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#maiko ogure
killything · 7 months
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kill la kill is ten!!! the anime that was my entire personality as a teen and is the reason I learned to draw!
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klkstuff · 3 years
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(Source)
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hatsampixie · 3 years
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This scene from episode 4 tho..
It was at this moment, she knew.. She screwed up.
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attichoney4u · 3 years
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Kill la Kill Foreshadowings: Episode No.4: "Dawn of a miserable Morning"
Hello beautiful people of the internet. My name is Mary and this post will present, as the title suggests, various foreshadowings shown in "Kill la Kill".
Before we get into the fourth episode, I have to warn you that this post is gonna be spoiler-heavy, so I recommend you checking out the series. If you have watched the series and don’t like it, don’t write mean comments. Ok?
Without further ado, let’s go!
The episode begins with Ryuko having a nightmare where Senketsu gets cut into pieces. In Episode 13, this actually happens.
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Maiko got a cast on her arm despite only being injured shortly before. That sounds fishy! Because she wasn't injured in the first place and had the cast the entire time, waiting for an opportunity to garner sympathy and join Ryuko and Mako. This is foreshadowed by her using her "injured" arm to drive the bus.
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Senketsu says that Maiko couldn't use him, because her blood was too salty. It turns out that Senketsu was explicitly designed to be worn by Ryuko.
That's all I've got to offer. Thank you for reading my post, and I am gonna be back next week. See you soon.😘
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meganegirloftheday · 4 years
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The Megane Girl of the Day is Maiko Oogure from Kill la Kill!
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gabriel-gabdiel · 5 years
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Years later and not a single anime episode since has managed to surpass this.
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dresspheres · 6 years
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90 Icons | Maiko Ōgure | Kill La Kill
90 Icons for Maiko Ogure from Kill La Kill (Anime)
Please like/reblog/message me if you plan on using.
Credit me if you edit them! Otherwise, credit’s very much appreciated.
Download link
Preview
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saltymatoi · 7 years
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some klk doodles, boy i missed drawing my girls..
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gothfairyprince · 7 years
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GOD i never post here anymore but here’s a lotta me from Anime Boston
Some parts were rlly incredible!!! I met a lot of really gr8 people! The last four being Lisa Ortiz and I nearly cried my lil heart out in front of her
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This was me in public school
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marshmallowgoop · 4 years
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Goop Plays Kill la Kill the Game: IF (Ryuko Episodes 5-8)
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It’s been a while.
Episode 5
Writing about these episodes has been a struggle. I wouldn’t be able to narrow down a single reason for my eight-month hiatus from IF’s story mode, but I can say that it’s difficult to talk about content that is overwhelmingly—and disappointingly—a rehash of scenes I’d already watched before.
Ryuko’s fifth episode especially feels like a game of “spot the difference.” Segments of Satsuki’s story are repeated with astonishingly minor changes, and while this has been an issue with earlier Ryuko episodes (1 and 3), by episode 5, it’s starting to feel very tedious.
I won’t deny that the slight alterations are charming—they very much are! Mako’s contribution to Ryuko and Senketsu’s fight against Nui, for example, is adorable:
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Mako: My dad says, “When you’re outnumbered, get more weapons!” An eye for an eye, a blade for a blade!
However, such minimal additions feel like a dishearteningly poor use of the player’s time. If I hadn’t already questioned it before, these chapters really made me question the choice of a two-campaign story mode. 
It’s not that I don’t see the appeal of such a structure; there’s something fun in telling one side of a story and then changing the perception of that story by telling another side of it. Plus, with IF in particular, I think there was a goal—at least to some extent—of confounding players with Satsuki’s ending. I could see Ryuko’s campaign as a means of making the plot more interactive, which is of course fitting for a video game. By not spelling everything out right away, players are encouraged to unravel the mystery and put the pieces together. 
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Satsuki: I had a bad dream....
But... there’s just too much overlap for me to feel that the two-campaign structure was the most effective storytelling decision. The choice perhaps makes more sense from a gaming standpoint; it’s easier to focus on one playable character rather than jump around between two. But I don’t know—perhaps it could have been fun to give players a feel for more of this game’s roster all at once. Maybe we could have played as the Elite Four or Ragyo or Nui, too.
Because from a story standpoint? One major letdown of Ryuko’s fifth episode is that actually fighting Nui completely lacks the power that the cutscene in Satsuki’s campaign has.
Sure, that scene certainly doesn’t have the impact of similar moments in the anime (episodes 18 and 21/22), but you can’t really expect it to, and it works well within the context of IF. Ryuko and Senketsu haven’t been through as much together, but Ryuko still keeps her temper under control to prevent a repeat of hurting Senketsu from it again, they burst into battle with “Before my body is dry” playing, and though the animations in the game can be stiff and limited, it’s still sweet. 
