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pridesobright · 4 years

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If you’re up for it, what artist or painting do each of the boys remind you of?

disclaimer: art is subjective, so are people’s opinions, and my choices are based on my perception of the boys’ personalities. you may not agree with me, therefore the paintings might not correspond to what you had imagined… still, i tried to shed a light on my own thoughts, which is something i rarely do on tumblr — i tried to remain as objective and positive as possible!

+ louis —

louis is so fiercely good! supportive, loyal, brave… i’ve never seen someone so witty and intelligent, caring and sensitive. louis shines, louis sparkles!!

but he also tells stories like no else. it is truly fascinating how louis can turn the smallest life experiences into masterpieces!! the raw emotions he’s able to convey in just a sentence: we’re sleeping on our problems like we’ll solve them in our dreams…. it’s easy getting lost into louis’ ocean blue eyes but it’s even easier falling for his talent — through storytelling, louis always shares a positive message and i’m in awe of the way he goes through life despite everything that’s been thrown at him. passionate and driven, louis is authentic and unapologetically himself!

i decided to associate louis with gustav klimt — the artist received a conservative and classical training and began his career painting churches and theaters, following the traditional and historical style popular at the time. quite similar to louis’ mindset at the start of his solo career, klimt focused on what the upper class expected of him! however, he kept developing a more meaningful personal style. one that relied on symbolism and the extensive use of the ornamental gold leaf. his paintings were highly decorative and it is the aesthetic of klimt’s work that made the connection so easy ♡

gustav klimt painted many women in erotic positions, embracing their nudity and a celebration of sexuality, which was controversial at the time. but more than that, the artist depicted loving embraces, abandonment and passion. tenderness. and by coating his paintings in golden powder, klimt created a warm cocoon around his subjects! 1. adele bloch-bauer I - 2. judith I (details) - 3. le baiser (details)

louis is so often associated with the color yellow and it’s easy to understand why — yellow is the most luminous color and is the symbol of happiness, optimism and enlightenment. as a warm color, yellow represents light and creates a sense of hope: it is radiant! gold shares many of the same attributes. it is bright, cheerful and is often associated with love, courage and passion. gold illuminates our world and so does louis!

+ zayn —

zayn is very creative, expressive and imaginative. i’d say he’s cautious and overall very intelligent about his privacy! society will often describe quiet people as mysterious, and it romanticizes anxiety in a way that makes my blood boils… it’s a dangerous culture where people with mental disorders are seen as edgy or cool when in reality they are deeply misunderstood. at times defensive, i believe zayn is strong-willed and values his freedom more than anything!

associating zayn with street art was a given. is there anything more liberating than leaving your trace into the world, anonymously and illegally, without knowing if your work will be painted over in the next few days or a couple of years?

artists such as roa, bansky, kobra, invader or shepard fairey have now made a huge impact, and street art has been popularized. many paintings are known worldwide but before then, you had the travel the world to seek out the artists’ works!

and even if some murals can be seen from afar, they draw you in no matter what. like an invisible pull, some are forcing you to cross the street or climb a few stairs to get closer — zayn draws you in! whether people are affected by his quiet personality, his looks or the sheer quality of his voice, you can’t help but want to learn more about him!

i chose behind the curtain by martin whatson for that very reason! at first cold and unreachable, zayn is full of qualities and life experiences deserving to be uncovered.

martin whatson is a stencil artist working in oslo. looking for beauty in decayed and abandoned urban spaces, he developed his style using grey tones as a basis and adding vibrant colours to bring a splash of life. i also love pull back and behind the wall ♡

+ niall —

to me, niall is the type of person who’s enjoying life as best as he can, and fully appreciating everything there is to offer. whether it be passion, irritation, love, fun or distress. mainly because of his cheerful and bubbly personality, he’s seemingly going through life as if it was a big fest! but don’t be fooled, he knows heartbreak too and there’s more to him!!

niall’s albums feel warm, nostalgic and intimate. we’re being let in into a part of him without any flourishes. a melody strummed on his guitar and here we are, transported into the past and reminiscing about an old lover. niall definitely is a romantic! listening to heartbreak weather, there is so much tenderness into his songs…

this painting is called manège de cochons by robert delaunay — it is part of a series devoted to modern urban life and popular shows. carried away by a whirlwind of vibrant colors, it recreates the lively atmosphere of the fairgrounds.

it definitely represents niall and his complex mind. the colors, so vibrant, are an ode to his cheerfulness. for delaunay, primary colors and their complements exalt each other by contrast. and the same tone can be perceived differently depending on its intensity or its arrangement!

at first, only the vibrancy and the warmth shine through but just like everyone else’s, niall’s mind is intricate. his emotions are raw and he puts his pain into songs, as if to compartmentalize everything. as if to tame those feelings and memories, maybe too loud at times! the colors aren’t just splash of nuances scattered across the canvas, they are deliberate. with purpose, they tell a story…

+ liam —

liam is good! and he always goes out of his way to do something good. he often tries to be more mindful of his actions. he’s constantly learning and just like everyone else liam makes mistakes, but he actively grows from them!!

liam is extremely talented, funny and charismatic, yet i feel like he’s not easily understood. he’s a very sensitive, sincere and sweet person, and despite everything liam went through, he remains cheerful, generous and courageous!

he is also passionate and pursues many hobbies — be it fashion, art, cooking or comics: he is well-versed in many topics and it’s a real pleasure to now follow him on youtube!!

robert rauschenberg was passionate about many mediums himself, and he incorporated newspapers, photographs and even some objects (undershirt, parasol parts) onto the canvas before adding broad strokes of paint! he kept exploring the boundaries of art and closely followed the current events of the time, using images of space flight and NASA’s photographs into his work — space (tribute 21) is a personal favorite ♡

i actually picked a selection of artworks to match liam’s personality: 1. untitled (red painting) - 2. untitled (red painting) - 3. red interior. i particularly love that last one, as the far-right stripe reminds me of liam’s chevron tattoo!!

for many years now, liam has been associated with red and it’s no surprise at all — red is the color of passionate love, seduction and adventure. strength, vitality and ambition. it used to be seen as the color of fire, a primal life force. to the greeks, red symbolized super-human heroism. liam is a force of nature, strong both physically and mentally. he is hard-working and energetic!

+ harry —

forget about the way harry has been portrayed ever since he was a sixteen-year-old boy. forget about the curls and the dimples. simply observe the person harry is today. take a closer look at what he decides to share with us. pay attention to the way he’s presenting himself.

fine line (the album) takes us on an introspective journey into his deepest emotions — whether it be torment or happiness. and i think it’s fascinating how well-executed his songs are! even in a catchy and happy song such as golden, harry managed to address quite a raw and painful concept: i’m hopeless, broken, so you wait for me in the sky / i don’t want to be alone — it’s heartbreaking, yet you almost wished you could feel it too!

through various allegories and metaphors, harry makes you question yourself. he interrogates you and talks about a reality you didn’t know existed or could relate to. harry is magnetic.

this painting is called composition XI by vassily kandinsky — and i can’t help but compare both harry and vassily. kandinsky was a painter, professor, poet and art theorist, generally credited as the pioneer of abstract art! he spent years creating sensorially rich paintings, and was fascinated by musicians who could evoke images in listeners’ minds. he strove to work with forms and colors that alluded to sounds and emotions!!

in songs like fine line, the music swells and deflates as if it was a beating heart. each track conveys a different emotion and translates a distinct concept! through his melodies, harry aims to make us feel joy, melancholy, determination or bitterness, even when the lyrics are anything but. his albums leave us speechless and wondering, just like abstract art!

+ overall, this is what art is meant to make you feel! it’s supposed to challenge you. art is meant to make you rethink your boundaries and open up your mind. it’s meant to question you and leave you wanting for more! you are meant to listen to a song several times to fully understand its meaning, and meant to stand in front of a painting for hours to start grasping the artist’s thought process…

yet art remains subjective! depending on your own life experiences and upbringing. art is free for you to interpret as you wish and so is music! i hope you enjoyed this post, thank you for reading it ♡

#have i spent way too much time on this? YES #did i turn the ask into an essay?? YES #i hope at least a few people will be interested in this #and as i said in the disclaimer: those are MY opinions #i hope you're still around there anon ♡#jess parle à la lune #jess répond

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digitalteam73 · 3 years

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The Best Places on Menorca to Buy Shoes

Do you want villas en menorca? If shoe buying is your thing then a journey Menorca is the appropriate excuse to take pleasure in your ardour. Renowned for its shoemaking, it has loads to provide the shoe consumer, from the enduring and high-quality-elegant Avarcas, to buttery smooth hand-crafted leather footwear, espadrilles, and the many factory shops at the island. They even say that a part of the reason the island managed to get away mass tourism is down to the energy of their shoe industry. So for assist locating that perfect pair (or 3), comply with this guide on the nice locations to shop for footwear in Menorca.

Jaime Mascaró Factory Shop Jaime Mascaró, who become born and bred in Menorca, is certainly one of the most important shoe designers in Spain, and is the man at the back of the famend Pretty Ballerinas emblem. As well as the well-known ballet pumps, the dressmaker produces clever-informal footwear and boots under the Mascaró label, and the institution has a manufacturing facility keep in Ferreries. This outlet has a huge variety of ballet pumps and different shoes and boots, in addition to a few purses and other leather-based items, many of which can be at manufacturing unit-sale costs.

Opening hours: Monday – Saturday nine.30am – eight.30pm, Sunday 10am – 2pm

Jaime Mascaró Factory Shop, Calle Poife, zero © Boba's / Facebook If you’re keen on the espadrille then Boba’s in Mahón is the area to go. The keep is sort of a shoe version of a candy keep, with row upon row of bright appealing colorations, and is Instagram heaven. Local dressmaker Llorenç Pons has created a few stunning cutting-edge variations of the traditional rope-soled canvas shoe, in neon colorations, patterned fabric, and in a number of distinct styles and shapes (some of that are restrained edition). A splendid and inexpensive way to take a chunk of Menorcan design domestic with you.

More information Related things to do OUTDOORS Palma Cultural Tour Bus and Walking Tour Mallorca Half Day From $42 4 to five hours OTHER Shore Excursion:Palma Hop-On Hop-Off Bus Tour with Optional Boat & Belver Castle From $21 1 hour forty minutes Homers Shop, Store

Add to Plan Homers is a Menorcan own family enterprise that has been running for over forty years. Originally producing great slippers, the enterprise has developed and that they now produce superbly made leather footwear in quite a number styles the use of particularly conventional artisan strategies. All manufacturing takes vicinity within the factory in Ciutadella, however the shoes are popular worldwide (particularly in Japan). The brand has a great online presence, however while journeying Menorca, the first-class vicinity to shop for those lovely footwear, crafted from exquisitely smooth leather-based, is the store in Mahón which not only has the present day collection, however normally has a sale phase for a few real bargains.

