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justjensenanddean · 1 year

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New Orleans Jazz Music Festival | April 29, 2023 [x]

#Jensen Ackles #Danneel Ackles #Steve Carlson #Marcus Hersh #New Orleans Jazz Music Festival April 2023 #*

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jensenackles-daily · 7 months

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aslotz: I absolutely cannot thank @jensenackles enough for letting me in on this amazing suite @moodycenteratx for @pearljam Gigaton tour final show! Fantastic dinner as always @jeffreysofaustin, live jazz @galleryaustin and incredible company! Let’s do it again soon! @danneelackles512 you were missed! I have a bottle of amazing burgundy ready whenever you get the chance to come out to visit! 🤘🏼🤘🏼🤘🏼

#jensen ackles #marcus hersh #video #jensen & instagram mentions

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positivexcellence · 7 months

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Jensen seeing Pearl Jam in Austin 9/19/23 (x)

#jensen ackles #marcus hersh

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deansraspberrypie · 7 months

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Jensen Ackles with his friend Marcus Hersh at the Pearl Jam Concert in Austin ✌🎶🤘✨

Video: Tony Schlotzhauer (Instagram)

🍰 Tag list: @avanatural @undisputedchick2 @jranutter @fortheloveof-jackles @kazsrm67 @muchamusedaboutnothing @breath-of-snow-and-ashes @bluedragonflylady @mrsjenniferwinchester @unabashed-lover-of-fictional-men 🥧

#jensen ackles #marcus hersh #pearl jam concert #jensen ackles edit #jensen ackles gifs #deansraspberrypie gifs #drp

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dailydanneelackles · 9 months

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July 7th, 2023 - Odette Annable Insta Story

#danneel ackles #odette annable #bevin prince #marcus hersh #instagram #fieryfrankie #inacatastrophicmind #becauseofthebowties

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dustedmagazine · 6 months

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Ratboys — The Window (Topshelf)

Ratboys are a boisterous, emotions-on-sleeves indie rock band out of Chicago on the verge of something big. The band, which started as a duo but now includes four regular members, has five full-lengths to its credit, including this one. Although you could trace an arc from mid-teens basic rock to early 2020s Crutchfield-adjacent twangy mayhem, these albums have a consistent core. The Ratboys sound centers around the yelping, gulping, volatile singing of one Julia Steiner and a ferocious guitar racket courtesy of the other founder Dave Sagan.

This album begins in a buzz of feedback and the album’s hardest-charging beat and riffery. It’s called “Making Noise for the Ones You Love,” and indeed, it busts out the doors and grabs the ears, whether Ratboys loves you or not. Marcus Nuccio wallops the skins off his kits behind this one, kayo-ing the beat with reckless abandon, while big spirals of rock guitar arc off the primitive assault. But it’s Steiner’s keening, confiding, sharp-edged vocals that catch you up. She can wail like a banshee or sing conversationally, with a little rasp on her finish and a chirruping high range that cuts through the mix. She sounds a little like the Beths’ Elizabeth Stokes and a whole lot like Allison Crutchfield, especially her work in Swearin’ which has a similar volume and aggression.

Not all of these cuts turn up to 11. The title, for instance, is relatively quiet, a mesh of nearly folky picking and Steiner in a sweeter, more country mode. The song, she says, is about her grandparents in the pandemic, her grandmother in a nursing home, her grandfather unable to visit, only allowed to view his life partner through a window. It’s a beautiful, heartbreaking song, full of rapturous, anthemic guitars and soaring choruses, and Steiner gets a full helping of emotion without sentimentality.

“It’s Alive,” is maybe the best song here, with its cool toned, contemplative verses and its lit-on-fire surging chorus. There are big bloopy slide notes and tamped back palm mutes in a song that swirls and eddies around a rock-solid rhythmic core. And again, those vocals, crazy excess and sweet solace wrapped up together with a wild bird’s cry in there somewhere. You can’t take your ear off someone this fascinating and unpredictable. She swoops and swoons and growls like Kristin Hersh but more country, and it’s worth a listen just to hear what she’ll do next.

Jennifer Kelly

#ratboys #the window #topshelf #jennifer kelly #albumreview #dusted magazine #indie #rock #twang #chicago #Bandcamp

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sunglassesmish · 2 years

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SXSW, the CW Upfront and now The Boys s3 European press tour — Marcus Hersh really has done some amazing styling work for Jensen! He looks amazing 🙌

i know right!!!! look at him. Marcus needs to style him a lot more because i am LOVING this

#he likely got all those EXPENSIVE clothing as just to wear to the event #i doubt jensen actually has a 7k necklace #a watch yes but he wears that everywhere #jensen ackles #anon #ask

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regardingjenmish · 2 years

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bless marcus hersh for dressing jensen so amazingly, he really has a fabulous eye for what looks good on him 🤩 there is definitely that rich bitch (affectionate) vibe

I saw that! He really does have a good fashion sense and can clearly judge well what would look really good on Jensen. I mean I'm sure it's also Jensen who decides what he likes. But they clearly make a good team! And yes! He definitely has been looking rich lately and i love it!

