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#mandatory arbitration
zoethebitch · 6 months
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McDonald's giving away free fries if you use their mobile app and then updating the terms and conditions to say if you use this app you waive your right to trial in any class action lawsuits and have to do mandatory arbitration is INSANE
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blogquantumreality · 2 months
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#can anyone tell me like. what this means
As spake by @karinyosa regarding this.
What the arbitration exclusivity clause means is they're trying to get you to give up the right to be able to sue them.
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bechdelexam · 6 months
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we voted for a strike btw <3
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pasquines · 1 year
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Kickstarting the "Chokepoint Capitalism" audiobook
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My next book is Chokepoint Capitalism, co-written with the brilliant copyright expert Rebecca Giblin: it’s an action-oriented investigation into how tech and entertainment monopolies have destroyed creators’ livelihoods, with detailed, shovel-ready plans to unrig creative labor markets and get artists paid.
http://www.beacon.org/Chokepoint-Capitalism-P1856.aspx
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Ironically, the very phenomenon this book describes — “chokepoint capitalism” — is endemic to book publishing, and in audiobook publishing, it’s in its terminal phase. There’s no way to market an audiobook to a mass audience without getting trapped in a chokepoint, which is why we’re kickstarting a direct-to-listener edition:
https://www.kickstarter.com/projects/doctorow/chokepoint-capitalism-an-audiobook-amazon-wont-sell
What is “chokepoint capitalism?” It’s when a multinational monopolist (or cartel) locks up audiences inside a system that they control, and uses that control to gouge artists, creating toll booths between creators and their audiences.
For example, take Audible: the Amazon division controls the vast majority of audiobook sales in the world — in some genres, they have a 90%+ market-share. Audible requires every seller — big publishers and self-publishers alike — to use their proprietary DRM as a condition of selling on the platform.
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That’s a huge deal. DRM is useless at preventing copyright infringement (all of Audible’s titles can be downloaded for free from various shady corners of the internet), but it is wildly effective at locking in audiences and seizing power over creators. Under laws like the USA’s Digital Millennium Copyright Act, giving someone a tool to remove DRM is a felony, punishable by 5 years in prison and a $500k fine.
This means that when you sell your audiobooks on Audible, you lock them to Audible’s platform…forever. If another company offers you a better deal for your creative work and you switch, your audience can’t follow you to the new company without giving up all the audiobooks they’ve bought to date. That’s a lot to ask of listeners!
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Amazon knows this: as their power over creators and publishers has grown, the company has turned the screw on them, starting with the most powerless group, the independent creators who rely on Amazon’s self-serve ACX system to publish their work.
In late 2020, a group of ACX authors discovered that Amazon had been systematically stealing their wages, to the tune of an estimated $100,000,000. The resulting Audiblegate scandal has only gotten worse since, and while the affected authors are fighting back, they’re hamstrung by Amazon’s other unfair practices, like forcing creators to accept binding arbitration waivers on their way through the chokepoint:
https://pluralistic.net/2020/11/03/somebody-will/#acx
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I have always had a no-DRM policy for my ebooks and audiobooks. Amazon’s Kindle store — another wildly dominant part of the books ecosystem — has always allowed authors to choose whether or not to apply DRM, but in Audible — where Amazon had a commanding lead from the start, thanks to their anti-competitive acquisition of the formerly independent Audible company — it is mandatory.
Because Audible won’t carry my DRM-free audiobooks, audiobook publishers won’t pay for them. I don’t blame them — being locked out of the market where 90%+ of audiobooks are sold is a pretty severe limitation. For a decade now, I’ve produced my own audiobooks, using amazing narrators like @wilwheaton​, Amber Benson and @neil-gaiman​.
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These had sold modestly-but-well, recouping my cash outlays to fairly compensate the readers, directors and engineers involved, but they were still niche products, sold at independent outlets like Libro.fm, Downpour, and my own online storefront:
https://craphound.com/shop
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But that all changed in 2020, with the publication of Attack Surface, an adult standalone novel set in the world of my bestselling YA series Little Brother. That time, I decided to use Kickstarter to pre-sell the audio- and ebooks and see if my readers would help me show other creators that we could stand up to Audible’s bullying.