Opening hours: Monday – Saturday 10am – 1.30pm and 6pm – 9pm

More information Related things to do OUTDOORS Ibiza meals tours - The maximum delicious tours on Ibiza! From $234 three to 4 hours OTHER Sunset Catamaran Expedition in the front of Cafe Mambo From $1041 7 hours OUTDOORS Speedboat Adventure in Ibiza From $eighty five 2 hours FOOD & DRINK Inca Market Mallorca Half Day Tour From $30 5 hours OTHER Formentor and Traditional Markets Mallorca Full Day Trip From $53 7 to eight hours OUTDOORS Rent scooter in Mallorca with Misterscooter From $44 1 to 24 hours OTHER Palma de Mallorca Half Day Sightseeing Tour with Transfers From $25 4 hours OUTDOORS Discover Alcudia strolling with a Mallorcan picnic and nearby manual From $fifty one 4 hours OUTDOORS Palma de Mallorca Private Walking Tour From $226 2 hours OUTDOORS Ibiza antique town Private Walking Tour From $233 2 hours Mibo Factory Shop Shop, Store

Add to Plan MIBO produces traditional Avaracas (Menorcan sandals) in their manufacturing unit in Ferreries, where you could watch the smooth leather-based footwear being made at the production line. Not best does the manufacturing facility keep provide a large range of the sandals, and regularly at very reasonable costs, but you may additionally installed an order for custom-made sandals. Beautiful, buttery tender leather-based shoes, on your preference of shade and fashion, equipped mainly for your foot. An possibility for a proper Cinderella second.

Opening hours: Monday – Saturday nine.30am – 2pm and 4pm – 8pm, Sunday 10am – 2pm

More data Related activities OTHER Horseback Riding in Randa Valleys, Mallorca, Spain From $a hundred and eighty three hours OUTDOORS Self-guided Discovery Walk in Palma: food, views and history From $26 1 to 2 hours CULTURE Private Shore Excursion to Valldemossa and Palma de Mallorca From $299 5 hours 30 minutes © Leon Beckenham For Menorcan sandals in every size, colour, form, and style imaginable, head to the RIA store in Ferreries. There is an outlet segment for the bargain hunters, and a danger to tour the manufacturing unit, but its worth a ride just for the primary shop itself, as they have got a miles larger choice than any other Ria outlet at the island. The emblem has been round since the Forties, and the gentle muted shades of the nubuck leather-based is especially appealing to the attention, and the best of the traditional craftsmanship is excellent. Whether you need traditional Avarcas, heeled rope-sole wedges, sandals in your kids, or possibly a couple of novel felted slipper-sandals, you are not going to remorse a go to to this big shop.

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noveltylsland-blog · 5 years

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Our 2019 First Quarter Roundup

thank u, next - Ariana Grande

(Republic)

Ariana Grande has followed up last year’s charming Sweetener with a more consistent, more confident and more moving record; thank u, next. As usual, Ariana’s voice is really something to behold, hitting every note perfectly as she delves into her own heartbreak, loss and guilt following the death of her ex-boyfriend, Mac Miller. Ariana bravely goes into this with no features, which proves to be a powerful decision, as there are no obnoxious Pharrell additions or out-of-date Lil Wayne verses, making for an appropriately personal record. As if to ease us away from the lack of rap features, we are treated to a Wendy Rene sample on ‘Fake Smile’, which will put a real smile on the face of any hip-hop head. The juxtaposition of deep lyrical themes with the positive, playful instrumentation is rather refreshing, and it’s good to see Ariana excited about life and this new chapter in her life. -M

Gallipoli - Beirut

(4AD)

Zach Condon’s Beirut project has buried Balkan folk deep in the hearts of the Western indie fanatics ever since the release of its first three albums. He’s had us enamoured with the sound ever since, and while Beirut’s work has seemingly gotten ever more formulaic and poppy, that folky, worldly manifesto has never really left Condon. Compared to 2015’s No No No, the most recent Beirut project Gallipoli actually sees him taking it in a more varied and independent direction, and you’ll be hard-pushed to find anything objectionable as Beirut traverse their usual pastures of percussive ukulele and various organs and synthesisers. Gallipoli isn’t short of entirely new sounds for the band either and, indeed, it’s hard to see it as anything but a solid record. Condon might not be making the same impact on the musical landscape as he was thirteen years ago but this is his most consistent release in a decade. Gallipoli proves there are indie bands in far worse form than Beirut; an admirably fresh and progressive release for a band who probably don’t particularly need to be either of those things. -E

Assume Form - James Blake

(Polydor)

Even if it isn’t quite the musical landscape-defining, career-best record that James Blake seems inevitably destined to produce, Assume Form goes quite some distance to confirming him as one of this era of popular music’s defining and most influential figures. And that means a lot, considering no one else is really quite like him. There’s a very particular beauty to the combination of Blake’s music style and his love-themed lyricism, and Assume Form sees both assemble for an impressive, career-best effort. More checked for excess than The Colour in Anything but more stylistically developed than Overgrown, the niche Blake has found treads a fine line between hip-hop and sparse, soulful electronica. Assume Form shows what he can do with both, seeing the likes of Travis Scott and Andre 3000, but also Moses Sumney and Rosalía, make impactful and appropriate appearances alongside Blake’s own plainly romantic lyrics. He’s refreshingly obsessive and open but never too doting or unrelatable, and tracks such as ‘Assume Form’, ‘Can’t Believe the Way We Flow’ and ‘I’ll Come Too’ clearly reveal this untethered romantic happiness. Whether you like his newfound bessottedness or not, one can’t deny Blake has carved himself a distinctive aesthetic, to such an extent it’s no wonder his collaboration is so sought-after by hip-hop artists. Even more exciting is that there’s probably much better to come from Blake, and he remains (as he has for the last ten years) one of the most interesting and exciting artists in popular music. -E

Liv - Daniel Blumberg & Hebronix

(Mute)

Apparently a collaboration between Daniel Blumberg and himself (an endeavour I’m still not sure is artistically innovative or a bit pretentious) Liv builds on Blumberg’s 2018 release Minus with impressive amounts of abrasive noise and more chaotic baroque instrumentation. Hebronix is supposed to be Blumberg’s own psych-pop project, predating his releases under his own name, but on Liv it seems like he’s used it to fill out his own sound. His lonely vocals are more like Phil Elverum on the louder Microphones/Mount Eerie records, while the scrawls of anxious feedback that underly the majority of Liv endlessly build to lengthy, haunting finales; entirely validating the record’s lack of drums. The fact that Liv was recorded in only one take is a feat unto itself, never mind the consistency and coherence that it gives the record. Despite seeing releases on the infamous Mute Records, Blumberg continues to be overlooked by pretty much everyone – and as he’s putting out exceptional, genre-bending experimental music like this he deserves far, far more attention than he currently enjoys. -E

Careful - Boy Harsher

(Nude Club)

Despite “minimal wave” having seemingly ran its course, Boy Harsher provide another argument for it being the perfect time to rework the genre. On Careful, inspiration is clearly drawn from the likes of Depeche Mode and New Order, but whereas these bands created colourful, dynamic dance tracks, Boy Harsher do the complete opposite; as if they’ve been booked to DJ a funeral. Ghostly vocals speak of abandonment and loss over layers of cold, pounding synths and minimal drums – fit for any cyberpunk movie. Dotted throughout the record are a handful of quieter, atmospheric moments which add to this cinematic feel; intensifying the anxious, dark nature of the project. This is a synthpop record which truly reflects the times. –M

Trust in the Lifeforce of the Deep Mystery - The Comet is Coming

(Impulse!)

The sophomore offering from The Comet Is Coming is the latest outstanding British jazz record, taking the reins from from Sons of Kemet’s 2017 offering Your Queen is a Reptile (incidentally another project with the involvement of Shabaka Hutchings), with more of an electronic, rock fusion. Fusion of the last twenty years has usually been the result of influence the other way, injected jazz into electronic, funk or rock music; but Trust in the Lifeforce of the Deep Mystery appears to have come the opposite way. Foremostly a jazz record but enhanced and driven by elements of other genres, it’s catchy and passionate spiritual jazz, topped off with harks to Sun Ra and an inventive space-age theme. The Comet is Coming are yet more evidence of the burgeoning, world-leading London jazz scene and this is easily one of the year’s most striking and innovative releases. -E

Czarface Meets Ghostface - Czarface and Ghostface Killah

(Silver Age)

The follow up to the much-anticipated and mostly-forgotten Czarface Meets Metal Face, Czarface Meets Ghostface proves to be an enjoyable return to form for both Czarface and Ghostface Killah. As usual, all beats are produced by The Czar-Keys (7L and Jeremy Page) and are an electrifying mix of updated, gritty boom-bap, and futuristic beats reminiscent of early-morning superhero cartoons. Lyrically, the emcees really entertain, bringing the right amount of corniness needed for a project based around comic book superheroes, but still manage to sound imposing and even threatening when necessary. A specific standout moment is Esoteric’s verse on ‘The King Heard Voices’ in which he moves his way between four different flows with such ease. Comparisons with the collaboration with MF DOOM were always going to be drawn, and, for this album, that is a good thing. I’m not sure it would have been able to stand on its own, but in comparison, it shines. –M

Remind Me Tomorrow - Sharon Van Etten

(Jagjaguwar)

Sharon Van Etten’s most lyrically and instrumentally developed record yet, Remind Me Tomorrow continues to carry Van Etten’s reputation for impressive songwriting and great capacity for reinvention. Her vocals are emotionally resonant and forthright and, helped by super-producer John Congleton, her instrumental developments clearly exceed that of her previous contemporary folk. Often the instrumentals here are moodier and heavy, even descending into lower-key, electronica-influenced, more Annie Clark-esque sound. Contrasting with that are lead singles ‘Comeback Kid’ and ‘Seventeen’, which have a Springsteen stomp to them, but mostly Remind Me Tomorrow’s tracks are of a more sullen quality. Well written, well produced, well performed, there isn’t much more one can ask of an indie album – and though Van Etten doesn’t pull out anything spectacular out of the bag on Remind Me Tomorrow, it’s one of the year’s strongest releases and a progressive release for her artistically. -E

This Is How You Smile - Helado Negro

(Rvng)

