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#makes me feel a bit better
xoxoemynn · 9 months
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Hi, if you've sent me asks/messages in the past week-ish and I haven't responded I'm not ignoring you. Just a ton going on leading up to the funeral and also my energy is a fleeting and fickle thing and maintaining even the simplest of social interactions feels a bit like a fool's errand but I promise I'll respond next week. I love and appreciate you deeply. 💕
To make up for it, have Daphne snoozing with my stuffed Eeyore.
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unlikelywrestlingfan · 5 months
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shoutout to @turbobackpack for letting sick me know that bcg lost <3
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hibanakabu · 2 years
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"You're a somebody! You are talent! You're amazing!"
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cuddlytogas · 16 days
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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chiliyue-archived · 5 months
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cause i love to love, to love, to love you
↬ in which you have him all lovesick and smiles
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includes; dazai, chūya, atsushi, fyodor
notes; i am gonna pretend i didn’t disappear for 2-3 months. this has been in my drafts for so long :( i tried to clean it up as much as i could but it’s really old jfjdks
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DAZAI
dazai appears happy. present tense.
his typical inquiries for double suicides came to lessen to conscious degree, substituting in drinking sake together when the sun cowers, nothing but a string of nonsensical chatter proceeding each sip.
he was sticky like that: unannounced visits, impromptu phone calls, sudden changes in his schedule to accommodate yours. in any case, he isn’t one to shy from stooping as low as whining if it rewards him with your familiar face.
( his windpipes splinter before he could mutter it out loud, but the solitude that’s wedged deep in his bones for so long felt lighter when you were near. he questions how long such benevolence would last before becoming sullied by his hand… ).
…and yet all things considered, it hasn’t deterred him from courting you nonetheless. at times he can’t help but think he’s taken a bite of his own medicine when he’s the one skipping around like a helpless maiden.
and yet again in spite of it all, his brazenness remains perpetually untouched as ever. he entertains different approaches if only to coax out a new reaction from you and he’s not bashful in the slightest. so much so, he remains unruffled even under the scrutiny of your coworkers.
. . .
“ this is highly unprofessional.”
“ don’t be so mean, bella. don’t you know how much i missed you?”
your eyes flit down to the man currently using your lap as a headrest, the rest of his body stretching over the expanse of the couch. he was shameless, that much was certain, but his ability to remain unperturbed whilst in his lovey dovey state was impressive. you cocked a brow, sighing.
“ osamu.” his lips visually twitched at the call of his name; it’s a word warm on your tongue but leaves the hairs on his nape at your mercy anyway. " you saw me fifteen minutes ago—”
“ twenty.” he corrected, cheeky (and quite frankly, you wouldn’t be surprised if he pulled that number out his ass). “ but it was the longest twenty minutes of my life.”
he was unrepentant as ever, experimentally positioning his head to rest on the plush on your thighs. by muscle memory, he began to absently draw shapes wherever he could reach, a crude rendition of stars decorating over the bend of your knee.
he smiles innocently when you squint at him, the gleam in his eyes unwavering. “ only a couple more minutes and i would have been yours,” you mutter out, your voice not as sturdy as you hoped. “ at home.”
dazai almost turns pouty at that. almost. “ but my love, i’ve missed you like crazy. twenty minutes is too long, how can i possibly manage?” the words come out through a breathy exhale and you watch as his lashes kiss his cheeks when he flutters them closed. “ all i could think about is you. and now i have you right here.” he hopes his words carry as much truth as the way his heart does, scurrying away the cold that's mocked him for so long. “ can’t we just stay like this a little longer? pretty please?”
resigned to your fate, you could only clamor your palms over your features— if only to salvage your waning dignity from your coworkers.
unfortunate though… that in doing so you miss the blissful smile curling on his lips as he peeks at you from below. and atsushi notes(after throughly grimacing, not expecting him to be so blunt), it reaches his eyes too.
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CHŪYA
" chūya-"
" you can't flirt with me. i have a partner."
terse, stubborn and slurred. if the groggy voice wasn’t enough to confirm your suspicions, the shit-face look belonging to your boyfriend did. he was drunk. wasted if you were to speak bluntly.
in truth, it really doesn’t come off as much of a surprise; his ability to hold his liquor was nothing to brag of (despite what he may profusely argue) and you’re half-convinced he’s already forgotten his own name.
still, you don’t loosen your grip on his sleeve even under the figurative holes he’s burned with his stare. “ chūya. i am your partner.”
