Pooh Shorts #Katz Cafe #Hunch Bunch #Magic Children Doing Things #Kiff #Disney Kiff #Ariel #The Little Mermaid #Nic Smal #Lucy Heavens #Cheyenne Curtis #Monica Ray #Kris Wimberly #Saachi & Ten #Unnamed Pet Resort Project #C.H Greenblatt #Noah Z Jones

[cage-cat-yt]

Art dump because I'm hoping people enjoy this content

So last art dump didn't get any likes sadly, so I'm taking another shot at posting my art on here.

First is an outfit for Mirror Man! It's supposed to be a Human League shirt but I accidentally ran out of room lol. But yeah, I'm noticing blue works really well on his design, and why not use it to my advantage when everyone and their mom including myself headcanons him being a human league fan?

Second is of some designs for Saffron in Josef and Sauer. The one on the right is her modern/canon design for the series and the one on the left is her as a teenager. I was thinking on making her outfit blue for her teen design but decided to stick with purple since she rocks the color lol.

Third is Alder without his hat from Josef and Sauer. I've been working a lot on the series recently, and I did this nice art of Alder yesutrday ^^ rn though I'm working on how Katz Macpherson's autism affects him.

Next two is of Nurse's mom, Lilith Kätchen. Nurse is my tf2 oc, and her mom is a very pink diamond moral area for me but I won't forgive her for the trauma she put her children through.

Then the final drawing is of Katz's mom, Lucie. I did this and Lilith's drawings in math class, so that's why they aren't colored in or anything

Anyway, thanks for reading! Remember to hydrate and I hope you have a good day :)

#jack stauber's opal #original series #oc #tf2 oc parent #original character #opal mirror man #jack stauber's opal mirror man #mirror man opal #jack stauber mirror man #Saffron Wood #Saffron JaS #Alder JaS #Alder Yarrow #Nurse's mom #Lilith Kätchen #Lucie Macpherson #Katz's mom JaS #cage-cat #still hyperfixing on all the fandoms I'm in but also on JaS #josef and sauer

[dogandcatcomics]

#repost @le_davd Lucie David (Belgium). I appreciate the canine and feline elements in the work of this illustrator.

#chien #dog #perro #cat #gato #hond #hund #illustration #chat #katze #lucie David

[legallybrunettedotcom]

BUFFY READING LIST

As promised @possession1981 and I have compiled a list of Buffy the Vampire Slayer (and Angel) related academic text and books. I think this is a good starting point for both a long time fan and for someone just getting into the show, or just someone interested in vampire lore. I have included several books about the vampire lore and myth in general as well. Most of these are available online.

BOOKS

Fighting the Forces: What's at Stake in Buffy the Vampire Slayer; edited by Rhonda V. Wilcox & David Lavery

Buffy the Vampire Slayer and Philosophy - Fear and Trembling in Sunnydale by James B. South

Buffy Goes Dark: Essays on the Final Two Seasons of Buffy the Vampire Slayer on Television, edited by Lynne Y. Edwards, Elizabeth L. Rambo & James B. South

Buffy the Vampire Slayer: Myth, Metaphor and Morality by Mark Field

Televised Morality: The Case of Buffy the Vampire Slayer by Gregory Stevenson

Undead TV: Essays on Buffy the Vampire Slayer by Elana Levine

The Aesthetics of Culture in Buffy the Vampire Slayer by Matthew Pateman

Girls Who Bite Back: Witches, Mutants, Slayers and Freaks by Emily Pohl-Weary

Why Buffy Matters: The Art of Buffy the Vampire Slayer by Ronda Wilcox

Into Every Generation a Slayer Is Born: How Buffy Staked Our Hearts by Evan Ross Katz

The Lure of the Vampire: Gender, Fiction, and Fandom from Bram Stoker to Buffy the Vampire Slayer by Milly Williamson

Blood Relations: Chosen Families in Buffy the Vampire Slayer and Angel by Jes Battis

Sex and the Slayer: A Gender Studies Primer for the Buffy Fan by Lorna Jowett

Diseases of the Head: Essays on the Horrors of Speculative Philosophy; edited by Matt Rosen (chapter 2 Death of Horror)

Public Privates: Feminist Geographies of Mediated Spaces by Marcia R. England (chapter 1 Welcome to the Hellmouth: Paradoxical Spaces in Buffy the Vampire Slayer)

Open Graves, Open Minds: Representations of Vampires and the Undead From the Enlightenment to the Present Day; edited by Sam George and Bill Hughes (chapter 8 ‘I feel strong. I feel different’: transformations, vampires and language in Buffy the Vampire Slayer)

The Contemporary Television Series; edited by Michael Hammond and Lucy Mazdon (chapter 9 Television, Horror and Everyday Life in Buffy the Vampire Slayer)

Joss Whedon and Race: Critical Essays; edited by Mary Ellen Iatropoulos and Lowery A. Woodall III

Buffy and the Heroine's Journey: Vampire Slayer as Feminine Chosen One by Valerie Estelle Frankel

The Existential Joss Whedon: Evil and Human Freedom in Buffy the Vampire Slayer, Angel, Firefly and Serenity by J. Michael Richardson and J. Douglas Rabb

Buffy the Vampire Slayer 20 Years of Slaying: The Watcher's Guide Authorized by Christopher Golden

Reading the Vampire Slayer: The Complete, Unofficial Guide to 'Buffy' and 'Angel' by Roz Kaveney

Hollywood Vampire: The Unnoficial Guide to Angel by Keith Topping

Buffy the Vampire Slayer: The Monster Book by Christopher Golden

Slayer Slang: A Buffy the Vampire Slayer Lexicon by Michael Adams

What Would Buffy Do? The Vampire Slayer as Spiritual Guide by Jana Riess

ARTICLES, PAPERS ETC.

Bibliographic Good vs. Evil in Buffy the Vampire Slayer by GraceAnne A. DeCandido

Undead Letters: Searches and Researches in Buffy the Vampire Slayer by William Wandless

Weaponised information: The role of information and metaphor in Buffy the Vampire Slayer by Jacob Ericson

Buffy, Dark Romance and Female Horror Fans by Lorna Jowett

My Vampire Boyfriend: Postfeminism, "Perfect" Masculinity, and the Contemporary Appeal of Paranormal Romance by Ananya Mukherjea

Buffy, The Vampire Slayer as Spectacular Allegory: A Diagnostic Critique by Douglas Kellner

"Buffy the Vampire Slayer": Technology, Mysticism, and the Constructed Body by Sara Raffel

When Horror Becomes Human: Living Conditions in "Buffy the Vampire Slayer" by Jeroen Gerrits

Post-Vampire: The Politics of Drinking Humans and Animals in "Buffy the Vampire Slayer, Twilight", and "True Blood" by Laura Wright

Cops, Teachers, and Vampire Slayers: Buffy as Street-Level Bureaucrat by Andrea E. Mayo

"Not Like Other Men"?: The Vampire Body in Joss Whedon's "Angel" by Lorna Jowett

Buffy the Vampire Slayer and the Domestic Church: Revisioning Family and the Common Good by Reid B. Locklin

“Buffy vs. Dracula”’s Use of Count Famous (Not drawing “crazy conclusions about the unholy prince”) by Tara Elliott

A Little Less Ritual and a Little More Fun: The Modern Vampire in Buffy the Vampire Slayer by Stacey Abbott

