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velvet-games · 18 days

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I finally finished the piece for @prince-liest's OC, Tzafael! this really reminded me of how fun character design is (and also that I've completely forgotten how to make digital art, but that's besides the point...) <3

credit to @hogbogglerspirits for the umbrella design! I kind of butchered it so please look at the original and throw lots of love at them

LOTS of notes, draft sketches, brainstorming, etc. below the cut. enjoy!

(note: a lot of what I'm talking about is based on posts prince made under their #tzafael tag, so take a look at those if you haven't yet!)

thanks for joining me below the cut! here's the sketch without the colors as a treat (in case you want to color it yourself or something, idk).

notes about making the digital drawing:

holy shit this took me forever -- I was not kidding about forgetting how to make digital art lmao. I forgot how much less forgiving digital lines are and genuinely lost the spoons to even attempt lineart, hence just a sketch below the colors.

some of you might've seen the original sketch I sent to prince, which the digital version diverges from just a little. it's mostly the halo which I'll explain later, and I finally caved and drew the sixth eye (you can tell I drew and erased it multiple times in the sketch lmao -- still don't know if I prefer it with or without)

here's the original color ref by the lovely @gendermeh! my color scheme ended up looking really different, so some notes about that:

I was looking at references for magpies like this

and I wanted to basically follow that color scheme while also being somewhat similar to the original -- dark head/shoulders --> dark top of the jacket, bright blue wings --> bright blue bottom of the jacket, greenish tailfeathers --> green pants, hints of purple --> purplish sleeve and pant ends

I also tried (and mostly failed, let's be real) to capture the iridescence of the feathers -- they look like oil spilled on the pavement or iridescent hematite to me! I think the key ended up being adding bright greens/purples and roughly blending them into the blues or vice versa but I didn't really figure that out until I got to the pants lol.

I'm gonna be honest; I don't remember why I went with this shape for the tailcoat. I just remember being unhappy with the sketch and then trying a bunch of different shapes that mostly looked worse lol -- I think I landed on this because a split tail kind of looks like wings?

KEPT the shoes -- absolutely magnifique. I wish I knew how to color gold better.

added lots of jewelry! they like shiny things :)

ALSO PLEASE LOOK AND APPLAUD ME. I FINALLY REMEMBERED TO LABEL MY LAYERS!! NO I DON'T REMEMBER WHY THE HALO HAS ITS OWN LAYER.

alright, time for some more design notes/explanations + draft sketches!

but first, a couple disclaimers:

I want to make it very clear that I LOVE everything about the original design. I made a lot of changes based on personal preference/the way I interpreted the character. I was actually planning on making a digital piece that was more faithful to the original design too, but I was just out of spoons for it cause of life stuff.

you probably shouldn't try to read the notes I made in the sketches I'm about to show you unless I say otherwise. most of it is incoherent brain vomit in illegible artist handwriting and I'll transcribe/explain the stuff I think is important :) (the stuff in quotes are direct transcriptions of my notes)

I know my sketches are very messy lol. I only draw for fun, so I usually don't force myself to make stuff any neater than necessary unless it's supposed to be a formal piece. try to bear with me.

my first few sketches of them! (I think?) this was before I sent prince a laundry list of questions so I was still trying to get a vibe

"magpie -- beak lips?" -- you'll see this in a few sketches; I considered giving them the lipstick design that velvette has since it looks like a beak. I still kind of think it's cute, but 1) I'm pretty sure velvette is the only character that has them, so I didn't want to make it seem like they were related somehow and 2) I thought it might be distracting with how much other crazy stuff I ended up including in their head/face

also, sidenote since it's relevant to what I said about vel: something I realized was important is how one character's design relates to the designs of the rest of the cast. I wasn't sure how much I should've gone for what looked good in a vacuum, how much should be based on what other characters looked like canonically, or what other characters would look like if I also designed them. it ended up being mostly the second option, but it was honestly still a struggle. should I take away some of the tumblr-sexyman-ness (no shade to tumblr sexymen; I love them) because there are other characters that already have it? should I relate their design to sera's and emily's in the show or should I think about how I would've designed sera and emily? should I follow some of the design philosophy of the original show and just throw stuff on there because it looks cool (the answer is yes btw)? decisions, decisions ...