“you—! wha-!” his voice erupts into a sudden warble, eyes akin to saucers. " you… you are??"
he takes what’s left of his thinning rationality to study you proper; the style of your hair, your clothing, the smell of perfume/cologne, the familiar quirk of your lips—
oh, he thinks as you push back the loose bangs veiling his face. he doesn’t make any attempts to move, feet stalled and eyes blinking, evidently stunned.
you decide to press on. “ do i look familiar now…?” the lilit of your voice grazes against his ear, plucking out a faint memory tucked somewhere in the crevice of his fuzzy head.
oh. he thinks twice, the stern look bruising his face thawing.
without realizing it, he squares his shoulders in any attempt to remedy his current disheveled appearance, slumped posture pulled taut in— what he hopes— was a more put together frame. conversely, he wobbles on his feet when you continue to eat away at the distance, the ghost of your touch pushing pinpricks into his skin.
“ you’re- you’re really all mine…?” he cringes as soon as it leaves his mouth, coming off eager and hopeful. something like a laugh escapes you and he can’t tell if that’s what made his stomach turn or the alcohol. perhaps both.
“ that’s what i’ve been trying to tell you. you’re so stubborn when you’re drunk.” you punctuate the words with a kiss to his cheek, now warm with revelation. chūya, exhausting the last bits of his energy, shrinks beneath it, a gloved hand clutching his reddened face defensively.
“ why haven’t i made you my spouse yet?” he remarks it so suddenly, you nearly choke on air. he can’t even comprehend what you say thereafter or register the look beginning to contort your features, nothing but liquid courage keeping him afloat.
but- well, if there’s anything the haze trotting his head and his thinning cognition could agree on, it’s that your ring finger appears a little too barren for his liking.
( but not for much longer, he hopes )
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ATSUSHI
the sudden change in atsushi’s behavior was a notable observation within the ADA, many of whom watched as the weretiger became stupefied by a face belonging to you. it wasn’t long before concluding it was all the result of a crush; the culprit of which being atsushi himself who played his hand poorly at discretion.
the lovesick chatter would leave his mouth without much rationality, waxing of "[name] this" or "[name] that," and effectively becoming on the receiving end of his praises. it was almost a routine of sorts, occupied by stutters, belated responses and his fidgety footfalls. by the end of it, he fruitlessly attempts to steady his rabbiting heart— if only to stop his blush from staining beyond his cheeks.
even now as he silhouettes by the agency door, the rattle of rain is deafened by the rush of blood to his ears. he anxiously worries the handle of the umbrella in his palms, bouncing from one sole of his feet to the other. should he just ask you? maybe he should wait… now that he thinks about it would be more appropriate to just leav—
“ damn it.” he perks at your sound of displeasure, his heart spiking. “ so much for leaving in a hurry…” you stiffen, realizing you have nothing but a coat protect you from the weather. the flimsy jacket you hurriedly plucked from your wardrobe only added flavor to your disappointment.
atsushi doesn’t miss the opportunity; his feet carries him to you before the unpleasant voice lurking deep in his subconscious bullies him otherwise. “ we can share,” he gestures to his own, silently praying his voice was leveled. it wobbles anyway and by now his knuckles are sheen white as a product of his nerves.
with the organ jumping around in his chest, he almost doesn’t register your ‘thank you,’ only that his fingers were quickly undoing the straps of the umbrella before you could change your mind ( he impulsively bought it earlier that day— his previous pair worned out and far too tiny for two people. but when you thank him with a kind smile, hands slightly brushing with each step, he argues it was the best 800 yen he’s ever spent ).
… that said, a more appropriate question is how you managed to remain naive to all his pining for so long— he’s become despairingly obvious against his own good and yet he can’t find it in himself to change himself, a perpetual lovesick look copy and pasted whenever you entered his proximity.
the same can't be said to everyone else however and he wasn’t particularly pleased when he caught wind of the bets exchanged among his treacherous colleagues. he fears it's only a matter of time before one of them blabs their tongue to you. at this rate, perhaps one of them should.
. . .
" y'know atsushi," ranpo once said, offering his companion a gleaming simper. " you reallllyyy talk about [name] a lot."
"oh.”
his heart flutters, eyes slowly blinking.
" yeah,” he smiles. “ i guess i do.”
