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blue-ravens · 2 years

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David Ogden Stiers, Major Winchester on ‘M*A*S*H,’ Dies at 75

David Ogden Stiers, left, with Harry Morgan and William Christopher in a scene from “M*A*S*H.

By Anita Gates (04 March 2018)

David Ogden Stiers, the tall, balding, baritone-voiced actor who brought articulate, somewhat snobbish comic dignity to six seasons of the acclaimed television series “M*A*S*H,” died on Saturday at his home in Newport, Ore., a small coastal city southwest of Salem. He was 75.

His death was announced on Twitter by his agent, Mitchell K. Stubbs, who said the cause was bladder cancer.

Mr. Stiers joined the cast of “M*A*S*H” in 1977, when Larry Linville, who had played the pompous and inept Maj. Frank Burns, left the show. The series, a comedy-drama set in a Mobile Army Surgical Hospital during the Korean War, required a foil for its raucous, irreverent, martini-guzzling leads, Hawkeye Pierce (Alan Alda) and B.J. Hunnicutt (Mike Farrell), and Mr. Stiers’s imperious Maj. Charles Emerson Winchester III seemed to fit the bill.

Winchester’s upper-class Boston priggishness, however, turned out to be balanced by impressive medical skills, a heartfelt appreciation of the arts, real wit and a surprising level of compassionate humanity. Winchester was, unlike Frank Burns, a worthy adversary.

From the beginning, Mr. Stiers said, he felt confident about playing Winchester. “It’s just a matter of isolating the traits” from others in his own personality, he told The Salt Lake Tribune in 1977. But he confessed to one definite difference between himself and his aristocratic character. “Where he wears a smoking jacket to bed,” he suggested, “I often wear nothing but socks.”

The role earned Mr. Stiers two Emmy nominations (in 1981 and 1982). He was nominated a third time, in 1984, for his lead role in “The First Olympics: Athens in 1896,” a dramatic mini-series.

In a statement after his death, Loretta Swit, who played Maj. Margaret (Hot Lips) Houlihan on “M*A*S*H,” called Mr. Stiers “my sweet, dear shy friend,” adding, “Working with him was an adventure.”

Mr. Stiers, right, with Mike Farrell and Alan Alda on the set of “M*A*S*H” in 1980.

David Allen Ogden Stiers was born on Oct. 31, 1942, in Peoria, Ill., the son of Kenneth Stiers and the former Margaret Elizabeth Ogden. The family later moved to Eugene, Ore., where David graduated from high school.

After briefly attending the University of Oregon, he headed to California to pursue an acting career and worked with the Santa Clara Shakespeare Festival in California for seven years. In the late 1960s, he moved to New York to study drama at Juilliard.

There he became a member of John Houseman’s City Center Acting Company, making his Broadway debut with the company in 1973. He appeared in “The Three Sisters,” “The Beggar’s Opera” and three other plays, which ran in repertory.

He continued to appear on the New York stage in the 1970s and returned to Broadway later in his career, playing a beloved wartime general in the 2009-10 holiday run of “Irving Berlin’s White Christmas.”

Mr. Stiers as Reverend Brock in the musical “Tenderloin” at City Center in 2000.

Mr. Stiers had made his film debut with a small role in Jack Nicholson’s counterculture classic “Drive, He Said” (1971). That year, his voice was heard as the announcer in George Lucas’s debut feature film, the dystopian sci-fi drama “THX 1138.”

Voice roles went on to become an important part of Mr. Stiers’s career. He was in the cast of about two dozen Disney animated films, including “Lilo & Stitch” (2002), as the villain Jumba Jookiba, and “Beauty and the Beast” (1991), in which he was the voice of Cogsworth, a strong-willed pendulum clock. That character, often described as “tightly wound” and “ticked off,” suggests to the Beast at one point that he woo his love with “flowers, chocolates, promises you don’t intend to keep.”

Other movie work included roles in “Oh, God!” (1977), “The Man With One Red Shoe” (1985), “The Accidental Tourist” (1988) and four Woody Allen films. (He was a peculiar hypnotist in Mr. Allen’s “The Curse of the Jade Scorpion.”) His last screen appearance was in “The Joneses Unplugged,” a 2017 television movie about technology overload.