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Ryuko: Won’t know ‘til I try! So let’s do this!
They sparkle! Their hearts are as one! They’re uniting to take down this threat.
But in Ryuko’s story? You just fight the fight. You miss out on Ryuko shit-talking Nui, you miss out on the song (seriously, was it just the struggling Steam port, or does “Before my body is dry” really not play during the fight?), and most importantly, the emotion I get from the cutscene is largely lost.
Don’t get me wrong—skipping a repetitive scene is appreciated. But at the same time, the omission makes me long for a single story mode. Players could have fought Nui with “Before my body is dry” playing and watched the Satsuki-story cutscene upon victory. That bit of “Satsuki’s” story already focuses so much on Ryuko that in some ways, it honestly feels more “Ryuko” than Ryuko’s story! Why not just have a unified story mode?
Ryuko’s episodes shine when they significantly differ from what players already witnessed in Satsuki’s campaign. The very beginning of episode 5 is charming because seeing Ryuko just wanting to smash things is legitimately amusing.
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Ryuko: Oh! So, I just gotta smack ‘em all in the head.
But this could have easily fit into a single story that switched perspectives. And in fact, moving into episode 6...
Episode 6
It’s almost humorous that Satsuki’s story has purposeful omissions to “justify” the existence of Ryuko’s campaign. I am astounded at how Mako literally does not exist in the Satsuki equivalent of Ryuko’s sixth episode:
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Seriously, what? This reminds me of Kingdom Hearts jokes about how it’s rude of Disney movies to totally edit out Sora, Donald, and Goofy.
But jokes aside, the Kingdom Hearts comparison actually has some real weight in regards to IF. In Kingdom Hearts, the Disney worlds are—at least, in my opinion—the most fun and engaging when they do more than simply rehash the films they’re based on with Sora, Donald, and Goofy added. In the same way, Ryuko’s campaign in IF is the most fun and engaging when it does more than simply rehash Satsuki’s campaign with Mako added.
And why was Mako even literally edited out of Satsuki’s cutscenes in the first place? It’s really a bigger discussion, but this choice only adds to my frustrations with how Kill la Kill handles Mako’s character. I’ve already written about my beef with the anime in that regard, but IF is even worse. Mako’s so inconsequential to the story (at least thus far) that she can be totally cut out and have absolutely nothing change. For goodness’ sake, she sleeps for a good chunk of her screentime!
Which... is actually an issue I have with the Grand Summoners crossover game, too....
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Ryuko: She’s [Mako’s] already asleep!
But in any case, Mako’s presence in the IF story seems to be purely because she’s a popular character. It’s disappointing to me that Kazuki Nakashima couldn’t find more things for her to do.
And it’s sad that she’s literally edited out of Satsuki’s scenes. I really cannot get over that. What the what.
More to the actual content of Ryuko’s sixth episode, the first part is just old hash browns (plus Mako), but the second part is much more intriguing. I find it curious that Senketsu knows right away what the Primordial Life Fiber is, but Ryuko doesn’t. Does he have a connection with it that Ryuko lacks because her Life Fibers haven’t been awoken yet?
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Senketsu: That... is what’s known as the Primordial Life Fiber.
Also, same, Mako, same. I also call Nui and Ragyo’s Primordial Life Fiber-y attacks in this game “meatballs.”
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Mako: Ooooh! It looks like a big ol’ meatball!
I feel like my previous write-ups on IF already express a lot of what I could say regarding this episode, but I will again reiterate that the character interactions are charming. It’s nice to hear Ryuko laugh (even if in a taunting way), and the Elite Four are absolutely adorable.
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Ryuko: Ha! Whatever. I’d like to see you try!
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Houka: Oh, my God. Do they have to be so loud? Our enemies can hear us from a mile away.
And since this is a video game and all, in regards to the one fight in episode 6, it’s a bit of a pain; battling multiple enemies doesn’t make for the most enjoyable experience because of the camera and inability to properly lock on to targets. But IF excels in the little details. The dialogue when other characters join you for the fight is as amusing as always. 
There really should be subtitles, though. It’s super poor accessibility.
Episode 6 also briefly questions the nature of the world. Earlier episodes of Ryuko’s campaign had Senketsu—and Nui—note that something felt off about time. Here, Senketsu outright says that time in the Fiber Palace is “seems unstable,” and interestingly, the camera focuses on Ryuko when he wonders if it’s the location or “something else” that’s causing the abnormality.
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Senketsu: The flow of time here seems unstable. Is this place causing it to happen...? Or... is something else triggering it....
It’s not in this episode, but given that Ragyo later describes Ryuko as “the singularity,” perhaps she is the one messing up the world.
I think Ryuko sums up my thoughts, though.
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Ryuko: I don’t get what’s goin’ on.
