I just finished watching the new Owl House episode, and afoiej so much to process, but like can I say how much I love this look?? The build up to it was so nice but it's all the little connections to Luz's family that is shown here that get me!
Like you can still so of course that Luz is human and she looks like Camila. That wouldn't change of course cause those are such a big part of who Luz is.
But you can see so much similar to King too! Fitting since it's a gift from the Titan. She has the bone claws and horns like King, plus the general skeleton look and similar color schemes. Plus her hat looks like his tail!
Then she has the same eye set up as Harpy Eda! With yellow eye iris and dark sclera. She also gets her own fang that hangs out the whole time, on the opposite side of Eda's, and hair probably big enough to store things in.
All of these people were a big influence on Luz and her journey to become the Good Witch Luz. It's only fitting that they all be represented some how in the strongest form Luz gets.
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The Owl House is great because it’s a show where an aroace woman decks a fascist colonizer in the face so hard his nose is broken forever.
Later, said fascist gets beaten into a puddle of goo by a god-like being with he/they pronouns.
Then in the finale, he gets beaten half to death by the ADHD, afro-Latina, gender nonconforming, openly bisexual, protagonist.
Then when he actually dies, it’s because he was boiled alive by the same god-like being that he used to oppress people then was promptly stomped to death by a Latin nonbinary, a bisexual woman who’s an amputee with chronic fatigue, and another god-like being that reproduces asexually.
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The scenes towards the end of the finale were like an intersection of multiple characters experiencing the loss of father figures, in different shades:
Luz's relationship to her late father took on a different form, after King's own father passed on and his glyph magic was gone for good. Manny gifting her the Azura books before his death, and Papa Titan offering her glyph magic before he too passed on, helped Luz find her place in the world and defeat Belos.
Apparently this scene is what made Sarah Nicole-Robles bawl in the recording studio, right after she recorded the lines.
When these changes happen - when we experience the loss of a person, when our ties with them are wrangled into a new form, against our will - it can be devastatingly painful. Change and transformation make for fancy, dramatic scenes in fiction, and they always incur loss in some form, painful or not. It also made me so emotional when seeing how much 18-year-old Luz resembles Manny, and how her enrolment in the university is linked to both her biological father and Papa Titan.
King's experience of seeing the majesty of his father, however brief, left him in awe and exhilaration. He can rest in the beautiful knowledge that Papa Titan was watching over him the whole time too. The message that his dad left him, relayed by Luz, is something he'll hold dear forever.
Hunter will never be truly harmed by Belos ever again. But he can't discard the memories of Belos granting him attachment: even if the attachment ended up not being real in a sense. However, like what can be applied in real-life therapy, he can get guidance on how to rescript those memories.
Belos's lies about having good intentions don't change how it felt real to Hunter all those years ago. Hunter was a young child when receiving this 'love', and in a twisted way...the mission given to him by Belos kept him alive up till he could escape the Coven, because the mission gave his life meaning despite the circumstances being awfully terrible. A child cannot survive without attachment, and needs attachment even if the experience of attachment has been horrendous and scarring. And holy Titan don't get me started on how at age 16 (before the timeskip), he had yet to learn more grisly details about his predecessors - whom he might view as older brothers and fathers whom he never met - and the generational trauma in his Golden Guard family tree:
which would have definitely been explored before he could experience that amazing hard-won serenity and peace at age 20.
Even Philip's arc is inextricably tied to his manner of coping with how he murdered Caleb, who was the closest thing he had to a father, given how these two brothers were orphans. In the end, Philip meets his end while Luz gazes upon him the same way Caleb's ghost did. Philip won't be haunted by Caleb's ghost again, and he joins the person who was essentially his father figure in death. Till the very end, he was projecting onto another person because he didn't want to recognize the same traits in himself. He was the one responsible for his father figure's death.
But grief doesn't mean the relationships in question have ended altogether. It's kind of like what this post about the finale (link) says, and it even extends to the relationship between us fans and the show itself.
