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#mahito chan
btxtyuri · 4 months
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todo really hallucinated a whole fighting sequence where he beats the shit out of mahito with takada-chan
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owarinaki · 4 months
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Jujutsu Kaisen S2EP22 - Vs Kenjaku part 1
Choso recap 1 / 2 / 3
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epickiya722 · 1 month
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Ads & Posters!!
Check out the previous post on the character cameos here!!
Spoilers ahead for a particular character!
Link to video below!
Alright, so what I can make out from the posters and ads that are shown are...
Panda - a reference to chapter 154
About that second poster - Zen'in Clan probably! The middle guy looks like Naobito
Yuki Tsukumo
Takada-chan
Ko-Guy (grasshopper curse Yuji fought)
Takaba Fumihiko - specifically his wi-fi joke in chapters 169 & 240
Choso
Mahito
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Here's the video!!
youtube
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pfpanimes · 5 months
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⌕ jujutsu kaisen 2 • ep 19.
like or reblog if you save/use.
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sukugo · 4 months
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truly iconic
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l-0puko · 2 years
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finished sixfanarts challenge in my other art blog :D
first row: Bang Chan (SKZ), Death The Kid in Shinigami form (SE), New (TBZ) second row: Vergil (DMC), Isabella (TPN), Mahito (JJK)
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stitchedcurse · 11 months
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bujolog · 2 years
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brb crying
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sorcerer-edits · 1 year
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dokuro mitsukai (bokusatsu tenshi dokuro-chan) moodboard
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serostuffsmh · 2 years
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I love a good venn diagram. It also helps me think clearly when I want to hate characters in an orderly fashion.
…orderly… of course.
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ghibli-collector · 5 months
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For anyone who’s already seen Boy and the Heron i found this really interesting article where Ghibli Boss/Producer Suzuki was interviewed recently by indie wire and explains the background of the characters from the new Ghibli film, I’ve copied the full article below or you can click the link to go to the interview but once again it contains so many spoilers
‘The Boy and the Heron’ Is So Personal, Hayao Miyazaki Needed a Year to Grieve Before Pivoting in a New Direction
Miyazaki came out of retirement for his first film in a decade, about his friendships at Ghibli with the late co-founder/director Takahata and co-founder/producer Suzuki.
When Hayao Miyazaki pitched “The Boy and the Heron” (GKids, now in select L.A. and NYC theaters) to Studio Ghibli co-founder/producer Toshio Suzuki in 2016, he asked permission to make the story about himself. This took Suzuki — his friend of nearly 40 years at the time — by surprise; the legendary anime director isn’t known for getting so personal. And yet this aligned perfectly with the notion that Ghibli films are devoted to reliving memories.
“I agree that it is Miyazaki’s most personal film because he actually told me,” Suzuki told IndieWire over Zoom through an interpreter. Not only is “The Boy and the Heron” inspired by Miyazaki’s childhood (he endured the firebombing of Japan during World War II and his father was director of the family’s aircraft manufacturing factory), but also his career at Ghibli with his two closest friends: the late studio co-founder/director Isao Takahata (“Grave of the Fireflies”) and Suzuki.
“Miyazaki is Mahito [the 12-year-old protagonist voiced by Luca Padovan in the English-language version], Takahata is the great uncle [voiced by Mark Hamill], and the gray heron [voiced by Robert Pattinson] is me,” Suzuki added. “So I asked him why. He said [Takahata] discovered his talent and added him to the staff. I think Takahata san was the one who helped him develop his ability. On the other hand, the relationship between the boy and the [heron] is a relationship where they don’t give in to each other, push and pull.”
Collectively, it’s a lot to unpack: Miyazaki came out of retirement for the second time after “The Wind Rises” (2013) to make his 12th feature — the semi-autobiographical, hand-drawn fantasy for his grandchildren. It’s about destruction, loss, and rebuilding a better future through imagination, inspired by the novel he adored as a child (“How Do You Live?”).