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Holy shit, did it ever work. The Kickstarter for the Attack Surface audiobook turned into the most successful audiobook crowdfunding campaign in world history, grossing over $267,000:
https://www.kickstarter.com/projects/doctorow/attack-surface-audiobook-for-the-third-little-brother-book
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Which brings me to today, and our new Kickstarter for Chokepoint Capitalism. We produced an independent audiobook, tapping the incomparable Stefan Rudnicki (winner of uncountable awards, narrator of 1000+ books, including Ender’s Game) to read it.
We’re preselling the audiobook ($20), ebook ($15), hardcover ($27), and bundles mixing and matching all three (there’s also bulk discounts). There’s also the option to buy copies that we’ll donate to libraries on your behalf. We’ve got pins and stickers — and, for five lucky high-rollers, we’ve got a very special artwork called: “The Annotated Robert Bork.”
https://www.kickstarter.com/projects/doctorow/chokepoint-capitalism-an-audiobook-amazon-wont-sell
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Robert Bork was the far-right extremist who convinced Ronald Reagan to dismantle antitrust protection in America, and then exported the idea to the rest of the world (Reagan tried to reward him with a Supreme Court seat, but Bork’s had been Nixon’s Solicitor General and his complicity in Nixon’s crimes cost him the confirmation).
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Bork’s dangerous antitrust nonsense destroyed the world as we knew it, giving us the monopolies that have wrecked the climate, labor protections and political integrity. These monopolies have captured every sector of the economy — from beer and pro-wrestling to health insurance and finance:
https://www.openmarketsinstitute.org/learn/monopoly-by-the-numbers
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“The Annotated Robert Bork” is a series of five shadow-boxes containing two-page spreads excised from Bork’s 1978 pro-monopoly manifesto
The Antitrust Paradox
, which we have mounted on stiff card and hand-annotated with our red pens. The resulting package is a marvel of museum glass and snark.
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[Image ID: A prototype of ‘The Annotated Robert Bork]
Bork’s legacy is monopolistic markets in every sector of the world’s economy, including the creative industries. Chokepoint Capitalism systematically explores how tech and entertainment giants have rigged music streaming, newspapers, book publishing, the film industry, TV, video streaming, and others, steadily eroding creators’ wages even as their work generated more money for the monopolists’ shareholders.
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But just as importantly, our book proposes things we can do right now to unrig creative labor markets. Drawing on both existing, successful projects and promising new experiments, we set out shovel-ready ideas for creators, artists’ groups, fans, technologists, startups, and local, regional and national governments.
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Artists aren’t in this struggle alone. As we write in the book, chokepoint capitalism is the final stage of high-tech capitalism, which atomizes workers and locks in customers and then fleeces workers as a condition of reaching their audiences. It’s a form of exploitation that is practiced wherever industries concentrate, which is why creators can’t succeed by rooting for Big Tech against Big Content or vice-versa.
It’s also why creative workers should be in solidarity with all workers — squint a little at Audible’s chokepoint shakedown and you’ll recognize the silhouette of the gig economy, from Uber to Doordash to the poultry and meat-packing industries.
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40 years of official pro-monopoly policy has brought the world to the brink of collapse, as monopoly profits and concentrated power allowed an ever-decreasing minority of the ultra-rich to extract ever-increasing fortunes from ever-more-precarious workers. It’s a flywheel: more monopoly creates more profits creates more power creates more monopoly.
The solutions we propose in Chokepoint Capitalism are specific to creative labor, but they’re also examples of the kinds of tactics that we can use in every industry, to brake the monopolists’ flywheel and start a new world.
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I hope you’ll consider backing the Kickstarter if you can afford to — and if you can’t, I hope you’ll check out one of the copies our backers have donated to libraries around the world:
https://www.kickstarter.com/projects/doctorow/chokepoint-capitalism-an-audiobook-amazon-wont-sell
[Image ID: An image of a mobile phone playing the Chokepoint Capitalism audiobook, along with the title and subtitle of the book: 'Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back.']