Undressing the Vampire: An Investigation of the Fashion of Sunnydale’s Vampires by Robbie Dale

"And Yet": The Limits of Buffy Feminism by Renee St. Louis & Miriam Riggs

Meet the Cullens: Family, Romance and Female Agency in Buffy the Vampire Slayer and Twilight by Kirsten Stevens

Bliss and Time: Death, Drugs, and Posthumanism in Buffy the Vampire Slayer by Rob Cover

That Girl: Bella, Buffy, and the Feminist Ethics of Choice in Twilight and Buffy the Vampire Slayer by Catherine Coker

A Slayer Comes to Town: An Essay on Buffy the Vampire Slayer by Scott Westerfeld 

Undead Objects of a “Queer Gaze” : A Visual Approach to Buffy’s Vampires Using Lacan’s Extended RSI Model by Marcus Recht

When You Kiss Me, I Want to Die: Gothic Relationships and Identity on Buffy the Vampire Slayer by Ananya Mukherjeea

Necrophilia and SM: The Deviant Side of Buffy the Vampire Slayer by Terry L. Spaise

Queering the Bitch: Spike, Transgression and Erotic Empowerment by Dee Amy-Chinn

“I Want To Be A Macho Man”: Examining Rape Culture, Adolescent Female Sexuality, and the Destabilization of Gender Binaries in Buffy the Vampire Slayer by Angelica De Vido

Staking Her Claim: Buffy the Vampire Slayer as Transgressive Woman Warrior by Frances H. Early

Actualizing Abjection: Drusilla, the Whedonversees’ Queen of Queerness by Anthony Stepniak

“Life Isn’t A Story”: Xander, Andrew and Queer Disavowal in Buffy the Vampire Slayer by Steven Greenwood

S/He’s a Rebel: The James Dean Trope in Buffy the Vampire Slayer by Kathryn Hill

“Once More, with Feeling”: Emotional Self-Discipline in Buffy the Vampire Slayer by Gwynnee Kennedy and Jennifer Dworshack-Kinter

“The Hardest Thing in This World Is To Live In It”: Identity and Mental Health in Buffy the Vampire Slayer by Alex Fixler

"Love's Bitch But Man Enough to Admit It": Spikes Hybridized Gender by Arwen Spicer

Negotiations After Hegemony: Buffy and Gender by Franklin D. Worrell

Double Trouble: Gothic Shadows and Self-Discovery in Buffy the Vampire Slayer by Elizabeth Gilliland

'What If I'm Still There? What If I Never Left That Clinic?': Faërian Drama in Buffy's "Normal Again" by Janet Brennan Croft

Not Gay Enough So You’d Notice: Poaching Fuffy by Jennifer DeRoss

Throwing Like A Slayer: A Phenomenology of Gender Hybridity and Female Resilience in Buffy the Vampire Slayer by Debra Jackson

“You Can’t Charge Innocent People for Saving Their Lives!” Work in Buffy the Vampire Slayer by Matt Davies

Ambiguity and Sexuality in Buffy the Vampire Slayer: A Sartrean Analysis by Vivien Burr

Imagining the Family: Representations of Alternative Lifestyles in Buffy the Vampire Slayer by Vivien Burr and Christine Jarvis

Working-Class Hero? Fighting Neoliberal Precarity in Buffy’s Sixth Season by Michelle Maloney-Mangold

A Corpse by Any Other Name: Romancing the Language of the Body in Mary Shelley's Frankenstein for the Adam Storyline in Buffy the Vampire Slayer by Amber P. Hodge

Sensibility Gone Mad: Or, Drusilla, Buffy and the (D)evolution of the Heroine of Sensibility by Claire Knowles

"It's good to be me": Buffy's Resistance to Renaming by Janet Brennan Croft

Death as a Gift in J.R.R. Tolkien’s Work and Buffy the Vampire Slayer by Gaelle Abalea

“All Torment, Trouble, Wonder, and Amazement Inhabits Here": The Vicissitudes of Technology in Buffy the Vampire Slayer by James B. South

Staking Her Colonial Claim: Colonial Discourses, Assimilation, Soul-making, and Ass-kicking in Buffy the Vampire Slayer by Jessica Hautsch

“I Run To Death”: Renaissance Sensibilities in Buffy the Vampire Slayer by Christine Jarvis

Dressed To Kill: Fashion and Leadership in Buffy the Vampire Slayer by Christine Jarvis and Don Adams

Queer Eye Of That Vampire Guy: Spike and the Aesthetics of Camp by Cynthea Masson and Marni Stanley

“Sounds Like Kinky Business To Me”: Subtextual and Textual Representations of Erotic Power in Buffyverse by Lewis Call

“Did Anyone Ever Explain to You What ‘Secret Identity’ Means?”: Race and Displacement in Buffy and Dark Angel  by Cynthia Fuchs

“It’s About Power”: Buffy, Foucault, and the Quest for Self by Julie Sloan Brannon

Why We Love the Monsters: How Anita Blake, Vampire Hunter, and Buffy the Vampire Slayer Wound Up Dating the Enemy by Hilary M. Leon

Why We Can’t Spike Spike?: Moral Themes in Buffy the Vampire Slayer by Richard Greene and Wayne Yuen

Buffy, the Scooby Gang, and Monstrous Authority: BtVS and the Subversion of Authority by Daniel A. Clark & P. Andrew Miller

Are Vampires Evil?: Categorizations of Vampires, and Angelus and Spike as the Immoral and the Amoral by Gert Magnusson

BOOKS ABOUT VAMPIRE LORE AND MYTH IN GENERAL

The Vampire Lectures by Laurence A. Rickels 

Our Vampires, Ourselves by Nina Auerbach

Vampires, Burial, and Death: Folklore and Reality by Paul Barber

The Secret History of Vampires: Their Multiple Forms and Hidden Purposes by Claude Lecouteux

The Vampire Cinema by David Pirie

The Living and the Undead: Slaying Vampires, Exterminating Zombies by Gregory A. Waller

Vampire Forensics: Uncovering the Origins of an Enduring Legend by Mark Jenkins

Slayers and Their Vampires: A Cultural History of Killing the Dead by Bruce A. McClelland

The History and Folklore of Vampires: The Stories and Legends Behind the Mythical Beings by Charles River Editors

Encyclopedia of Vampire Mythology by Theresa Bane

Vampires of Lore: Traits and Modern Misconceptions by A. P. Sylvia

The Vampire: A New History by Nick Groom

Vampyres: Genesis and Resurrection: from Count Dracula to Vampirella by Christopher Frayling

Race in the Vampire Narrative by U. Melissa Anyiwo

Vampires, Race, and Transnational Hollywoods by Dale Hudson

#btvs #buffy #buffy the vampire slayer #💾 #buffy summers #ats #angel the series

[spooky-month-archive]

Various references and Easter eggs in Spooky Month 5: Tender Treats

The photo of Bob where he has his thumbs up is meant to reference the real-life cannibal Ed Gein. Behind Bob is the corpse of his victim hanging upside down with a badly made cut.

Captain and Shotgun Man from Sr Pelo's 'Every StoryTime Animation' video.

Flashback scene with the old Spooky Month style

Sr Pelo's old YouTube username (123pendejos), Latino American joke (common in SM) about smelling like obo, and another Latino joke, if you read it you are cursed.

The book from episode 3 based on the song El Gran Varon/The Great Man by Willie Colón.