Mahito loses his mother in the firebombing of Japan and relocates to the countryside, where his father (voiced by Christian Bale), who runs an air munitions factory, marries his sister-in-law, Natsuko (voiced by Gemma Chan). Traumatized, angry, and confused, the boy encounters a talking heron (part bird, part man), who tells him that his mother is still alive and guides him to an alternate world in a magical tower shared by the living and the dead. There he encounters his great uncle, the architect of the tower, and reunites with both his mother (voiced by Karen Fukuhara) and Natsuko.
At first, Suzuki resisted green-lighting “The Boy and the Heron” because of Miyazaki’s age (he’s 82) and the great expense (it is arguably Japan’s most expensive film but has made the equivalent of nearly $80 million at the country’s box office). Yet Miyazaki wore down his resistance with his enthusiasm and impressive storyboarding. The film took seven years to complete, and Suzuki needed to hire some of Japan’s most talented animators outside of Ghibli to handle the task (including supervising animator Takeshi Honda of “Neon Genesis Evangelion” fame). With diminished stamina and failing eyesight, Miyazaki was unable to oversee the production in the same manner as when he was at the height of his creative powers and relied on Honda to draw, redraw, and review under close advisement.
But with the death of Takahata in 20018, a grief-stricken Miyazaki was forced to scale back the role of the great uncle in the story, who had previously been more central to the boy’s life. “After Takahata passed away, he wasn’t able to continue with that story, so he changed the narrative and it became the relationship between the boy and the Heron,” Suzuki continued. “And in his mind, initially, the Heron was something that symbolizes the eeriness of the mansion and that tower, even ominous, that he goes to during war time. But he changed it to this sort of budding friendship between the boy and the Heron.”
Miyazaki first toyed with the idea of exploring the theme of friendship in “The Wind Rises” (inspired by real-life fighter design engineer Jiro Horikoshi during World War II) before abandoning it. “So this time around, when the Heron became the centerpiece of the story, and he came with the storyboards, I was careful for him to not portray me in a bad way,” Suzuki said. “Having said that, I’ve known Miyazaki for 45 years. I remember everything about him. There are things that only I know. There are things that only the two of us know. And he remembers all these small details, which I was very impressed with.”
For example, when Mahito and the Heron sit and chat at the house of Kiriko (voiced by Florence Pugh), a younger, seafaring version of one of the old maids, it is a recreation of the way Miyazaki and Suzuki would meet. “The place that we do our meetings, where we have our conversation is at his studio, his atelier,” he added. “And he has this like large table, but we don’t sit facing each other, we sit next to each other, and we never look at each other when we talk. And what we discussed was very similar.”
During production, Suzuki became impatient to see the new storyboards with the great uncle. It seemed Miyazaki was intentionally stalling while grieving about Takahata. “My question was: ‘So when is the great uncle going to appear?'” said Suzuki. “He built this great character, but he never appears in the storyboards that he would bring me. But it took him actually about a year after the passing of Takahata that he was able to draw that character into the storyboards in the second half of the story.
“And the most surprising thing for me was when I saw the storyboard where Mahito was asked by his great uncle to carry on with this work, this legacy, and he says no — he declines the offer. Miyazaki was someone who followed the path of Takahata for so many years, and I thought it was a huge thing for him [to follow a different path].”
Meanwhile, Suzuki confirmed that Miyazaki has not retired. The film has given the director renewed confidence to keep working on other stories. However, Miyazaki can’t focus on new ideas while “The Boy and the Heron” remains in theaters. “He needs to empty his mind again,” Suzuki said, “and then when he’s emptied his mind with a blank canvas, he usually comes up with new ideas. So we have to wait a little more.”
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demifiendrsa · 6 months
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Official poster for Hayao Miyazaki’s The Boy and the Heron
English Dub cast
Christian Bale as Shoichi Maki
Dave Bautista as The Parakeet King
Gemma Chan as Natsuko
Willem Dafoe as Noble Pelican
Karen Fukuhara as Lady Himi
Mark Hamill as Granduncle
Robert Pattinson as Gray Heron
Florence Pugh as Kiriko
Luca Padovan as Mahito Maki
Mamoudou Athie as Parakeet
Tony Revolori as Parakeet
Dan Stevens as Parakeet
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epickiya722 · 4 months
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I am not surprised that Todo's locket held pictures of his favorite idol and Itadori (I don't even blame him, I understand).