Like his “M*A*S*H” character, Mr. Stiers was a devoted fan of classical music. He conducted frequently and was the resident conductor of the Newport Symphony Orchestra (formerly the Yaquina Chamber Orchestra) in Oregon.

He never married. Some reports have suggested that he is survived by a son from an early relationship.

In early 2009, at 66, Mr. Stiers announced that he was gay and “very proud to be so” in a blog interview that was reported by ABC News. His secrecy, he said, had been strictly about the fear that openness about his sexuality might affect his livelihood. Now he regretted that.

“I wish to spend my life’s twilight being just who I am,” he said.

#i've not been able to read it since 2018 and i kinda needed to cry over it again #and sorry to kick off october on a sad note but i wanted this preserved somewhere that wasn't behind a fucking nyt paywall #shoutout to 15ft who always has my back <3 #also thanks to finding this again i found a copy of 'tenderloin' cast recording on ebay so maybe i'll upload that later #i mean i'd like to unpack literally everything in this but tbh i just want to present this without comment and just let it be #david ogden stiers #mash #blue's post

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twentiethcenturymoviesandtv · 3 years

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M*A*S*H: The Characters Part 4: B.J. Hunnicutt, Sherman Potter, Charles Emmerson Winchester III and Conclusion

Of all of the cast shake-ups throughout M*A*S*H’s run, none were more impactful on Hawkeye Pierce than the departure of Trapper McIntyre.

The original ‘sidekick’ and best friend archetype, Trapper’s absence at the 4077th immediately took its toll on Hawkeye, who came back from R&R to find that his best friend had left without a note. For both the audience and Hawkeye, however, there wasn’t much of a wait before his absence was filled with a newcomer: Captain B.J. Hunnicutt (Mike Farrell).

A surgeon hailing from San Francisco, California, B.J. was a newcomer, fresh out of med-school and completely unused to the horrors of front-line surgery. Introduced at the start of the new season, (meeting Hawkeye in the middle of his frantic attempt to say goodbye to Trapper) it became instantly clear that he was no ‘replacement’, but instead almost an opposite, a foil to the previous character’s archetype and to Hawkeye himself.

Where Trapper was a womanizer, B.J. was a loving, devoted husband and family man, a Nice Guy who started the show out as a tad naive, gentle, and idealistic. He was a prankster, sure, but he was more likely to take a stand and argue with Hawkeye than Trapper had been, possessing a temper that, once roused, could be dangerous (leading to at least one physical altercation with Hawkeye). At the beginning, the ways of war are a sudden jolt to him, one that he doesn’t necessarily take well. As with every character, as time goes on, B.J. began to change as a result of the war, growing a mustache in a distinct ‘anti military’ move, and becoming more jaded, slowly evolving into the cynic between himself and Hawkeye.

B.J. was a good man at heart, as concerned for his patients as Hawkeye, but without the level of external breakdown that Hawkeye tended to go into. More of a Tranquil Fury type, B.J. managed to keep a reasonably cool head, (most of the time) and acted as a Morality Chain, a voice of reason where Trapper was an encourager. He was a more mature character, a husband and father increasingly feeling the wear and tear of being forced miles away from his family without any way to see his daughter grow up. He also possessed a nasty jealous streak, seen often when Hawkeye mentioned how much Trapper had meant to him.

Despite their differences, B.J. and Hawkeye became very close friends throughout the show’s run, constantly having each other’s backs and being each other’s coping mechanisms through the horrors of war. As surely as the others, B.J. became part of the 4077th’s family, and as a result, his character required the same amount of closure that the characters that had been there from the beginning deserved.

At the end of the show, B.J., like the others, gets to go home, and we as an audience learn that B.J. really doesn’t like saying goodbye.

After dancing around it through an entire episode, B.J. leaves a final farewell message to Hawkeye, (and the audience) in a heartfelt display of affection to his best friend, the man who made Korea bearable for him. In the end, in a fitting display of the entire basis of his character, B.J. does what Trapper never did: he left Hawkeye a note.