Skid and Pump JoJo posing (with Skid doing DIO's 'Wryyy' pose and Pump doing Jonathan Joestar's pose)

Skid and Pump doing the walk cycle from 'Every Fuckin' FPS Game' video.

Plants vs. Zombies reference

Día de Muertos/Day of the Dead themed Candy Club, with Pelo cookies and Among Us stickers.

Right: A lollipop of Sr Pelo's character Verwirrung, AntonM's character Lucy, Invincible Candy from Kirby, a reference to a character from the ENA: Dream BBQ game trailer, a skull from Zombicool on the Spooky Month team and Katz and Uno from Monster Lab by MeatCanyon.

Left: 2 of Sr Pelo's candy characters, Salad Fingers, strawberry candy, a reference to the scene in Beetlejuice (1988) where he gives a fly a candy and Top Hat from Villainous.

The Panvaso is a joke from a Mexican TV comedy called 'La Familia P. Luche'

#spooky month #spooky month 5: tender treats #miscellaneous #bob velseb #captain #shotgun man #lila #skid #pump #kevin #jack #john

[susen70]

Lucie ruft freudestrahlend: "Frohes neues Jahr, Mom und Dad!"

@frauhupfner hier kommt dein zweiter Wunsch. 😸

Katze “Chestnut”

Die Katze ist in meinem Sims2-Spiel geboren. 😺

Hinweis: Es wird unbedingt Sim2-EP “Haustiere” benötig.

Download (SFS)

Download (MediaFire)

Bitte meine TOU und die “ReadMe” in der Download-Datei beachten! Vielen Dank.

Katze “Molly”

Die Katze ist in meinem Sims2-Spiel geboren. 😺

Hinweis: Es wird unbedingt Sim2-EP “Haustiere” benötig.

Download (SFS)

Download (MediaFire)

Bitte meine TOU und die “ReadMe” in der Download-Datei beachten! Vielen Dank.

Katze “Penny”

Die Katze ist in meinem Sims2-Spiel geboren. 😺

Hinweis: Es wird unbedingt Sim2-EP “Haustiere” benötig.

Download (SFS)

Download (MediaFire)

Bitte meine TOU und die “ReadMe” in der Download-Datei beachten! Vielen Dank.

Ich wünsche ein "Frohes neues Jahr 2024" und happy simming! 🍾🎉

#susen70 #sims 2 #sims 2 download #sims 2 cc #sims 2 cc finds #ts2 #ts2cc #s2cc #sims 2 katze #sims 2 cat #simblr #the sims 2 #the sims 2 cc

[jewish-ship-showdown]

Ships that have already qualified (read before submitting):

Jude Lizowski/Jonesy Garcia

Tyler Kennedy "TK" Strand/Carlos Reyes

Peter Parker (Spider-Man)/Gwen Stacey

Willow Rosenberg/Winifred "Fred" Burkle

Francine Frensky/Muffy Crosswire

Susan Ivanova/Marcus Cole

Kate Kane (Batwoman)/Renee Montoya

Barry B. Benson/Vanessa Bloome

Jake Peralta/Amy Santiago

Willow Rosenberg/Tara Maclay

Jack Zimmermann/Eric "Bitty" Bittle

Justin "Ransom" Oluransi/Adam "Holster" Birkholtz

Danny/Reuven

Larissa "Lara" Bogdan/Jasmine

Kelsey Pokly/Isabella "Stacks" Alvarado

Rebecca Bunch/Audra Levine

Rebecca Bunch/Greg Serrano

Rebecca Bunch/Nathaniel Plimpton

Samantha "Sam" Manson/Danniel "Danny" Fenton

Bruce Wayne (Batman)/Selina Kyla (Catwoman)

Bruce Wayne (Batman)/Clark Kent (Superman)

Clark Kent (Superman)/Lois Lane

Harley Quinn/Pamela Isley (Poison Ivy)

Barney Guttman/Logan Nguyen

Leah/Chanan

Shay Goldstein/Dominic Yun

Marvin/Whizzer

Trina/Mendel Weisenbachfeld

Perchik/Hodel

Tzeitel/Motel

Monica Gellar/Chandler Bing

Molly McGee/Libby Stein Torres

Rachel Berry/Noah Puckerman

Fiddleford McGucket/Stanford Pines

Cristina Yang/Owen Hunt

Cristina Yang/Preston Burke

Levi Schmidt/Nico Kim

Rose Lalonde/Kanaya Maryam

James Wilson/Gregory House

The Baker and/The Baker's Wife

Kim Possible/Ron Stoppable

The Jewish People/The Shabbat Bride

Alec Hardison/Parker

Max Eisenhardt (Magneto)/Charles Xavier (Professor X)

Steve Rogers (Captain America)/James "Bucky" Barnes

Arnold "Arnie" Roth/Michael Bech

Arnold "Arnie" Roth/Steve Rogers (Captain America)

Billy Kaplan (Wiccan)/Teddy Altman (Hulkling)

Bobby Drake (Iceman)/Hank McCoy (Beast)

Bobby Drake (Iceman)/Johnny Storm (The Human Torch)

Layla El Faouly/Mark Spector (Moon Knight)

Matthew Hawk (Two-Gun Kid II)/Clint Barton (Hawkeye)

Peter Parker (Spider-Man)/Betty Brant

Peter Parker (Spider-Man)/Eugene "Flash" Thompson

Peter Parker (Spider-Man)/ Felicia Hardy

Peter Parker (Spider-Man)/ Harry Osborn

Peter Parker (Spider-Man)/Katherine Anne "Kitty" Pryde

Peter Parker (Spider-Man)/Mary Jane "MJ" Watson

Peter Parker (Spider-Man)/Wade Wilson (Deadpool)

Steve Rogers/Bernadette "Bernie" Rosenthal

Wanda Maximoff/The Vision

Midge Maisel/Susie Myerson

Hal Emmerich (Otacon)/Solid Snake

Casey Goldberg-Calderon/Lunella Lafayette

Fran Fine/Max Sheffield

Ben Gross/Devi Vishwakumar

Winston Schmidt/Cece Parekh

David Jacobs/Jack Kelly

Seth Cohen/Summer Roberts

Scout Touzani/Elias Wyrick

KJ Brandman/Mac Coyle

Lavinia Asimov/Poison Oak

Phineas Flynn/Isabella Garcia-Shapiro

Anon's Mom/Dad

The person reading this & their partner

Jerry Seinfeld/Cosmo Kramer

Simon Lewis/Isabel Lightwood

Danielle/Maya

Bram Greenfeld/Simon Spier

Miryem Mandelstam/The Staryk King

David Rose/Patrick Brewer

James T Kirk/S'chn T'gai Spock

Worf Rozhenko/Jadzia Dax

Kanan Jarrus/Hera Syndulla

Brian Jeeter/Krejjh

Bobby Singer/Rufus Turner

Jonah Simms/Amy Sosa

Reish Lakish/Rabbi Yochanen

King David/Yonatan

Devorah/Barak

Moses/Tzipporah

Ruth/Naomi

Yaakov/The Angel

Rowan Roth/Neil Mcnair

Klaus Hargreeves/Dave Katz

Cecil Palmer/Carlos The Scientist

Josh Lyman/Donna Moss

Little Ash/Uriel

Lucille "Lucy" Kensington/Dr. Edison "Ed" Tucker

Fox Mulder/Dana Scully

Anshel/Avigdor

Alec Hardison/Parker/Eliot Spencer

Wanda Maximoff (The Scarlet Witch)/Jericho Drumm

Bruce Wayne (Batman)/Shondra Kinsolving

Bruce Wayne (Batman)/Talia Al Ghul

Ben Grimm (The Thing)/Alicia Masters

Velma Dinkley/Daphne Blake

Velma Dinkley/Marcie Fleach

Didi Pickles/Stu Pickles

Velma Dinkley/Coco Diablo

Babushka (Tatiana)/Dedushka (Ivan)