Robert Carlos Lange takes a step back from his usual focus on race and politics to reflect on his life and hone in on his musical soundscapes. Latin folk and atmospheric synths are mixed beautifully to create a cathartic listening experience which Lange guides us through with his gentle vocals, switching back and forth between English and Spanish. Lange’s hauntological influences are evident more than ever on Smile. Beneath the cosy, relaxed instrumentals there are field recordings and unnerving samples which give the nostalgic feel of a Caretaker project, with some of its dejectedness too. The perfect example of this is ‘Fantasma Vaga’, which directly translates to “Ghost Knife” in which Lange describes a supernatural figure over droning synths and sparse steel drums. The triumph of Smile is this ability to overlay and mix these tranquil folk songs, with a hint of discomfort, giving it just the right amount of edge. –M

Crushing - Julia Jacklin

(Polyvinyl)

The 2010’s have become synonymous with female singer-songwriter indie folk; Sharon van Etten, Angel Olsen and Courtney Barnett are just some of the artists who have really championed the genre. It has, however, become rather saturated in the past couple of years, making it that much harder to standout and make a name for oneself. Julia Jacklin has a lot to say, however, and is determined to be heard. Themes of betrayal, loneliness and acceptance are touched upon in a mature and articulate way. Jacklin stands out because she really gets into her subject matter; she intensely scrutinises herself and her surroundings in order to find answers to her questions and solutions to her problems. It is empowering and refreshing to hear an artist not only acknowledging their struggle with humanity and empathy, but so confidently confront and explore it. –M

Love Is - Jungstötter

(PIAS)

Gaining some buzz from his tour with Soap&Skin this spring, Fabian Alstötter’s debut album under the name Jungstötter is a gloomy affair. The name Jungstötter is a mix of his family name and the German word ‘jungstoter’, which translates to ‘young dead’, which perfectly embodies the overall theme of this record. The general slow pace of the album is occasionally disrupted by more intense and chaotic moments, creating some really dynamic and striking tracks. On listening to this record, a barrage of familiar sounds will flood your ears. From the intense baritone ballads of Nick Cave & The Bad Seeds to the androgynous vocals of ANOHNI, there is a wealth of alternative art rock influences dotted throughout. Though, at times, Alstötter does seem reliant on his influences, it is a marvellous debut from the German, obviously keen to form his own signature sound. –M

[X X] - 이달의 소녀 [LOONA]

(BlockBerryCreative)

Loona’s reissued EP is a modern and fashionable set of pop tunes pretty typical of K-pop but with some characteristics Western listeners might find in the work of Grimes or, to a lesser extent, other electro-pop artists like SOPHIE and Charli XCX. Considering there are twelve members of Loona, [X X] is a watertight release, even if it stylistically varies a bit between tracks. Opener ‘X X’ combines electronic chillwave with dubstep in an interesting way, followed by the very modern album highlight ‘Butterfly’; and while many of the rest of the tracks aren’t particularly memorable, they certainly aren’t dull – ‘Colors’ even seems overtly influenced by American R’n’B. With all its similarities to Western pop, it’s easy to see [X X] as a record that could be a gateway into Korean pop music for Western listeners; with the added bonus of being of slightly more substance than your usual idol group. -E

Elephantine - Maurice Louca

(Northern Spy)

A by-product of the Arab Spring in 2011 was the development of a flourishing music scene in Egypt. Cairo-born composer and performer, Maurice Louca, is one of the most exciting names to have risen from this scene. On his third project, Elephantine, Louca explores native Egyptian jazz, surrounding them in the avant-garde. On the track ‘One More for the Gutter’, outbursts of free jazz are complemented by the intensity of guitar-led post-rock. Whilst the finale, ‘Al Khawaga’ is a powerful, repetitive groove littered with swinging horns and hectic drum fills. Elephantine is an inventive exploration, covering immense musical ground throughout its six compositions. –M

Malibu Ken - Malibu Ken

(Rhymesayers)

Aesop Rock has always kept a low profile and doesn’t seem too fussed about reaching the mainstreams. This collaboration with Tobacco of Black Moth Super Rainbow fame certainly doesn’t’ change that as his infamously lengthy and challenging bars have finally found a match. Tobacco’s own brand of neo-psychedelia and indietronica is so out of skew with traditional hip-hop beats that it gives Aesop an edge which he has certainly been missing in the past couple of years. Aesop revisits old themes and is as introspective and philosophical as ever, and opener, ‘Corn Maze’, and ‘Suicide Big Gulp’ showcase some of the best flows of his career. Tobacco’s production is faultless throughout the entire ten tracks, which is good to hear after last year’s lacklustre BMSR effort. Aesop Rock’s dry, esoteric style finds a new home in Tobacco’s weird world of psychedelia. –M

Girl With Basket of Fruit - Xiu Xiu

(Polyvinyl)

Even for Xiu Xiu, Girl With Basket of Fruit is a wild release. Post-pop, post-industrial, post-punk and post-everything, there’s nothing comfortable or light about it – especially compared to the Arcade Fire-cum-lunatic style of 2017’s Forget. So much of this record is unsettled and eerie, isolating and unpredictable. There’s bits of Swans (Thor Harris showing through), some Einstürzende Neubauten, some Suicide, some drone, some Baroque. There’s no belittling Xiu Xiu’s ability to entirely manipulate mood, and here demonstrates again the emotive uniqueness of Jamie Stewart’s exulting, uber-dramatic vocals as well as a new, unsettling sound that includes a pretty vast array of instruments from upright bass to electronic percussion. I’ll be listening to this for years before getting anywhere close to actually dissecting and understanding what Xiu Xiu are doing here, but that’s what makes it so compelling. There’s nothing else like it, an album of intriguingly formless music that’s worth hearing just to for the experience of being so entirely, helplessly intrigued. -E

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togafukagiftexchange · 6 years

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Kaleidoscope and Barrikuya

@pinlc-candy: This is my gift for @die-einzelganger. I went with “Prompt #2 for fanfic *Supernatural powers (NEXT abilities, Stands, bending, etc.)” and when I told you that I was going into your t&b fic blind, I KIND OF told a lie - I had watched the movie by that point. I threw in a few minor ships that you mentioned liking, but it’s my first time writing one of them though i tried to do them justice. I really hope you enjoy this. <3 I had a lot of fun writing this.

During the day, Hope’s Peak City looked like a lost civilisation, washed out with grey and blue hues. Buildings towered over the intricate network of roads, dominating the endless stretch of sky, and many, many, statues dotted the city, but at night, the city’s mood advanced by centuries. Warmer hued colours consumed the city, a starving fire with an unsatisfiable appetite, stinking up the air with the smell of spices and smoke. Sleek, silver trains with long noses careered along rails that wound through the city, not bound to only ground level, whizzing far above people’s heads too. They operated during the day as well, but when darkness usurped the sky, they hurtled like shooting stars.

A loud thump above one of the carriages jolted everyone onboard. People tensed, clustering into little groups or huddling by themselves, and they tried to appear smaller by hunching their shoulders and stooping their heads a little, all except one person. This person, dressed in a grey tracksuit, gazed up at the roof with the rest of the passengers, but he didn’t stay still for long. He spun around and shoved his way toward the door at one end of the carriage, and everyone that he elbowed out of his way tumbled aside passively.

When he reached the door, loud screeching grated on the ears of those present. The man looked over his shoulder. Seconds later, two men dropped into the carriage through a hole ripped into the roof, wearing clothes that were as outstanding as the other man’s tracksuit intentionally wasn’t. One of the men was gangling and wore black with red accents on the joints, red boots, shoulder pads and gloves, and there was red on his eye mask that resembled part of the distinctive mark of a widow spider, and his crotch completed the pattern. His outfit was vaguely reminiscent of a cyclist’s attire.

Beside him, the other man’s maroon mask covered not just his eyes but his head and cheeks too, and his white outfit had a different pattern on the front, marked with brown lines, also like a cyclist’s attire. Most notable were his eyes, rendered completely black by his mask.

Whispers and shouts overcame the passengers in a frenzy.

“It’s the Green Widower and Bloodhound!”

The only green component of the man dressed mostly in black was his long hair, which was streaked with red dye, but Bloodhound lived up to his name, with the flaps on his mask resembling ears and his gloves bearing claws. They both stared at the man in the tracksuit.

“It’s the end of the line for you!” Bloodhound snarled, raising a fist in front of him.

“Not literally,” Green Widower pointed out with an awkward smile. He scratched at his chin. “There are several more stops and the train’s still moving, but you’ve got nowhere to run.”

As if fate slammed down its hand with ill-judgement, the train stopped and the doors either side of the carriage drew open. The man in the tracksuit dashed out, carrying a duffel bag under his arm, and he burrowed through crowds as he tried to flee.

From the helicopter looming overhead, he seemed ant-sized, but the camerawoman zoomed in and after some blurring, his image blew up and he came into focus.

“And the thief has disembarked,” announced a man sitting in the helicopter, holding a microphone to his mouth.

Beside him, his redheaded companion pointed her camera at the scene below, following the man in the tracksuit as he sprinted down a flight of steps and recording his every movement until he disappeared into the station building.

“Will Green Widower and Bloodhound, his partner in more ways than one, apprehend him?” the announcer wondered aloud. “Or will the thief get away with stolen diamonds worth millions? Stay tuned!”

A beat passed.

“All right, we’ve got one minute of commercials,” said the announcer, dropping the hammy pleasantness and volume. He touched two fingers to the side of his jaw, placing them below his earpiece. “Togami-shacho, what do we do?”

Across the city, a blond man in a suit stood in a room where monitors occupied an entire wall, each one showing different perspectives of the outside of the station in District Sixteen. By now, Green Widower and Bloodhound had followed the thief into the inside part of the station, and so couldn’t be seen anymore.

The blond man pushed up his square, white-framed glasses.

“Hey, Touko,” he said, and someone squeaked behind him. He didn’t turn around and folded his arms over his chest. “You know what to do.”

“R-Right,” said the same person who squeaked. Touko Fukawa was a head shorter than him and her aubergine hair was styled into two long twin braids. She adjusted her circular framed goggles and opened the compact mirror that she had been holding in one hand, in case a situation like this called for it.

Her brow furrowed in concentration, and her body began to sheen blue. Just as she started to lean into the mirror, it sucked her in, and immediately after, she was spat out into a tunnel. It seemed to go on forever either side of her, and she looked around, floating, weightless.

For all she knew, the tunnel did finish at some point, but she had never reached the end of it. Then again, she had never tried to because as soon as she found the right exit, she left. Touko had entered the tunnel through a paneless window, and many more plastered the surface area all around her, showing snapshots of a variety of scenes frozen in time. Their colours bled out beyond their screens and tinted Touko’s skin with their light. Her dark grey full body suit, which covered everything apart from her head, remained unaffected, as did the leather holster strapped to her right thigh. Even as a keen reader and an experienced fiction writer, Touko would struggle to fully describe such an otherworldly environment.