Of course, probably the most notable aspect of episode 6 is the ending, and while I could see right through what was happening, I have to admit that Ryuko going at Mako with the Scissor Blades is a stellar finish.
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Ryuko: I still gotta get revenge for my dad.
Senketsu: What are you doing, Ryuko?!
Episode 7
However...
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Ryuko: Oh, blow it out yer ass... Nui Harime!
I got some issues with this.
For those who have been Kill la Kill-ing for as long as I have, you might remember that there was a flood of Mako-is-Nui theories immediately after the show’s finale. Amusingly, character designer Sushio outright denied the idea in a Tweet, and a Studio Trigger panel at Anime Expo 2014 (6th post from the top) also shot the notion down.
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aranbeik: is it [the Mako-is-Nui theory] true????
Sushio: It is no relationship at all
But fake Makos actually ain’t absent from Kill la Kill. In the official Drama CDs that came packaged with Japanese releases of the anime, there are two instances of fake Makos. The first happens in CD 1, where Maiko Ogure impersonates Mako for a huge portion of the runtime. The second happens in CD 4, where��“funnily” enough—Nui herself impersonates Mako after Ryuko has her heart brutally ripped out of her chest by her own mother.
And here’s my issue with IF’s portrayal: in both of these Drama CD cases, Ryuko is fooled. Mako isn’t Mako for tons of the first CD, and Ryuko doesn’t notice. And, in the Nui situation, it’s Senketsu who has to tell her that the “Mako” before them is not actually Mako. Which goes completely counter to what IF does!
It’s not that I’m against Ryuko recognizing a fraud, but her inability to in the Drama CDs lends insight into her character that I find fitting. Ryuko fails to identify the fake Makos in the CDs because Ryuko initially closes her heart off to the girl—something she outright admits in episode 22 (and which the English dub makes particularly prominent).
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Ryuko: Yeah, you [Mako] too! You’re like the most persistent chick I ever met! You didn’t care if I pushed you away! You kept coming back and coming back like a yo-yo!
However, after ripping Junketsu from her body, Ryuko becomes far more open, and it’d be really powerful for her to correctly identify a fake Mako then. It’d show how their relationship has grown and become stronger.
In IF, Mako and Ryuko have hardly had the development they undergo in the anime, and further, Ryuko’s explanation for how she knew it was Nui doesn’t make a lick of sense!
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Nui-Mako: How’d you know it was me?
Ryuko: Easy! After Mako wakes up, she’s always got drool on her face.
As Ryuko seemed to have already deduced that “Mako” was Nui before even looking at her, how in the world does this work?
Episode 7 has more questionable character writing for Ryuko later on, too. I’ve already written at great lengths about how I find her attitude regarding murder totally OOC, but Nui’s death scene also has such a strange line regarding Ryuko’s feelings towards Satsuki:
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Nui: Guess who ordered me to take the Rending Scissors from your daddy! Give up? It was Satsuki!
Ryuko: If she did, she musta had a good reason for it.
As sweet as the sentiment is, and as much as I understand that it’s there to point out how not even Nui can tear apart Ryuko and Satsuki’s bond, it leaves me totally baffled. Satsuki must have had a good reason to issue the order that killed her father, and Ryuko’s chill with that? At this point in the story, the kind of unwavering faith in Satsuki that Ryuko displays here is completely unearned. I could see Ryuko at the end of the anime feeling this way, but IF Ryuko? Not at all! She barely knows Satsuki!
But for all my gripes regarding the storyline, we Kill la Kill fans are starving. (Well, at least I am, anyway.) Even if Ryuko’s words to Nui make no sense, it is something I would have liked the anime to explore more, and the character interactions here are undeniably sweet. I love Ryuko and Senketsu’s banter and how it shows how comfortable and in tune with each other they are. I love Ryuko’s silly dialogue to Satsuki and how Satsuki smiles at it, telling us that even the “ice-cold” Student Council President can’t help but get a bit soft at this dorky shounen protagonist.
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Ryuko: I hate family drama. But I said I’d save Satsuki, sooo...
Senketsu: I had a feeling you’d say that.
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Ryuko: Looks like you’re having a really shitty day, Satsuki!
The battle that finishes up this episode, with “Blumenkranz” playing in the background and the Elite Four and Satsuki joining the fight with cute dialogue, is a joy, too. There are a lot of little details that I really appreciate.
(I also realized this time around that you can stop Ragyo’s Instant Kill and didn’t get obliterated by Shinra-Kouketsu like I did in Satsuki’s story.) 
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Ragyo: Your sins shall be purged along with your pathetic body!
Episode 8
But in regards to the plot of IF, Ryuko’s eighth episode finally starts dropping some more answers. As the ending of Satsuki’s story had implied, the world is outright said here to be her dream, created from Junketsu:
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Ragyo: Junketsu took your [Satsuki’s] dreams and made them tangible. That is the distorted world we see now.