I don't think this showed up really well in most of the drawings, but they actually have a black line down their nose! let's take a look at sera:

since they're siblings, I wanted to include some similar facial markings. the nose line ended up being the only thing I kept though -- I was going to include freckles, but I have a compulsive need to give every character giant bottom lashes so there ended up being no room T.T I like that the magpie's hints of purple kind of match hers tho!

the wingification of the hair begins! I was still unsure of it at this point, but it was an idea I had since I was kind of struggling with how straight the feathers were in the original.

"maybe the ones on their head count as wings (so only one main pair)" -- I originally just had the 2 pairs of wings on their head, so I was thinking of just giving them 1 pair on their back so there would be still be 6 total. also this middle drawing of them is meant to be their exorcist outfit (I wanted it to be a cross between what the other exorcists wear and sera's outfit)

at this stage, I was thinking of giving them more magpie-like characteristics, so I looked at some references and tried to emulate them in a more human design. this ended up being really awkward so I scrapped it, but I still like the idea that their exorcist mask looks like a bird (kind of like a plague doctor's)

peekaboo! I love the idea of them using the wing hair to cover their eyes lol. (ended up using that idea for my own seraph OC since that's their biblically accurate purpose: to cover their eyes/faces in reverence/humility -- doesn't really fit with tzafael tho lol, so they show their face most of the time)

an eyeball in the bowtie -- pretty self-explanatory. the eyeball motif is important.

the one in the middle is just me practicing drawing the original design, and the one on the right is another exorcist outfit I think. I wanted to include the diamond motif/points that sera has on her dress (the diamonds on the bottom turn into eyeballs, which is why the final design also has eyeballs on tzafael's sleeves/pants)

lots of notes on the side based on what prince said in response to my ask

"localized omniscience (power of sight) -- cool + ironic that their sight was supposed to serve God but made them see Heaven for what it really is instead"

another exorcist outfit, this time including the feathers

I was also experimenting with the halo; I was trying to make it look sort of like sera's crown, but that didn't feel right ...

some practice with eyes -- my style is pretty flexible with eye shapes, so I try to make them suit the character. I drew lute's eye and also an actual magpie's as references -- lute's because of the exorcist background and also because they looked appropriately sharp, magpie's for obvious reasons. once again, my compulsive need for giant bottom lashes strikes

there was honestly a lot to balance with the eyes -- I wanted them to look condescending/bored (lowered top lid) but also amused (raised bottom lid) and like a magpie (round) but also harsh/mischievous (sharp, maybe slit pupils like a snake) and similar to sera's (but not too decorated -- also does it make sense for them to look like sera's if emily's don't even look like sera's?)

considered having wings on the shoulders -- the magpie pattern is super cool, so it would've been nice to have that somewhere more explicitly in the design. I still think that might fit in an outfit they would wear in heaven (maybe for formal occasions)

the introduction of the sweatervest! honestly I kind of love this for the way it captures more of the preppy, spoiled old-money upper-class vibe some heaven residents have, but it was scrapped since I couldn't imagine them wearing that while trying to scare the denizens of hell. maybe something they wear casually though.

"yes nictating membrane (on every eye!)" -- AHH I'm so sad I didn't end up putting this to use. I just feel like the whole effect is based on actually seeing them blink, and I don't animate lol.

ugh, the nefarious laughter one ... don't worry I tried harder on a sketch later on lol.

"like the diamonds on Sera + Em" + "diamonds turn into eyes?" -- I draw the diamonds on the sweatervest turning into eyes later.

tried an actual bow instead of a bowtie -- very cute but didn't fit the vibe.

a skirt! I think they would wear a skirt sometimes.