When she entered this separate dimension, a short commercial break had been taking place. The hit television show, ‘Hero TV’, would resume its broadcast once the break finished, but here, time didn’t seem to pass, not on the outside and not inside of it either. Or if it did, it passed very, very slowly, which she greatly preferred over returning to reality with hours unaccounted for, and Touko flew through the tunnel at a slow and steady pace, glancing this way and that, occasionally pausing to study a particular window before proceeding forward again.

After peeking through a lot of windows, she came across one that showed a grey wall with a dark green stripe running horizontal at the top. The image trembled. Part of a poster advertising an opera could be seen near the edge, and from the kind of poster and the colour scheme, she knew that this was her destination.

Touko kicked her legs and boosted herself toward the window, soaring through.

On the other side was a corridor in District Sixteen’s train station. She jumped out of a puddle and stumbled as she landed on solid ground. People dodged out of her way. Sparse crowds stopped to stare, and she glared at them, holding her tongue for professionalism’s sake. They should have been used to this by now. Her heart raced. So should she.

She grimaced and pressed a discreet notch on the rim of her goggles. A pinprick of green light lit up on that spot. The thief was nowhere in sight, so she hurried down the corridor, trying to avoid bumping into people, and swerved into the next one, already out of breath.

With every step, her heart bobbed up and down. For those watching the developments unravel in the comfort of their own homes, or on their phones as their train sped them to their next destination, they were only exposed to certain sights and sounds. They didn’t feel the bounce back of hard floor against her feet, the tightness in her chest and the pressure from indoor heating cranked too high.

In an attempt to help people get off at their stop when music or a crowded carriage could prevent other senses from alerting a commuter, each district’s station had been assigned a certain smell. Touko inhaled. The smell of beer hops wafted over her, but that couldn’t be transmitted to the viewers.

Even with the senses available to them, the audience listened to the music that the television company played, or the rumble of people picked up during recording. Whatever the show wanted them to hear, they heard. Not the ringing between Touko’s ears or her shallow, uneven panting, and they saw what Touko saw.

Her foot twisted a bit as she stepped forward, causing her to stagger. She flailed her arms, but managed to stabilise herself and kept going. As jittery as she was, she refused to disappoint the viewers and most importantly, him.

The announcer’s voice chirped in her earpiece.

“Welcome back to Hero TV, the go-to show for all your hero needs. For folks just tuning in, diamonds worth millions of yen was stolen from ‘Fora Selec Thew’, and our favourite superhero couple Bloodhound and Green Widower are hot on the criminal’s tail. As the first on the scene, they’ve bagged one hundred points, but will they rack up more and capture the crook? We bring this to you live from District Sixteen - ”

Footsteps spluttered at one end of the corridor. Touko was halfway down the corridor at this point. The footfall didn’t belong to someone on their way home after a busy day, or a worker heading to their night shift, but possessed a mantic energy, and when Touko whipped her head around, her eyes locked onto the thief. He lurched forward, heading her way with no care to who or what lay ahead of him.

As the distance between him and Touko shrunk rapidly, she stiffened. No way could she fight him, not with her slender frame, with her lack of fighting experience. All she could do was avoid being flattened and give chase. She scrambled out of the way, making sure her goggles kept recording him.

“Oi, piss-for-brains!” yelled Bloodhound from the ceiling, back-to-back with Green Widower, their arms hooked at the elbows.

“P-Piss-for-brains?” Touko said, wrinkling her nose, but Bloodhound hadn’t been talking to her.

The thief glanced back but kept running. While Bloodhound’s legs were tucked up toward his chest, Green Widower carried him on his back and sprinted across the ceiling in a way that he always had one foot touching it. Blue light emitted from Green Widower’s body, like that which had been around Touko when she entered her mirror and until just after she had fully risen out of the puddle.

Bumping into people slowed down the thief, while Green Widower had no one to evade on the ceiling. Therefore, Green Widower easily overtook him.

Bloodhound unlinked their arms and slammed down onto the anti-slip platform panels below, not far from the thief. He bared his teeth in a wolfish grin. The thief widened his eyes and bolted off, with the spectators too stunned to change from their passive role, some even side-stepping to let him pass so they wouldn’t get run over.

With great speed, Bloodhound stampeded over and leaped forward, tackling the thief to the floor. They rolled but in the end, Bloodhound was on top. Above them, Green Widower stopped glowing and fell from the ceiling. He flipped in midair and landed expertly on the same surface as everyone else.

“And Bloodhound and the Green Widower have caught the bad guy!” roared the announcer as the spectators erupted into cheers.

Green Widower cupped the back of his head and waved his other hand with a sincere but creepy smile, which if it had a noise, would have been nails down a chalkboard. Bloodhound sat on the thief, posture stooped, and leered at no one in particular. He might have been trying to smile.

“Oi,” came the voice of the blond man with white glasses from Touko’s earpiece. “Get closer. We need some shots of our sponsors’ logos.”

Touko nodded, shaking the camera in her goggles by doing so, and approached them. On Green Widower’s chest, in black font, was the name of a Chinese restaurant, and on Bloodhound’s chest, over his heart, was the emblem for Bepsi.

“And our company name too,” said the blond man.

She shifted slowly and made sure to get the writing on their shoulders, as instructed. Across one shoulder in kanji and in romaji on the other, in gold text, on both costumed men, was ‘Togami’.

*****

In the sea of buildings that made up Hope’s Peak City was a tower called Togami HQ. It belonged to a young billionaire who had taken over the company from his father a few years ago. Or, rather, the position had been thrust upon him after his parent’s sudden death. Touko remembered that the very next day, he had come in, not taking even one day off despite what happened. He had thrown himself into his work more so than usual and continued to power through with the same level of formidable diligence to this day. People had doubted that a boy fresh out of high school would cope, no matter what his father had insisted should happen in the event of his demise, but the company had since thrived like it had never done before.

The automatic doors yawned open. Air conditioning hummed in the blue-hued room. Byakuya Togami took a few paces forward, leaving enough space behind him that Touko could follow him in. A silver-haired maid darted past them to the table, put down a tray, and bowed before leaving. Seconds later, the doors shut.

Further in, already seated at the table, were two men. One looked like a standard businessman. Short, dark hair, plain suit with tie, and the only bit of colour on him was his dark purple tie. His companion, in contrast, seemed like an eccentric time traveller dressed up for Britain in the 1960’s, and wore a white suit accented with orange, a few of his shirt buttons unfastened at the top, a matching trilby hat and a loosened tie. The first man turned his stony gaze on the new arrivals while the other man gave a crooked smile and saluted lazily with one hand.

“Don’t worry, we weren’t waiting too long,” promised the second man. As he inclined his head forward, his scraggly blond hair, hanging limply down to his chin, swayed a bit. He pinched the rim of his hat and twitched it.

“I wasn’t worried,” Byakuya told him.

Byakuya pulled out a chair and sat down opposite him. Touko dragged out another chair and seated herself a short distance away from the table. She plucked a pen from behind her ear and positioned the nib at the top of her clipboard. He crossed one leg over the other and poured himself some green tea from the teapot on the tray. Three other cups flanked the teapot still.

What reason would Byakuya have to be worried?

“I’m not the one with anything to prove,” said Byakuya. “All I’m losing is time that I could be spending elsewhere.”

The man with the hat chuckled. He slouched, resting his chin in his hand and hiding his goatee from view. His blue eyes studied Byakuya with a gleam.

“I assure you, Togami, this is a proposal that you will be very interested in,” said the plain-looking man.

“We’ll see.” Byakuya pursed his lips.

Touko jotted down everything being said.

“My name is Jin Kirigiri,” said the plain-looking man. He gestured toward his companion. “And this is Koichi Kizakura. Currently, I head a private tutoring company for Noted Entities with Extraordinary Talents. NEXT, as people call them. We currently have five students.”

“But with some funding, we could train more,” said Koichi as he rubbed his index finger and thumb together. His wide grin distorted the shape of his thin moustache, and the skin by his eyes crinkled.

“So you’re after money for your school,” said Byakuya bluntly. Touko flung a dirty look their way.

Koichi remained slouched and flapped a hand. “Ah, but it’s not like it’s all going toward alcohol, is it? This is something even more important. The Togami Conglomerate is a fair way down the scoreboard despite owning HERO TV, and it has mostly been the same two heroes doing all the work... and they’re getting on in age.”

His eyes stayed just as playful but his smile became more subdued. More like a smirk.

“We’re astute guys, but I’m sure other people have noticed too,” said Koichi. “NEXT are a fairly new phenomenon. They’ve only been cropping up in the last few decades, and younger, fitter people in their prime are going to be the ones bagging all the points, not middle-aged men. By the way, can we smoke in here?”

All of that, even the last request, was spoken in the same casual tone.

“No,” said Byakuya.

Koichi sighed and got out a lollipop from his chest pocket. He unwrapped the plastic and stuck the sweet into into mouth. His tongue pushed it to one corner of his mouth. It clacked against his teeth.

“So what do you say?” asked Jin.

“That was ‘no’ to both your requests,” said Byakuya icily. “Bloodhound has the ability to track people by their smell, as long as he has access to something that they have touched within the last twenty-four hours. That’s why he was first on the scene and him and Green Widower were able to pursue him. We don’t need more heroes.”

“But what if it wasn’t a petty thief they were chasing?” asked Koichi. He removed his lollipop and wagged it, pointing the sweet end at Byakuya. “Are your heroes capable of handling all possible crimes? Assault? Kidnap? Murder? Terrorism? Those are the crimes that people are most concerned about. Recovering a few diamonds won’t net you big points, like catching a bloodthirsty killer like Genocider Syo would.”

Touko accidentally scribbled a jagged line across the page. Byakuya’s face betrayed nothing.

“How many NEXT have you got?” asked Koichi. He began counting off his fingers. “There’s those two, and your gloomy assistant...”

She glared. Byakuya’s nostrils flared.

“Better gloomy than a vagrant,” hissed Touko.

Koichi’s eyebrows rose. His lollipop froze in place for a few seconds, and then he returned it to his mouth.

Jin squared his shoulders, regarding Byakuya with flinty eyes.

“We’ve done our research, Togami. Those two aren’t your biggest point-getters. They’re your only ones,” said Jin. “And new heroes are going to be coming onto the scene. Some already have. With us, you would have a steady stream of heroes who have been trained and will continue training while representing you.”

Touko glanced at Byakuya, whose brow had creased. He stared downward, drumming his fingers against his arm, and finally raised a hand to his chin.

“You have five students?” Byakuya asked without looking up. Koichi lifted his head a fraction.

