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florrickandassociates · 6 years

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TGF Thoughts: 2x13-- Day 492

FINALLY DONE WRITING THIS. Recap under the cut! Also, as soon as I post this, I’m going to work on updating my meta page where you can find links to posts about EVERY SINGLE EPISODE of TGW and TGF.

Dear writers: I’ll forgive Timeline Fuckery when it’s beyond your control. I understand that you’re shooting outdoor scenes in March/April when in the show it’s supposed to be late May, so there’s snow on the ground and everyone’s in coats. Fine. You can’t change the weather. And I understand that the Day ### titles are more symbolic than literal. But what’s your excuse for opening this episode with the date (May 27th, 2018) when you didn’t need to?

For one, May 27th, 2018 is a Sunday—and thus not a work day. Any calendar will tell you this. For another, Lucca goes into labor “two weeks early,” we’re told. In 2x06, she said the birth date was scheduled for May 22nd. Why do you do this, writers?! You didn’t have to give dates. You didn’t have to OPEN THIS EPISODE WITH THE DATE. And, if you’re going to use dates, at the very least, write them down somewhere!!!!

See, now I’m starting off the episode in Nitpick Mode (to be fair, I am usually in Nitpick Mode) when I could be starting off the episode simply happy to see the wonderful Lucca Quinn.

Lucca’s in court arguing a case about filming in Chicago. We saw this client earlier in the season—he’s the one who thought Lucca kept needing to use the bathroom.

Lucca and opposing counsel are standing really close to each other and I don’t know why.

Maia’s on this case now, too.

Lucca stops mid-sentence because… she’s going into labor! The client thinks she has to pee, then he thinks it’s a lawyerly trick (Lucca screams in pain as she says “all white facilities!!” which is hilarious).

The judge asks if Lucca needs a moment. She pretends she doesn’t, but that lasts all of a second before she screams “Yes! Yes! Recess! FUCK! Fuck!” and grabs opposing counsel to stable herself. Ah, that’s why he was standing so close to her.

Now Maia’s speeding through the city, with Lucca in the passenger seat with her legs up. Lucca complains about all the cases she’d planned to work on this week as Maia frantically pushes buttons on a cellphone. Bluetooth, Maia. Use Bluetooth and then you can keep both hands on the wheel and look at the road.

Maia has, and is using, Lucca’s phone, and Lucca doesn’t know it. Does Lucca not have a passcode?

Maia calls Colin and instead gets Francesca because I guess Lucca’s number for Colin is not his cell but rather… his mom’s house? But I don’t care, because Francesca is in the practice of answering her home phone with, “Morello Residence, Down with Trump.” I know Colin’s not going to be a regular next season, but can we keep Francesca around as a guest star?

Francesca is shocked that Lucca’s in labor because she thought they were inducing in two weeks. Yes. Because babies always arrive exactly when you schedule them.

Next, Lucca wants to call Diane.

When Diane tells Julius that Lucca’s in labor, Marissa overhears and freaks out.

“Listen, can you take Lucca’s place on the Violence Committee?” Diane asks Julius. (Not going to find another associate to do it? Only a partner? I guess Lucca is doing very well.)

“No! I have to get to the hospital,” Marissa replies before Julius can say anything. This is so Marissa—thinking a question that is OBVIOUSLY not directed at her would be directed at her. “Not you! She means me,” Julius corrects, but Marissa’s already run off.

When did Marissa and Lucca become so close? I know Marissa/Maia/Lucca kind of have a Workplace Friendship Trio thing going, but I feel like we’ve had a lot of Marissa/Maia and a lot of Maia/Lucca, and not as much Marissa/Lucca. I’m accepting it only because I like the idea of the Workplace Friendship Trio and if the show wants to give me Marissa/Lucca scenes, it can go right ahead.

Diane, meanwhile, is being interviewed by FBI agents, one of whom is the Gravedigger from Bones/Rhonda Pearlman from The Wire. At first, it seems like a standard background check, since Kurt’s applying for a position with the FBI. But they seem to be fishing for something related to people who’ve spent the night at Diane’s apartment.

In the last 6 months, Maia spent a few days at Diane’s apartment during the scandal. What? Not only does that timeline not make sense, but shouldn’t we have seen it if Maia was staying with Diane instead of living behind a clock during the scandal? I’m more upset we were denied that than I am about the timeline. This season—and last season—needed more Diane/Maia scenes to make Maia’s presence feel necessary and believable.

As soon as the agents leave, the score from 6x01 kicks in and suddenly I’m having lots of Cary Agos feelings. Diane walks slowly down the hallway, caught up in her thoughts.

“Hey. Is Lucca really giving birth?” Liz stops her, overjoyed. Awww!

Diane asks Liz if she has a minute. She explains her situation with the FBI, says she’s worried about one of her answers, and then does that thing people on this show do where they exchange a dollar to hire a colleague as a lawyer. Then Diane tells Liz she’s worried about someone else who stayed overnight: Tully.

Diane calls the FBI agent and mentions other people who stayed in her apartment, then sneaks in Tully’s name.

LMAOOOOO GUYS THERE IS WHAT APPEARS TO BE A PORTRAIT OF COMEY IN THE BACKGROUND OF THIS SCENE AND HE HAS DEVIL HORNS AND AN EYEPATCH LOLLOLLOLLOLLOL

“You’re fine,” Liz tells Diane when she hangs up. Diane isn’t so sure.

A man talks directly into the camera. “Kill all lawyers. That’s been the anthem for six months of copycat killers and assaulters. Well, today that ends,” he says. That’s a little meta. He’s talking to Adrian and Julius, so I guess this is the violence committee that Lucca was meant to be on and now I wish we’d gotten to see it with Lucca.

The mayor’s put together a committee to address this. Apparently, the best people are on the committee. They’ll get to spend ten million dollars. When Adrian and Julius walk into the room, it’s not what they’d expect. It’s Trump Appointee Trig (incompetent judge), Mr. Elk (whose name is Ted Willoughby but I will forever call him Mr. Elk because of the time he said, “things of that elk”), and… wait for it… the Peter Florrick loving drama teacher. This show has never met a guest star it didn’t want to bring back. (Well, I suppose that’s a lie: there’s always Nick Savarese.)