[Image ID: Are you a writer, a musician, an artist? Is Big Tech eating your brain and sucking your financial blood? Cory Doctorow and Rebecca Giblin’s new book, Chokepoint Capitalism’, tells us how the vampires crashed the party and provides protective garlic. Your brain must remain your own concern, however.’ — Margaret Atwood, author of The Handmaid’s Tale]
[Image ID: I loved this book. It brings a clear and rigorous vision of the chokepoint controls that are breaking our spirit and an equally clear path forward. It speaks directly to creators, would-be artists, writers, and musicians, and all who want a free society alive with culture, dissent, creativity. It helps us all see the locks and chains, and the ways to chisel through them.’ — Zephyr Teachout, law professor and author of Corruption in America and Break ’Em Up]
[Image ID: Creators are being ground up by the modern culture industries, with little choice but to participate in markets that weaken their power and economic return. In this brilliant and wide-ranging work, Giblin and Doctorow show why, and offer a range of powerful strategies for fighting back.’ — Lawrence Lessig, Roy L. Furman Professor of Law and Leadership, Harvard Law School]
[Image ID: This compellingly readable indictment shows how ‘consumer welfare’ regulatory theory has allowed Big Tech to choke creators and diminish choice. Giblin and Doctorow demonstrate that the goal to lower consumer costs means ‘you get what you pay for’: paying less for cultural goods leads to getting fewer creative outputs and enterprises. Chokepoint Capitalism couples its legal-economic critique with provocative, sometimes utopian, prescriptions for fairly remunerating authors and performers.’ — Jane C. Ginsburg, Morton L. Janklow Professor of Literary and Artistic Property Law, Columbia University School of Law]
[Image ID: The great myth of the American economy is that it rewards creators and producers. But Chokepoint Capitalism dares to tell the real story of how it actually rewards the all-powerful middlemen fleecing both workers and consumers. This book is an absolute must-read for anyone who senses that the predominant economic mythology is a lie, who wants to know what’s really happening in this economy — and who is ready to finally start fixing the problem.’ — David Sirota, writer of Don’t Look Up and founder of The Lever]
[Image ID: We all know something is wrong about every click, stream, and purchase we make — unfairly depriving value creators of their worth, while enriching the wealthiest and most extractive entities in human history. Instead of just complaining about the corporate stranglehold over production and exchange, Giblin and Doctorow show us why this happened, how it works, and what we can do about it. An infuriating yet inspiring call to collective action.’  — Douglas Rushkoff, author of Throwing Rocks at the Google Bus and Survival of the Richest]
[Image ID: Twenty years of internet copyright wars got us nowhere — creators are still getting the shaft. Giblin and Doctorow persuasively argue that copyright can’t unrig a rigged market — for that you need worker power, antitrust, and solidarity.’ — Jimmy Wales, cofounder of Wikipedia]
[Image ID: Capitalism doesn’t work without competition. Giblin and Doctorow impressively show the extent to which that’s been lost throughout the creative industries, and how this pattern threatens every other worker. There’s still time to do something about it, but the time to act is now.’ — Craig Newmark, founder of Craigslist]
[Image ID: Chokepoint Capitalism really is a tome for the times. It’s comforting to feel validated and terrifying to realize I was right all along! And now, to action! The revolution will not be spotified!’ — Christopher Coe, artist and cofounder of Awesome Soundwave]
[Image ID: If you have ever wondered why the web feels increasingly stale, Chokepoint Capitalism outlines in great detail how it is being denied fresh air. Over the past two decades, we have seen an immense consolidation of power, depriving us of fresh visions for what the web could be and contorting art and culture to flatter the objectives of a few platforms. This book does a remarkable job of identifying the blockages and surfacing ideas on the margins that could reroute us. I’m grateful it exists!’ — Mat Dryhurst, artist and researcher, NYU’s Clive Davis Institute of Recorded Music]
[Image ID: Chokepoint Capitalism is more than a clarion call for a new, necessary form of trustbusting. It’s a grand unified theory of a decades-long, corporate-led hollowing out of creative culture. It will make you angry, and it should.’ — Andy Greenberg, writer for WIRED and author of Sandworm and Tracers in the Dark]