“Would you like to see them in action?” asked Jin. “We’ve brought them with us, so we can provide a demonstration of our work. If you got the Green Widower, Bloodhound and your assistant together, we can show them off in a friendly spar.”

For a few seconds, Touko noted down what was being said, but when her mind caught up to the present, she tensed violently and jerked her head up.

“Don’t make such demands!” Touko snapped, gripping her pen tightly. “I don’t fight. I can’t fight. I won’t fight. That’s not - ”

“Fine,” said Byakuya. He met their eyes calmly. “Let’s go somewhere more spacious. There’s an abandoned factory just outside of the city that will be sufficient.”

Touko squealed, jumped up, slapped her clipboard against her legs, and bowed so deeply that her braids flopped down and smacked the floor. “I’ll be r-right there!”

She held her position. Kokichi scratched his temple.

Jin blinked a few times before saying, “That was a quick change of heart.”

Her body straightened.

“That’s not it. My heart is always with Byakuya-sama, you see,” explained Touko, hugging her clipboard.

Koichi cracked a grin. Byakuya continued gazing into space.

*****

Up until a few years ago, the building that Touko, Byakuya and everyone else walked into used to be a clothing factory until a fire devastated it, killing tens of people. She had woken up here once before, some time after the tragedy, and she had left in a daze. To some, that might have sounded shocking, but this sort of thing used to be a regular occurrence for her. Above their heads loomed a network of support beams, the blue metal discoloured by heat and with rust in places. The factory consisted of two floors, but the upper floor had been particularly ravaged and mostly destroyed, so much of the grubby arched roof was viewable. Streaks of light seeped through misshapen holes and crevices, and dust particles danced ring o’ roses in the spotlights.

A low whistle blew behind them. Touko turned and as she expected, Koichi had let off that sound. He cradled the back of his neck as he inspected their surroundings with Jin, who permanently looked like he hadn’t had a good night’s sleep in a long time. With them were the five students that they claimed to have. They all wore a uniform appropriate for gym class, comprising of sneakers, a white t-shirt and navy unisex long-legged shorts. Two of the girls came to an expected height for people in their late teens or early twenties, a male fitted a standard height for those like him, and the last two, a woman and a man, surpassed their companions’ heights, but only the woman was taller than Byakuya. Just one of the girls was shorter than Touko.

“So these are the runts, huh?” asked Bloodhound, shorter than two of the five. He cracked his knuckles and showed off his teeth wolfishly. “You got their parents’ consent forms on ya? Extra packs of diapers?”

“They’re all around the same age as your boss,” Koichi pointed out while a few of the students glared, though the others seemed equally unamused, but Bloodhound blanked Koichi, eyeing the students like they were helpings on a platter.

The tallest male, who had a brown pompadour that had gone out of fashion before people even knew about the existence of NEXT, strained to keep his composure, hiking up one end of his mouth in a tight, lopsided smirk.

“These are the guys we’re meant to be beating up?” asked the male. “Their hips will probably break if we breathe out too much air near them. This feels like elder abuse.”

Green Widower jolted his head back like he just received an electric shock, features asymmetrical, while Bloodhound’s jaw clenched and his cheeks began to fill with pink.

“Remember, you’re representing our school,” warned Jin, but Byakuya apparently didn’t share this complaint in regards to his own heroes. He turned to Byakuya with the closest to a smile that he had given so far. “I’ll let our students introduce themselves. Shall we give them some space?”

Jin held his hands behind his back and without waiting for an answer or even acknowledgement, he retreated to one of the walls. Byakuya and Koichi did the same, standing themselves either side of him.

“You may begin,” said Jin.

The two groups of NEXT faced each other.

“Three against five?” said Green Widower, oozing a grin. “That’s not fair on you guys, is it? You’d need at least double our number to suffer a defeat that isn’t humiliating.”

Touko hesitated, but it didn’t take her long to count to three. Chills drenched her. Right. She had agreed to join in. Still, her first instinct was to run for cover or cower, but her legs wouldn’t budge and other than trembling, her body wouldn’t respond. The first person to move was the shortest woman, who leaped into the air with her hands above her head.

At the peak of her jump, the woman tilted so she was upside down, and she plummeted downward with her arms still stretched out beyond her head. Touko and her teammates braced themselves, but the woman didn’t go near them and dived into the ground like one would dive into a swimming pool.

Exactly like that. Her body glowed a gentle blue as the ground swallowed her whole, leaving behind no crumbs, no splatter. The trio squinted at the ground, while their opponents’ countenance didn’t change at all.

“W-Where did she go?” asked Touko, squeezing her hands together tightly.

Bloodhound sniffed ungraciously. His face remained screwed.

“I can’t smell her,” he said, and moments later, a large diamond crashed into him. He rolled several times. Touko shrieked and bent forward with her hands on her head.

The diamond didn’t bounce or tumble like Bloodhound. It hovered for a moment where it had smashed into Bloodhound and then transformed into the tallest of the men, the one with the pompadour. When he landed, small clouds of dust poofed by his feet, and he gritted his teeth, but he wasn’t in pain - the corners of his lips twisted upward.

Green Widower gasped and staggered over to Bloodhound with a hand extended, but then the woman who had vanished shot up from the ground just in front of Green Widower, and she dealt a punch to the underside of his chin.

He stumbled back with a yelp, and losing his balance, he fell down with an additional squawk.

“Impressed?” Jin asked Byakuya at the edge of the factory.

Byakuya’s smooth features were unreadable. Jin turned back to watch the fight.

Touko looked this way and that, hugging herself. Bloodhound had returned to his feet and thrown himself into a fistfight with the pompadour guy, who was able to turn parts of his body into diamond, ideal for punches and body parts that he predicted Bloodhound would aim at. Both exchanged heated cuss words between huffs as their strikes whooshed and thudded.

Nearby, Green Widower dodged the next attack from the woman who could flit in and out of the ground as she pleased like it was water. He swung a fist at the woman and caught her on the cheek. She tottered to the side and before she could recover from the first hit, Green Widower continued on his onslaught, dealing blow after blow, and though he lacked Bloodhound’s raw power and ferverence, his fighting style involved a lot of unpredictable movements, almost like he was breakdancing, his limbs jutting at strange angles as he glided from one stance to the next, sometimes striking, sometimes feigning. On top of that, or maybe partly due to that, the woman seemed to be in a stunned state, mesmerized, and she only managed to clumsily block some of his attacks until she fell onto the ground, not into it.

The remaining three students had been standing back up to this point. One of the women had long violet hair and wore dark purple gloves, while the other had scraggly white hair and leathery skin. Despite her appearance, the woman with white hair didn’t seem older than the others, and her hair thrashed against her back as she rushed over to Green Widower. She wasn’t just tall but wide as well, yet despite her heavy footsteps, she didn’t emit a single sound. Therefore, she was able to reach Green Widower without him hearing her approach, and she kicked his back hard. He was tossed through the air like a ragdoll and smacked painfully into a wall.

With Green Widower down at least for the time being, Bloodhound preoccupied with his own fight and Touko keeping to herself, the woman with white hair dropped to one knee next to the woman able to swim through solid matter, and she cupped the back of the smaller woman’s head, gently lifting it, while her other held her companion’s hand.

“Are you all right, Asahina?” asked the white-haired woman. She brought her head closer, causing her hair to brush against the cheek of who could only be Asahina, the white hair standing out starkly against Asahina’s skin.

“I’m fine,” said Asahina, her dark hair tied back in a ponytail. A paperclip kept her fringe in check. The white-haired woman smiled softly and helped Asahina up.

Touko turned away from them and watched the other fight taking place. Bloodhound reeled back and looked past his opponent. He spotted the downed Green Widower.

“Yuusuke!” he bellowed, and he sprinted over even though the man with the pompadour was more than able to continue their brawl. Bloodhound’s footsteps pounded and he pulled back his fist, growling, but halfway there, he was ripped from the ground by an invisible force.

The shorter of the two men had his arm stretched forward, and as he slowly raised it, Bloodhound elevated too. All Bloodhound could do was cycle his legs uselessly through the air, only able to make small movements side-to-side as he squirmed. His captor had a very serious face. Between his thick eyebrows, his skin puckered, and his red eyes were absolutely focused.

No matter how much Bloodhound flailed, he couldn’t break free, and the man with the pompadour charged toward him, kicking off the ground on the way over. Mid flight, he changed into diamond, and he ploughed into Bloodhound. Both collided into the ground together.

Only the man with the pompadour rose afterwards.

He swaggered over to his teammates. Touko gripped herself tighter and her feet dragged as she shuffled backward. She made sure to keep everyone in her field of vision. Her body shook as she got out her compact mirror from under her clothes, dipping her hand down her neckline, and her eyes darted about frantically in search of a reflective surface.

Across the open room, the violet-haired woman who up to now had kept to the sidelines now finally strode forward. Blue light flickered across her body and she summoned an ogre three times as big as the white-haired woman.

The ogre fixed its eyes on Touko and ran toward her. Touko could have used her mirror to escape. She should have used her mirror to escape and gone far, far away from here. But Touko, who had barely any fighting experience, who had been hit too many times since she had been a child, froze up, and she watched the ogre’s fist sail toward her.

To her surprise, the ogre passed through Touko harmlessly, not pounding a hole in her like she expected, or leaving any mark. Not a single hair moved on her and her skirt didn’t flutter even once, but though she didn’t feel anything, she shrieked and blanched. Straight after, the white-haired woman tried to follow up with her own attack, but her fist stopped just short of Touko. There was a loud crack and the woman flipped back, landing beside her teammates. Blue electricity rippled in front of Touko across an otherwise invisible plane floating in front of her, rectangular and wide enough to shield Touko. It had almost certainly appeared there prior to the ogre’s attack.

Koichi and Jin stared for a short while, and then in unison, they turned to Byakuya.

His body glowed blue. Sweat beaded on his forehead.

“You’re a NEXT too?” Jin exclaimed.

Byakuya didn’t bother answering. He ran forward and positioned himself between Touko and the invisible shield, with his back toward her. The ogre leered down at them.

Touko trembled. Her legs wobbled. In a small voice, she said, “B-Byakuya-sama...”

“Don’t just stand there, you dolt,” he said. The ogre punched him, but its hand carried on going through him like it had done with Touko. He turned his head so she could see half of his face and added, “It’s an illusion. It can’t hurt you.”

“Right,” said Touko. Next to Byakuya, she felt calmer and safe, and was torn between swooning and passing out with relief.

Asahina balled her hands into fists.

“Kirigiri-chan’s powers might be illusions, but ours aren’t!” Asahina cried out.