Kitty Pryde/Illyana Rasputin

Natasha Romanoff/Wanda Maximoff

Marc Spector (Moon Knight)/Clint Barton (Hawkeye)

Hillel/Shammai

S'chn T'gai Spock/James T Kirk/Dr. Leonard "Bones" McCoy

S'chn T'gai Spock/Dr. Leonard "Bones" McCoy

Frankie Bergstein/Grace Hanson

Annie Edison/Jeff Winger

Maxine Myers/Paula Cohen

Baby Houseman/Johnny Castle

Tevye/Golde

Michael "Mike" Wazowski/Celia Mae

Talmudic couple having gay sex in the attic

Tim Drake/Kon El (Conner Kent)

Violet Baudelaire/Quigley Quagmire

Reuben Kent/Feliks Kaufmann

Anshel/Avigdor/Hadass

Amram/Zelikman

Anshel/Hadass

SUBMISSIONS ARE OPEN UNTIL MAY 8, 2023 @ 12:00 AM EDT

#info #if you have any reasons a ship shouldn't be on this list let me know since I don't have the ability to fully vet everything #there are a small handful im still considering #will update as more submissions trickle in

[granblue-advisor]

Hello! I'm a Magna player who just hit rank 200 recently. I was wondering how should I prioritize my sand usage between LV250 Luci, Magna transcendence and evoker uncaps (only have Haase and Katze at 5*) in terms of what would benefit me the most to start farming Revans raids as well as the upcoming GW.

I'm not exactly sure where Magna 6* falls right now, as it's pretty recent. As for Luci, it's something you really should only even start once you have the full 15 sands, and most of the time you can just grab one from your friends list instead.

Geisenborger isn't likely to be super important for GW (maybe more so if you're a FA player), but for Revans you absolutely want Alanaan and Caim if you're trying to farm them fast. Probably focus on getting the higher tier evokers first and then stockpile the 15 for Lucifer.

[beautifulfaaces]

Masterlist - Female Green Eyes

2000s

Addy Miller

Ava Kolker

Amirah Johnson

Beatrice Kitsos

Caitlin Carmichael

Ella Ballentine

Ella Rubin

Isla Johnston

Larsen Thompson

Mackenzie Foy

Megan Scott

Melissa Collozo

Sky Katz

90s

Alana Boden      

Alba August

Aleece Wilson

Alexandra Tikerpuu

AJ Michalka

Ali Collier

Alicia von Rittberg

Alina Bobyleva

Alina Boz

Alina Kovalenko

Alycia Debnam-Carey

Allegra Carpenter

Amine Gülşe

Amy Forsyth

Anna Grace Barlow

Brec Bassinger

Breezy Eslin

Brenna O’Brien

Cailin Russo

Caitlin Carver

Camren Bicondova

Catherine Missal

Chloe Grace Moretz

Danielle Campbell

Dove Cameron

Eda Ece

Emma Appleton

Ester Expósito

Esti Ginzburg

India Gants

Frances Encell

Isabel Hodgins

Jella Haase

Jenna Boyd

Júlia Molins

Katerina Tannenbaum

Laura Bilgeri

Lauren Froderman

Lauren Jauregui

Lauren Potter

Leonie Benesch

Lexi DiBenedetto

Lilli Camille Schweiger

Lola Rodríguez

Louisa Connelly-Burnham

Lucy Boynton

Luna Marie Schweiger

Madeleine Coghlan

Madisen Beaty

Madison Davenport

Madison Lintz

Marielle Scott

Meredith Mickelson

Mia Healey

Natacha Karam

Nell Tiger Free

Paula Beer

Pauline Burlet

Pinar Deniz

Rachel Matthews

Riley Voelkel

Romi Van Renterghem

Sabrina Bartlett

Savannah Baker

Sophie Turner

Stephanie Styles

Tiera Skovbye

Ulrikke Falch

Vanessa Grasse

Willa Holland

80s

Abbey Clancy

Abbie Cornish

Alex Paxton Beesley

Alexa Chung

Alexa Davalos

Alexandra Turshen

Alissa Jung

Alison Sudol

Amanda Seyfried

Amy Winehouse

Ana Beatriz Barros

Ana de Armas

Angelina Häntsch

Avigail Harari

Bar Paly

Beren Saat

Carrie MacLemore

Claire Boucher

Clara Alonso

Darla Baker

Eliza Coupe

Elizabeth Knowelden

Elle Evans          

Emilia Clarke

Emily Baldoni

Emily Tremaine

Esther Povitsky

Felicity Jones

Genevieve Angelson

Georgia King

Haley Webb

Hannah Ware

Hilarie Burton

Isidora Goreshter

Jasna Fritzi Bauer

Jen Lilley

Jenna Dewan

Jessica Keenan Wynn

Jessica Lowndes

Joy Lauren

Julia Hartmann

Julie Marie Berman

Kate Lambert

Kate Phillips

Katie Cassidy

Katie Leclerc

Kayla Ewell

Krysten Ritter

Laura Bell Bundy

Lauren Cohan

Lindsey Kraft

Lucy Hale

Mallory Jansen

Marcella Lentz-Pope

Maria Sole Mansutti

Meg Steedle

Meghan Ory

Melissa McIntyre

Monika Reithofer

Paige Spara

Priscilla Quintana

Rachael Taylor

Razane Jammal

Rebecca Breeds

Sara Canning

Sarah Power

Shelley Regner

Tammin Sursok

Yasemin Kay Allen

70s

Adamari López

Alison King

Amber Valletta

Angela Kinsey    

Anna Torv

Artemis Pebdani

Becki Newton

Brandy Clark

Brooke Elliott

Charlize Theron

Christina Applegate

Constance Zimmer

Dorian Brown Pham

Erica Durance

Ginnifer Goodwin

Jennifer Morrison

Jessica Chastain

Jill Flint

Julia Parker

Kathy Kiera Clarke

Keri Russell

Leslie Bibb

Melissa McCarthy

Niki Karimi

Portia de Rossi

Sabrina Grdevich

Sarah Rafferty

Stephanie Waring

Traci Dinwiddie

60s

Alexandra Paul

Amy Ryan

Catherine Tate

Elisabeth Shue

Emily Procter

Francie Swift

Gia Cardis

Julianne More

Kelly Rutherford

Marcia Cross

Mary Page Keller

Melina Clarke

Natascha McElhone

Rebecca Stab

Sherry Stringfield

50s

Allison Janney

Chloe Webb

40s

Diane Keaton

#masterlist #masterlist female green eyes #90s fem green eyes #2000s fem green eyes #80s fem green eyes #70s fem green eyes #60s fem green eyes #50s fem green eyes #40s fem green eyes

[thegcwcollection]

heyy hlo, i just want to ask you, who is your favorite painter ( give me 2 names atleast)? I like Johannes Vermeer.