I am surprised that they not only added flowers to the background, but added a whole sequence of Takada-chan and Todo just bringing a beat down on Mahito in Todo's imagination.
Do I hate it? HELL NO! That was glorious!
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kimaixun · 5 months
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[Promises; Part Two] - [Jujutsu Kaisen! Nanami Kento x M!Reader]
Part One
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Anxiety crept into M/N as he slaughters the never ending curse in front of him. M/N wished today never existed to begin with. He couldn’t go home and he didn’t even have the time to call Nanami. He had been preoccupied with the hundreds of curses roaming around the city.
Is Nanami safe?
Is Nanami out there?
Is Nanami hurt?
Is Nanami still alive?
M/N couldn’t stop the negative thoughts that evaded him. Prior to where he was, not even an hour ago, M/N had just came back from exorcising a special grade cursed spirits at a neighbouring country. It took a while to lure the curse but, M/N was thankful it went smoothly during the exorcism considering that he is a special grade sorcerer. Just as he was about to board the plane back home, M/N received a call from the higher up of Jujutsu Kaisen.
For a minute, M/N froze on his track unable to comprehend what had been told to him. Just as he finally regained his composure, M/N teleported back to Japan immediately. He was met with the gruesome sight of slaughtered curses everywhere. M/N bit his inner cheeks to swallow down the vomit that threatened to leave his mouth. M/N took a deep breath before unsheathing his katana and he sprinted into battle.
“F/N-san!” M/N spare a glance over his shoulder as he held a curse by its neck.
“Itadori-kun?”
“F/N-san, it’s…..it’s,” there was a pregnant pause as Itadori gasped for air, “it’s Nanamin.”
C…Crack….
The deafening sound of the curse’s neck breaking into two was so loud that Itadori subconsciously took a step back, M/N felt his blood run cold as anxiety crept into him. His heart pounded so hard against his chest that M/N swore he might just ripped it out of himself. M/N demanded Itadori to lead him where the latter was.
DeJaVu.
M/N hated dejavu(s) and he hated that his cursed eyes could see the future. M/N know by heart where this was leading to. M/N sprinted ahead of Itadori, leaving the teenager behind. He had to save Nanami. He NEEDS to save the love of his life. M/N panted hard as he literally fly down the flight of stairs and landed in front of the gruesome slaughter of curses. Just like in his dreams. He looked up and see Nanami standing a 100 metre away from him, his body half burnt and Mahito stood just behind the blonde.
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“Ara Ara, if it isn’t F/N-chan,” Mahito grinned and turns to meet his eyes. Nanami glanced over his shoulder with teary eyes, yet the smallest smile depicted on his pale face, “say goodbye Nanamin.”
“M/N, thank you for everything. I’ll leave the rest to you,” Nanami whispered. “I lo——,”
“Don’t say it! Don’t say that you love me!” M/N screamed and teleported in between Mahito and Nanami.
It all happened in a blink of an eye and As if the time had slowed down, M/N could see the curse energy that Mahito intended to put on Nanami. He could see a tear rolling down Nanami’s cheek as he mouthed the word ‘love’. M/N screamed at the top of his lungs as he uses his cursed technique on Mahito just as Mahito’s curse energy latched itself onto his body.
“F/N-SAN! NANAMIN!”
Itadori eyes widened upon what was left in front of him. The subway station had collapsed leaving debris flying everywhere. There was no sight of Nanami nor M/N and it was killing him.
“Itadori-kun,”
“F/N-san?” Itadori looked everywhere, “F/N-SAN!!”
“Sorry Itadori-kun, I need your help getting this wall off us. Can you find one that’s big? You should see a glow of green coming from beneath it.”
