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Karl Kohaut (1726-1784) - Concerto in F Major: I. Allegro ·
Hopkinson Smith · David Courvoisier · David Plantier · Chiara Banchini ·
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tragediambulante · 4 months
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Concerto (musicians), Caravaggio (Michelangelo Merisi), 1597
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musicollage · 1 year
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Vivaldi + Narciso Yepes - Lute & Mandolin Concertos. 1972 : DG.
[ support the artist ★ buy me a coffee ]
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thearbourist · 2 years
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The DWR Friday Baroque Interlude - Vivaldi: Lute Concerto in D major, RV 93
The DWR Friday Baroque Interlude – Vivaldi: Lute Concerto in D major, RV 93
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pilot-boi · 10 months
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Weiss sings, of course she does. No self respecting heir doesn’t perform musically. But she only does so for the purposes of performance
So when she follows the warm acoustic sound and finds Arc playing in the library, singing under his breath without another soul in sight…
Well.
Weiss doesn’t surprise easily, she prides herself on her ability to read people and situations. It’s necessary to survive in the political labyrinth of the courts.
To protect herself, she makes it a point to know everyone around her.
Arc wears his emotions on his sleeves, she’s been able to read him like an open book since he and his entourage arrived at the palace gates. Young, naive, clumsy, friendly to a fault, utterly unaware of social graces. Heir apparent to the most prosperous port, lumber industry, and farmland in the world.
In other words, the perfect husband for her father to marry her off to and puppet to his every whim. Arc wouldn’t even see it coming.
But somehow… somehow he has surprised her.
The idea that someone might play music for the joy of it, for the simple pleasure of the melody and rhythm. It’s utterly foreign to her.
Weiss stands in the doorway, watching him play.
It’s a simple tune, nothing like the concertos her brother plays or the operas that she sings. A melody of rolling hills and burbling rivers. Of crimson trees and ships that always come home.
A sick sort of feeling sits deep in her chest. It’s not anger, fire that stokes her to defy her beast of a father. Neither is it disdain, cold and calculating. She makes it a point to know herself, so that she may protect herself, and its her second surprise in so many minutes when she realizes it’s jealousy.
Envy chokes her like a serpent, green and venomous and longing for the life that lets this naive fool of a prince play his lute and sing his song without worry or fear.
Twice he’s surprised her, this boy with his heart on his sleeve and the sun in his eyes. That is unacceptable, it’s inconceivable.
It’s dangerous. He is dangerous.
This place will eat him alive, and Weiss refuses to let him take her down with him when it does.
But even so, Weiss can’t bring herself to leave. Not until the last strum of his lute vibrates through the air and the soft timbre of his voice is soaked up by the dusty tones lining the walls.
She’s gone before he turns around.
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ophidianoccultist · 8 months
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HL Character's Fuck Songs
I asked the hl bots i have what their fuck songs are, and also included what i would choose for them
Sebastian Sallow:
Answer: In Your Room - Depeche Mode
My choice: #1 Crush - Garbage
Anne Sallow:
Answer: Point of No Return - Phantom of the Opera
My choice: Kiss Me - Sixpence None The Richer
Imelda Reyes:
Answer: Fever - Peggy Lee
My choice: E For Extinction - Thousand Foot Krutch
Ominis Gaunt:
Answer: A Little Death - The Neighborhood
My choice: Cover Me In Roses - Holden Laurence
Garreth Weasley:
Answer: Careless Whisper - George Michael
My choice: The Cult Of Dionysus - The Orion Experience
Leander Prewett:
Answer: R U Mine? - Arctic Monkeys
My choice: Tonight You Are Mine - The Technicolors
Natsai Onai:
Answer: You're The One That I Want - Grease
My choice: You - Take That
Poppy Sweeting:
Answer: Love Will Keep Us Together - Captain and Tennille
My choice: Youth - Daughter
Amit Thakkar:
Answer: Crazy In Love - Beyoncé
My choice: Rule The World - Take That
Everett Clopton:
Answer: I'm A Believer - The Monkees
My choice: Lola - The Kinks
Richard Jackdaw:
Answer: Let's Get Crazy - Prince
My choice: I'd Wait For Life - Take That
Aesop Sharp:
Answer: I See Red - Everybody Loves An Outlaw
My choice: Christian Woman - Type O Negative
Solomon Sallow:
Answer: Under Pressure - Queen, David Bowie
My choice: Addicted - Saving Abel
Memes and Bonuses:
not writing my choices for the pink ones because no
Headmaster Black: Brandenburg Concerto No. 4 - Johann Sebastian Bach
Deek: Shake It Off - Taylor Swift
Ranrok: Animal I Have Become - Three Days Grace
Lute Guy: Let's Get It On - Marvin Gaye
Tom Riddle:
Answer: silence, the screaming of his foes, and the sobs of their loved ones
My choice: When The Body Speaks - Depeche Mode
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Black Butler Preference ~ Songs That Remind Them of You
Black Butler Masterlist
I was going to make a "Their Favourite Music" preference, but then I realized that using that one was more of genre things and I doubt anyone of these characters listen to anything but classical. So I thought, "Well, what if there were a couple songs that they tie their memories and emotions for the reader to." So here you go!