I'm going to give you a list instead

sandro botticelli

caravaggio

inés longevial

chloe wise

alex katz

maria prymachenko

paul gauguin

brett whiteley

zoey frank

meleko mokgosi

lucien frued

antonio lopez garcia

noelia towers

shannon cartier lucy

georgette chen

alice neel

jon sours

julia maiuri

ed rushca

emma amos

hayley barker

joseph yaeger

zoe young

I love a lot of portraiture painters if you can't tell!

#art

[krejong]

One more thing about Totes Herz though: can we talk about how Svetlana abruptly disappears as soon as the men in her life don't need her anymore? As soon as she isn't fulfilling the roles of mistress and caretaker, she just stops existing from one frame to the next?

Also how—even apart from him being an actual person—the reaction to Juri's death was so minimal on the parts of the detectives, given that

A. They spent the first 50 minutes on an active man-hunt for him

and

B. He was their only witness to the murder of Heike Teichmann. Like how would any of this even stand up in court?

Yet—somehow—at the same time, Karin and Leo also seemed like secondary characters in this episode (points were made on this by @lucy-in-space and @khaladriel); faceless tools to solve this mystery, whose interventions were merely meant to move the plot forward Hercules-Poirot-style. And if I had been sitting down to watch a Poirot mystery that would have been fine, but that wasn't what the last few episodes had led me to expect. Because, while Karin and Leo did solve the mystery in ‘Das Nest’ and ‘Katz und Maus’, they displayed a range of emotions (vulnerability/fear/frustration/anger) while doing so, which succeeded in humanizing them; no effort was made in this episode to do the same. Those two may have had more scenes together than in ‘Katz und Maus’, but whenever we saw them interact they were rattling off information to each other like they’re ticking things off a to-do-list. (Though I have to give them credit for the non-verbal communication parts, those were nice).

And one more thing that sort of ties in to my point in the last paragraph: what was up with the lack of continuity?? Other shows— like Tatort Zürich for instance—have successfully integrated overarching plotlines that run over multiple episodes (e.g., Tessa’s past suicide attempt) and tied them up satisfactorily. They (mostly) introduced elements because they would be resolved/answered at some point in the future. The impact of the gutpunch-ending of ‘Katz und Maus’ was quasi-nullified by the fact that all Schnabel apparently sustained from his near-death experience was a tummy ache that was mentioned only once, in passing, which was then used to criticize Karin for ‘fussing’ (excuse her). And no mentions at all are made of Leo's serious breach of Karin's trust with the video, which should undoubtedly have impacted their professional relationship, if not their personal one.

Anyway, suffice to say I wasn't the biggest fan of how a bunch of things were handled in this episode and it just fell flat for me, personally.

#krejong talks #tatort dresden #totes herz #just ranting a week late #don't mind me

[historyhermann]

Counting Beans: Power, Mental Health, and Queerness in "Disenchantment" Part 4

On February 9, the ten episodes of Disenchantment's Part 4 aired on Netflix. It continues the story of Bean, a fearless Princess, attempting to return to her homeland, Dreamland. She hopes to reclaim the throne but faces internal and external challenges which prevent her from completing this quest.

Reprinted from The Geekiary, my History Hermann WordPress blog, and Wayback Machine. This was the thirtieth article I wrote for The Geekiary. This post was originally published on February 18, 2022.

Disenchantment is an animated fantasy, sitcom, adventure, and satire, by Matt Groening. He is best known for his long-running animated sitcom, The Simpsons, and his late animated sci-fi comedy-drama, Futurama. Groening is the series showrunner along with Josh Weinstein and Claudia Katz. Eric Horsted, Bill Oakley, and Patric V. Verrone are co-executive producers.

As a warning, this review discusses some spoilers for Disenchantment. It will also discuss topics such as death, blood, murder, trauma, sexual intercourse, and mental health.

Part 4 of Disenchantment begins with Dagmar (Sharon Horgan) kidnapping her daughter, Princess Bean (Abbi Jacobson). Dagmar tries to force her to marry the King of Hell, Satan (Rich Fulcher), in an attempt to "seal the deal" between Bean's homeland, Dreamland, and Hell. Bean's friend, Luci (Eric Andre), tries to leave Heaven. Elfo (Nat Faxon) tries to escape the ogres who have captured him.

Luci and Jerry (David Herman) help Bean flee Hell. They are able to commandeer an airship en route to Dreamland. On the way, they rescue Elfo. Once back in Dreamland, they discover that Bean's devious cousins, aunt Becky (Lucy Montgomery) and uncle Cloyd (Fulcher), are ruling Dreamland. Later, agreement Bean and her dad, Zog (John DiMaggio), agree to share power in Dreamland. Becky, Cloyd, and their newfound puppet friend, Freckles (DiMaggio), try to manipulate whoever they can to gain power. Bean tries to be a better ruler. She has recurring nightmares and faces Satan and Dagmar. The latter pushes Bean into the water and seizes control of the throne.

The series maintains its "good rhythm." It has occasional humor, like a recurring joke where Luci loses his head, and has to put it back on. There are twisted plots, occasional nudity, smoking, and drinking, mainly by Bean. This is so important to her character that when she drinks less, her friends Luci and Elfo get worried.

Throughout the series, there are bloody scenes and casual violence. Characters injure each other with swords, spears, and other weapons. Some are even eaten by worms. The level of violence is akin to the violence in Inside Job.

Power, authority, manipulation, and exploitation

There is the continual struggle for power and authority in Disenchantment. Cloyd and Becky engage in human experimentation to create their own goons. They also try and manipulate anyone to complete their goals. After their reported defeat, Bean and Zog agree to rule together. Both face an evil puppet named Freckles who works for Becky and Cloyd.

Later, Bean tries to give back and let people come to her in hopes of solving their problems. This is akin to what Rapunzel sings about in a Season 1 episode of Rapunzel's Tangled Adventure. In the case of Bean, it doesn't work out, and she ends up getting exhausted.

Freckles becomes one of the most evil characters of the series. After Sorcerio brings him "back to life," in an homage to Frankenstein, he tries to manipulate Zog. He has more success with Jasper and Derek (voiced by Tress MacNeille), teaching them to fight dirty. As a result, Derek ends up killing one of the bullies by accident. He feels bad about this and goes with Jasper and Derek, leaving town. Before they leave, Freckles visits the bullies and he reveals that he had staged the fight.

Freckles tries to drive Zog and Bean apart

This reminds me of how Khepra paid off people to fight with her, and the show's protagonist, Cleo, in Cleopatra in Space. Like Freckles, Khepra did this to gain her trust, while she was working with the villain the whole time. In Disenchantment, his efforts are for naught. The series ends with Dagmar and Satan in charge, willing to do anything to keep their power.

This series has a major focus on organized religion, just like gen:LOCK. There are places named "heaven" and "hell." Luci appears in Heaven despite the fact he is a demon. God (voiced by Phil LaMarr) tells Jerry that God is everywhere, even in a toilet when people are taking a crap. He also says that the troubles of humans are for them to sort out, so he doesn't intervene. Hell is a place that people can travel to with a scary elevator. On the one hand, the series depicts religion as restorative. Zog becomes more at peace with himself while in a monastery. On the other, it is a place of violence. Bean's doppelganger kills her inside a church during one of her nightmares.

Organized religion is only one form of exploitation and oppression depicted in Part 4 of Disenchantment. Some episodes serve as commentary about trophy hunting, explorers, and zoos. In episode 7, explorers from the League of Gallivanting Scrutinators come in an airship from Steamland. They hope to catch game in the forest.