Mr. Elk is now on Fox News, which doesn’t make sense given that he was introduced as someone who would be friendly towards the Florricks, but does make sense given… well, HIM.

Adrian and Julius quickly realize they’re in a room with a bunch of idiots, and they don’t mince words in saying so. Adrian literally calls them “functioning idiots”, which they are. (The drama teacher is the smartest of the three.)

Adrian’s advised to just go with it and persuade them.

Marissa runs through the hospital trying to find Lucca. When she arrives, Maia is on the phone with Colin, Francesca wants to know how Colin’s doing (no sense of urgency…), and Lucca wants drugs. Marissa cannot figure out how to use a door.

Colin’s now on his way to the airport. He swears out of frustration with the fact he’s not there. “God, it’s good to hear someone swear, other than me,” Lucca replies. “FUCKING HELL,” she exclaims in pain.

“COCKSUCKER!” Francesca replies. Maia, Marissa, and Lucca stare at her. “MOTHERFUCKING COCKSUCKER!” Marissa joins in. “Fucking asshole!” Maia says (she’s more hesitant than the others). Then they all start screaming cuss words and this is why streaming services exist, guys. To bring us hilarious scenes where women in maternity wards scream vulgarities at the top of their lungs.

Kurt’s being interviewed by the FBI next. First question is about the Rindell fund. Second is about the neighbor who spent the night. Third is Tully. They make a point of mentioning he stayed overnight. “Does this apartment have more than one bedroom?” they ask. Oof. They aren’t even trying to be subtle.

Diane’s at aikido and she has a missed call from Kurt and a mysterious letter in her bag. “Conspiracy carries a life sentence. If you want my help, leave a flower pot in your office window and I’ll meet you at your parking space,” it reads.

Diane asks Liz if she’s noticed the Trump mask people. “They dance, and have sex wearing Trump masks.” Liz doesn’t believe her. “I think that’s an insurance firm,” she laughs. Who knows, these days? (That’s the point!)

Then the phone rings. FBI again. They want to ask Diane a question in person.

The FBI agents aren’t thrilled to see that Diane’s brought along a lawyer. “This isn’t adversarial,” one says. Right. That’s what they always say.

Their question: Tully’s made threats against the president and wants to know what Diane knows. They won’t reveal their sources. And they’ve subpoenaed Diane to testify at a grand jury.

Back at the office, Diane picks up a vase of flowers and the camera follows it to the window. Once Diane sets down the vase, it morphs into the vase from the credits. Of course it does. Robert King directed this episode. (This isn’t as awesome as the graphic match in 5x01 (Alicia in profile) but it’s still pretty damn cool.)

The cast list for this episode is insanely fantastic.

The violence committee is exactly as farcical as you’d expect. Killer bees, fake news, a rendition of Annie Get Your Gun with puppies instead of guns… yeah.

Adrian’s idea: a gun buyback program. No one understands this (except maybe Julius). Trig instead wants an “I HEART LAWYERS” ad campaign. Oh my. Mr. Elk suggests a jingle, and No 1 Florrick Fan begins to sing. “I love lawyers. They’re employers.”

There’s calming music playing in Lucca’s hospital room now, but it’s not working. Oh, and Lucca’s mom’s on her way. Francesca’s excited to meet Lucca’s mother, and Lucca’s not at all excited.

Maia tries to change the subject to make Lucca feel better, and Marissa provides a new discussion topic: Lucca moving to D.C. Lucca says she’s not sure she’s going and Francesca acts like it’s a done deal.

Diane goes to her parking spot for her secret meeting. Her new friend announces herself with a ringtone that goes “Fuzzy fuzzy cute cute” because… the Kings wrote this episode.

Diane’s new friend—a young, well-dressed blonde—tells her she’s being targeted because of her firm’s involvement with the impeachment suit and the pee-pee tape. (Side note, I discovered a few days ago that two of my friends had never heard of the pee tape???? Sometimes I think I underestimate just how niche the audience for some of the jokes on TGW/F is.)

“So, what do I call you? Deep Throat?” Diane asks. “No, I don’t do deep throat. Just double penetration and girl-on-girl,” she replies. BWAH. “You’re a porn star?” Diane asks. “I direct now,” she replies. Diane starts to turn away, but New Friend has a point. Trump is terrified of her, and she’s covered by an NDA. “Follow the women,” she advises. The women are the weaknesses of powerful men. Diane looks around and she’s gone. Only not really, because she’s just made her exit to the wrong side of the parking garage and has to double back. Heh.

Liz finds Diane’s mysterious encounter hard to believe. “I know. I’ve spend the last six months in a haze of not knowing what was crazy and what was not. I still don’t know,” Diane states.

Jay shows up, asks about Lucca, and then switches over to helping Diane (continuity is good). Diane notes that the same prosecutor (though I thought he was an ICE agent last ep?) who tried to deport Jay is working on this. Looks like RBL is a target.

Jay’s task is to follow the women.

Tully pulls Diane aside before she testifies and gives her more talk about being rebellious. “Everything I said I am proud of,” Tully offers as an explanation for why he waived attorney-client privilege. The thing about people like Tully—and I don’t mean this because Tully is a radical but rather because Tully is an entitled asshole—is that they don’t care how their actions affect others. Does he care he’s making Diane’s life difficult? Nope.

“Now go give ‘em hell, gorgeous,” Tully says in closing. Adding “gorgeous” really endears me to him. (Just kidding, it makes me loathe him even more!)

Is there some sort of symbolism to Diane’s last name being Lockhart while the prosecutor’s is Basehart? Some kind of doubleing thing?

Diane puts on her Grand Jury face, but it doesn’t work for long because Tully is the worst and also surveillance is everywhere… including Diane’s bedroom. The prosecutor has a recording of Diane and Tully’s conversation about loaded guns from a few episodes back.

And it looks quite incriminating. Diane is pissed. She accuses Tully of taping it, and Tully says Diane has been bugged. Maybe they were listening through her cell phone like they used to listen to Alicia! This is Diane’s next thought too—maybe not the Alicia part, but the phone part—and she destroys her phone’s SIM card.