Itadori ran around this time, looking for the specified location. He finally came across the said spot. M/N was right when he said there was a glow of green. A cursed technique. He could hear Sukuna in him spouting nonsense about not nearing the (H/C) sorcerer. The cursed energy was so immense that once Itadori got the slab of concrete off M/N, he was almost thrown back.
“F/N-san, w….what are you doing?” M/N had lost the entire right arm and blood was still gushing out of the wound. Nanami on the other hand was unconscious, cradled into M/N’s single-handed embrace.
M/N finally looked up to Itadori, giving the teenager a small smile, “can you keep it a secret? It’s my clan’s prohibited cursed technique.” Itadori could see the glow of green from M/N’s left palm. “When I’m done, I need a favour from you, Itadori-kun,”
Itadori stayed silent as he observes M/N using his forbidden cursed technique to heal Nanami. The burn on Nanami’s left side regenerated, his hair regressed to its original state and Itadori could’ve sworn he was going to throw up when M/N dug out his left eye and shove into Nanami’s.
“Itadori-kun, I’ll leave the rest to you.” Itadori took Nanami’s frail from M/N. “Take care of him, Itadori-kun.”
Itadori finally looked at M/N, “F/N-san, you….” Itadori trailed off when he realise the state M/N was in. M/N didn’t heal Nanami, M/N had transferred Nanami’s injury to him.
“See ya around Itadori-kun,”
A cloud of smoke blinded the pink headed temporarily and M/N disappears into thin air.
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“Nanamin,” Nanami felt his eyes twitched in annoyance as Satoru self-invited himself to sit beside him.
It was a few years down the road and everything seemed to be almost perfect. Nanami made the decision to return to Jujutsu Kaisen for M/N’s sake. After learning that M/N had went missing upon his awakening, Nanami vowed to find the (H/C) headed even if he was dead. Nanami was going to cut his head off for breaking their promise.
“Today’s the third year anniversary.” Satoru said. Nanami could only hummed in response, not wanting to even think at the fact that Jujutsu Kaisen had made today as M/N’s death day. “I think I’ve held on for too long already.”
“What do you mean? Stop beating around the bush.”
Satoru chuckled, “you’ve been so impatient ever since M/N is not around.” Satoru rummages into his pocket and took out an envelope, “here. M/N is probably going to kill me but, I guess it’ll be worth it.” Nanami took the envelope and pull out its contents. A postcard.
M/N had a kitten on his head as he strike a pose towards the camera, a two storey house depicted on the background. Nanami took note of the missing right arm and shut left eye. Beneath the turtleneck long sleeved that M/N wore, Nanami could see the burnt scar invading his skin, peeking out just a little. Just beside the picture was a small written note.
‘I finally finish building the house’
“I’m resigning Jujutsu Kaisen.” Nanami announced as he busied himself with his phone.
“You don’t exactly have to resign you know. You can just MIA like you use to.” Satoru said.
Nanami nodded, “that is a very good idea.”
Satoru sweat dropped dramatically, “I was just kidding.”
“Too late, I have already booked my flight to Malaysia, Kuantan this evening. I need to leave now.” Nanami stood up, slipping his phone into his pocket, “I feel like smacking you across the face for keeping this a secret but, I shall do that some other day. Thank you, Satoru.”
M/N sighed as he let himself sink into the beanbag he had recently purchased. Being in a hiding for three years hasn’t really made an impact on him. When he finally healed which took almost a year, from the injuries, M/N went into hiding. He had move across the globe to Malaysia, Kuantan. M/N lived a secluded life. He had bought a land just by the beach and built a two story home. For what seems of him to have had everything, he couldn’t dismiss the void in his heart. Each and every day would go by with a question on his mind.
Is Nanami doing well?
Does Nanami miss him?
Would Nanami think about him?
Will Nanami find him, one day soon?
Little did he know, a gods plan was coming.
The bell to the house echoed within the four walls. M/N got up from the beanbag, walking towards the door. He knew it was probably some door to door salesperson, something he adapted after living here. M/N unlocked the door and pull it open.