"FUCK ASS BOB" -- asghdk the wingification of the hair continues. unfortunately, I'm realizing at this point that the silhouette of the hair is starting to look a lot like alastor's. I gave a very half-hearted attempt at mitigating this, but it goes back to the thing of how much I am obligated to the original show's designs and what looks cool to me -- I think the wing hair fits them and I didn't want to change it because of alastor, plus my alastor design actually has completely different hair anyway. I did add a third pair to the back to look like a ponytail though.

introduction of the scarf! I was actually going to include this in the final design but uh,,, I forgor. are you starting to see a pattern.

the reason for the scarf is that the "tzafael going to places they know they'll draw attention/can incite chaos" reminded me of that scene in avengers where loki walks into a fancy building looking pretentious af and just casually stabs a guy's eye out. not really the same thing but I felt like the vibe matched. hence, loki's funny little scarf fit.

uaoughdfjh it was SO FUN to draw the wing hair, and it was at this point that I realized they had to stay even though I wasn't sure if it was too different from the original.

gossiping with rosie cause that's the first person I thought of -- tzafael also summoned a pearl necklace to clutch because of the sheer drama of it all (your ex-husband did what??)

also started drawing the rings on their hands. magpie like shiny.

lots of notes cause I was trying to compile the things I still needed to think about/incorporate into the final (I thought this was gonna be the last draft ... haha)

trying to include more bird/eye motifs

"fish ... purse?" -- ha! I forgot I was gonna give them a fish purse. I think I drew that in a later sketch, but not them wearing it.

"picked up Hellish traits bc of extended stay -- existential crisis?" -- I asked prince about the sharp teeth, and their answer implied that they became sharp as they stayed in hell longer, which got me thinking ... I feel like that's actually a great body horror concept. lucifer falling and looking like a normal angel at first, eventually waking up to more and more devilish features and feeling more and more like he's lost his home and his past self ... spooky.

another exorcist outfit -- I actually really like the eyes on the ribs! I never made a final draft for the exorcist uniform, but it would probably look close to what I drew here.

the one on the bottom was meant to be similar to the feathered shoulder pad idea, but this time with the whole magpie (with giant eyes). tried putting the "freckles" (really just dots in this case) over their brows, but that ended up looking kinda weird.

the eye is pretty close to the final design

the one on the right was supposed to be the full final design, but I was totally off lol -- the long trench coat really doesn't give off the right vibe at all

playing around more with the loki vibes of the scarf, also added an eyeball to the chest

I never got happy with the design of the back of the coat -- I think it should probably just be blank at this point. but the sketch here is meant to look like wings/tailfeathers.

yet another exorcist outfit, this time with more magpie motifs. I actually like this one a lot, but I probably should've added the eyes on the ribs from the last sketch. I think I also considered giving them actual tailfeathers at this point.

thanks for sticking with me! I promise we're almost done. have a trans dinosaur I saw while I was travelling as a treat <3

10:

this is after I finished the sketch for the final piece and realized I didn't like the halo design. I drew lute's, sera's, em's, and adam's as refs. (honestly I love the show's idea that each person/people of each rank have a different kind of halo -- I wonder if they can switch them out?)

my main inspiration ended up being the exorcist halo, but I made it look more like an eyeball -- since it always points toward heaven, we can say it's always "looking" at heaven.

(also sera's feather lashes! they're so cute)

11:

EVEN MORE EXORCIST DOODLES

12:

tzafael shooing away my fox demon OC

13:

these are actually sketches for my own seraph OC (raguel), but I wanted to include it since it has even more wing/feather hair variations. I also think the idea of the eyelashes being feather-like could've been cool for tzafael.

14:

some more OG design doodles

tzafael and raguel together because self-indulgence is the name of the game babey (also wanted to draw tzafael freaked out with their wings flared)

(raguel's blind btw, hence asking for eyes -- tzafael has so many!)

you can probably read the dialogue here so give it a shot. I believe in you.