Jay thinks he’s found a woman to follow. It’s a good start.

“Is this the plan? Blackmailing him?” Liz wants to know. “Yes. Why?” Diane responds like it’s nothing. “Well, it just seems a little sleazy,” Liz warns. Aren’t you the one who suggested making up lies to impeach Trump? (I do not mind Liz being contradictory, because the very first thing we learned about Liz way back in season four of Wife is that she is very good at justifying the things she does while believing everyone else is in the wrong. This isn’t a strategy she concocted, of course she’d question it.) (Also it is sleazy. But not too much sleazier than other things that’ve happened on this show.)

“They’re out to destroy us. If ever there was a time for situational ethics, it’s now,” Diane adds. Did anyone else feel like this episode was dramatic but also not the most dramatic despite how high the stakes are? Maybe it’s just nine years of this or the lack of build-up to this episode or the fact that situational ethics are the bread and butter of this show. (Situational “ethics” perhaps because sometimes… yeah.)

Here’s a fun thought-starter: Imagine a The Good Fight/Wife crossover with The Good Place. Specifically, imagine how Chidi would react to this (or, honestly, any episode).

So I just mentioned lack of build-up, and I didn’t mean that (necessarily) as a bad thing because I think thematically the season was building towards this, and Tully’s been annoying me with his presence since episode 4. On the other hand, the stakes get very high very fast and that never makes it easy to fully understand and embrace just how bad things might be. A fast-paced episode of twists and turns is exhilarating to watch but it never makes me think about just how much all of this would weigh on a person. I’m not really thinking, “wow what would happen if Diane goes to jail” because I doubt that will happen, and I’m not really thinking about how Diane would experience this. Instead I’m thinking about ethics and how often powerful men are skeezeballs and surveillance. And I think the writers are probably more interested in those topics than they are in Diane.

I dunno, maybe it’s just me and my attachment to Alicia Florrick, but I just can’t get inside the minds of any of the TGF characters for more than a few minutes. Diane has been hard to read this season, for me, because so much of her plot is more the Kings reflecting on Trump than an arc for her (and the writers really wasted what was a good arc for her in season 1). Maia’s not interesting enough to spend time analyzing—she’s not inconsistent but I just do not care about her other than to insist that she spend more time working. Lucca and Liz are, I think, the characters I’ve found the most compelling this year… but I want to see more.

What I loved most about The Good Wife was (obviously) Alicia’s journey. I was attached to the other characters, too, but not in the way I was attached to Alicia. And that was fine, because they were supporting characters who got just enough development that I could analyze their character arcs without feeling they were under-developed. And I LOVED the world TGW built and the questions it posed about structures and politics and technology and the present day. I still love that world.

I guess where I’m going with this is that TGF gives me a lot of things I love—mainly more of the TGW characters and world but adjusted for the Trump era—but it doesn’t deliver the same kind of character development. That’s fine. I don’t need TGF to have an Alicia; it’s a different show focused on an ensemble rather than one lead. I still love The Good Fight a lot and I think it’s great television. I just don’t feel the same connection to it that I felt to Wife.

I have no idea how I ended up on this topic. But I think where I’m going with this is that it would never take me three weeks to write a recap of even the most boring TGW episode, and I’ve been putting off writing this. I feel like I have much less to say about Fight than Wife, and most of the times I get carried away writing things that aren’t rants about Maia are times when I’m comparing the shows or… talking about Alicia, a character who was mentioned a total of one time in season 2. I’m sure part of this is that I’ve changed (when Wife was on, I was in college with lots of pockets of free time, a pretty small social life, a much more active fandom to participate in, etc.; now I work full time and don’t always feel like writing long recaps after a long day of work (and I also rarely start up my personal laptop anymore now that I don’t have to write papers), I have friends I see frequently, fandom is like four or five people these days), but I think most of it is that the show isn’t delivering the thing that motivated me to start writing these long-ass recaps.

… and another week has passed. How am I not finished with this yet?

The FBI agents are back for Kurt, along with Basehart. I’m distracted by two things in this scene: the flowers on the trees outside, because they look enough like cherry blossoms to remind me of BrainDead, and the fact that Alicia’s teal box with the white dots on it is for some reason in Diane’s living room. DON’T THINK I DIDN’T NOTICE.

The agents want to know about a gun that Kurt gave to Diane. Kurt, instead of answering, stands up and says “I have no more answers for you.” “Your wife is about to be indicted,” Basehart says. That’s new.

“I don’t like to swear, so understand this is purely for emphasis: Get the fuck out of our house. No. I mean it. Get the fuck out of our house,” Kurt yells at Basehart. Hee.

Kurt phones Diane, and Diane heads home.

In the Violence Prevention Committee, Mr. Elk is showing the others a clip from his show that I’ll call Elk & Friends. He explains that on Elk & Friends they’re told to address Trump because he watches.

Adrian’s almost convinced Florrick Fan to vote with him when Rahm’s advisor guy whose name I’ve forgotten because I started writing this a month ago adds someone new to the panel: a woman who works for the NRA. L O L

Lucca’s doctor arrives at the hospital looking for Lucca’s room. Francesca immediately hugs her, assuming that any black woman looking for Lucca must be Lucca’s mother. “I was just wondering whether your family is from Tanzania or Nigeria,” Francesca says as a greeting, which… oof. “I just got back from a luxury safari in Tanzania,” she adds. Of course she did.

“Here she is, safe and sound!” Francesca loudly announces to Lucca, Marissa, Maia, and… the woman who actually is Lucca’s mother. That’s when Lucca’s doctor finally has an opportunity to introduce herself.

“Oh! You’re not Lucca’s mom?” Francesca asks. “No, that’s me,” Deirdre Quinn says. They got Judith Light to play Lucca’s mom. This show has the best casting. “I don’t think I understand,” Francesca says because she does not understand that it is possible to be biracial.

“Put her out of her misery, mom,” Lucca chimes in. “Danny, we have someone who needs visual evidence,” Deirdre snarks. You can tell this has happened before.