She dived into the ground, and she wasn’t the only one on the move. The pompadour guy lowered his head, like a bull about to gallop forward, and his male companion began to glow blue.

Like Bloodhound, Touko started to drift upward due to an unseeable force created by the man with the thick eyebrows. Byakuya hurled out his arm and launched a spray of invisible shards at him, each individual one smaller than the plane that he summoned before. In order to avoid them, the male had to sacrifice his concentration, and Touko was freed. Her feet returned to the ground. Some of the shards fired by Byakuya sliced the man’s skin, and he cringed and touched a hand to a wound on his cheek.

Blood. Touko averted her eyes, feeling woozy. If she stared too long, she would faint, and if she fainted, her other self would take over, and Touko didn’t want that. She couldn’t let that happen. Her desire to protect Byakuya hardened her resolve.

Byakuya activated his powers and formed a shield beneath him and Touko. He levitated it with them on it, lifting them off the ground, and Touko drew closer to his side.

Asahina emerged from the ground underneath them, but by then they had risen high enough that she couldn’t reach them even by jumping. Despite being able to swim through solid matter, she seemed unable to fly. Her fingers couldn’t even skim the platform, and she winced when she touched down again. Though Green Widower had been defeated, Asahina hadn’t left their fight unscathed.

The white-haired woman squatted and then leaped up. She was able to attain a height much greater than Asahina, but when she threw a punch at them, her fist rammed into something solid.

A wave of blue light swept through the transparent flat surface between her and the other two. Byakuya had generated another barrier. It didn’t break, dent or even shake, and the woman swooped back down to join the others on the ground. The man with the thick eyebrows turned his attention onto the pompadour guy, and he floated him over to Touko and Byakuya, suspending him in mid-air above them.

When he was high enough, the man with the thick eyebrows released him. During the fall, the man with the pompadour changed into diamond, but even someone with his hardness rebounded off the barrier without doing it any damage. Touko watched the man revert back to normal as he fell. She shivered. Byakuya had surrounded himself and Touko with barriers from all sides in a box structure, but though they had protected themselves from their opponents, they couldn’t safely leave either. They had reached a deadlock.

“Can you see any reflective surfaces?” muttered Byakuya.

Touko raised a hand to her forehead and studied the factory. Places that the Sun didn’t touch were as dark and dull as her outfit, and she shook her head. Even if she could travel to another area in the factory, all she would be able to provide was a distraction, and against five opponents, that wouldn’t help because with their number, they could deal with more than one person at a time. Maybe if Green Widower and Bloodhound were up, then they could have come up with a plan, but they showed no signs of rejoining the battle.

The woman with white hair picked up Asahina. Her palm cushioned Aoi’s behind, and she drew back her arm, readying a throw.

They didn’t know if Asahina could travel through barriers, but now was a bad time to find out.

Slow claps echoed from the side of the room. Touko and Byakuya turned, and so did the students. Asahina remained in the palm of the woman with white hair.

Jin lowered his hands and strolled over. Koichi sauntered toward them with his hands in his pockets. Both grinned.

“I hope that taster whetted your appetite,” said Jin. He didn’t shout, but the large room carried his voice. His violet eyes stared up at them. Touko noted that they were same colour as the eyes of the girl with violet hair who could create illusions.

Someone groaned nearby. The sound came from Green Widower. He raised his head groggily.

“These students and more would represent your company,” said Jin, not breaking eye contact with Byakuya. In the background, the man with the pompadour dabbed a handkerchief against the cheek of the man with thick eyebrows. “We would also be happy to have Green Widower and Bloodhound help train the new recruits, and our training wouldn’t be just for those we take on... but for the four of you too.”

“I’m not a fighter,” grumbled Touko, but Byakuya was holding his chin thoughtfully as he gazed down at Jin.

Green Widower limped over to Bloodhound and helped him up. Both were conscious.

“Togami, you were incredible,” said Jin. “And with us, we could unlock your full potential.”

Touko bristled.

“I’m here too!” she said, but she couldn’t disagree with Jin. “And of course Byakuya-sama was incredible. It’s a given, right? He’s perfect.”

She fidgeted, beaming widely, well aware of her face warming and unashamed of it.

Koichi gave a short laugh.

“Fukawa-chan’s not too shabby either. We’ve seen her on Hero TV,” said Koichi. He winked and whipped a hand out of his pocket to point up at Touko. “Her form-fitting non-glitzy outfit stands out, and she has a useful power too. After hearing some interviews - ” - which Touko rarely gave, so at least some of those must have been with other people - “I think ‘Kaleidoscope’ would be a good crimefighter name. And Togami-san could be Barrikuya.”

Touko pulled a face.

“I’m not a superhero,” she reminded everyone, but she fizzled out when Byakuya shot an icy look at her. He turned back to Jin and swished a hand.

“That name is stupid, but I suppose I can hear out the finer details of your proposal over dinner,” Byakuya drawled.

Jin’s previous smiles were up for interpretation, but this one was definite, and he bowed. “You won’t regret it, Togami.”

Byakuya finally lowered the barrier carrying him and Touko to the ground, and when he took a step forward, he revealed that the other barriers had disappeared too. Asahina slipped onto her friend’s shoulder. Bloodhound and Green Widower hobbled over with their arms around each other.

The man who could turn into diamond faced them. He rubbed the back of his neck sheepishly. “Um... Sorry about all that. I get carried away when I’m fighting sometimes.”

Bloodhound sneered with a bloody nose. Touko wished he would clean himself, or at the very least get his husband to do it for him.

“If I were a few years younger...” He trailed off. The tension in Bloodhound’s face faded and he broke into a grin. “But today’s today, yeah? And this is nothing a little time in a healing pod won’t fix. You’re not bad, kiddo. You’ve got potential. You all do.”

He gave them a thumbs up and guffawed. Then he had a coughing fit. Green Widower looked at him worriedly, and only once Bloodhound recomposed himself did Green Widower relax a bit.

“Thanks,” said the pompadour-bearing guy, equally cheerful, and he returned Bloodhound’s gesture by thrusting up his thumb. “Hey, Togami, how’s about I buy us all a round of beer? My treat. We did a number on your heroes and I know we didn’t land a hit on you or your girlfriend, but she looked pretty freaked out, and I feel kinda bad about that.”

Toward the end of his offer, the man’s face darkened a little, though he maintained his smile. A muscle jumped in Byakuya’s cheek but he said nothing back.

“G-Girlfriend!” Touko said, hands over her heart. Bloodhound ignored her.

“Are you even old enough to drink?” Bloodhound asked.

“Don’t make me give you another thrashing,” responded the man with the pompadour but without any malice, and they both burst out laughing.

Asahina turned to the white-haired woman, who shrugged. The one with violet hair folded her arms over her chest and the man with thick eyebrows tilted his head to one side.

“I’m done here,” said Byakuya. He adjusted his glasses and marched toward the doors leading out of the factory. Touko hurried after him.

Koichi cupped a hand beside his mouth and craned his neck. “So that’s dinner and beer, right? Is tonight good?”

“Tonight is fine,” said Byakuya, not wavering in his pace.

Touko and Byakuya continued on in silence, but just before they arrived at the doors, Byakuya stopped, and Touko halted abruptly right after.

“One more thing.” Byakuya whipped his head around. His eyes narrowed. “She’s not my girlfriend.”

He grabbed her left wrist and raised her arm, to better show off the ring on one of fingers.

“She’s my fiancée.”

#TogaFuka #pinlc-candy #danganronpa #touko fukawa #byakuya togami #2018 #fanfiction

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sbknews · 3 years

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2022 HONDA CBR500R

Model updates: Honda’s A2-compatible ‘pocket rocket’ receives major performance-focussed improvements led by Showa 41mm Separate Function Fork Big Piston (SFF-BP) USD forks, dual disc front brakes and radial-mount calipers. Front tyre grip is heightened with more forward weight bias; handling is further improved by the new swingarm, which is lighter with more lateral flex. The rear shock has new settings to complement the new forks. Redesigned wheels and a lighter radiator save more weight and new fuel injection settings improve engine character. More powerful headlight LEDs offer greater visibility.

22YM HONDA CBR500R - Introduction Fast, frugal, affordable and - most importantly - fun, Honda’s fully-faired CBR500R, launched in 2013 alongside the naked CB500F and adventure-styled CB500X, injects a genuine sporting energy to its twin-cylinder ‘light middleweight’ trio. Hugely popular with younger riders looking to move up from a smaller machine with more than 50% of owners under the age of 30, the CBR500R instils the excitement of sports bike ownership into every ride yet also delivers sensible running costs, making it a great bike to both commute through the working week and enjoy at the weekend. In 2016 the CBR500R assumed sharper styling and LED lighting to go with updated front suspension; in 2019 it got an even more aggressive makeover, with a new form and riding position that outlined a keener sporting intent. Developments were also applied to the engine for stronger performance off the bottom, a distinctive surge through the rev range to the redline and more distinctive exhaust howl. It gained EURO5 compliance in 2020. Having proved its undoubted star quality alongside its siblings, for its 2022 year model it receives a major suspension upgrade in the form of high-quality Showa 41mm SFF-BP USD forks, plus dual front discs, new lightweight wheels and swingarm and other detail updates including a striking new colour.

22YM HONDA CBR500R - Model Overview Alongside engine changes such as revised fuel injection settings and a new lighter radiator, the chassis benefits from the addition of Showa 41mm SFF-BP USD forks, dual Nissin radial mount two-piston calipers biting 296mm discs, lighter-weight 5-spoke wheels and redesigned swingarm - for improved high-speed handling and braking. Weight bias also moves fractionally forward for enhanced front tyre grip and feel. Styling is updated with a new front mudguard, inherited from the CBR650R, and sporty aluminium footpegs are also now standard fit. As before, LCD instruments feature a Shift Up and Gear Position function and all lighting is premium LED; the new headlight, also inherited from the CBR650R, now spreads a broader beam.

22YM HONDA CBR500R The 2022 CBR500R will be available in the following colour options: Grand Prix Red Matt Gunpower Black Metallic **NEW for 2022**

22YM HONDA CBR500R - Key Features 3.1 Chassis & Styling - New 41mm Showa Separate Function Fork Big Piston (SFF-BP) USD forks - New dual 296mm discs matched to Nissin radial mount two-piston calipers - Lighter weight wheels and swingarm, plus aluminium footpegs - Weight bias further forward for enhanced front end grip - New headlight inherited from the CBR650R Light, strong and unchanged for 2022 the 35mm diameter steel diamond-tube mainframe has a tuned degree of yield that gives plenty of feedback to the rider as road surfaces change. The shape and position of the engine mounts, plus the frame’s rigidity balance, also keep vibration to a minimum. Immediately obvious is a brand-new front end set-up. With the aim to heighten sports handling performance the 41mm telescopic forks of the previous design have been replaced by Showa 41mm Separate Function Fork Big Piston (SFF-BP) USD forks, clamped by new top and bottom yokes. By dividing the functions – Big Piston pressure separation damper in one leg, spring mechanism in the other – reaction and ride quality are both improved. The four-cylinder CBR650R wears the exact same set-up. In a further effort to improve the ride quality, the 22YM CBR500R features new lighter wheels with 5 Y-shaped spokes rather than the 6 of the previous model. The front wheel width remains 3.5inch with a 120/70-ZR17 tyre and the rear 4.5inch with 160/60-ZR17 tyre.