The cliché "5 Stages of Grief" is the most commonly mentioned grief model, but I follow the development and advocacy of a newer perspective on grief that challenges it. In fact, the 5 Stages was originally just intended for terminally ill patients, but it was taken out of proportion. I began a serious investigation into the newer models after I went through something that parallels Hunter losing Flapjack...eerily, it happened to me two weeks before TTT's release date. No wonder I feel so close to Hunter as a blorbo, I guess.
Unlike what the 5 Stages of Grief says, grief and linear time don't mix well. Without "stages" to follow, there isn't an expectation of some deadline or permanent end of a tunnel in the newer models. Such pressure wouldn't be honoring the sacredness of connections between us. Instead, less famous grief perspectives like the dual-process model and continuing bonds model, are a better fit to honor relationships that mattered, since they aren't given an expiry date.
I wonder how Luz would be feeling on the day she graduates from the Wild Magic University, and how King feels each time he unlocks his own new glyphs since he is the new Titan to supply the Isles with magic. And I wonder how Hunter felt when his coven sigil was replaced with the Flapjack tattoo, and how he feels when he sees the Gravesfield town seal and Wittebane statues.
There are ways in which they can get creative to integrate their grief (notice I didn't say "get rid of", "remove", "erase" or even "manage"...the pain is what is to be managed, not the grief itself) the best they can. In canon, we have examples such as the Hexsquad agreeing to get their Flapjack tattoos together. Luz letting go of the light glyph sheet here:
is also a fantastic representation of rituals like sending off a message in a bottle at a beach, tying a message to a balloon and letting it fly away (this happened in Reaching Out, didn't it?), or burning a message in a campfire to let it float up towards the sky in the form of embers.
It is a common recommendation to have exercises like letter-writing where the griever writes to the lost loved one. What many may not know is you can also do the reverse: you writing as your lost loved one, to yourself. Because the griever takes a piece of the lost loved one with them, that the griever has shaped within themselves. This is especially good if you need to extend forgiveness to yourself. An example from a book called Bearing the Unbearable:
The author felt responsible for the stillbirth of her child, but had a "happy accident" where she intuitively asked for forgiveness and then received it, by invoking the love that her child would have shown to her in a world where said child had remained alive.
I think Hunter in particular could benefit from something like this, writing to himself as the uncle whom he saw as genuine and nurturing, and gaining ownership of that part of him even though Belos was a liar and is now gone for good. It can help him move forward especially since he won't be spared from nightmares in which his loss is re-enacted. With this kind of rescripting, historical accuracy doesn't actually need to matter. After all, our own minds lie to us at times and mess with historical accuracy anyway, like Luz's thoughts telling her she was as bad as Belos, and how true that felt.
A physical loved one is lost to death, and it can feel just as painful - only in a different way - if people become estranged or separated without a literal death having occurred. But the connection to them isn't lost, it is only adapted. The bond continues. For better or worse.
I believe the pain in grieving is connected to each moment when we remember all over again that the one we loved isn't coming back.
It's like the needle of a gramophone getting stuck in the loop of an unpleasant-sounding record scratch noise. It's a bit like what C.S. Lewis says in his book A Grief Observed: "In each of my friends there is something that only some other friend can fully bring out." I can't find the other part but he later said something like, therefore if a friendship is lost, the part of you that only that friend could bring out, is also lost. Something in you is locked away forever, though new things can also be unlocked after the loss.
It wasn't shown onscreen but I wouldn't be surprised if it's regular for Luz to come across a meme and be freshly reminded of her dad's absence, because she can't show him that meme. King would be wishing that a new funny cat video he discovers is something his dad could also laugh at along with him. Hunter would be hoping that Flapjack, the previous Golden Guards and Caleb are watching as he brings back palismen.
Bereavement, and any grief that is significant enough to alter our personhood forever, are the forms of love that can never really grasp how time flows in a linear way. They can't be reasoned with, only experienced.
"...the howling at the center of grief is raw and real. It is love in its most wild form" - Megan Devine.
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some observations from the new art, in no particular order and of varying importance:
-eda and luz wearing the exact same jacket, which is adorable
-vee's lil basilisk backpack, also pretty cute (and lilith also having a silly demon backpack. also perry's lil fanny pack. is alador's bag also a creature?)