“Hi. Danny Quinn,” Lucca’s father (who is black) introduces himself. “Now I see the resemblance!” Francesca responds because her default mode is casually racist. “I mean, not that there needed to be a resemblance,” she adds.

The doctor asks for some people to leave the room, so Maia and Marissa head back to work. (The captions identify Maia as saying “we have to get back to work” but, fittingly, it’s actually Marissa who says it.)

“Fuck!” Lucca exclaims, and Francesca dives right back in to screaming MOTHERFUCKER even though the only people who understand what she’s doing have already left. I love Francesca. She would drive me crazy. But she is so amusing.

Julius is on Adrian’s side in the Violence Prevention Committee. How long is it before Julius becomes a liberal?

NRA Lady insists that the problem isn’t just guns: a lawyer was also killed in a hit and run. “Majority were shot,” Adrian notes. NRA Lady says she likes the ad campaign but she wants to spend the money to arm and train lawyers. OF FUCKING COURSE SHE DOES, SHE WORKS FOR THE GODDAMN NRA.

NRA Lady has a video to show the men on the panel. It’s a woman in a bikini with a gun. Great point. Trig, Mr. Elk, and Florrick Fan all stand up to watch the informative video. “It was a very hot day, so they had to make do,” NRA Lady adds.

She also has a bullet proof briefcase, which totally would’ve helped Adrian… not. UGH.

At their apartment, Diane warns Kurt not to talk. They turn on loud music and Diane whispers to Kurt, “I think I’m being bugged.” They decide to talk on the computer instead. I would maybe opt for pen and paper here?

“FBI says you will be indicted.” Kurt writes. Diane takes the keyboard: “Grand jury questioning me again in one hour.” Kurt: “They asked me about your gun.” Diane: “What did you say?” Kurt: “Go to hell.” Diane: “I want to fuck you right now”.

UGH I LOVE THEM A LOT AND KURT NEVER CHEATED THAT NONSENSE DIDN’T HAPPEN BECAUSE LOOK AT HOW GOOD THEY ARE TOGETHER.

“Kurt. They may ask you about someone named Tully,” Diane says later, in bed. Doesn’t Kurt already know about Tully? Didn’t they discuss Tully by name two episodes ago? “I need to tell you…” Diane adds. Kurt says no, she doesn’t need to tell him because they’re starting over. Yes, please.

“Epidural. Epidural,” Lucca can’t stop saying. “Those are pretty words.” Her dad corrects her: it’s one word. Heh.

“Are you and mom intentionally not fighting because of me?” Lucca asks, and suddenly I understand a lot more about Lucca’s life. “No, we don’t fight anymore,” her dad responds. “Why’s that?” Lucca asks. Her dad deflects and instead chooses to focus on how Lucca helped Dominic. “That was a bad segue,” Lucca remarks. But she changes the subject, too.

Outside of the room, Francesca and Deirdre are discussing Colin and Lucca’s relationship. “So they’re not getting married?” Deirdre asks. Francesca confirms that they’re not, but “it’s a different time.” “Why is that?” Deirdre asks. Francesca thinks (and I agree) that Deirdre is just looking to fight.

Deirdre is not without her reasons: Francesca immediately asked Deirdre her opinion on Black Panther and sang a Tanzanian song. Francesca remains clueless and asks Deirdre if she’s seen Get Out.

Back at the grand jury, Diane’s asked about her gun. She says she had it melted down after Adrian was shot, and adds that she wanted nothing to do with guns. “I saw what one did to my partner.” (Which partner do you mean, Diane?)

Next question is about representing the DNC, and if Diane argued for the violent overthrow of the government, complete with a recording of 2x07. (No, Maia’s sex tape isn’t mentioned in this episode. Maybe in five seasons.) (While I’m on that note, have I mentioned that I don’t think we need to hear about the tape to hear about Maia’s relationship? I don’t really care if there’s a tape we never hear about again… I’m much more upset that Maia cheated and that was the last thing we got to know about her relationship.)

Liz informs Ruth about the leaked recording. Ruth isn’t surprised. (Ruth is SO good on TGF.) In fact, Ruth was the one who leaked the tape because she’s playing the long-game. She’s basically making an example of Diane in order to show the DNC isn’t biased.

“You fucked her!” Liz accuses. “No, we acted responsibly,” Ruth argues (ummm). “She fucked herself. I’m sorry for your friend, Liz, but I want to win. The Democrats need to stop being such pussies. We have to win.” Ouch.

Colin finally gets to the hospital! Just in time! “Where’s the epidural?” Lucca’s asking. The doctor explains they’ve curbed the effect because it’s time to push. “You motherfucker! You bring the drugs back!” Lucca screams. Hehe. “You cocksucking asshole!” Francesca chimes in. I bet Lucca’s son’s first word is going to be “fuck.” And I don’t think Lucca will mind if it is.

Apparently Lucca’s family is religious, or at least Francesca has reason to believe that.

Oh, yes, they are: Lucca’s mom wants the baby to be baptized and has chosen now to tell Francesca. Colin jumps into action and kicks the parents out.

And Lucca doesn’t seem opposed to the idea of a baptism either, which caught me by surprise (I assumed she was an atheist) but doesn’t really sound too off.

The partners are waiting up to hear if Lucca’s given birth yet. It’s been 14 hours of labor. Why are they waiting for a phone call that might not even come that night? Why would they even expect to be notified the minute the baby was born and not the next day?

Either (a) No one at the firm ever has children so this is a huge event or (b) Lucca’s an extremely important employee. I’m hoping option b is the explanation here.

Marissa and Jay are still working—it’s gotta be midnight by now; maybe the partners are gathered because of Diane’s legal trouble and are also expecting a call from Lucca? Sorry, I am stuck on this. After the way the partners reacted to Lucca’s pregnancy earlier in the season, I would not expect this kind of reaction from them.

Anyway, Marissa and Jay followed the women and found out that Basehart is a good guy (or at least was being a good guy when he helped the pretty young blonde).

The phone rings. Adrian answers. It’s Colin. “Lucca wanted me to call you and tell you that… we have a son.” Congratulations, Lucca!!!! (And Colin lol. I am reading this over and I have realized I congratulated Lucca and not Colin.)