However, I still can’t say I get it. When Satsuki wakes up at the end of her story, it’s the start of episode 1 of the anime. She hasn’t come into contact with Junketsu yet, so how has this distorted world even been created in the first place? I guess Life Fibers can just mess with time?
I’m also kinda amused that the world is said to be what Satsuki wants to happen, yet she describes it as a “bad dream” when she wakes up.
But the big “new” information is Ragyo’s assertion that Ryuko is “the singularity”:
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Ragyo: I knew it. You were the singularity, Ryuko Matoi.
As Ragyo explains, she could have taken over this fake world (and perhaps merged it with the real one, judging by her comment in Satsuki’s story about how such a world “can even be spun into a single yarn with the Primordial Life Fiber”), but Ryuko got in the way:
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Ragyo: Since my Life Fibers are much more powerful than Junketsu’s, I could’ve taken this planet over. Then, I could’ve enslaved humanity and begun the process of turning it... into a Cocoon Sphere. Yes, I could’ve. If it wasn’t for your existence, Ryuko Matoi.
Now, there have been hints that something’s up with Ryuko all throughout IF, but I can’t say I really know what to make of it. Senketsu remarks that Ryuko’s oddly strong in the first episode of her campaign, Ragyo adds to this and suggests that Ryuko’s affecting the Primordial Life Fiber in the same episode, and then, there also seems to be the implication that Ryuko is triggering the weird sense of time in her sixth episode. The final episode of Satsuki’s story seems to feature Ryuko absorbing Life Fibers, too.
It makes sense for Ryuko to affect Satsuki’s dream world, of course; Ryuko has Life Fibers in her, and she’s also the sister whom Satsuki is ultimately fighting for. I’ve seen theories that the Primordial Life Fiber takes on the shape of a baby to represent the baby sister Satsuki thought she’d lost (and at least in the English dub, Ryuko does refer to the baby as a “she,” further connecting the baby to the lost sister); so perhaps, even if Satsuki doesn’t recognize her connection to Ryuko, maybe the Life Fibers do. Ryuko has power in the dream world because, in a lot of ways, Ryuko is Satsuki’s dream. Maybe that’s the reason that Satsuki only gets flashes of scenes between her and Ryuko in the anime when the baby connects with her, too.
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Who knows? I can only hope that episodes 9 and 10 will clear this story up.
I’ve obviously got a lot of questions, but I know this is basically the end. I’m not sure how much explanation to expect going forward, and I’m still wondering about things that don’t even necessarily (?) have to do with the dream world, too. Like, whatever was the point of that moment with Ragyo and one of Senketsu’s scraps? And what was bothering Shiro?
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Shiro: There’s just one thing that bothers me...
I said in the beginning of this tl;dr report that I couldn’t pinpoint a single reason for my inability to write it for eight months. But maybe part of the reason is that it’s kind of nice to not know the ending. As long as I don’t play it, there’s still some official Kill la Kill content that I haven’t experienced yet, and it could be anything.
But at the same time, I don’t know how much longer I can go without seeing Senketsu-Kisaragi, so.
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The thing—i.e., this monstrous essay—that was holding me back from playing through to the end is now complete! And I’m ready to finally finish this game.
Here’s to hoping that the finale is satisfying 🤞
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coolyo294 · 7 years
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remember how the best character from kill la kill was maiko ogure 
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getrecklcss-blog · 7 years
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HEAD CANON TIME 
I just wanna say that my ryuko is A VERY VERY MATERNAL figure. However most really don’t see this, and when you do it’s very awkwardly executed but genuine. She cares deeply for people if you get past her hardened exterior. Even if yOU DON’T get past her thick walls, we can see that in episode 4 with maiko ogure she does care and protect people with little persuasion. LITTLE MEANING SHE DOES NEED THAT EXTRA OOMFp like Maiko had to change up her strategy. If you’re begging for help, ryuko is not one to deny. 
HOWEVER ryuko is DEFINITELY good with kids. More for the fact that she can see herself in them. She never wants to treat a child and make them feel like she felt when she was growing up. AND KIDS LOVE HER TOO USUALLY she’s a good babysitter very chill. Never too strict but always keeps them in check. 
and as a mom, she’s definitely a little lax. As long as you’re not breaking rules like curfew and skipping school, ryuko doesn’t dish out too much punishment. She’ll let you make mistakes and choices because she can’t protect her child once they leave the nest. She knows that. 
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aviatrix88 · 7 years
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Sushio’s 2017 New Year’s countdown from Twitter, part 1
5. The Mankanshokus 4. Nui Harime 3. Maiko Ogure 2. Aikuro Mikisugi 1. Takaharu Fukuroda 2017: Shiro Iori
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