#anonymous #you can tell a gay man has been dressing bc the fashion choices have been *chefs kiss*

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beezonia · 11 months

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Some doodles of my pl oc’s for the gressenheller gang fic I’m in the process of writing!

These are Brenda and Hershel’s friends from before they meet Claire and Clark!

They like to call themselves the loons for fun!

Not in any particular order we have

Nancy - A mutual friend between Hersh and Brenda who introduces them and that’s how the story starts!

She’s a History major and Bi

Alejandro - A music major and close friends with Elle!

He’s Trans!

Elle - A transfer student who studies Law

She’s Ace

Derek - Another Law major

Gay and in a relationship with his boyfriend Charlie

Orla - Politics major

Aroace

Tobi or Tori (he doesn’t care what you call him) -

Biology major and nonbinary

Louise - Psychology major

Pan and in a relationship with Marcus

Marcus - Another Politics major

Also bi and in a relationship with Louise!

Lmk if you wanna hear more about them or the au in general!

(Also sorry for the shitty doodles)

#professor layton #professor layton au #professor layton oc #oc artist #my art :0

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hologramcowboy · 2 years

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"Poor Jensen. Apparently they won't be happy with whatever he's wearing until he just disappears" Sorry, anon but we've supported him non stop for 15 years, dropped thousands on cons to meet him so how did you take us making fun of his recent style, which we've talked about is the workings of Danneels friend/stylist Marcus Hersh, as something so negative that we "won't be happy until he disappears"??? What kind of martyr complex is that

Hahaha That Anon was extra extra, they tuned in to supervictim mode level 5000 in Jensen's name.

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pennstateuniversitypress · 13 days

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Q&A with Kerry Wallach

The author of Traces of a Jewish Artist discusses Rahel Szalit, Szalit's relationship to other Jewish artists of her time, and more.

What made you want to write a book about Rahel Szalit?

I first discovered Rahel Szalit while doing research in Berlin archives. I kept finding her artwork in newspapers from the 1920s, but there wasn’t much information available about the artist herself. Her images enchanted and haunted me, and I couldn’t stop wondering about the person who created them. Like so many who were murdered in the Holocaust, Szalit’s story had never been told at length. I realized that if I didn’t tell her story, no one would.

How did Szalit differ from other women artists of her time?

Rahel Szalit (née Markus; also Szalit-Marcus; 1888–1942) came to Germany as an outsider from Eastern Europe with a working-class background. Many German women artists in the early twentieth century had middle-class backgrounds and were supported financially by their families or husbands. Szalit couldn’t afford enrollment fees for art academies, though she eventually learned painting and lithography. Yet no matter how successful she became, Szalit’s situation always remained precarious. She made ends meet by giving lessons in drawing, painting, and fencing. Probably the biggest difference between Szalit and most of her female contemporaries is that Szalit was relatively successful in Jewish circles, perhaps even more so than in mainstream artists’ circles. Szalit is known for lithographic prints, and it makes sense to compare her with Käthe Kollwitz, who likewise depicted impoverished members of the working class. Around 1927, Szalit became active in the Association of Women Artists in Berlin. Through this group, she exhibited alongside artists including Käthe Kollwitz, Lotte Laserstein, Renée Sintenis, and Milly Steger. Many depicted women as subjects, though only a few (such as Julie Wolfthorn) were known for portraying Jewish subjects.

What did Szalit have in common with other Jewish artists?

Because of her personal connections to Eastern Europe (Lithuania, Poland), Szalit’s work conveyed a sense of authenticity that was in demand. She contributed to the Jewish Renaissance in Germany alongside Jakob Steinhardt and Ludwig Meidner, who—like Szalit—depicted Jewish subjects in an Expressionist style that emphasized distorted, angular shapes and powerful colors. In fact, Szalit was one of only a handful of women mentioned in studies of Jewish art of this period.

What was Szalit's relationship to modern art movements?

Both Expressionism and New Objectivity were important for Szalit’s career in Germany. Whereas many of Szalit’s lithographic illustrations from the early 1920s experiment with an Expressionist style, many of her later paintings and drawings offered realistic portraits of social types more in line with New Objectivity. Additionally, we know Szalit was friends with painter Karl Hofer and other artists in his networks. In 1933, Szalit fled Germany for France, where she became affiliated with the School of Paris. Here she exhibited with Marc Chagall, Eugen Spiro, Emmanuel Mané-Katz, Chana Orloff, and other Jewish artists, including many who hailed from Eastern Europe. Szalit was later included in Hersh Fenster’s Yiddish memorial volume, which commemorated over eighty Jewish artists of France who died in the Holocaust. In the epilogue to my book, I discuss how Szalit—whose life and work spanned several countries and movements—could be claimed and remembered.

Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit is now available from Penn State University Press. Find more information and order the book here: https://www.psupress.org/books/titles/978-0-271-09559-2.html. Save 30% with discount code NR24.

#Rahel Szalit #Szalit #Art #Art History #Jewish Art #Judaism #Gender Studies #LGBTQ #LGBTQ Studies #PSU Press #Penn State University Press

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justjensenanddean · 1 year

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