15:

you know what? the fish purse deserves some doodles

16:

putting them in Situations! I was reading over prince's posts again and I realized there were some funny things I could draw them doing/saying

again you can probably read the words here

angel dust also loves fish (but is apparently bad at taking care of them, hence the suffocating blobfish), so tzafael shows him their aquarium (complete with live fish and flora ofc)

I thought alastor was 8 ft but apparently he's 7.3 ft? so tzafael is enjoying the .2 ft they have on him

trying and failing again to come up with a design for the back of the jacket lol

THE crowley quote

apparently the halo still sends signals from the exorcists -- thought their reaction to the battle at the hotel would be funny

the nefarious laughter (take 2) that I promised -- based on a doodle of alastor viv did that I found

them being sad and curling up in a pile of shiny things like a dragon

OKAY I'M DONE. huge, huge thank you to prince for sharing their OC! this was a lot of fun and clearly inspired me a lot haha. please check out their writing; it's literally so good that I can't read anything else these days. I am chewing on their thoughts constantly.

this was an absolute monster of a post, so if you're still reading, I am both impressed and bewildered at your patience. I hope you enjoyed! (I certainly did!)

#prince (because they are very sweet): I'm excited to see your thoughts!#my thoughts: magpie like shiny hehe #hazbin hotel oc #prince-liest #hazbin hotel #my art #character design #sera hazbin hotel #em hazbin hotel

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robertdelaunay · 7 months

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[ID: a digital drawing of an anthropomorphic magpie. they are shown in profile from approximately the chest up. they are wearing a yellow doublet with gold accents and a light turquoise cape with silver accents. the background is dark purple. /end ID]

day 1: favorite oc

i don't actually really have a favorite oc right now but i have been thinking of this one somewhat so. yeah. here is my first ever dungeons & dragons oc (and the only one i ever actually did anything with) in his mildly horrid outfit...

#oc-tober #bweirdoctober #bvtoctober #fascinating creatures #oc: cio nikam

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vuelode-irbis · 10 months

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First attacks!! For @magpied-illustration and ~Sylveon on Artfight

ID: two digital drawings. First features a feline with orange tones, named Cricket, from an upper point of view. She's looking up at a pair of dandelion seeds that fly over her and standing over green grass with flowers. The second one is an alien creature from the waist up, they're raising their arms and looking happily at the viewer; they have a pair of wings and is colored in white, pink and green.

#irbis draws #artfight #artfight 2023 #digital art #furry #furry art

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runningracingdancingchasing · 10 months

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YOUR MUSE'S INVENTORY. [original meme from @treasurechestrpmemes.]

rules: list the things your muse carries in their pockets or bags in their every day life. (optional: explain their significance.) repost, don’t reblog.

For the sake of the meme, I’m going with modern AU version. She doesn’t have pockets in canon, even though I know she’d love them.

POCKETS.

Phone - Rapunzel’s phone case is one she designed herself. She has several, all with her own art on them. Despite it not being the style anymore, she always alters her phone cases to allow for charms, and tends to keep a golden sun charm and a feather on each case. The variety of feather is different, depending upon the case its on. It never matches, but contrasts, to add more color.

Something she found on the ground - She’s a magpie, and anything that’s shiny, interesting, colorful, or artistically useful will go straight into her pocket (unless it’s in her hair). Every day, she empties her pockets and sorts through her new treasures. Some of them get permanently moved to her bag

Keys - Be they car keys, door keys, or old fashioned antique-looking keys that she claims opens a magic treasure box, Rapunzel always carries at least one key in her pockets.

Lip balm - She prefers bees wax lip balm, and that tends to work better if it’s a little warmed up. Keeping it in her pocket keeps it at an ideal temperature for application.

Something to tie her hair back with - Whether it’s a ribbon, rubber band, scrunchy, leather strip, string of beads or whatever, she’s always got something in her pocket to pull her hair back with, including a few bobby pins for when she finds something she wants to put in her hair that just won’t stay put.