[Image ID: If you’re halfway through this book and aren’t boiling mad over the way contemporary capitalism has deformed and crippled culture, get your head checked. Chokepoint Capitalism is a Why We Fight for a long-overdue uprising. Rebecca Giblin and Cory Doctorow lay out their case in plain and powerful prose, offering a grand tour of the blighted cultural landscape and how our arts and artists have been chickenized, choked, and cheated. But it’s more than just a call to arms; it also provides a plan of battle with inspired strategy and actual tactics — ways that we can all channel that anger and make real change.’ — Kaiser Kuo, host and cofounder of The Sinica Podcast]
[Image ID: The story of how a few giant corporations are strangling the life out of our media ecosystem is one of the most important of the decade, and Giblin and Doctorow tell it better than anyone. Searing, essential, and incredibly readable.’ — Adam Conover, comedian and host of The G-Word]
[Image ID: Chokepoint Capitalism is not just a fascinating tour of the hidden mechanics of the platform era, from Spotify playlists to Prince’s name change, but a compelling agenda to break Big Tech’s hold. It presents a clear new way to think about corporate power — and a path to taking that power back for cultural creators and all of us.’ — Eli Pariser, author of The Filter Bubble and cofounder of Avaaz]
[Image ID: Chokepoint Capitalism is a masterwork. Rebecca Giblin and Cory Doctorow lay out in chilling detail how the deck is stacked against artists, the relentless corporate drives to control production and distribution through technology and deregulation, and how oligopolies deprive gifted artists of fair compensation by eliminating true competition. But they don’t stop there: this is also a useful handbook to take on that power structure. Giblin and Doctorow remind us that when individuals understand the value of their work, they can create the necessary leverage to challenge the status quo and retake what is rightfully theirs. Both frightening and uplifting, it’s a necessary read for any artist in the entertainment industry.’ — David A. Goodman, writer, executive producer of The Orville, and former president of the WGA Wes]
[Image ID: Anyone who cares about culture can see that something is deeply amiss in the ‘creator economy’ that today’s artists are obligated to participate in. Rather than simply lamenting the problem or falling back on clichés about starving artists, what Rebecca Giblin and Cory Doctorow do in Chokepoint Capitalism is to make clear the overall pattern that drives the exploitation of artists, from music to gaming to film to books. And they lay out a credible, actionable vision for a better, more collaborative future where artists get their fair due. Every creator will find inspiration here.’ — Anil Dash, CEO of Glitch]
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tanadrin · 1 year
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i think the other thing that chaps my ass so much about the american conservative legal movement--as opposed to other flavors of conservatism in politics--is that it seems uniquely pro-business in a way which is totally unprincipled. fedsoc types will twist themselves into knots to help large businesses avoid penalties and lawsuits even when there’s basically no case to be made, on legal or public policy grounds, conservative or progressive--i think the exxon valdez oil spill and the final legal outcome there is a good example. heck, tort reform generally--like you could make a conservative argument that a regulatory state is expensive, we don’t want to pay for it, we think people suing businesses only when actual harm occurs is better for society. i think that’s wrong, incidentally; i think it means that only people with money have access to the law, and it means that companies that sell dangerous products or break the law are much less likely to suffer consequences. but that’s definitely a consistent way you can argue society should be arranged, and is frequently the option u.s. lawmakers have gone with.
but the conservative legal response to this has been, “hmm, this looks too much like businesses actually having to follow the law,” and then to push for tort reform to drastically limit punitive damages, so that even when firms do sell dangerous products or otherwise break the law, they don’t suffer significant consequences, because damages are capped at an absurdly low level. this gets cast as fat-cat plaintiffs somehow unjustly enriching themselves, even though the whole point of punitive damages is, well, punitive, to disincentivize certain behavior! and this money only goes to defendants because in a civil suit there’s no one else for it to go to--we explicitly opted for this regulatory model when we decided we weren’t going to have the government step in and fine these companies directly!