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FYODOR
" you've been awfully quiet, my dear." fyodor’s voice was just loud enough over the sound of clashing cutlery, fixing you a gaze of genuine interest. " is the meal not to your liking?"
you feel your lips twist into a frown. for being attentive, he (for once) falsely saunters pass the source of your displeasure, failing to recognize the extent of your internal woes. " no- no-" you fidget with your fingers, ignoring the way your propped elbows skidded against the table. the behaviour doesn't go unnoticed by the former, who takes it upon himself to hook his index fingers with yours. “ there’s something i’ve been meaning to ask of you. a… request of sorts.”
“ what is it? i’ll have it shipped to you by the end of the week,” he offers generously though it quickly fades into a confused hum when you shake your head at the proposition.
" it isn’t something you can buy…” you drop your gaze from him to the scantly poked portions of cuisine on your plate. fearing he may misinterpret your words and assume it to be unattainable - perhaps gifting you something ludicrous as a piece of land - you amended quickly. " it’s not what you assume to be either.”
at that, he bums questioningly. “ then what displeases you, my darling?” he provides a faint squeeze to your hand, igniting something warm and paradoxical to his thin layer of frigid skin. “ what can i offer to rid you that frown?”
" just your company.”
" my company?"
" yes." perplexed, he cocks his head; an invitation. willing an inhale to your lungs, you took a moment to gather possession of your words. “ these days you've been rather occupied. i was hoping for perhaps… if we may spend some time together?"
fyodor appears vaguely surprised by that, something unfamiliar fortifying around him. requesting his time felt like a hefty expenditure just in itself and it wasn’t too far fetched to assume he’ll disregard it in favor of some plot embellishing deep within his brain. but a swift refusal never comes.
“ i see,” he finally says after a brief pause. his voice was so soft you wondered if it was meant for you to hear.
it's grows quiet before he speaks again, the fingers curled around your hand withdrawing but not before providing the tips a delicate squeeze. " i can arrange some time tomorrow for you,” he proffers. “ will that satisfy your request, myshka?"
hardly anything can catch fyodor off guard, but something had to be said in the way you brightened at the suggestion, a deep curve coasting over your lips. how pleasant you are.
" yes," you hastily replied, dipping your head slightly. " more than perfect. thank you."
the way your lineaments crossed into a smile was always enduring to observe — exasperated, but one he wouldn’t mind seeing tomorrow knowing he was the cause for such elation.
( idly, he wonders what he can do to see it again ).
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A/N !
i’ve been meaning to post this for months but it’s so old & i never quite (and still kinda don’t) liked it :(( fyodor’s is bit ooc jfjdkskla
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tubbytarchia · 2 months
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Somewhere in the woods, a moth tires of seeking light
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queruloustea · 4 months
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hm sofft vessel
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myosotisa · 1 year
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Eddie walks in on you crying and he is immediately dropping to his knees.
Maybe you'd try to hide it. You don't like to show intense emotion like that, especially not in front of other people. Maybe it's been building for a long time and you just break without warning.
You're sitting at your desk with your face tucked into your shirt, tears streaming, hiccuping gasps, mouth contorted in a silent sob. Willing it to stop, to get back in control, for the sorrow to remove it's claws from your chest and let you breathe again.
Eddie edges the door open with his foot, about to bust in and shower you with affection, but the moment he sees you, hears your small cries, everything stops. He's across the room and to your side in 3 long-legged steps, dropping to his knees with his hands hovering, torn between wanting to grab you and tuck you into him and wanting to respect any space you need.
"Sweetheart, what's wrong? Are you hurt?" His concern just makes you cry harder, hiding further into the neck of your shirt, back bending as you try to curl in on yourself. Eddie's heart breaks, his hands curling into tight fists as he battles his own indecision on what to do. "Baby, please talk to me. Can I hold you? Please."
Despite everything in your brain just wanting to be alone, to suffer in silence, to not show this side of yourself -- your heart wins out. You drop the curtain of cotton hiding your ruddy and wet face from him and reach out like a child. It makes you feel like one. But Eddie doesn't hesitate. He drags you out of your chair and onto the floor with him, tucking as much of yourself into him as he can. Arms wrapped around, thighs under yours, shaggy hair making a new curtain to protect your vulnerability from anyone other than him.
He covers you with warmth and care like a fiberglass blanket over a fracturing fire and it breaks you to pieces. Sorrow for yourself, for how you're feeling, for how hard it is to accept this comfort, for how much it means to you to finally have it now. For how willingly and readily Eddie was prepared to give it.
He holds you as you cry, whispering sweet things into your hairline like, "It's gonna be okay, baby, I've got you. I'm here." Rubs your back in little circles, presses his fingertips tighter when you cry out louder as the waves crash over you. He keeps holding you as your crying starts to die down into little sniffles, as your breathing evens out. He doesn't let go until you start to pull away, and even then it's with reluctance.