While they can't capture the "right" animal, they still capture a "beast." When a huge fire burns a huge swath of the forest after explorers speared Zog's cigar rather than him, they leave and don't look back.

In the final episode, Odval and Zog search for Derek, Jasper, and Freckles. They try and save them. Unfortunately, someone in Steamland kidnaps them for an exhibition, making them part of a supposed "freak show."

Memories, dreams, and mental health

Like Inside Job, memories and dreams are a central part of Disenchantment. This begins with Freckles invading the dreams of Zog and Bean. He probes into the Zog's repressed memories. This reveals hidden trauma. He hopes to turn Zog and Bean, who is 19 years old, against one another. This strategy is unsuccessful.

Episode 6 takes place almost exclusively in an underwater kingdom, Bean wants to atone to the sea trogs for what their ancestors did. This is after Zog reveals that humans took Dreamland from the elves. She finds out that the sea trogs put worms into people's ears, mind-controlling them, a little like the brain worms in Star Wars: The Clone Wars. She barely escapes alive.

Throughout the last few episodes of Part 4, Bean begins to have recurring nightmares. She becomes so dedicated to stopping them that she cuts the rope to the elevator to hell. This causes causing Hansel and Gretel to plummet to their deaths! This is because she believes that the person in her dreams is her sadistic mother, Dagmar. When she drinks a special liquid, her nightmares become clearer. She then discovers something horrifying: the person she had been following is herself. It was an unexpected twist, for sure.

This makes for an exciting final episode. Bean debates her evil doppelganger, who she calls "Bad Bean." She begins starts to trust and believe Bad Bean. Akin to Darth Sideous training Anakin Skywalker on how to concentrate his hatred, Bad Bean tells Bean that her electric powers only flow when she is angry. She riles her up, saying she should be furious at the "damn patriarchy" and the "whole system." At one point, she taunts her by saying she knows what a mermaid kiss tastes like.

As it turns out, Bad Bean is a total snake. She does the switcheroo and traps Bean in her own dream. She only gets rescued with the help of her friends and is able to kill the Bad Bean. Although Bean does not defeat her sadistic mother, the series has an optimistic message.

Disenchantment seems to be saying that you can take control of your mind and body, and push out bad thoughts and attitudes. The series makes clear that everyone has a part inside them capable of great harm. This means that it is a struggle to keep that part of yourself in check.

Bad Bean (on the bed) talking to "good" Bean

This connects to the show's commentary on mental asylums. Early on in Part 4, Zog expresses his trauma from someone burying him alive during Part 3 and has "therapy sessions." He even begins to speak normally, rather than honking, even to his fellow inmate, Giggles.

At one point, he tries to kill the therapist after the therapist declares he will stay there forever. Instead of the therapist facing consequences, they believe Zog is the one at fault. Zog is then taken away to a room and put in a straightjacket. The series seems to depict mental institutions as agents of oppression that engage in structural violence.

Chazzzzz (voiced by Herman), the practitioner who tortures people, works at the asylum. He is someone who enforces this structural violence onto Zog and other inmates. Luckily, Zog is able to flee and his loyal servants, Vip and Vap help him.

In these ways, the series has some similar themes to ND Stevenson's Nimona. That webcomic, and later graphic novel, does a better job at showing structural violence than Disenchantment.

Romance and queer themes

Early this month, David Opie, TV editor for Digital Spy, tweeted that Part 4 of Disenchantment could have been "queerer this time round." I have to agree. I say this as a person whose first review for The Geekiary was about Disenchantment parts 1-3. At the time, I argued that queerness in Disenchantment is "integrated into the show itself." I noted the casual queerness, the gay relationship between Odval and Sorcerio, and the possible relationship between Big Jo and Porky. I pointed to Bean and Lady Bowmore crushing on one another, the love story between Mora and Bean, and that Bean is bisexual or pansexual.

I even said that the story is a step forward for Matt Groening, in terms of inclusive storytelling. I pointed to stereotypes in Futurama and the lack of strong queer representation among The Simpsons main cast. I have become a better writer and editor since then and I'm more critical of the series now than I was back then.

Romance is an important theme in Disenchantment. The series sends the message that love should be heartfelt rather than forced. Dagmar's arranged marriage between Satan and Bean is portrayed negatively. Even the theme of their wedding is "love is hell" which is like how Greg Universe described love as "torture" to Rose Quartz in Steven Universe.

Although Bean's mom puts her in leg irons and handcuffs, she still rebels. She gets Satan to dislike her and cuts Dagmar's hand, so that she is the "Queen of Dreamland" on paper rather than her. This will likely have significance in future seasons. In other episodes, Zog reconnects with Ursula, learning he has another son named Jasper, a bear cub. He later bonds with his daughter, Bean, as well.

This interconnects with queer moments weaved throughout Part 4. In episode 4, Bean realizes what the audience already knew: her romance with the mermaid, Mora (voiced by Meredith Hagner), was real. In a later episode, Freckles refers to Bean's romance with Mora to set her off. In another episode, Luci tells Bean that "pearls don't go with your whole tomboy femme thing anyway."

The first part of the phrase could refer to the term "pearl-clutch," with gay men using it to mean a "sense of shock, surprise, and awed admiration." Alternatively, it could be a reference to another related term: "pearl-clutching." That is a charge often lobbed at women, accusing them of "not being liberal, or feminist, or open-minded enough." The latter seems more likely than the former.

Luci's use of the term "tomboy femme" likely refers to when someone plays with their gender presentation. It blurs the "lines between what it is to be purely on one side of the feminine to masculine spectrum." This includes pairing designs seen as masculine with those seen as feminine.

Bean-Mora slow romance and other queer moments

Part 4 of Disenchantment continues the very slow romance between Bean and Mora. At the end of episode 6, Mora saves Bean, and she slips away, telling Bean, saying "damn it, I got to go." As such, Bean doesn't realize she was even there. In the following episode, she is defensive about who saved her. She wears the necklace Mora gave her but hides it.

At one point in Part 4, Bean admits to her father, Zog, that she is in love with Mora. He reveals to her that his first love was a mermaid, and adds that there is never a right time for love. Later, Bean avoids the pub and goes to the beach instead, believing she needs to "get over" Mora before it is "too late."

In episode 8, one character tells Bean that his wife is bisexual. In the same episode, she has a nightmare with Mora telling her to wake up. In the final episode, Bean's toxic, and controlling, mother, pushes her into the ocean. Once there, Mora pulls her close, with both kissing and embracing one another.

Mora and Bean together in the final episode of Part 4

The slow romance leaves a lot to be desired. Fans are rightly happy at the Morabeanie moments in Part 4, and have posted beautiful fan art. Even the official Instagram account has posted Morabeanie fan art. The official Twitter account, when responding to a fan about Bean and Satan together, added "I think she has her eyes on someone else...," hinting at Mora. Despite this, the moments Bean and Mora have together in the actual episodes are too far and few between.

The romance between Mora and Bean is, perhaps, better than the slow-moving romance between Vi and Caitlyn in Arcane. But, it seems like there was more time between Mora and Bean in Part 3 than in the recent episodes. There was a whole episode about it, "Last Splash." In the episodes that followed, Bean reflected on what happened, believing that it was not real.

A major sub-theme of Part 4 of Disenchantment is Bean realizing she has feelings for Mora and trying to act on them. The plot focused more on Zog's new son, Jasper, manipulative beings like Freckles, and other lore than Bean's romance with Mora, or Mora's feelings for Bean.