Sebastian Michaelis
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Main Song:
The Secret History by Kerry Muzzey
Second Song:
Cello Suite No. 1 G Major by Johann Sebastian Bach
Ciel Phantomhive
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Main Song: 
Swan Lake by Pyotr Ilyich Tchaikovsky
Second Song:
Les Memoires Blessees by Dark Sanctuary
Grell Sutcliff
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Main Song:
A Vampires Heart by Peter Gundry
Second Song:
Death Waltz by Adam S Hurst
Claude Faustus
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Main Song:
The Last Dance by Peter Gundry
Second Song:
Gothic Ballroom by Derek Fiechter
William T. Spears
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Main Song:
Concerto For Lute, 2 Violins and Continuo in D major by Antonio Vivaldi
Secondary Song:
The Second Waltz, Op. 99a by Dmitri Shostakovich
I know this wasn't much, but I enjoyed deeply listening to these songs while aggressively thinking about the characters. 
Hope you enjoyed it!
Any Requests?
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gasparodasalo · 7 months
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Alessandro Stradella (1644-82) - Sinfonia Seconda (Sonata di viole) for 3 Violins, 2 Violas, Lute [or Bass] and Continuo in D-Major ("Concertino di due violini, e leuto, Concerto grosso di viole"), IV. Allegro. Performed by Capriccio Basel on period instruments.
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vvanessaives · 8 months
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WIP DAY
i was tagged by @moonmothers @devilbrakers @flymmcargo @nuclearstorms + @hibernationsuit thank you guys so much!! <3
tagging: @morvaris @faarkas @shadowglens @voerman @faerune @ladyshar @liurnia @halsin @gortash @risingsh0t @necroticpetals @druidgroves @malefiicarum @feypacts @florbelles @calenhads @thedeadthree and anyone else i missed! can't remember exactly who writes or not so if you see this just say i tagged you
disclosing my violante/ruven/gortash (pre-game events) agenda,,even if it's mainly vio here but if i added any more of the wip in here you guys would kill me bc it's already so long. anyways who doesn't like masked balls?
“Dare I ask who I'm in the presence of?” The gems nestled in the fine silver net adorning her hair made a gentle tinkling sound as Violante tilted her head forward in a courteous bow tasked to open the dance. When she rose to meet her partner’s gaze once more, she resumed: “And most of all, is it friend or is it foe?”
Even beneath the mask, the wicked shine of Enver’s dark eyes appeared brighter than the play of light on the golden wings that stretched from the front of the mask to his hair. “Vicare, the only human man that could fly.”
Vicare – Violante wished to laugh. Was his arrogance the cause of her amusement? Or perhaps it was his full, unabashed, commitment to that little theatrical play they were staging? Whichever the reason, she found that trying to conceal her smile around him was beginning to verge on the impossible. Disgraceful…but thrilling, she couldn’t wait to let Ruven hear of it.
The music carried their voices along the notes like they were part of the sheets; it was a concerto of violins, lutes and harps. Violante could hear the distinct sound of a few wind instruments as well but failed to recognize them. The melody was slow and soothing, inviting the dancers to know one another, play their coy games before dealing their full hand when the culmination of the song would strike.
They stood shoulder to shoulder, barely letting the fabrics of their clothes brush one another as they drew a circle on the floor with their steps: a dance that resembled more the stalk of two wolves ready to attack, reach for the throat and sink sharp teeth in the flesh and let fate settle who was going to bleed out first and declare the other victorious.
“The name holds a familiar sound.” She spoke calmly, voice just above a whisper but carrying confidence, pride. A pride soon betrayed; a quick glance stolen with the tail of her eye to the dark haired man, searching for any hint on his half covered face that would reveal his thoughts to her. She hoped for the stars, yet she was no astronomer at all. Whatever Enver Gortash was thinking, from amusement to annoyance, remained a well guarded secret. “I’d like to hear the tale of the man of the golden feathers, if he’s willing to share.”
The violins played a grave note and as if spells were casted, each performing pair jumped into position – facing each other, one arm up as the back of their hands brushed the one of their partner in a gentle kiss of the knuckles. His hand to her waist, her touch above his shoulder. "Do I have to tell? I'm sure you know well how the story goes. The one that dreamt of flying too high in the sky – accused of free will, punished with the amputation of his wings.” He leaned forward, a cunning smile curling his lips upwards charmingly. “They used shears, if I remember correctly, to make me never wish to fly again. Quite the gruesome spectacle it was.”
Enver’s back was straight, tense as the string of a bow ready to let its arrow strike the prey, yet the movement of his steps was nothing but light and elegant as they spun in unison with the other dancers like a gentle breeze barely caressing the marble under his feet. He was a great dancer, Violante couldn’t deny it.