The moment he can see your face again he's cupping it in his big palms, eyes searching yours to see if he can find what is hurting you, slay the dragon that made you feel this way. When you just shakily smile, sniffling again, he presses a kiss to each cheek, to each eyelid, to the tip of your runny nose, to the center of your forehead. And then he drags you into his arms again.
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smeddiemunson · 1 year
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(part 1 here) (part 2 here)
Gareth, in a feat of truly impressive self-restraint, lasted all the way through their band practise before asking.
The four of them packed into Eddie’s van. Gareth had ultimate dibs on the front seat since he’d known Eddie the longest, despite being in different grades. 
“So,” he said, breaking the expectant silence. “Steve Harrington?” 
Eddie groaned and let his head thunk against the steering wheel, not even flinching when the horn sounded. “Please don’t.” 
“Nah, man. It’s all good,” Jeff soothed as he leaned through the gap between the front seats. “We’ve not got a problem with it, but Harrington? Really? Not exactly your type.” 
Eddie laughed humourlessly. “You don’t even know the half of it.”
Gareth turned in his seat to share a loaded look with the two sat in the back as Eddie started the van. They were planning to find out the all of it.
“And you guys just don’t have a problem with it?” Eddie asked once they were well on the road to Loch Nora. “I know you don’t exactly have the best memories of him from school.”
Eddie tapped his fingers against the steering wheel in a rhythm that didn’t even match the tape that was playing quietly. He was nervous and Eddie hated being anything other than completely sure of himself. 
“You’re right, we don’t have the best memories of him, but the guy saved your life, Eddie,” Gareth reminded him gently. 
It was the worst phone call he’d ever received in his life. He couldn’t imagine getting another one like it. Wayne on the other end, breathing shakily as he told Gareth that Eddie was in the hospital, that he wasn’t waking up but that he was going to be okay and that he thought Eddie would really like it if his best friends, his brothers, were there when he woke up. 
It had been hard seeing Eddie like that, small, frail and paler than usual, no rings or battle vest, no Eddie. Steve and Wayne had been sat at his bedside, both just staring into the middle distance, when they had filtered into the room. Gareth remembered so vividly the sinking feeling that he felt at the quiet. Eddie hated the quiet, he was never quiet. 
And maybe it had been the wrong thing to do, to interrupt Steve and Wayne in such a way, but Gareth knew Eddie. Wayne, for all he tried, never really understood his nephew and Steve was clearly a new development.
So he started talking. He talked about school, about the assignment he was working on, and he talked about the girl that worked behind the counter of Camelot, and he talked about his mom chewing him out for almost crashing her car. Jeff and Grant, who knew exactly what he was doing, picked up the thread when it sounded like he was running out of steam. 
He just couldn’t stand to let Eddie exist like that.
Gareth owed him that much. Gareth owed him everything.
Eddie who had stood on lunch tables and made himself the centre of attention, the target, when Gareth couldn’t fight off the tears after getting an F on his history midterm. Eddie who got them their first paying gig as Corroded Coffin and pushed them all to take their music seriously. 
He joked about them being his sheep, but he wasn’t exactly wrong. 
“Yeah, man,” Grant doubled down. “We can’t hate him anymore. Without him you wouldn’t be here. And you trust him?” 
“With my life,” Eddie confirmed with conviction. 
“Then that’s good enough for us. It’s all water under the bridge,” Jeff concluded. “Now turn that fucking music up, I don’t want to cry in the back of your shitty van, Ed.”
Eddie cracked the music up with a blubbery laugh and all four of them yelled along with Ozzy for the rest of the drive.
The door to the Harrington house was opened before they even got out of the car. Steve stood there, excitement buzzing around him.
"Ed," Gareth stopped him with a hand on his arm before Eddie could scamper off. "Do they know about you?"
Eddie shook his head. "Only Buckley."
Gareth nodded once and jumped out of the van. He was still too short to climb out normally, and at seventeen, he didn't have much hope for a late growth spurt to help him out with it.
“You been waiting for us all this time, Stevie?” Eddie teased as he slammed his door shut.
Steve laughed, stepping out the door with bare feet on the porch so he could accept Eddie’s hug. He didn’t have a shirt on, pink scars on full display, and short yellow swim shorts on. It was nothing short of a miracle that Eddie still had the brain cells to flirt.
“We could hear you guys coming all the way up the street.” He explained as Eddie let go of him. “Ozzy?”