22YM HONDA CBR500R A redesigned swingarm also shaves grams; it’s now constructed from 2mm steel (rather than 2.3mm) and employs a hollow cross member and crisply redesigned chain guard. Stiffer rotationally, the new swingarm is also more flexible laterally to improve handling. The single-tube rear shock absorber (as found on larger capacity sports bikes) with its large-diameter piston ensures excellent response and temperature management; it features 5-stage preload adjustment with spring rate and damping settings optimised to match the forks. In line with the dynamic improvements to the chassis and suspension, the braking performance has also been improved. The single 320mm and two-piston caliper front brake from the previous model has been replaced by dual 296mm discs and Nissin radial-mount, two-piston calipers. The introduction of the smaller discs not only keeps any additional weight gain to a minimum, but also reduces the required pressure on the lever when braking. The new CBR500R weighs in at 192kg and places slightly more weight on the front wheel to promote more nimble handling and improve front end grip: front/rear bias percentage is now 50.7/49.3, compared to 50.1/49.9 of the previous version. Wheelbase remains 1410mm with rake and trail of 25.5°/102mm. And nimble responsiveness is what the CBR500R is all about. The view forward from the cockpit is pure sports. The handlebars clip on beneath the top yoke and as a result the riding position is unmistakably aggressive; the fairing is also set low. Purposeful aluminium footpegs replace the previous rubberised parts; between the pair they save 104g and offer maximum support for more spirited riding. The compact front mudguard is drawn from the CBR650R. New sharply-chiselled dual LED headlights, inherited from the CBR650R, stare menacingly ahead with a wider volume of light emission, matching by LED indicators. LCD instruments feature a Gear Position and Shift Up indicator; this is set to a default 8,750rpm but can be adjusted in 250rpm increments between 5-8,750rpm. Seat height is low at 785mm, making the CBR500R very easy to manage and its riding position comfortably accommodates riders of any height. Overall dimensions are 2080mm x 760mm x 1145mm, with 130mm ground clearance. The fuel tank holds 17.1L including reserve and combined with the engine’s excellent 3.5L/100km (28.6km/litre) fuel economy, gives a range of over 485km.

22YM HONDA CBR500R 3.2 Engine - Lively twin-cylinder powerplant delivers usable power and torque across the rev-range, plus sporty sound from its dual-exit muffler - New PGM-FI settings improve torque feel and character - New radiator design more stylish and lighter - Assist/slipper clutch eases upshifts and manages downshifts - Homologated for EURO5 The 22YM CBR500R’s A2-licence friendly 471cc, 8-valve liquid-cooled parallel twin-cylinder layout offers a well-proportioned balance of physical size and willing, enjoyable power output, with an energetic, high-revving character and zappy top end. The 2019 upgrades created faster acceleration through a 4% boost in low-to-mid-range power and torque in the 3-7,000rpm range. It's very much an engine whose overall performance and character belie its relatively small capacity. Peak power of 35kW arrives at 8,600rpm, with 43Nm torque delivered at 6,500rpm. Feeding the PGM-FI fuel injection is a more-or-less straight shot of airflow through the airbox and throttle bodies and for the 2022 year model, new settings improve torque feel and character without compromising performance. The exhaust muffler features dual exit pipes, giving a sporting edge to each pulse, and a rasping high-rpm howl. A new more aesthetically pleasing radiator design contributes a 100g weight saving, with no loss of cooling efficiency.

22YM HONDA CBR500R Bore and stroke are set at 67mm x 66.8mm and compression ratio is 10.7:1; the crankshaft pins are phased at 180° and a primary couple-balancer sits behind the cylinders, close to the bike’s centre of gravity. The primary and balancer gears use scissor gears, reducing noise. The crank counterweight is specifically shaped for couple-balance and its light weight allows the engine to spin freely, with reduced inertia. Acting as a stressed member, the engine complements the frame’s rigidity with four frame hangers on the cylinder head. Internally the cylinder head uses roller rocker arms; shim-type valve adjustment allows them to be light, for lower valve-spring load and reduced friction. A silent (SV Chain) cam chain has the surface of its pins treated with Vanadium, reducing friction with increased protection against wear. Inlet valve diameter is 26.0mm with exhaust valve diameter of 21.5mm. Piston shape is carefully designed to reduce piston ‘noise’ at high rpm. Friction is reduced by striations on the piston skirt (a finish that increases surface area, introducing gaps in which oil can flow for better lubrication). The ‘triangle’ proportion of crankshaft, main shaft and countershaft is efficiently compact. The crankcases uses centrifugally cast thin-walled sleeves; their internal design reduces the ‘pumping’ losses that can occur with a 180° phased firing order. A deep sump reduces oil movement under hard cornering and braking; oil capacity is 3.2L.The slick-changing six-speed gearbox is managed by an assist/slipper clutch.

22YM HONDA CBR500R - Accessories A range of Genuine Honda Accessories are available for the CBR500R. They include: 35L top box Rear carrier Tank bag Seat bag High smoke windscreen Heated grips 12V/USB Type-C sockets Seat Cowl Wheel Stripes Tank Pad

22YM HONDA CBR500R - Technical Specifications ENGINE Type Liquid-cooled 4 stroke, parallel twin Displacement 471cc No of Valves per Cylinder 4 Bore & Stroke 67mm x 66.8mm Compression Ratio 10.7: 1 Max. Power Output 35kW @ 8600rpm Max. Torque 43Nm @ 6500rpm Noise Level (dB) L-urban 74dB L-wot 76.4dB Oil Capacity 3.2L FUEL SYSTEM Carburation PGM FI electronic fuel injection Fuel Tank Capacity 17.1L (inc reserve) CO2 Emissions (WMTC) 80 g/km Fuel Consumption (WMTC) 3.5L/100km (28.6km/litre) ELECTRICAL SYSTEM Battery Capacity 12V 7.4AH ACG Output 23.4A/2000rpm DRIVETRAIN Clutch Type Wet multiplate, Assisted slipper clutch Transmission Type 6 speed Final Drive Chain FRAME Type Steel diamond CHASSIS Dimensions (L´W´H) 2080mm x 760mm x 1145mm Wheelbase 1410mm Caster Angle 25.5 degrees Trail 102mm Seat Height 785mm Ground Clearance 130mm Kerb Weight 192kg SUSPENSION Type Front Showa 41mm SFF-BP USD forks, pre-load adjustable Type Rear Prolink mono with 5 stage pre-load adjuster, Steel hollow cross swingarm WHEELS Type Front 5Y-Spoke Cast Aluminium Type Rear 5Y-Spoke Cast Aluminium Rim Size Front 17 x MT3.5 Rim Size Rear 17 x MT4.5 Tyres Front 120/70ZR17M/C (58W) Tyres Rear 160/60ZR17M/C (69W) BRAKES ABS System Type 2-channel Type Front Dual 296mm x 4mm disc with Nissin radial-mount two piston calipers Type Rear Single 240mm x 5mm disc with single piston caliper INSTRUMENTS & ELECTRICS Instruments LCD Meter with Speedometer, Bar Graph Tachometer, Dual Trip Meters, Fuel Level and Consumption Gauge, Clock, Water Temp, Gear position, Shift Up Indicator Headlight LED Taillight LED Security System HISS (Honda Intelligent Security System) All specifications are provisional and subject to change without notice. ** Please note that the figures provided are results obtained by Honda under standardised testing conditions prescribed by WMTC. Tests are conducted on a rolling road using a standard version of the vehicle with only one rider and no additional optional equipment. Actual fuel consumption may vary depending on how you ride, how you maintain your vehicle, weather, road conditions, tire pressure, installation of accessories, cargo, rider and passenger weight, and other factors.

22YM HONDA CBR500R For more Honda Motorcycles UK news check out our dedicated page Honda Motorcycles UK News or head to the official Honda Motorcycles UK website honda.co.uk/motorcycles.html Follow us on social media: Instagram: @superbikenews Twitter: @sbknews Facebook: @superbikenews SBN Directory - add your motorcycle related business here

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danyelle756games · 4 years

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What are the best online communities in gaming

On line Gaming Blog

Twitter is where game publishers, the gaming media, well-liked game streamers and entertainers, esports leagues, teams, players and commentators interact with their most engaged fans and with 1 a different. So what's with the lack of inclusion in the gaming planet? In addition to the normally hostile planet of desktop and console games (see the GamerGate controversy as just one particular example), there's nonetheless somewhat of an sector perception that girls merely never play video games. However, that is far from true - females are really gaming extra than ever ahead of, specifically on mobile.

They offer a wide range of digital games that their shoppers can play on the favourite platforms which includes Computer, Mac, Sony Playstation and Nintendo. Working directly with over 500 publishers, developers and distributors, they provide gamers in 190 nations a substantial catalogue of multi-platform games at competitive costs. Green Man Gaming is an official distributor of Sony PS4, Nintendo, Steam, Uplay, Rockstar Social Club and lots of much more Computer platform solutions.

With the abundance of established gaming web pages present on the world wide web, it is ideal to do some competitor evaluation and study about the most common web-sites and the latest trends in gaming to maintain your site up to date. A couple of search queries on Google would assist you see what are the most current trending subjects gamers are hunting at. This will assist you see what most gaming web sites have to supply, and how they present their content material to their audience. You would also be capable to obtain out how to stand out and know your audience improved.

I got into action games late but when I did it absolutely changed how I viewed gaming forever. The game which brought me round was Viewtiful Joe. Here was a game with a deep and open-ended combat system which seemed to be built as a suggests for the player to express creativity. This method is then pitted against opponents and obstacles which had been designed from the ground up to interact meaningfully with the core method. The course was fixed, but the technique for dealing with that course was fully down to the ingenuity, talent and inspiration of the player. You play like you have a large audience watching and the game constantly entices you to increase the focus is not simply on getting the player from A to B, the focus is on obtaining the player to play Viewtifully”.