(the response to this, by the way, was mandatory arbitration clauses; but nowadays firms have decided that even arbitration favors plaintiffs too much, which is a self-evidently absurd thing to say, since companies largely get to pick and choose the terms of arbitration. so conservative legal movement types are hard at work trying to come up with ways to further favor companies in arbitration, because the alternative--allow companies to actually be incentivized to break the law less--is too absurd to contemplate)
by and large, i do not think many americans who are conservative are pro-business, except in the weak sense that they are broadly authoritarian and business is historically one of many local forms of baronial authority in society. but for modern, large firms, both the distribution of power and the ways which you might want to rein it in to prevent or mitigate negative externalities (like environmental disasters or risks to consumer health) are not naturally aligned with any ideology except what might loosely be termed a “pro-business” ideology. it’s not even a classical liberal/libertarian ideology, though, because it’s not an ideology which promotes competition of free markets--conditions under which competition and free markets flourish are very different from conditions under which sprawling, highly-integrated firms flourish!
it’s a bad and incoherent set of policies unless you are ideologically in favor of rent extraction and government corruption--so it masquerades as conservatism, but could probably just as easily cast itself as progressive if that particular political coalition broke down.
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indiesellersguild · 10 months
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Etsy’s Plan to Prevent Class Action Lawsuits
Did you know that when you agree to Etsy’s Terms of Use, you agree never to join in a class action lawsuit against them, no matter what they do?
At least, that’s how it used to be. Until very recently, Etsy had a mandatory arbitration clause. It stated that by using their service (or continuing to use their service) we automatically agree that any disputes we have with them will be handled individually by the private arbitration company that they have chosen.
They’re making a change to their arbitration clause – as outlined in their recent email, “A quick update on our terms of use & policies”...
Read the full blog post on our website for further details and calls to action.
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st-just · 2 months
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Slightly overdramatic title probably but still - man, what happened to the ACLU?
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astrabellasworld · 1 year
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I did say that these child predators that you all let into your church doors would be exposed during Saturn in Pisces. Especially in the Bible Belt, & especially in places you would NEVER imagine.
Saturn: Things that are hidden, covered, old, coldness, darkness, scarcity, stagnation, lack, hunger, restriction, constriction, obstacles, chains, locks, imprisonment, jails, slowness, & old age.
Pisces: gurus, churches, religious institutions, altars, priests, clergy, religious matters, judges, justice, arbitration, courts of law.
Y’all deserve all of that 🥰
P.S. shouldn’t the people who work with the children in churches have mandatory & extensive background checks?
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femmeidiot · 6 months
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you guys probably do not even realize the amount of mandatory arbitration clauses you have agreed to in your life.
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wack-ashimself · 2 months
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Since I can not legally say 'in a free country' the words "I want to kill the USA president*" I will say this:
I hope every billionaire dies. And I don't care: I hope it's a drawn out (but not long), excruciating, impossible to cure, they are immobile AND incapable of communicating, death. LET THEM GOD DAMN SUFFER 10000x over what they have done to humanity. Maybe for their next couple lifetimes till the lesson sticks.
I hope every person who took or is taking bribes a billionaire dies. Legal or not (cuz it isn't moral any time). Same way they did.
I hope everyone who supports billionaires dies. Quickly. Idiots don't deserve to suffer.
Because I, myself, and millions of others are probably gonna starve to death due to billionaires. So if I die, I want ALLLLLL THOSE MOTHER FUCKERS TO DIE WITH ME.
So I heard they were requiring work requirements for food stamps. NOW. RIGHT NOW. During one of the largest unemployment times in ALL USA HISTORY, AND during what is now called the 'silent depression' which has been PROVEN WORSE than the great depression!