“Oh for fuck sake,” Jeff muttered from his place at Gareth’s shoulder. “How is Ed not seeing this?”
“He had to do senior year three times, dude.” Grant fired back from Gareth’s other side, but still not loud enough for Eddie or Steve to hear. “Steve could plant one on him right now and he’d still find a way to make it a just friends thing.”
Steve, having finally managed to pull his focus away from Eddie long enough to see his other guests, waved them over. “Come on in guys.”
Gareth made sure to share with Steve what he hoped past for a friendly, macho and athletic half handshake as he passed him to go through the door.
“Thanks again for having us. You really didn’t have to invite us,” Grant said, using the good manners his father taught him.
Steve clapped him on the shoulder. “No way, man. I’ve been trying to get Teddy to bring you guys over for ages. He talks about you all the time.”
“You talk about us, Ed?” Gareth asked with a shit eating grin. 
Eddie pushed at his shoulder, sending Gareth stumbling towards the open french doors. “Yeah and I’ll talk about Tammy Thompson if you don’t shut up.” 
Jeff and Gareth snickered together. They knew all about Gareth’s benadryl induced dream about Tammy Thompson because when he told them he was still half high on the same benadryl.
Gareth huffed but didn’t say anything. He didn’t doubt that Eddie would follow through with his threat if pushed. 
Out in the garden, it seemed that the party was already in full swing. There were scattered cans, Robin and Nancy were giggling together at something, and s portable stereo playing The Cure. 
Steve smiled shyly. “We got started without you.” 
His voice seemed to draw the attention of the other four people. They all stopped in the middle of their conversations. 
“Whoa, dude,” The guy with long hair that Gareth didn’t recognise said to break the silence. “Your cult looks super culty.” 
Gareth froze. Jeff and Grant did too. 
But Eddie, determined to always surprise them, just laughed. “Not a cult, my man.” He kicked his shoes off by the door (surprising how little care he paid them since he sulked for a week straight when Jeff accidentally scuffed them) and started making his way over to the sun loungers. “This the legendary Corroded Coffin. Gareth, Jeff and Grant.” 
He pointed them out each in turn then shucked off his shirt and started working the intricate handcuff clasp of his belt. 
Gareth pretended he didn’t hear the strangled noise that came from Steve’s throat. 
“And guys, this is Argyle. You know everyone else.” 
Gareth waved politely but awkwardly and it was returned by a chorus of ‘hello’s.
Once Eddie had divested himself of his jeans, the black swim shorts he had forced underneath them sitting starkly against his pale skin, he dipped back in his jeans pocket to pull out two perfectly rolled joints.
“I brought party favours!” He waved them in front of Argyle’s face how he would sometimes play with the stray cats that skulked around Forest Hills.
Grant groaned. “Eddie, you know I can’t afford weed right now.” 
Eddie scoffed at him. “These’s ones are on the house, Ad-Grant-age. This is a party after all.” 
Steve, somehow having forced himself out of the trace that Eddie’s torso had put him in, was the first to start moving. “You guys can change inside if you want. There’s bedrooms upstairs or the bathroom just past the kitchen. I’ll get some more drinks. Can we switch this tape?” 
The rambling did nothing to hide the redness of his cheeks. If anything it just brought more attention to them. 
“Your tapes are shit, Steveo,” Robin informed him happily. “But this one is also awful, so yes I will change it just for you.” She ignored Jonathan’s annoyed hey and beckoned Steve to follow her. 
Eddie settled on the sun lounger next to Argyle, already having pulled a lighter from somewhere. 
Gareth took that as his cue to drag Jeff and Grant inside to change. 
Jeff, as soon as they were out of hearing range, asked, “When has Eddie ever given us free weed?” 
Gareth shook his head. “I’ve known about this crush for less than a week and I’m already tired of it. We have to do something to get them together.” 
Grant narrowed his eyes. “You already have a plan, don’t you?”
He pushed them both towards the bathroom. “Get changed, our work starts today.”
(part 4)
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catboy-kakashi · 2 years
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I love you personalized mobility aids i love you prosthetics with stickers i love you canes with bright obnoxious colors i love you wheelchairs with charms i love you scooters with little bells i love you emd canopies covered in pins i love you armcrutches with colorful handles i love you disabled people that arent afraid to be visible
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poorly-drawn-mdzs · 7 months
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Cultivator and Lawyer, Elle Woods (& Her spiritual dog Bruiser)!