Kingmaking is a board gaming term for when a player who has no likelihood of winning, deliberately utilizes his influence in the game to figure out the winner. The kingmaking player slows the player in the lead and or boosts one more player to determine who wins the game. Kingmaking is frowned upon mainly because the outcome of the game is no longer by every single players ability levels or decision making.

Do not you wish you had been genuinely sitting on a racecar seat each time you play Forza, Gran Turismo, or any other racing game? With the racing seat design and style of the Ficmax Swivel Gaming Chair , getting this practical experience is now a reality. The totally ergonomic Ficmax is made with a completely retractable footrest to aid sooth tired reduced limbs and assist facilitate the a lot more effective circulation of blood. It also comes with a lumbar massage support to support avoid or even manage low back pain which is really prevalent amongst individuals who sit in an office chair for unusually lengthy period. Our handy guide to the very best ergonomic office chairs capabilities a lot more excellent products like this.

5 Simple Steps For an Effective GAMING Strategy

United Kingdom About Weblog TheSixthAxis provides European Gaming News and Opinion. Made in 2007 to concentrate on the PlayStation 3, the web site has expanded to cover all big platforms. Its mission is to deliver the most up-to-date previews, reviews, news, and gossip in TSA's own inimitable style, and to cater for our great and nob-cost-free neighborhood.

Produced for producing social networking sites for gaming communities, Blackfyre delivers a wide variety of attributes to assistance you develop exclusive clan internet sites, gaming groups, content material sharing internet sites, discussion channels and more. Alongside a very efficient user account creation and management technique, Blackfyre also supports Clan creation to aid your customers to make a variety of plans for their games.

Avantura has 1 of the best constructing blocks we've observed for constructing a gaming web-site, it supports distinctive colour categories ( a ought to for any critical gaming magazine), can be combined with well-liked widgets, can be colour customized per web page, has a number of selections for the header and footer and it has an incredible good seeking weblog post design. Also, it has a extremely good about the author module and some nice next and previous article hooks. On major of it all, it supports a good mega menu with images.

Gaming content material remains one of finest approaches to reach young guys. Tubular Labs reports that among millennial males, gaming— specifically, gameplay— ranks in the best 3 categories for both 18—24-year-olds (#1) and 25—34-year-olds (#two). But what about females? As it turns out, adult women have lately unseated teenage boys as the largest video game— playing demographic, according to the Entertainment Software program Association YouTube trends reflect this: Viewership among ladies has doubled year more than year, and women over the age of 25 are the fastest-increasing demographic for gaming content.

Social media is one particular of the very best ways to attain out to your audience, as it aids make communication much more hassle-free by permitting comments and messages. Gamers across the globe use Facebook as one of their principal social media platforms, and it is highly evident when you see how a lot of likes, shares, and views gaming-connected content receive on a every day basis.

Cocos2d-x is also open source, which means it can be customised and tweaked by the community and any developer can share their ideas with other folks! The system has demonstrations to assistance newbies along the way, and it has even been used for such preferred mobile apps as Dragon City Mobile and Big Fish Casino! Mobile gaming dominates a large section of the gaming market place these days, so a suite of tools like these are only going to come to be more crucial for the future of gaming.

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You'd be surprised at just how versatile the AmazonBasics Laptop and Tablet Bag is. Obtainable in 5 various sizes, with the largest totally capable of holding and protecting a big erenener Mobile gaming blog 17.three inch ultra-higher overall performance gaming laptop, this laptop bag comes with avariety of storage pockets for all of your smaller peripherals like gaming mouse, 3D pens, digitizers, and even smartphones, MP3 players, pens, and several a lot more. Its smallest version which is designed for holding a 7 inch tablet or a ten inch netbook is equally beneficial as it comes with the very same accessory pockets complementing its principal storage compartment.

Nevertheless, there is no need to do an world wide web search or study the most up-to-date in anonymous game testimonials. Under, we have collected the leading 30 mobile gamer blogs to support put you in touch with the most recent and greatest in gaming, along with recommendations for what to get next, how to beat it, and what to remain away from. No matter if for the most up-to-date iPhone or classic Gameboy, there are loads of mobile gaming weblog entries for everyone.

We use our GeForce Encounter servers to ascertain the most effective top quality settings based on the user's CPU and GPU, and target higher frame rates than 'normal' optimal settings to assure the lowest latency gaming expertise. These settings are automatically applied when the game is launched so gamers do not have to worry about configuring these settings themselves.

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ninnetta153gaming · 4 years

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How do you start facebook gaming

On line Gaming Weblog

Generating a gaming web-site with WordPress has by no means been less complicated. How do firms fight back though keeping their clients happy? We chatted with Danièle Thillmann, Senior VP of Fraud and Payments at Green Man Gaming. Danièle reveals how corporations can confront the exceptional challenges of a digital vertical. Armed with years of knowledge in the gaming globe, Danièle shares how gaming organizations make a difficult and important choice: which fraud prevention resolution to use.

The gaming WordPress themes include some unique qualities like design and style and options. And most of the themes that are featured here provides you with a complete option for your gaming web-site. The Search engine marketing solutions, social network tools, several selections, and multiple colors will make you a lot easier to get started your new web page. All these themes are customizable exactly where you can change every single and every single aspect of the themes without the need of touching any of the codes.

Luca is operating in the field of gaming for 6 years, initially as an indie one-man-group junior developer and, the latter 5 years, as gameplay programmer and software program architect in a company where he developed video games for all principal mobile platforms, Computer, Steam, PS4 and Xbox One, as properly as minor gaming consoles, developing as a skilled. Not too long ago he founded Twin Wolves, an indie video games improvement studio, where he's the CTO.

Paul: In 2009, the concept for Green Man Gaming came about when we had been thinking of where the games marketplace was going to go and what was going to come about next. There was a powerful small business model in trading in games in the industry and there was the start out of the move to a completely digital marketplace. The coupling of these two industry mechanisms were supported by analysis from London Business enterprise College showing that a customer's propensity to purchase is heightened when presented the selection to trade-in a product or recoup some of its worth. So the big idea” was to combine digital and trade-in into the same platform, effectively becoming a retailer and a marketplace on 1 international digital platform.

Due to mobile game development outsourcing , the newest indie games developed by small studios or individual programmers get lots of attention and good feedback from each players and journalists. With the aid of software program outsourcing corporations, every individual, with suitable understanding, can develop and market gaming apps with out any obstacles.

One of the finest functions of this WordPress theme is the truth that is ready to go. You can simply set up the theme files then use the one-click importer to get your WordPress-powered gaming web page on line. Nevertheless, if there's anything about this theme and your web-site you'd like to adjust, that's not a problem either. By utilizing the included Visual Composer plugin, you can open up any of the demo content material for editing, all by way of a drag-and-drop user interface.

What Your Customers Think On Your own GAMING?

Paul: Our enterprise model is growth focused and we cover 3 key areas in the gaming industry. Firstly, we're a global e-Commerce store selling more than 7,500 games from 450 publishers in over 190 countries to millions of gamers. Secondly, Green Man Gaming has a thriving community who talk about and track their game achievements on our community platform. This information combined with the commercial information of the retailer gives Green Man Gaming a important depth of expertise of our shoppers. Lastly, we have a publishing arm that helps developers publish their personal games and bring them to market, supporting them each step of the way. The fusion of Green Man Gaming's e-Commerce store, a powerful community producing billions of information points and publisher help sets us apart from our competitors.

Created for justdive Best way to run a gaming blog generating social networking internet sites for gaming communities, Blackfyre gives a wide range of functions to assistance you build exclusive clan web-sites, gaming groups, content material sharing sites, discussion channels and far more. Alongside a hugely efficient user account creation and management technique, Blackfyre also supports Clan creation to help your customers to make a variety of plans for their games.

Avantura has one particular of the very best developing blocks we've noticed for constructing a gaming web-site, it supports distinctive color categories ( a must for any really serious gaming magazine), can be combined with popular widgets, can be colour customized per web page, has several choices for the header and footer and it has an incredible good looking weblog post design and style. Also, it has a pretty good about the author module and some nice next and previous article hooks. On major of it all, it supports a nice mega menu with photographs.

Design patterns: To shop information in DynamoDB, gaming organizations partition game state and other player information employing player ID, and use the crucial-value access pattern (1:1 modeling). In situations when additional fine-grained access is called for, these firms use a sort essential (1:M modeling). This allows them to access and update distinct properties or subsets of a player's dataset separately. This way, they never have to retrieve an entire dataset. In this strategy, multiple products that retailer distinctive properties can be updated transactionally by using the DynamoDB transactional API Some firms compress user information to lower cost. PennyPop, for instance, uses gzip to compress player data and retailer it as a base64 string, decreasing the player information to ten % of its original size.

So, to aid you monitor and repair these concerns, we've chosen some remarkable WordPress Gaming themes we can personally suggest. They are highly accommodating to a wide range of purposes for your websites. For your comfort, we've highlighted all their core capabilities, places of usages and crucial aspects for these great gaming themes. Additionally, the list also contains superb cost-free WordPress gaming themesÂ so you can begin your gaming web site with minimal costs. So without further ado, let's take a look at our list of each premium WordPress Gaming Themes and cost-free Gaming WordPress themes.

These numbers can absolutely differ per study, but it does appear like the quantity of female really serious gamers are on a downward trend. The last time we checked in females were closer to 45%-48% of gamers. We can speculate as to why this is. Perhaps females are less fond of the emergence of the eSports trend. Possibly females are feeling much less integrated in gaming forums and online communities immediately after the harassment accusations of the final few years. Perhaps they are just much more drawn to other entertainment industries, but this is definitely a trend to continue watching.

The gaming market saw a number of fascinating developments in 2016 touching on distinct aspects of the sector. Gaming technology is establishing in quite fascinating strategies. The lengthy promised revolution of virtual and augmented reality moved closer to realization. The mania around Pokémon GO with its mass marketplace appeal and utilization of mobile phones introduced untold millions to the possible of augmented reality. With its launch in India and South Asia it has become the poster youngster for the potential of mobile games offered its sophisticated technology and the enormous international smartphone penetration.

Frequently used to refer to games that are produced by key studios with a substantial spending budget, requiring a higher sales volume and substantial application expansions to retain profitability. Like hollywood, these games tend to rely on reasonably low-threat sequels more than greater-threat artistic projects, so anticipate to see your function all more than billboards and Tv ads. You are going to be focused mostly on Computer, Playstation and Xbox gaming for AAA titles.

We use our GeForce Experience servers to determine the best high quality settings based on the user's CPU and GPU, and target larger frame rates than 'normal' optimal settings to ensure the lowest latency gaming practical experience. These settings are automatically applied when the game is launched so gamers don't have to be concerned about configuring these settings themselves.

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