WHICH IS INSANE.
I have never in my life thought 'we should make the poorest most vulnerable PROVE they are poor, and EARN their FEW benefits.' NEVER ONCE. And I have had some dark, cruel, sick thoughts thru my life. BUT NEVER THAT.
Maybe cuz I grew up poor. Maybe cuz I had poor friends. Or maybe we are born on a shared planet, AND OWE NO ONE FOR THAT. NO ONE. Not a single god damn person owns this planet but we pay rent to them, cuz we were CONNED into believing it.
Anyways, they require EIGHTY HOURS A MONTH. Or you're disqualified**.
And either you have to have a job job (that, btw, YOU CAN NEVER QUIT. Seriously. It says that! You have to have a GREAT reason for leaving. FORCED LABOR. AND you can NEVER volunteer to take less than 30 hours a week if you got more than that. WTF?!)
You can VOLUNTEER for FREE work. So in other words, DO NOT GET PAID, but, get enough money in a month from food stamps for about....3 weeks. I have NEVER ONCE in my life had food stamps last the whole month. Not even when I was in CA 10 years ago. Indentured servitude, anyone?
OR you can do work training programs thru the state, to teach you USELESS SKILLS that fucking high school should have taught you. Again, UNPAID.
So 2 of the ways they want you to work is to work for free, never getting beyond just to QUALIFY getting enough food from food stamps for a couple weeks. GENIUS! <fucking morons>
But 80 hours. Mandatory. Every single month. (Btw, isn't that cutting into the BEST times of the days for me to apply for and interview for jobs? IDIOTS!)
Hey-I don't mind applying for jobs, interviews, and telling you all about them. I got tons of proof I am trying to get into the work force. I am trying to make an effort. I like security, go figure.
But I have been unemployed OVER TWO YEARS. Only THREE INTERVIEWS in those 2 years. NO JOB OFFER YET. Closest I got was a job interview requiring a covid jab, and there's no god damn way in hell you're forcing me to do something to my body in order for a job. FUCK OFF. MY BODY, MY RULES. Other they wanted me to sign an arbitration agreement, which ALWAYS FUCKS THE EMPLOYEE. It is NEVER to your advantage; they were created so LEGALLY you can't sue your employer. THAT IS IT. Seriously; look into it.
I would already be DEAD, not exaggerating, if not for the food stamp program I have right now.
So now I have to apply for ANY job, take ANY job, and have to stay there till I die or I won't get food? Never moving up? Never earning more money (cuz the second I do, I LOSE food stamps, costing me even more money?)
Even if I am mistreated to the point I am suicidal?
I genuinely would rather die than enable this evil abusive system. Sincerely.
But I'm not going to do so without a fight. And maybe taking out a billionaire or so with me. Cuz it doesn't matter how much power, protection, and secrecy they have. With enough time, thought, and planning, one bullet isn't that hard to meet it's target. Ha....and if you're smart enough, it's food poisoning anyways. They're SO fucking arrogant, they forget who makes their food and does all their work for them. <And if they get paranoid enough, they'll just quit eating and starve to death, like me.> ;)
They're pushing me to the edge, and I swear, I don't push back. I bring them down the cliff with me...if only so they can't do it to another.
So let's do this. Let's see who blinks. I have NOTHING to lose; you have EVERYTHING to lose, rich bitches.
*I promise, like they want to make homelessness illegal, and they made that solider who lit himself on fire an 'enemy' cuz he believed in anarchy (which SIMPLY means NO RULERS), they will start arresting anyone anti state. Which is ironic: if I was in jail, I'd be promised more food and shelter security, FOR FREE, paid for by the taxpayers (and costing them SUBSTANTIALLY more), than if I remained in my current situation. Oh, and don't forget, largest for profit prison population used as SLAVES. So they gain 2 ways: state pays them to imprison them THEN they get to use them as cheap labor. THIS IS AN EVIL GOD DAMN SYSTEM.