I wish there had been more "conversations about love, romance, and relationships" like those in the Part 3 episode, "Last Splash." Both actresses adlibbed lines about romance in the episode. Hopefully, future episodes expand on the relationship between them, allowing Bean (and Mora) to be happy together. I'd like Bean to be more of a "messy queer."

Other queer moments in the series were also minimal. For example, Odval and Sorcerio did not have many scenes where they experienced their time together. Furthermore, the series makes it clear that Jo and Porky are not a couple. Instead, Porky doesn't mind when Jo is taken to the mental asylum, in place of Zog, and seems glad he is gone.

This means that the series is more likely saying that Jo and Porky have a toxic relationship. This is like some descriptions of the Gem fusion between Lapis Lazuli and Jasper in Steven Universe.

Bean, bisexuality, and pansexuality

Part 4 of Disenchantment hints that Bean is bisexual. For Bean, gender does not seem to be a barrier to attraction. She has kissed a male elf, Elfo, and a female mermaid, Mora, and had various male callers in the past.

Bean fulfills GLAAD's definition of someone who is bi. This means someone who has the "capacity to form enduring physical, romantic, and/ or emotional attractions to those of the same gender or to those of another gender." The organization also says that those who have "the capacity to be attracted to people of any gender" might consider themselves as part of the bi+ community, or use terms like pansexual, omnisexual, polysexual, and so on.

You could say that she is only attracted to those of specific genders, with gender as a factor in attraction. This is further supported by Netflix Geeked describing her as a "new bisexual icon" and voice actress, Jacobson, as a  bisexual woman.

In Part 4, Bean said that she does not like labels. Some might guess that idea of pansexuality would draw her in. It has been described as a "sense of freedom" which validates the "fluidity of attraction...[with] no boundaries or limitations" by some people. You could argue that Bean is not limited by gender, sex, or gender identity in who she loves, and that she loves those of any gender. Even so, for those who are pansexual, there can still be "gendered elements" in a person's attraction toward someone else.

Bean would likely not describe herself as "bisexual" or "pansexual." The creators have not directly addressed Bean's sexual orientation, just as Mike McMahan has not confirmed whether Beckett Mariner in Star Trek: Lower Decks is bisexual or pansexual.

Abbi Jacobson recently described her role in voicing Bean in a recent interview. Jacobson said that she has been voicing Bean since 2017. She said that is "changing with the character...grow[ing] and chang[ing] with them a little bit." She called it "a huge gig," saying she now feels "more confident with her" than in the past.

She described how she has a similar vibe to Bean. She remarked that Bean's character development has included "Bean's finding her sexuality and that part of herself." She added that started to "lean toward" her in a way as a result, seeing even more similarities. Since Jacobson is one with the character and it is an inherent manifestation of her, it again confirms that Bean is bisexual.

Jacobson added that she feels the "seeking, searching part of her, and finding your people." She argued that Elfo and Luci are her "chosen friends and found family," which she relates to more than anything else.

Bean is not alone in this. Tamara in Star Wars Resistance and Reagan in Inside Job, both have chosen or found families of their own. Taken in this light, Disenchantment has a story that makes clear that "the ones who accept and love us aren’t always blood-related."

Drama, fantasy, adventure, and satire

On February 9, 2022, Opie, tweeted that Part 4 was a mess, that the narrative is all over the place and said the jokes were "pretty sporadic." He added that something about the show kept him watching."

Opie has a valid point. The narrative of Disenchantment moves rapidly. Even so, it stays together as one story. At the same time, the narrative could be stronger. There are some "subplots that fall flat" as one reviewer put it.

Part 4 of Disenchantment emphasizes drama, fantasy, adventure, and satire more than comedy. There are some funny parts, like the scenes with Laughing Horse, Elfo chased by a boulder, and an elf admitting he writes "elf erotica." There is some morbid humor. For example, Stan the executioner (voiced by Noel Fielding) admits that he killed a teacher because she was starting a teachers union.

The episodes are more serious than any of the other parts of the series. This tonal change may cause some to pull away from the series and not watch it. Even if this is the case, Part 4 is doing very well. New episodes are pulling in millions of viewers.

Despite the changed tone, family togetherness is a major theme. In Part 4, Elfo learns that his mother is an ogre named Grogda. She had sex with his dad, a traveling candy salesperson, and that they lived in the trees to hide from gnomes. But, this didn't last. Their home was destroyed during a gnome attack. Elfo returned to Elfwood with his pop, while Grogda stayed on the outside. Later, he learns that Junior, a ogre he stabbed earlier in the series, is his half-brother. They agree to not fight one another, with Junior accidentally killing his stepfather.

In another episode, Luci tells Bean that Dagmar sees her not as a person but as an extension of herself. He suggests she stop focusing on revenge, anger, and wrath if she wants to break free. In other episodes, Derek and Jasper, who are Zog's sons, take a dislike to each other at first. They later agree to work together. Both say they can hurt people better if they work together than if they are apart, with Elfo as their first victim.

Art, animation, lore, voice acting, writing, and beyond

Airship driven by Bean leaving Steamland

The background art and animation are superb. This includes the art of Steamland, the steam-powered steampunk city. It is one of my favorite locations in the series. It first appears in episode 2 when Bean, Luci, and Jerry stumble into an elevator from Hell. I found it fascinating that while Steamland is progressive on the surface, the steam which allows the city to run comes from Hell.

It was funny to see Alva Gunderson (voiced by Richard Ayoade) watching cartoons. I loved seeing the splendor of Steamland. I also loved seeing his invention, a steam-powered wheelchair, which he dubbed the "ass chariot." The huge airship that Bean and her friends stole from him so they could get back to Dreamland, is a tremendous work of machinery and science. It is not immune from attack, however. In typical Disenchantment fashion, it is shot down, and Bean, and her friends, somehow escape.

The design of Steamland makes me think of the mix of medieval and modern in High Guardian Spice. Disenchantment is a series that does something similar, blending both together. Some fan fiction writers on Archive of Our Own even focused on Steamland in their stories. Apart from Steamland, the background art of the series remains amazing. The storyboarders, animators, and background artists have done a great job.

These episodes reveal a lot of lore. This begins with the elves attempting to find their legendary homeland which they believed was Dreamland. The airship from Steamland has settings like Dankmire, New Cremorium, Dullsville, Naked City, Twinkletown, and Oxnard.

Bean is shown to have magical powers of some type. She is even able to heal scratches on her father's arm. In another episode, she touches a sword and it flashes her back to the battle in the cove. We also learn that the elves and trogs are interrelated.

One of the strongest parts of Disenchantment is the voice acting. This is evident in Part 4. Voice talents of Jacobson, Horgan, Fulcher, Faxon, Herman, DiMaggio, and Montgomery stand out, as does the voice acting for supporting and minor characters.

For instance, Mary (voiced by Lauren Tom), otherwise known as the mop girl, had a bigger part in this season. Oona (voiced by Tress MacNeille), the unnamed owner of a "freak show," and Stan the executioner (voiced by Fielding) stood out as well.

Disenchantment's voice actors have appeared in animated series like Inside Job, Amphibia, Solar Opposites, The Great North, Housebroken, and Twelve Forever. This makes clear the strength of the show's voice cast. While the cast is not very diverse, it includes voice actors like LaMarr, Andre, and Ayoade who are Black men.