Lucca and Colin’s son, Joseph Quinn-Morello, was born at 1:15 am. Awwwww.

The partners toast to Joseph, and to the future. “May he make a change for a better world,” Diane says. “God knows we need it,” Liz adds. I still don’t buy that this is happening but it’s so sweet I’ll set aside the nitpicking. This scene also contains continuity (I think it’s later that someone comments the champagne is left over from the poorly attended party in 2x04) so yay!

Colin and Lucca discuss how crazy their parents are. “I don’t think I’ll like DC,” Lucca says next. “Give it a year and I bet you will,” Colin says. Lucca doesn’t respond, but she’s not convinced.

The bottle of champagne is gone and Adrian suggests going home. “You know, a year ago… we were looking out at a blacked-out Chicago and I was depressed, and you said to me that the only constant that we have is the law. We’re not a country of men and women; we’re a country of laws. Do you still believe that?” Diane asks. “Yes,” Adrian replies. “That took you a while,” Diane comments. “It’s been a very odd year, Diane,” Adrian says as Liz takes a seat and joins the conversation. (I guess Julius went home to his, er, SIX CHILDREN).

“Yesterday I read that an undocumented pregnant woman was sent back to the country where she was born. There were death threats against her there, and within six months, she was murdered. It was the law to deport her, but, I mean, it wasn’t…” Diane remarks. “Just,” Liz finishes her sentence. “Exactly. What does it matter if we’re a country of laws if the laws aren’t just?” Diane wonders. “What option do we have?” Adrian asks. “Placing justice above the law?” Liz suggests. “Doesn’t justice define the law?” Adrian counters. “Mmmhmm. Conscience does. It has to,” Liz replies. “So then… it’s okay to break the law?” Adrian wonders. Liz and Diane consider this. “If it offends your conscience, yeah,” Liz concludes.

SO MUCH to unpack here. None of these are ideas we haven’t heard before from this show, but they’re coming together in new ways. Diane is well aware that the law is not always just. She’s counted on that to win cases. Wasn’t she always telling Alicia in the early seasons that they follow the law? That their duty is to represent their clients blah blah blah? But she didn’t find it to be a moral offense then—just part of the job. But now Diane questions the structures. I don’t think many of us thought that our systems could fail in the way they’re starting to. And I don’t think many of us were aware of how backwards some of our laws are. Certainly, The Good Wife often hit on that theme (remember how the NSA came to listen to all of Peter Florrick’s calls because Nisa once left a voicemail in tears on the Florrick family’s answering machine?). But there’s a difference between encountering instances of unjust laws and realizing (or coming to feel) that the entire system is unjust. I am not sure if I completely agree with Diane and Liz, but I understand where they’re coming from and why their positions have changed.

(I say changed because I don’t think either Diane or Liz would’ve ever talked like this pre-45. But I do think Liz especially felt this way before. The ends justify the means, and all that.)

(Also, “an odd year” (or “a weird year”) is a line that has been uttered like twenty times on this show. And the idea of ignoring rules that you find unjust is something Alicia LOVED to do, albeit in a different context. I could expand on that comment but then I’d end up writing an essay on Alicia Florrick’s morality, which has nothing to do with the discussion Diane/Liz/Adrian are having and nothing to do with the current political moment.)

One more thing on this scene: I love that Liz is included!!! Liz has worked so well as an addition to this cast.

Diane gets an idea: Lying. She asks Adrian to give Ted Willoughby some scoop at the next committee meeting

NRA lady gets her way (ugh), but Adrian agrees to write the proposal, thinking no one from the committee will actually read it so he can just write his own policies. This seems dangerous, but alright.

Then Adrian slips Mr. Elk the scoop. He knows it’s false, but leaks it anyway to help Diane. I know this is the result of a conversation about ethics and lying, but no one’s lying in court AND this is reminiscent of so many other manipulations on TGW/F that I’m not really sure it feels as monumental as it seems? I’m 99.9% sure Diane’s done stuff like this just to win cases. And if Diane hasn’t, Will definitely did. Isn’t it a very common strategy (on this show) to suggest in court that affairs there’s no evidence of were going on? And didn’t they literally create fake news to sway a jury twice this season? I don’t even have to go back more than a couple of episodes to find an example!

Lucca’s heading home from the hospital. “So, Colin, huh,” her mom says. “Well that sounds critical,” Lucca replies. “No. He just seems a little more white bread than your usual guys,” her mom observes. Lucca calls him a good guy, and her mom is like, but he wasn’t here when you were in labor. YEAH. TWO WEEKS EARLY. OF ALL THE THINGS TO HOLD AGAINST COLIN WHY THIS ONE?

“I’m going to give you some advice, Lucca. It’s the garage door test. My mom gave it to me, and I’m going to give it to you. Now, if you want to know if a relationship is working, when you drive home from work and you open the garage door, are you happy when you see his car parked there, or are you disappointed?” Deirdre says. “I live in an apartment,” Lucca retorts. “Don’t be contentious. If you see his car parked on the street, are you happy or sad? Do you want to come home and be alone or be with him?” Deirdre continues.

“Mama, I don’t like coming home and seeing anybody there, ever,” Lucca explains. “Well, then there’s your answer,” Deirdre says. “What? That I should be alone for the rest of my life?” Lucca wonders. “No. Wait until you’re happy to see someone’s car,” Deirdre explains. Good advice. And I bet Lucca’s heard it before, because it’s the exact same advice she gives Alicia in the TGW series finale. (I’m not upset that Lucca’s mom is giving her advice she herself has given to others before. I think it makes sense. She had to get that idea from somewhere, and her mom’s probably talked like this many times before, just not directly to Lucca.)

“Are you and dad getting divorced?” Lucca switches the topic. Deirdre’s silence is all the answer she needs. “I love you,” Deirdre says.

On the drive back from the hospital, Lucca looks sad. She’s lost in thought, and she’s realized at once that she’s not with the person she wants to spend her future with and her parents are splitting up.