-lilith looking grouchy while vee looks cheerful and hunter looks back at his group while alador looks completely disconnected. and luz looks a liiittle less confident than eda. but the rest of them have similar expresssions to the character they're paralleling
-darius's cloak looking closer to the golden guard cloak or perhaps just the emperor's coven cloaks than to his current one
-luz's portal key and king keychain
-the patches on hunter's jacket!!! bad girl coven quitter badge! flower matching willow! king/titan head! wing (for flapjack?)! and is that the abomination symbol (dadrius crumbs! or alador parallel but i'm gonna say dadrius crumbs)
-hunter's scar and the abomination sludge on alador's face being in the exact same place. also them both having really bad eye bags. possibly a parallel between hunter being abused by belos and alador being abused by odalia??? but that's pretty loose considering they appear to still be at hexside and odalia probably didn't start abusing alador til later. also alador seems the type to be messy and have a bad sleep schedule on his own, before the abuse exacerbated it
-speaking of which, everyone else has their own clothes but alador is in an extremely raggedy hexside uniform?
-the hexsquad all wearing human clothes, while the older group has more witchy clothes, except for perry
-willow in an emerald entrails t shirt!
-amity's dangly earring looks a lot like raine's usual earring (which is not visible here bc it's on their right ear). also raine and gus both have only their right ear pierced (The Gay Ear, supposedly, lmao)
-hunter's sunglasses (or glasses?) paralleling alador's goggles
-willow's heart shaped glasses. adorable.
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I also think it's nice that they made Camilla a sci-fi nerd and Luz a fantasy nerd. They're genres that are often seen as completely opposing one another by many people, which is what we're led to believe about Luz and Camilla in season 1. Luz is silly, nerdy, frequently in over her head and irresponsible and loves the boiling isles. We're led to believe that Camilla is the normal, conventional TV mother who'd be disgusted and terrified by the demon realm if she saw it.
Then yesterday's lie gives us a lot of nuance to this, and we realize that while they're still very different and now on opposite sides of a conflict, both mother and daughter are incredibly kind people (seen in their treatment of Vee) who love each other but struggle to make the right choices without hurting one another.
Then thanks to them drops all this Camilla characterization and we realize! She was a nerd too this whole time! The wedge between Camilla and Luz is motivated by past traumas and grief! and for the future has them switching sides on the central conflict of where Luz should stay (Camilla now wanting Luz in the demon realm because it's what's best for her, and Luz believing that staying in the human realm is what's best for the people she loves). They finally talk and realize that, like Willow pointed out earlier in the ep, the two are so alike. Camilla reveals that she's a secret nerd too! That she had a hard time growing up and accidentally hurt Luz trying to save her from the same fait! It's so important to me that Camilla keeps calling Luz a good witch. It's affirming her interests and goals, reminding her that she's just as good as the hero of her favorite story. And Luz finally only realizes that she wants to be understood...when she's finally able to understand her mom. When she realizes that the woman she loves and admires is just as much of a nerdy screw-up as her and that there's hope for her. Her palismen ends being multiple animals at once, showing both how Luz making unconventional choices (like carving an egg) keeps paying off for her and how her potential is limitless now that she finally knows and accepts her own goals, but to me it also reminds of the fact that Camilla is a vet and passed a love of all the weird and unliked animals (like wolves, possums, snakes, etc) to her.
It's just so so sweet and it really shows how much love and thought the crew put into this mother daughter storyline (FTF haters are not welcome on this page, respectfully). I can't wait to see how both of these misunderstood but healing women (who radiate "little/big sister" and "mom" energy respectively) are gonna interact with a) the lonely, easily manipulated and well intentioned but ignorant collector (a mix of both their interests as a magic being with a space motif! I just realized that lol) and b) the nasty puritan white man who's really obsessed with conforming to society's norms even when it literally doesn't benefit him at all.
Anyway, I believe in noceda( AND clawthorne 👀) family supremacy 💙
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