Card wallet - rather than carrying her money in her obvious purse, she keeps a small card wallet in her pocket. There’s cash in the back of it, too, for tips and charity.

Worry stone - She has a chunk of perfectly clear tumbled quartz that’s the perfect shape for holding between her first two fingers and thumb. One plane of it has the slightest of indents in it, and she uses it as a fidget, rubbing her thumb against the indented plane.

BAG. — She calls it her Adventure Bag. It’s teal, and can easily be worn either on one shoulder or cross-body. She’s painted all over it, and hangs decorations from the O rings.

Sungalsses - Though she likes to see the world with her own eyes, and although she loves the sun, sometimes it’s just too bright and she needs her shades.

Pocket transfers - after sorting through her pockets at the end of the day, some things get moved to her bag, either temporarily or long-term. These are usually things like small rocks she wants to keep with her, buttons, charms, or feathers she wants to add to her bag decoration.

Sketch pad and pencil - An artist on the go still needs to draw, and when she’s out and about, she prefers the mechanical method, rather than digital.

Small lined notebook and pen - To make quick lists or jot down ideas she has while out and about.

Brush - Even when her hair is short, she never got out of the habit of carrying a brush with her.

Small flashlight - You never know when adventure will lead you to a dark place!

Sunblock - For those days when the UV index is just too high to feel good.

First aid kit - From bandages to antiseptic spray to a tourniquet, Rapunzel is prepared to come across injuries.

Snacks - Usually nuts, granola bars, fruit snacks, or other non-perishables.

#meme #Headcanons

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tiny-tulipp · 3 months

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Hello everybunny!

You can call me bun! (she/her). I'm a 24 year old artist based in Arkansas!

This blog will be an archive of my junk journals/smash books/ magpie journals/my art in general!

I've been making junk journals since 2017 and I started drawing in 2020, I wanted a place to catalog all of my work!

I'll be slowly posting each page from each journal from the oldest to the newest until I'm all caught up!

I might also post art that isn't journal related whether that's mine or anything else's!!

Taglist:

#bunspeaks - for when I have opinions or anything really

#bunart - the place where you can see everything I've made!

#bundoodles - specifically for my drawings/digital art!

#binspo - (bun inspo) posts that aren't art at all, just inspiring or aesthetic

#somebunnyelse - work that isn't mine!

#pocketjunk - my travel sized junk journal

#pinkpicnic - pink gingham photo album/scrapbook

#mushroomcookbook - vintage mushroom cookbook altered into a junk journal

#melongummy - most recent junk journal, the cover is made from a melon flavored gummy packaging

#ohshinyI - my first magpie journal

#bunspeaks #pinned post

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handinlovablehand · 1 year

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Here are some thoughts/reflection/process things re: the Tallahassee comic. Since this is my art blog, I figured this was the best spot to put it! Lots of images and pretty long, so I've thrown it below a cut.

This is the first time I've seriously worked with Microns and a lot of 'em since... oh, lord, 2020. I'm pretty sure I've done some other stuff along those lines, but here are examples and an emulation of the style digitally:

(Respectively, May 2020, March 2020, and September 2020. Apologies for quality on the first two; I had to rely on old photos.)

Compare with this spread from the comic:

I'm still not super comfortable with backgrounds (or cars; all the shots at the beginning are framed VERY carefully so that I do not have to draw one), but you can see that they've gotten a lot better. The sparseness of the floor was intentional - I wanted to create the effect of an infinite-looking space, with the ceiling fan to provide depth. There's a bit more depth and weightiness than in that drawing of Karkat or the seagulls.

That's partially because the house is as much of a character in Tallahassee as its narrators. Aside from the space in the liner notes devoted to describing their environment, there's also quite a bit in the album itself. There isn't much physically happening in the notes, either, so I had to rely on shots of the house in order to fill panel space. Three cheers for symbolism and vivid imagery!