Colin tells Lucca that Maia and Marissa want to stop by. Lucca smiles at that. And, indeed, there they are, in Maia’s car (just in case it wasn’t clear that they’re the ones happy to come home to!). “I can get rid of them fast,” Colin offers. “No! I want them here,” Lucca decides. “I just realized I want them here,” she says to herself. YES! YES YES YES!

I’m much more invested in Lucca’s friendships than in her romantic relationships. One of the first things we learned about Lucca was that she didn’t have friends, and it means a lot that she’s finally found people who make her happy. Friendships can be fulfilling. Not everyone needs a romantic relationship to be happy, and I love that the show is finally acknowledging this. The idea of a life without a romantic partner that’s still happy and fulfilling isn’t really one Wife ever allowed Alicia to explore for long (if at all), and I’m glad to see that Fight has given its most guarded character the chance to realize there are different paths to happiness. Wife did allow Diane to have a fulfilling life before Kurt came along, but there’s a difference, I feel, between starting off a character in that spot and having a character actively choose friends over a relationship.

(Yes, I’m still bitter that the TGW finale spent so much time having Alicia choose among Peter, Jason, and somehow inexplicably Will when she could’ve chosen herself or her friendship with Lucca. The TGW finale sidelines Lucca when I think it should’ve doubled down on the importance of her friendship with Alicia—which, tbh, I bought a hundred million times more than any of Alicia’s romantic feelings towards Jason.)

Mr. Elk runs the story—we see Diane watching it. Also on the Ted & Friends homepage? “Darkness Before Noon Season Finale Flops.” If I squint, I can read some of the text of the article: “The ??? ??? (highly literal? Liberal??) streaming show found it’s [sic] season finale to be a ratings failure, despite the streaming service not releasing ratings. Inside sources claim the show is on the bubble.” Soooooooo the writers didn’t know if they were getting a season 3, is what I’m getting. Sneaky.

(ALWAYS READ THE TEXT THAT’S ON SCREEN BECAUSE YOU’LL GET SNARK AND ALSO DELICIOUS LINGUISTICS.)

One of the hosts suggests that the president fire Basehart. Diane and Liz smile. Diane moves the flower pot back to the window: “This past month, I’ve been feeling at peace and in control. And I realized that’s not enough. Because people are out to get me. It’s time to fight.”

Soooo the case against Diane is wrapped up if you want it to be and open if you don’t, and there’s a suggested arc for season 3 if you want there to be (a more rebellious Diane). This is classic season-or-series finale writing. If the show stopped here, with Lucca choosing her friends and then Diane declaring “it’s time to fight,” it might not be the best ending but it would feel like an ending. But if the show goes on from here, there are still stories to tell. Between that Darkness Before Noon article and the way the end of this episode feels, I would bet that the Kings didn’t know if the show would be renewed when they wrote this episode.

The closing shot of the season is all of the partners going into a meeting while a computer plays a clip announcing that Kill All Lawyers has given way to Kill All Reporters. Y’all, this is pretty much how they ended BrainDead: suggesting that the main arc was concluded (bugs eating brains of politicians) but there could be more to come (bugs on Wall Street). To end TGF, though, we get an ominous clip of Trump referring to an upcoming “storm.” I don’t know what to say about that, but it’s terrifying!

I’m sure I’ve said this before, but season 2 of TGF feels, at times, more like BrainDead than The Good Wife, and that’s a good thing. I’m eager to rewatch BrainDead. I have a feeling it’ll play differently now than it did in summer 2016.

One final thought: Have you guys heard of something called Trumpy Bear? The other day, I was watching an episode of Younger On Demand, when all of the sudden, what looked like an ad for religious programming came on. “A storm is coming. You cannot defeat the storm. I am the storm. The great American grizzly,” it began. (I think this is a reference to the same quote the TGF finale ended on!) Then confetti poured down the screen. Turns out this wasn’t an ad for a religious show: it was an ad for a stuffed bear with Trump’s hairdo. The bear contains an American flag blanket. The ad shows a bunch of white people cuddling with the bear, taking it golfing, and brushing its hair. I swear to you I did not make this up. You can go on YouTube and find ads for this. It really exists.

But it took me at least fifteen minutes to acknowledge that I hadn’t accidentally taken some of Diane’s psilocybin and hallucinated it. I rewound the program and took a video on my phone. I sent the video or a link to the infomercial (once I found it) to at least ten people. I needed others to tell me this was real because I was staring at the screen in disbelief. When I sent it to some people, I made the TGF reference. To others, I just said, “WHAT THE FUCK IS THIS?” and three people (100% of the TGF viewers I sent it to without the upfront joke) replied with their own TGF references.

My point here? The Kings are on to something. This season of TGF captured exactly how it feels to be living through these times.

Also, I still need people to tell me that teddy bear is real. I am SCARRED.

#The Good Fight #TGFThoughts

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suchagiantnerd · 7 years

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46 Books, 1 Year

In 2016 I didn’t QUITE make it to my goal of reading 50 books, but I sh*t out an adorable human instead so I don’t feel too bad. Because of the pregnancy and baby-having, I also decided to cut myself some slack and didn’t take notes after finishing each book (which I usually do), so this year’s reviews are not as detailed as usual. But if you’re interested in learning more about any of these reads, just message me and I can chat more about them!

1. The Year of Living Danishly: Uncovering the Secrets of the World’s Happiest Country / Helen Russell I am obsessed with the Danish concept of hygge (which loosely translates to ‘coziness’). I wanted to learn more about how to live a life full of hygge and other ways of increasing happiness. This is a fitting read for this time of year. January doesn’t have to be cold and depressing; it can be full of candlelight, soft blankets, comforting food, and friends and family. The message seems to be to nestle in and hibernate together!

2. Dragonfly in Amber / Diana Gabaldon The second book in the Outlander series follows Claire and Jamie as the battle of Culloden approaches. Can they stop it? Or does attempting to change history result in even worse outcomes?

3. Voyager / Diana Gabaldon I can’t say much about the third book in the Outlander series, as it will spoil some big plot twists. So I’ll just say that the sex scenes are as great as ever!