The writers and directors of Part 4 episodes are a talented group of individuals. Of the eight episode directors, five directed Futurama episodes, and two worked on The Simpsons and Drawn Together. Others worked on Sym-Bionic Titan, Bob's Burgers, and Rick and Morty. Only one, Ed Tadem, was new to animation directing and had not directed on any show previously.

Two directors, Crystal Chesney-Thompson and Edmund Fong, are part of Rough Draft Studios which is producing the series. The same studio produced the original Star Wars: Clone Wars series, seasons of Futurama and subsequent made-for-TV films.

The writers of Disenchantment Part 4 are similar. Of the show's nine writers, four wrote for Futurama. The others wrote for Simpsons video games (Jamie Angell) and Bob's Burgers (Jameel Saleem). One of the writers, Liz Suggs, has written for live-action series and is co-producer of an upcoming animated series, Wings of Fire.

Saleem, a Black man, has a production company of his own named Black Bear and Fluffy. Adam Briggs is an Indigenous Australian rapper. Abe Groening is the son of Matt Groening. This series appears to be the first writing credit for Abe Groening. As such, the show has some diversity in the writers room, but could still do better.

The music of Disenchantment fits with the story. It ties in with the opening sequence of each episode which previews what will happen in that episode. Mark Mothersbaugh is the series composer. He is the co-founder, keyboardist, and lead singer of Devo. He has worked on series such as Regular Show, Summer Camp Island, and Close Enough. As Groening described it, Mothersbaugh put together a "theme song that’s Eastern European brass band-klezmer with accordions and tubas"

Future of Disenchantment

Netflix will likely renew this animated series. Despite the fact that executives sometimes can make wild decisions and cancel shows, it is unlikely to happen with Disenchantment. After all, there is already nice fan merchandise and the show seems to be getting a lot of attention.

Although some vowed to stop watching the show because Andre is selling an edible NFT, it is extreme to boycott a show because of what one actor has done. For instance, I could stop watching Young Justice because Greg Cipes (who voiced Beast Boy) digests and expels crypto-babble. If I decided to boycott it because of Cipes, I would miss out on stories featuring Halo/Violet (voiced by Zehra Fazal), a genderqueer character, and my favorite in the whole series.

Apart from the obvious continuation of the Bean-Mora romance, future stories could focus on Bean's possible ancestor, characters who were absent from Part 4 episodes, and Bean's attempt to retake the throne. That's only some of the many storylines for possible Parts 5 and 6.

The show could be under strain because Futurama is coming back for an eighth season in 2023 on Hulu. The return has been controversial because DiMaggio, who voices Bender, has not agreed to come back. This has led some to say that they would not watch the series unless he returns.

Even so, there is a possibility of a crossover. Disenchantment references Futurama various times. This includes a reference to the Futurama episode "Devil's Things Are Idle Playthings," Doctor Zoidberg, Futurama comics, and Enos Fry.

The creators of Disenchantment will be pushing for another season. A new season may be announced in the next few months and released sometime in February 2023 or March 2023. In February 2021, Josh Weinstein, one of the showrunners, said that if Netflix renewed Disenchantment, there would be two more 10-episode parts before the story came to an end.

In the end, Disenchantment deserves a watch for its queer content, strong voice acting, storytelling, art, animation, writing, music, and focus on mental health. Disenchantment is currently streaming on Netflix.

© 2022-2023 Burkely Hermann. All rights reserved.

#disenchantment #disenchantment netflix #bisexual #futurama #the simpsons #abbi jacobson #mermaids #morabeanie #inside job #inside job netflix #mental health #alcoholism #queerness #matt groening #slow romance #animation #art #satire #adventure #steampunk

[drosenkatzen]

Loki aus Bulgarien:

Eigentlich wollte ich keine "neue" Katze nach dem Ableben von Lucy und Coco mehr aufnehmen - Gründe fanden sich viele.Und acht haarige Freunde sind ja nicht gerade wenig.

😻❤️😻

Aber wie das Leben so spielt - und die Vernunft vom Herz besiegt wurde - eine Katze hat gesucht und mich gefunden.

Ein Katerchen - erst 5 Monate alt - halbblind - aus Bulgarien - kommt zu den Drosenkatzen 2.0. - es war bestimmt eine richtige Entscheidung - auch im Gedenken an Lucy und Coco und alle anderen haarigen Freunde die über die Regenbogenbrücke vorausgegangen sind!

🌈❤️🌈

Da haben die anderen drei Drosenkatzen 2.0. eine Aufgabe den kleinen Kater zu bespielen und in die Schranken zu weisen - bin gespannt was alles in nächster Zeit passiert.

Ich bin überzeugt - er wird - egal wie lange es dauert - ein gutes Leben hier haben - mit viel Liebe und Sicherheit - ohne Hunger und Angst - und auch mit genügend Artgenossen für die unergründlichen Katzenangelegenheiten.

❤️❤️❤️

Und für mich ist es ein Geburtstagsgeschenk - auch wenn Lebewesen keine Geschenke sein sollten - aber Ihr versteht schon was ich damit meine!

#drosenkatzen #katze #feline #miau #meow #my cat #cute #cats #hauskatze #cat #drosenloki #feline faery

[littlesolo]

Kacy Ideas Until The New Season

So, even though the finale JUST aired last night, I've been getting asks about fic ideas I might do during the hiatus. I have a few new ones that aren't on the list. Once I finish the current fics I've got going (getting there) I'll try and tackle these next. Hopefully, this will help tide us over. Season Two can't come soon enough!

Kacy MCU Crossover - There a big event happening on the base. Kate, Lucy, and the team are all in attendance. They're too far away to see what actually happened, but the event ends in chaos and explosions. Something about the incident brings Nick Fury and Maria Hill to the island. Both take an interest in Special Agent Kate Whistler. Someone requesting Kate's file? A statement from Jane about Kate evaluating her ability? A secret meeting? Lucy is worried and going to look out for her girl. (This would be a series).

The 355 - Kacy Version - A top secret weapon falls into mercenary hands. Kate was part of team who was attacked when it was stolen. From there CIA and three international agents go on a mission to get it back.

Before Sunrise - Kacy Version - After college, Kate has a few months before her new job starts and decides to visit Europe. On a train, she meets Lucy Tara and they wind up spending and an evening together. There's an instant connection between them, but they know this will probably be their only night together.

Free Fire/Undercover Special Agent Kate Whistler - (Rough Summary).

Kate is the kind of person who likes to be prepared and plans for things. For instance, going into this assignment with an ATF agent to buy back some weapons and arrest everyone, she’d prepared for a few ways things could go.

Just not this one. Kate’s biggest complaint? These guys aren’t even professionals!

When things turn into a shootout, an accidental call to Lucy has the NCIS team trying to help get her out of the most chaotic situation they’ve ever heard.

Kate's Friends From DC - Cindy Thomas, Annie Walker, Beverly Katz. Kate Whistler isn't great with people, but she made a few friends while she was in DC. They used to be close, but careers take off and they drift apart. Various events bring them back into contact.

Mystery Fic - Kate’s in trouble.  There’s a conference happening on the island for certain FBI agents.  Kate runs into a friend from DC there.  Cara is there too.  Kate spends the night avoiding Cara and catching up with her friend.  The following morning, she wakes up back at her apartment, covered in blood and alone.  She’s going to need help figuring this out.  The NCIS team comes together to help her.  

#kacy fic ideas #kacy #kate x lucy #kate whistler #lucy tara