“K…Ke…” M/N couldn’t even believe his eye upon the man that stood just before him.
“You idiot!” Nanami pushed him into the house, slammed the door shut and pinned M/N against the wall. The younger felt his breath being knocked out of his lungs.
M/N eyes widened when Nanami grab the collar of his shirt and pulled him down to his height, slamming their lips together. M/N could feel Nanami’s warm and soft lips. They parted slightly, allowing his tongue to slip inside. M/N’s only arm found its way around Nanami’s waist, pulling his body closer to him. A moan left his lips as Nanami’s hands snakes behind his neck, pulling him deeper.
“Don’t you dare break your promise ever again! Do you hear me F/N M/N?” Nanami panted when they finally pulled away.
M/N couldn’t help but, grin so widely that his cheeks started to hurt, “I promise, Kento-san. Guess I have nowhere to run now don’t I?”
“I… I love you M/N.” Nanami felt the heat rush to his cheek.
“I love you so much more Kento-san.”
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Authors Note: Nanami Kento finally deserves this ending with you, M!Reader. Okay so now, I’m not satisfied still. I’ll be making a NSFW Part Three with a little more conclusion,
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iwaasfairy · 8 months
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Fairy! I don't know if its only me but, there's really a criminal lack of jjkcest fics, its hard to find a new one these days. That or maybe I've been away for too long since I can no longer find some of the dark authors I used to follow or they have deactivated their accounts/privated their works.
But Satoru-nii is just 🥺👌. He's probably the kind of nii-chan who will tell you that "big brothers and little sis do it" or "i'm sad and this will make me happy" or "i'm in pain and you have to do this to make it go away" and just look at you with a smug, tender, and possessive expression when you do things he asked. But but but, if its okay to ask, can you please make a nii-chan ranking for jjk? From the best to the worst? Thank you
i am too scared to venture far into tags so you might be totally right, i wouldn't really know but!!! maybe that's my calling HGdyufsd idK IDK maybe,,, and yes ofc ofc i got youuuuu but because we already know i can and will make everyone a niichan, i'll have to try my best
nii nii goals ♡♡: choso
proudly a siscon: yuji w sukuna, mahito
proudly a big brother but hides the siscon: GETOU, yuji wo sukuna, inumaki, yuuta, aoi
normal niichan but jerks it to his imouto: MEGUMI, nanami, junpei
bullies mouto like it’s his job: GOJO
degenerate. the worst: SUKUNA, naoya
actual dads: toji n shiu
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sunoorintarou · 7 months
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Catharsis: Something only we know.
Phos!Reader x (Platonic) Getou Suguru
Warnings: Mentions of mental health, brief implications of child abuse, reader blames herself for everything, self loathing, mentions of health and eating disorders, Getou is still Getou, very angsty to somewhat comfort, Getou sees himself in reader
Notes: Hoo boy, this was alot. I love Getou tho so in this au, he will still be himself, but anyways pls prepare yourself for angst!!
"Getou - San?" You asked, finally finding the courage to voice your concerns. It was a hot day at the beach, as usual. Mahito was terrorising Jogo and Hanami while Getou rested with you in the shade.
"Yes, Y/n - chan?" Getou looked up from the book he was reading. It was unusual for you to suddenly speak to him, so he decided to give you his full attention when he did.
"Can- can I tell you, about my cursed technique? Is it OK, just, for insurance sake?" You stutter. You had been wanting to speak to Getou about your Cursed Technique since you met him but hadn't gotten the guts to till now.
"Of course, Y/n - chan, what is it?" Getou had been anticipating this conversation. He had been equally curious about your cursed technique, wanting to see the limits and advantages it held. But he didn't want to scare you off. You were the most closed off member of his 'family', and he knew you'd need time to tell him these things.
"Basically, my cursed technique... I can turn curses into various precious gems and alloys by touching them and absorbing them..." You started, knowing full well this wasn't what you wanted to say most.