4. Six Metres of Pavement / Farzana Doctor Set in Toronto, this story follows three broken people as they slowly find community and acceptance with each other - Ismail grieves his infant daughter years after her death (which was ultimately his fault), Celia, recently widowed, deals with loneliness and feeling unwanted, and Fatima, a queer university student, deals with the fallout of coming out to her traditional family. A heartwarming read, though the plot feels a bit too contrived.

5. The Light Between Oceans / M.L. Stedman You best read this one before the movie comes out! Or is it already out and I’m that out of touch now? This story will make you want to visit all the barren, lonely lighthouses you can find. It will also make you thank god for your relatively uncomplicated life. This book is heartbreaking and features baby-stealing (with the best of intentions), WWI PTSD, and a look at life (for better or worse) in small town Australia.

6. Cinder / Marissa Meyer You thought for a second I’d forgone my first love, YA Dystopian? Nuh uh! This is the first in a series that works fairytale characters into a futuristic world full of spaceships, robots, and a violent lunar people. “Cinder” obviously pays homage to Cinderella. But instead of one glass slipper, she’s got one bionic leg and is an expert mechanic.

7. Circling the Sun / Paula McLain Based on the real-life love triangle between Beryl Markham, Karen Blixen and Denys Finch Hatton in while colonial Kenya, McLain takes us from Beryl’s “wild” childhood without a mother figure playing with her Kipsigis (a Kenyan tribe) best friend and riding horses, to her bold and sometimes disastrous adult years training horses, falling in and out of love and lust, and eventually becoming one of the first women to fly solo across the Atlantic. This is a well-written and dreamy story, but ignores most of the world outside the expat community. Is that irresponsible? I don’t know.

8. Wolf Winter / Cecilia Ekback If there’s a better “dead of winter” read, I don’t know what it is. I loved this tale taking place in 1717 in Swedish Lapland. A disparate group of settlers struggles to survive a particularly brutal winter just after one of their members turns up dead. Was it actually an animal attack? Many of the settlers believe otherwise as suspicion and cabin fever set in.

9. Behind the Beautiful Forevers / Katherine Boo This non-fiction account of a Mumbai slum reads like a novel. Journalist Katherine Boo spent months getting to know the slum’s residents, gaining insight into their hopes and dreams, the drudgery of their day-to-day existence, and the political and personal ties between them all. Their stories will break your heart.

10. Expecting Better: Why the Conventional Pregnancy Wisdom Is Wrong - and What You Really Need to Know / Emily Oster I’ve always dreaded pregnancy, mainly because of all the policing of pregnant women’s bodies. This book is a nice antidote to all of that. When Oster, a statistician, became pregnant for the first time, she gathered together all of the valid studies about caffeine and alcohol consumption, gardening, certain foods, owning cats, etc, etc, etc and and complied their results, determining what’s really harmful to a growing baby and what’s not. Have your cup of coffee in the morning, ladies. And a glass of wine now and then is just fine! But no ciggies. No ciggies at all.

11. The Heart Goes Last / Margaret Atwood Atwood’s latest novel does not disappoint. Set in a near-dystopian future, a new gated community takes the prison-as-business model one step further. Rotating every month, half of the population acts as prisoners in an actual prison, while the other half maintain the town or work as prison guards. It’s efficient, right? Less housing required, the prisoners all do work to help the town, everyone gets a salary. But it just might be too good to be true…

12. Drums of Autumn / Diana Gabaldon Once again, I can’t say much about the fourth book in the Outlander series for fear of spoilers except that Jamie and Claire are a bit older now, and there’s a new generation of sexy Scottish people to populate your daydreams.

13. Fifteen Dogs / Andre Alexis I don’t know what to say about this book other than I both loved it and hated it? This is also the book my book club has spent the most time ever talking about. Set in Toronto, it follows 15 dogs staying the night at a veterinary clinic who are suddenly blessed/cursed with human consciousness. What follows is occasionally comedic, but mostly violent and terribly sad.

14. I Just Want to Pee Alone / Some Kick Ass Mom Bloggers I should probably have waited to read this collection of true stories until after I’d had the baby. In one story, a woman describes her post-birth vagina as a sad old elephant.

15. The Damned / Andrew Pyper Pyper is great at sketching out a truly creepy character. In this story, Dan is haunted by his deceased twin sister, who happened to be a sociopath while alive. Now that she’s dead, her ability to torture him seems to have no bounds. I also really liked the book’s setting of Detroit.

16. Scarlet / Marissa Meyer The second book in the “Lunar Chronicles” series, this book focuses on a Red Riding Hood-inspired protagonist. And the love interest is pretty wolf-like. Oooh mama!

17. The Sense of Style: The Thinking Person’s Guide to Writing in the 21st Century / Steven Pinker Full disclosure: This is a grammar book. Basically you shouldn’t read this unless you write for a living / want to really improve your writing. I’m not even sure I should have read it. Some tips were great, others were too detailed for me to grasp, others I already forget.

18. Walkable City: How Downtown Can Save America, One Step at a Time / Jeff Speck Though this book focuses on American cities, it applies to anywhere. If you’re an amateur urban planning nerd like me, you’ll love this book. Two fun factoids - trees increase a neighbourhood’s value and liveability A LOT and you’re more likely to suffer a heart attack in the few hours after you’ve been driving a car. Driving in a city is THAT stressful.

19. How to Be a Woman / Caitlin Moran In this non-fiction tome of memories / essays, well-known British feminist Moran takes on body image, sex, working in the music industry, pregnancy and childbirth, living in poverty, and abortion.

20. The Jade Peony / Wayson Choy This novel reads more like a series of related short stories, and follows the childhoods and teenage years of three siblings, Jook-Liang, Jung-Sum and Sek-Lung living in Vancouver’s Chinatown in the 1930s and 40s. This is a touching book, and each child deals with their own stresses and troubles from losing a beloved grandmother to realizing one’s sexuality to the difficulties of life as a child of new immigrants.

21. Shrill: Notes from a Loud Woman / Lindy West Lindy West is my hero, and the author of my favourite piece of comedic writing ever, a hilarious review of Jurassic Park from beginning to end. She’s also a fiercely intelligent feminist and this is her first book. It’s about trying to make herself as small and quiet as possible, only to realize that that’s bullshit. As women, we should be as big and loud as we want.