**Again, if I just went out, and knocked up ANY random woman, and she gave birth, I would be promised food stamps, no work, instantly. Love that catch. Bring a child into the world you can't afford, and we'll feed YOU. But if not, starve to death if you can't find work***. Every single thing is broken.
***This just made me realize...if you were working even...70 hours a month, they would require you to volunteer for another 10 to get food stamps. What if the volunteer work only occurs the same hours you're at your job? Jesus fuck, did NO ONE think this thru in ANY way!? It always fucking gets worse...
<Do you think even a billionaire does 80 hours a month in work? FUCK NO. But we BAIL THEM OUT every god damn time.>
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carleton97 · 5 days
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Discord Shenanigans
If you don't already know, Discord's Terms of Service have been updated to include a Mandatory Arbitration Clause https://discord.com/terms/#16.
This clause basically means, if you're in the United States, you are giving up your right to sue Discord for any reason. This would include any potential class action lawsuits.
You can opt-out of the forced arbitration by emailing [email protected] within 30 days of April 15, 2024 or when you first register your Discord account (should you make a new one in the future).
Here's a simple script you can use: I am confirming that as of the date of this email (DD/MM/YYYY), I am choosing to opt out of binding arbitration to settle disputes with Discord for the account registered to this email address.
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extasiswings · 2 months
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Genuinely horrifying. Thanks, I hate it.
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evanwritesgames · 6 months
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Species of Starjourn: Eziccs
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The Eziccs are a species of crab-like humanoids that evolved on an icy world at the edge of a binary star system. Their world is aquatic but with a layer of surface ice that their ancestors believed was the limit of their universe. Bioluminescence is a common feature of life on their homeworld. Eziccs have ten eyes and 360 degree vision. All ten of their eyes can achieve a strong bioluminescent glow that works as a kind of omnidirectional lamp. Their eyes are also extremely fragile but shed and regrow often -- kind of like a shark’s teeth.
The harsh conditions they evolved in have better prepared them for life in space than most known species. They can survive for days in vacuum with this and their onboard light source causing some to joke that they are “walking vacsuits”.
Scarcity was a defining feature of their social and biological history. Eziccs evolved to be tough and adaptable across the biomes of their aquatic world with their early societies akin to human hunter-gatherer nomads. Their civilization began with complex rituals and communication around the sharing of geothermal vents, the primary source of nutrients for complex life on their planet. Later, Eziccs formed more complex regional societies, analogous to clans, that remain important to them to this day. Ezicc clans often came into conflict with each other and war was a common feature of Ezicc history.
Eziccs put clan first and the common belief seems to be that each clan is wildly different, though to non-Eziccs the differences are so specific and so rooted in historical record that they seem insignificant. These difference are often excuses for competition, prejudice, and even war. When ALTO first came into contact with the Eziccs, they were in the middle of another civil war between rebellious colonies and the homeworld.
Since this kind of conflict is often an inflection point as sapient species reach spacefaring stage, ALTO was able to provide arbitration that helped the Eziccs achieve peace and apply for membership. As their peace is recent, ALTO has granted provisional membership, a part of which is mandatory putting forward of Ezicc candidates for service in TENOR, which is one of the ways ALTO evaluates newer members into the organization.
ALTO impresses the average Ezicc, whose culture still thinks of the sheer scale of the universe as a miracle. They think an organization like ALTO is similarly miraculous and most are enthusiastic about ALTO membership and wish to prove to the other members that the Eziccs deserve full member status.
Even in peace time, Eziccs from different clans tend to make an elaborate game out of avoiding each other, but this is for courtesy reasons. Eziccs have complex social rituals around meeting other Eziccs while away from their own territory. It seems odd to outsiders, but they seem to have a completely different set of rules depending on the context of an encounter.
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mandatory arbitration basically means that if you wanted to sue mcdonalds (remember that case about a woman getting severe coffee burns for example) you would need to meet with McDonald's lawyers out of court first and it would be really hard to sue
sounds like the kinda stunt they'd pull immediately upon finding out that some kind of super bacteria has fallen into fry packs that are still being shipped worldwide
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