Getou hummed, this was the basic information about it you had told him, but you were hesitating, clearly having something weighing on your mind. So he stayed patient, nodding along gently.
"The thing is... when I absorb curses... I feel sick, in here." You pointed to your chest, hands trembling ever so slightly.
"It's like, they become a part of me. Not in the soul way, but in the way where I can feel all the misery and pain, all those disgusting emotions that they held in me, I really feel it, in my bones and it makes me feel so so sick. I just-" You brought your knees to your chest, gently leaning your forehead against them.
For the longest time, you felt as if you were drowning. You had been physically sick for the longest time after the incident with your legs. You had nose bleeds so often the scent of blood seemed to linger around you. You could barely hold down your food, skipping meals or rushing to the bathroom, to expel the contents of your stomach.
It only got worse after what happened to your arms and Yukio. Although it seemed like your body had accepted the alloy immediately. It hadn't. You started vomiting blood, feeling such excruciating pain when the alloy started to spread into your bones, through your veins, forming it's own nervous and muscular system. There were days you couldn't even leave your bed, head spinning to the point you couldn't tell reality from dreams.
Those were the days you had simply locked your door, knowing the others would be worried and accept your mourning. Yet, it was so much deeper than that because a part of you felt as if you deserved this for what had happened to Yukio.
You were scared. What if he wrote you off or laughed at you? For being so weak? You couldn't even take absorbing a couple curses? What if they were right, everyone else, your past friends, your parents, what if you really were just pathetic and weak-
You froze when you felt Getou's hand on your head, looking up at him with eyes glazed over in gold.
If there was one person you understood your feelings better than anyone else, it was Getou. The feeling of swallowing curses was so disgusting to him. He despised it more than anything. Even worse when absorbing them into your being. He knew how you felt first hand. The only difference was that he could get rid of that feeling by releasing them and you... could not. They were truly a part of you.
"Ah, right, right, I need to, to say something else. My body- has a built-in network of gems and gold. I don't know how to explain it but it's like a, a nervous system. It covers my bones and everything, then it crystallises to stop bleeding- that's why-" you decided showing him was better than trying to explain.
You grabbed your finger in one hand, taking in a deep breath when you snapped it off. Getou's eyes widened, watching how the previously exposed muscle and bone was covered with gold in a split second to stop the bleeding.
You then chipped away the thing layer of gold before placing your hand back against your hand. Immediately, liquid gold repaired the crack. You moved your finger, tilting your head to look at Getou.
"Doesn't it hurt? Doesn't it have any negative effects?" Getou asked, looking at it in surprise.
"I- if, if it's a lot of my body and I can't get it back- like, my consciousness, I think, I don't know, but it lives in the crystal. So whenever I lose parts of my body, I lose parts of myself, I- I start to forget things, names, people, places, I- it does hurt. Alot." Your voice went soft, a tear running down your cheek before you could stop it.
"Then don't use it. You're powerful enough without using that part of your Cursed Technique, and if it's hurting you, then stop. Even if you're fighting and feel like that's the only way to win, ask for help. One of us will always be with you. Because if you do use it, even if you win, it won't make up for what you lose."
As you looked at Getou, although his voice was gentle, you could tell he wasn't actually there with you. He seemed to be reliving something in that mind of his. Eyes out of focus as he gently patted your hair.
Getou was saying to you, things he wished someone could have said to him all those years ago. Not those exact words, heck, maybe not even anything close to that. But all he wished for at that time was for someone to hear him and tell him it would be OK. It wouldn't fix anything. The path Getou was to walk on was fixed, predestined from the second he was born into this cruel world. But perhaps, it could have delayed the inevitable or helped him enough to not blame himself.
"Getou - san..." Tears built up in your eyes, gold trailing down your cheeks, and that seemed to bring Getou back.
"There, there, it's OK. We'll just be careful, Phosphophyllite only has a hardness of 3.5 after all." He teased, gently patting your hair. He couldn't change the past, but he could choose his future, and that's all that mattered.
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