But he wasn’t the only newcomer to make an impression.

Following Henry Blake’s death, the 4077th was in desperate need of a commanding officer (someone to relieve Frank Burns from his tyrannical reign), and replacement came in the form of Sherman Tecumseh Potter.

In much the same vein as B.J. was the complete opposite of Trapper McIntyre, Colonel Potter was very much the Anti-Blake, in the best way possible. A career army-man, Potter was both a dedicated surgeon and a dedicated army man, on his third war. Hailing from Hannibal, Missouri, Potter was just the man to shape the 4077th into some semblance of order, following Henry’s bumbling chaos.

Although still a Reasonable Authority Figure with a sense of humor, Potter was no pushover, standing his ground against Hawkeye and B.J.’s schemes and Frank Burns’ wheedling. A Father to His Men (and an actual grandfather – Potter was another family man, a direct contrast with Henry’s cheating), Potter settled in instantly, a Cool Old Guy with a love of westerns and horses who could be empathetic and caring for his unit in their moments of weakness, and also make sure that Klinger didn’t get away with this week’s Scheme.

Potter was probably one of the characters who developed the least as the show went on, most likely due to his already settled personality as an ‘Old Soldier’, but by no means did he leave Korea unchanged. As the show went on, Potter had moments of hidden depths, notably in terms with hearing the news that the last of his old squadron had died. Potter often grappled with his age, sometimes causing him to feel competitive with his surgical abilities, attempting to prove that he could keep up with the younger doctors. Like the others, despite his age and experience, Potter was very human, afraid of making mistakes, and, after three wars, was thoroughly tired of the killing.

“They keep inventing new ways to kill each other. Why can’t they invent a way to end this stupid war?”

After the war ended, Potter, too, got to go home to his wife, Mildred, saying goodbye to his newfound family, and receiving a genuine salute from both B.J. and Hawkeye, becoming one of two characters Hawkeye ever saluted (the other being Radar). In the end, Potter had his unit’s affection and respect, and left Korea with dignity.

“Well, boys – it would be hard to call what we’ve been through fun, but I’m sure glad we went through it together.”

Despite beginning the show as a potential ‘replacement’ for Henry Blake, he ended it, much as B.J. did for Trapper: as an entirely new character in his own right, who changed the dynamic of the unit in general, bringing a wholly unique style to his command, and the show in general.

But there was one other character who had yet to appear on the show: another ‘replacement’ character who quickly proved that he was no simple replacement.

Exit Frank Burns, replaced with Major Charles Emerson Winchester III (David Ogden Stiers).

Charles Winchester, originally from Boston and then stationed in Tokyo, was a thoracic surgeon and pediatrician, and very good at it. Born into a wealthy family (Very Blue Blood) and schooled at Harvard, Charles was an asset to the 4077th once he was assigned there, (after trouncing a commanding officer at cards and boasting about it) despite multiple pleas to the unmoved Colonel Potter to be reassigned.

“But, know this: You can cut me off from the civilized world, you can incarcerate me with two moronic cellmates, you can torture me with your thrice-daily swill, but you cannot break the spirit of a Winchester. My voice shall be heard from this wilderness, and I shall be delivered from this fetid and festering sewer.”

As with Potter and B.J. before him, Charles proved very quickly to not simply be ‘the new Frank Burns’, displaying instead a completely separate and different series of personality traits, not the least of which was competence.

While Frank’s less than stellar abilities as a surgeon were repeatedly the butt of many jokes (and a source of superiority for Hawkeye, Trapper, and B.J.), Charles was legitimately excellent as his job, his only difficulty being adjusting to the pace and style of ‘meatball’ surgery when not able to utilize the time and equipment available in high-end hospitals. But there was more to Charles than simply being good at his job.

Charles joined the cast to fill in as an antagonistic character, a role vacated by Margaret several seasons ago, and a part left entirely empty thanks to the departure of Frank Burns. However, while Burns tended to be ineffectual, more of a nuisance than a problem, a consistently ‘inferior’ character who was always obviously wrong, Charles typically had more weight and reason to his actions. While consistently butting heads with Hawkeye and B.J., Charles’s snobbery and selfishness could be treated as a joke, yes, and his character overall as ‘worse’ than the other two Swamp inhabitants, but at the end of the day, Charles was simply more human than Frank, and thus, a lot harder to hate.