“Yet you persist, don’t you? Behind those walls you still look up for the cobalt sky.” A swirl, restrained in perfect graciousness learned in years of training with a certain drow, the rich crimson fabric of her gown twisting around her body like a tail. “Which amount of punishment is enough to make you learn, I wonder.”
His eyes narrowed yet that wicked grin didn't falter. “Flying is a thought, and nothing can stop an idea. The wind reached me even when my feet were bound to the ground." They waltzed into an outside spin and moved into the next step with a final touch of the wrist, pulse against pulse. “Besides – I can take a fair amount of penance, if rewarding.” His fingers twitched against hers, nothing more than a controlled and quick brush tauntingly demure, yet just enough to make Violante wonder, take the hint of that touch and let her mind carry it on as it pleased. The power of a thought, wasn’t it? 
Enver appeared no less pleased, be it the quick flash of her surprised expression or the sudden rigidity of her muscles. “Now that I’ve answered your question, allow one for myself: who are you in turn?”
Violins stood out from the choir of instruments with a strident sound this time, separating the couples as if the touch of one another was akin to reaching for a flame with naked skin. Violante arms rose up in a fluid movement, like the fluttering of a bird’s wings or the stroke of a brush, while Enver’s form bended in a half-bow, one arm behind his back and the other circling his waist.
“Death.” She expressed sharply, excited as if her time in this play had finally come. “And if I recall correctly, even Vicare couldn’t escape Death.”
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Do I even NEED an introduction?
Hm, Well, Hello. I'm Antonio Vivaldi, the red priest, and the greatest composer of all time. I wrote Le quattro stagioni (The Four Seasons), my most famous work. Part of Il cimento dell'armonia e dell'inventione ("The Contest between Harmony and Invention"), it depicts moods and scenes from each of the four seasons. I also wrote more than 500 other concertos. About 350 of these are for solo instrument and strings, of which 230 are for violin, the others being for bassoon, cello, oboe, flute, viola d'amore, recorder, lute, or mandolin. About forty concertos are for two instruments and strings, and about thirty are for three or more instruments and strings. As well as about 46 operas, I composed a large body of sacred choral music, such as the Magnificat RV 610. Other works include sinfonias, about 90 sonatas and chamber music. Some sonatas for flute, published as Il Pastor Fido, have been erroneously attributed to me, but were composed by Nicolas Chédeville.
I go by any pronouns except she/her, and I'm aroace, so don't even try to Rizz me up (you'll fail anyway). Yes I'm autistic and yes I'm depressed. And yes I will speak some (poor) Italian here.
I'm the best composer, don't even try me. And yes, I hold grudges, every pretty boy does.
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Karl Kohaut (1726 - 1784) - Lute Concerto, I. Allegro
Artist: Elizabeth Blumenstock
Artist: John Schneiderman
Artist: Lisa Weiss
Artist: William Skeen
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breakfast-at-timothys · 8 months
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VIVALDI // 'Lute Concerto in D Major, RV 93: II. Largo' by Jupiter
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you know what six years of training as a cellist gets u???? u can play multiple different concertos and one red hot chili peppers song on the bass. but everything else? abso fuckin lutely not
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One of my favorite pieces is: Le quattro stagioni (The Four Seasons) of 1723 is his most famous work. Part of Il cimento dell'armonia e dell'inventione ("The Contest between Harmony and Invention"), it depicts moods and scenes from each of the four seasons. This work has been described as an outstanding instance of pre-19th century program music.
“The contest between Harmony & Invention plays out beautiful in the heart, music and in nature.” 💗
Vivaldi wrote more than 500 other concertos. About 350 of these are for solo instrument and strings, of which 230 are for violin, the others being for bassoon, cello, oboe, flute, viola d'amore, recorder, lute, or mandolin. About forty concertos are for two instruments and strings, and about thirty are for three or more instruments and strings.
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collage2020b · 2 years
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longliverockback · 2 years
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Yes Symphonic Live 2002 Eagle ————————————————— Tracks DVD One: 01. Overture 02. Close to the Edge   I. The Solid Time of Change   II. Total Mass Retain  III. I Get up and Down  IV. Seasons of Man 03. Long Distance Runaround 04. Don’t Go 05. In the Presence Of   I. Deeper  II. Death of Ego III. True Beginner IV. Turn around and Remember 06. Gates of Delirium 07. Steve Howe guitar solo    · Lute Concerto in D Major, 2nd Movement    · Mood for a Day 08. Starship Trooper    a. Life Seeker    b. Disillusion    c. Würm 09. Magnification 10. And You and I 11. Ritual 12. I’ve Seen Good People    a. Your Move    b. All Good People 13. Owner of a Lonely Heart 14. Roundabout
Tracks DVD Two: 01. Don’t Go 02. Dreamtime Documentary —————————————————
Jon Anderson
Tom Brislin 
Steve Howe
Chris Squire
Alan White
* Long Live Rock Archive
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