Part 2 (soon)
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puppetmaster13u · 4 months
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Prompt 115
“Seriously old man?” the rumbling voice nearly caused Tim to jump, his eyes darting away from where Ras was sitting, the Al Ghul almost seeming to perk. It was kind of hard to miss the man… teen… being? It was kind of hard to miss the owner of the voice what with how their hair looked like it was on fire. 
They motioned around at well, everything, crimson eyes looking exasperated. “Really?” They were definitely motioning towards him, interrupting Ras when he opened his mouth to talk. “No, I don’t want to hear it, I swear- Did he kidnap you?” That was definitely aimed at him. 
“N-no?” Tim was feeling slightly unbalanced and may be on hour sixty without sleep at this point, if the hour long nap was counted. “I need help finding my not-dad who's lost in time.” 
The being let out a strangled noise that Tim could nearly swear was almost another one, but couldn’t vocalize his slurred thoughts as the dude muttered something, motioning around as though he was tempted to strangle something or someone. 
Ras cleared his throat, looking almost awkward which was how Tim knew he had to be dreaming or drugged. Probably drugged. “Jordan, how good to see you, it’s been so long-”
“Can it Pops,” the being-named-Jordan scoffed, finger pointing towards the Demon’s Head. “Moms still pissed and isn’t coming back any time soon with you still pulling this shit.” 
Tim felt his brain stall, process for a moment, then process some more over what he just heard before his mouth ran before it could catch up. “Ras is married???” 
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nuppu-nuppu · 8 months
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canisalbus · 2 months
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I really appriciate how often Machete is depicted struggling and feeling like a burden, while still being loved and supported by Vasco. It gives the top tier angst of "i'm not good enough, I'm not worth it" but you frame it in such a way where it's clear that's just how he *feels* and is not how things really are, but also it's so nice to see someone who struggles quite often in a loving and unique relationship that suits them. The narrative of not being able to love or be loved unless you're consistently healthy is really tiring lol.
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hylianane · 4 months
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I have a feeling that Sanji and Zoro’s death pact will be properly resolved in Elbaf, as it certainly doesn’t feel like we’re done with it. And while Elbaf is gearing up to be very Usopp-centric (and I can not overstate how hyped I am to see him take the spotlight again, finally), let’s not forget that this all ties back to Little Garden, the arc that properly introduced Zoro and Sanji’s rivalry by paralleling them with two rival giants who fought each other every day for over a century, but who also lost themselves in their grief when one thought the other death. The parallel isn’t even subtle, Little Garden’s biggest landmarks are the remnants of Dorry and Brogy’s dinosaur hunting competition. You know. The very same competition Zoro and Sanji posed to each other at the start of the arc?
But here’s the thing. I’m a little worried about how it’s going to be resolved. Because. Despite how readily Zoro agreed to kill Sanji if need be, he must have known that the crew would never forgive him. Zoro is Luffy’s specialest guy but Luffy would not accept any excuse as to why Sanji had to die. Nor anyone else in the crew. But. Does Sanji realize that?
Does he know that killing him would literally be the hardest thing Zoro would ever do, because it would mean literally betraying his Captain and crew? Luffy said he can’t become Pirate King without Sanji, and Zoro and Luffy swore they’d commit fucking ritualistic suicide if they got in the way of each other’s dreams, so does Sanji know where that would leave the swordsman in this case? With no Captain, no crew, and yet another dead rival and best friend (who, mind you, began to live in fear of his own biology betraying him right before dying. but the parallels between Kuina and Sanji and how they relate to Zoro could be a long ass post for another day).
I think he doesn’t know. But he can’t find out how Zoro would mourn him unless the pact actually follows through. But still, I don’t think Oda would kill Sanji, cause that’s no way to resolve this issue. So here’s my speculation about how I think it could potentially play out, following that initial line of thinking of the death pact’s resolution being set in Elbaf, specifically because of Sanji and Zoro’s parallels to Dorry and Brogy.
Like Brogy, Zoro would have to believe that he killed Sanji. That he won their final duel. He’d have to believe that Sanji has fallen and, also like Brogy, have to face that grief and hurt all alone. But in the end, like Dorry, Sanji would survive, having never actually been hurt. Because their edges have dulled after fighting for so long, no longer as capable of landing killing blows as they thought. “Not even the blades of Elbaf could endure two giants fighting for 100 years”? Something of the sort. And maybe this line of speculation is simplistic or optimistic, but the chances of it playing out like this aren’t zero, so just in case, I would want to be able to say that I called it.
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thankstothe · 7 days
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