Despite multiple attempts to ‘Break the Haughty’, Charles remained steadfast and stubborn through his time in the war, a Gentleman Snarker who slowly revealed a Jerk with a Heart of Gold type of personality. He had a great sense of Family Honor, and despite his Insufferable Genius tendencies, proved that he had Hidden Depths, (and a potential history of a Lonely Childhood and Parental Neglect) which occasionally showed to prove to the audience, and the rest of the 4077th, that Charles was no Frank Burns. Indeed, despite never losing his position as a ‘foil’ to the 4077th cast, Charles remained a proud, but good man from the moment he arrived until the moment he left, another symptom of a show who had matured past the need for cartoonish sit-com villains.

Despite the fact that Hawkeye never succeeded in breaking the ‘Winchester spirit’, Charles did leave Korea a changed man. Besides learning to operate in horrendous conditions, at a pace designed merely to keep people alive and not much else, Charles took one final blow in the M*A*S*H finale: “Goodbye, Farewell and Amen” that spoke to both his character, and the toll that war takes in general.

Throughout the show, it was made abundantly clear that Charles adored classical music, viewing it as a haven away from the war, allowing him to forget about it for a little while. His love for music enabled him to connect with a group of Chinese prisoners of war, who know some Mozart. Throughout the episode, Charles teaches them some more, bonding with them until a prisoner exchange sends them away.

Later, the POWs are killed en route to the exchange. As they’re brought back to the 4077th, only one is still alive, and he dies before Charles even has a chance to operate. This devastates him utterly, to the point where he destroys his own record of the song he’d been trying to teach them.

“For me, music has always been a refuge from this miserable experience… now it will always be a reminder.”

In the end, Charles gets to go home, and in a sign of how far he’s come, he leaves the 4077th on the last remaining vehicle, a garbage truck, with utmost dignity, remarking that it’s only fitting. Charles leaves his 4077th family, and the audience, in a somewhat surprising turn of events, misses him, is sorry to see him go in a way that we were never sorry for the absence of Frank Burns.

There were other characters, sure: the paranoid Colonel Flagg, the kitchen and mess hall staffer Igor, Klinger’s mortal enemy, Zelmo Zale, Ascended Extra fan favorite nurse Lieutenant Kelleye, and sympathetic psychiatrist Sidney Freedman, or Margaret’s less than stellar husband, Donald Penobscott. This was more evidence for the care and realistic development that the M*A*S*H world was given: a variety of people filling in alongside the main cast, making a comfortable family that over eleven years, viewers got to know very well.

In the history of television, very few casts have had the lasting impact on viewers the way the M*A*S*H cast did. At the end of eleven years, the audience was owed that finale, a way to say goodbye in a fulfilling way to characters that had become very familiar, important, almost real to viewers who had been tuning in to see them grow and change for over a decade.

The cast of M*A*S*H each served a place in the stories, with unique characters with depth and personality that transcended the flat character types typical of sitcoms just a tad previously. The audience knew these people. They liked these people. Every character feels real, genuine, and memorable, and their dynamics are nearly as memorable as the characters themselves.

Throughout the show, you watched these characters grow and change, finding new ways to approach situations, as viewers got familiar with the core traits of their individual personalities. They work very well as characters, as people, both entertaining and compelling figures for the audience to want to spend time with every week. They felt real, like people you could know in real life.

And it worked.

M*A*S*H’s characters are still loved to this day, for being both entertaining and stellar examples of what happens when television characters are written like real people, with flaws and growth and kindness in varying doses.

In the end, it is that humanity in each character that gives M*A*S*H it’s longevity, and what places these characters as some of the most iconic and beloved in American television history.

Thank you guys so much for reading! Join us next time as we discuss M*A*S*H’s place in the times and the culture. If you have anything you’d like to say, don’t forget to leave a comment! I hope to see you all in the next article.

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