To pull up another page, I've also gotten A LOT better with natural environments in particular. I'm quite proud of that rose bush and the fence, although I could've taken a little more care while filling it in and the lighting leaves something to be desired.

Speaking of, my attempts at lighting are quite a bit more solid, but still not perfect. Consistency isn't great, and I have some qualms about the Alphas' hair and the shadow cast by the Alpha Male sitting up, but what can ya do? At least I'm drawing shadows being cast by things, haha.

I think the attic, the window shots, and "knocked down" panels look the best light-wise. I was trying to convey bright moonlight, and I think I did a pretty good job! I adore the curtains. A solid runner-up is the open door; I wanted to use it as a reverse light source, of sorts. In retrospect, I could have spaced the door shots out a bit more to make it feel more ominous.

Craft-wise, there's also a lot of improvement. Normally, I'd do a longform, easy-to-fuck-up project like Tallahassee digitally. However, I forgot my drawing tablet stylus in a very stupid place that I won't return to for a few months. So, I've been going back to pen and paper again.

I felt very confident right out of the gate, which is very strange considering it was the first time I'd used many of those pens for art in a hot minute! I actually did another casual-ish piece with Microns and gel pens in my sketchbook a few weeks before this, shown below:

but while I was VERY excited about my use of color, I wasn't super fond of the ink work. That's because I fucked up before I even started.

My sketchbook is, er, a sketchbook. The pages are pretty rough. I learned while working on the comic that technical pens are meant for use on smooth paper, and will often appear spotty/inconsistent on the rougher stuff. You can REALLY see it on the frame around the magpie. I switched to standard-issue copier paper in the comic, which plays much nicer with them. Sketch paper also frays brush pens. Oops! Guess that explains what happened to one of those poor, poor souls...

I got my first set of Microns in 2017-ish. I was really only interested in the fixed-width pens; I'd tried a brush pen earlier on and HATED. IT. With a burning passion. My hands have always been pretty unsteady, but it was worse when I was younger, so my lines looked godawful. The set came with a brush pen, though, and I made many valiant attempts to use it. In my sketchbook. Which inevitably frayed it terribly and rendered it unusable for most purposes.

I used the set quite a bit, but infrequently enough that I've still got most of them! My 005 is going strong, but the 05 is lost, and the 1 and 03 are not long for this world. I've known the 03 is on death's door for a while now, but the 1 just started giving out on me while working on Tallahassee. I tried to replace both, but instead ended up with a 2. It worked out, though; I used it to fill in large, dark spaces. I really should've been using an alcohol marker, hence the streakiness.

Back to the brush pen, I ended up getting another set in 2019 that was all brushes, but this time with colors! "It will be different now," I told myself. "I'm a better artist. I'm stronger, and I do colored lines digitally. So I will use a brush pen, and I will like it." I did not use those brush pens and I hated them. But I did end up with a mercifully unspoiled black brush pen thanks to those, and also a red.

All three of the brushes I've named make an appearance here. I used the frayed pen to texture the grass and the Spanish moss; it ended up perfect for soft, fluffy things. I used the healthy and whole one for the tree branches and the Alphas on the "knocked down" page to lend them a more organic feel. The red makes its appearance on the last page.

It's the staircase on the left. I drew the lines with the red brush, then VERY, VERY, VERY carefully colored around them with the black. The red lettering was done by writing it out in pencil, writing over them in red gel pen, then VERY, VERY, VERY carefully tracing around them with a black pen and filling things in. Do not do that. It is stupidly time-consuming. If I pull a similar trick next time, I'm just going to write with my white gel pen and then go over it again with my red brush.

For the sake of my sanity and yours, I will not discuss that process in any more depth. I will also abstain from telling you about the hellish nightmare that was trying to print copies to distribute as zines, because DEAR FUCKING LORD.

I've already spent an hour writing this, and I've got quite a bit to do today! So I'll end it off here. Thanks for reading this!

#art commentary

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