22. I Was Told There’d Be Cake / Sloane Crosley This is a non-fiction collection of stories from Crosley’s life. Who is she? I didn’t know before and I still don’t really know, but she’s a Jewish New Yorker who is a good writer and is pretty funny. This collection is not heavy in the least - it’s just some funny and amusing anecdotes from a regular person’s life.

23. Tampa / Alissa Nutting Hooooooooo boy. What can I say about this one? Nutting tells the story of Celeste Price, a 26-year old middle school teacher who is a pedophile. And Price is relentless in her pursuit of the perfect victims, searching for boys just on the cusp of puberty. This is kind of a reverse “Lolita”. But I gather it’s way grittier (I have not read “Lolita” so I can’t say for sure). Nutting is a good writer and her style is very, shall we say, visceral? But this book is not for everyone.

24. The Widow / Fiona Barton This book felt like Barton’s attempt to get on the “Gone Girl” / “The Girl on the Train” bandwagon, and it fell short. I don’t recommend it. I also hated the main character, a simpering weakling of a woman.

25. Time Zero / Carolyn Cohagan This feels like a “The Giver” of our time. It’s also a truly feminist YA dystopian novel. In it, Cohagan has created a world (in what used to be Manhattan) run by men with a set of very harsh rules for women. In a poignant twist, all of the rules in the novel are actual rules that various women around the world today have to live under. I really believe this book should be added to the public school curriculum.

26. Battle Royale / Koushun Tatami Before “The Hunger Games”, there was “Battle Royale”. Set in a dystopian Japan, each year in a government experiment, random classes of ninth graders are sent to secluded locations and forced to kill each other until one survivor remains. To prevent runaways, each student must also wear a collar which explodes if the student tries to escape. YIKES. A cult classic, this is a sad and violent read full of interesting characters.

27. Before the Fall / Noah Hawley A private plane crashes into the Atlantic ocean, and of the 11 people on board, only two survive - a young boy and the lone outsider, an aspiring artist who’d recently befriended one of the rich passengers. This is a tight, scintillating thriller, and as the mystery of what (or who) caused the crash unfolds, we get an inside look at each of the passenger’s thoughts and backgrounds. I didn’t love the resolution, but the excellent lead-up was worth the read.

28. The Passage / Justin Cronin I reread this for the third time in advance of the release of “The City of Mirrors” (book 30), the third in this trilogy. This remains my favourite book / series of all time. It’s a dystopian/sci-fi/thriller/epic full of an amazing cast of characters and spanning over a century.

29. The Twelve / Justin Cronin I also reread the second book in “The Passage” trilogy.

30. The City of Mirrors / Justin Cronin As expected, the final book in this trilogy both thrilled me and broke my heart.

31. The Haunting of Maddy Clare / Simone St. James I just wanted a good old-fashioned book about a ghost set in the British countryside. This book was that, but was cheesier than I thought it would be. And unexpectedly involved a sexy romance sub-plot which was enjoyable and terrible at the same time.

32. The Girls / Emma Cline In the summer of 1969, bored and naive teenager Evie befriends a mysterious older girl named Suzanne, who slowly brings her into the folds of a Manson-inspired cult. The Manson-y cult leader isn’t quite as big a character as you might think, and the book, like the title, really does focus on the relationships between young girls that we can all relate to - the idolization, the obsessiveness, the jealously, the fervent love we sometimes feel for each other.

33. The Last Star / Rick Yancey I had to read the final book in “The Fifth Wave” alien trilogy, and much like the “Divergent” series, this series gets worse with each tome.

34. The Bluest Eye / Toni Morrison Penola is a young Black girl growing up in Ohio in the post-Great Depression era. Her life is shit. Daughter to an abusive father and an overtired and busy working mother, teased at school, and simply put, already beaten down by life, all Pecola wants are for her eyes to turn blue. This is a classic and an important read for these times.

35. Indian Horse / Richard Wagamese This novel tells the story of Saul, an Ojibway boy sent to a residential school after his family spends a few years trying to protect him from just such a fate. Saul’s only escape from the horrors of the school is his growing love of hockey. It turns out that he’s a gifted player, and his talent allows him a chance at a better life. All Canadians should read this book. The racism Saul experiences in the 1970s is still alive and well today all across this country.

36. Harry Potter and the Cursed Child / J.K. Rowling, John Tiffany, Jack Thorne If you’re a Potter fan, you’ve also already read this, and if you’re not, you don’t care!

37. After Birth / Elisa Albert I read this novel in preparation for motherhood. In it, we meet Ari, a first-time mother dealing with feelings of loneliness and the emotional fallout of her caesarian section. She cannot get over it, and her anger and sadness are palpable. She later befriends mother-to-be Mina, and the two develop their own little support system (or should I call it a lifeline?). This is a much needed story about pregnancy, birth, mothering, female friendship, and the importance of support from friends, family, and the medical profession.

38. Sex Object: A Memoir / Jessica Valenti In this collection of anecdotes from feminist and journalist Valenti, she tackles issues of sexism, harassment, internet trolling and your everyday, run-of-the-mill misogyny against the backdrop of her youth and young adulthood in New York. Add this to your growing feminist library (we all have one, right?)

39. Parenting Beyond Pink and Blue: How to Raise Your Kids Free of Gender Stereotypes / Christia Spears Brown, PhD The title says it all. But as you’ve probably seen, Fern wears a lot of pink. You can’t say no to hand-me-downs and gifts! I guess I’ll work to combat gender stereotypes in other ways…

40. Middlesex / Jeffrey Eugenides This is a sprawling coming-of-age story about Cal, who is intersex. When born, Cal appeared to be a girl and was raised as such. As they go through puberty, Cal’s transformation is more confusing and painful than that of most, and they start to question their identity. Eugenides also details the strange and somewhat taboo history of Cal’s family, illustrating that nothing occurs in a vacuum. We exist in the context of our families. This was a thoughtful and engaging read.

41. Everything I Never Told You / Celeste Ng This novel explores all the things we don’t tell those we are closest to - our spouses, our children, our parents, our siblings - and the fallout of these omissions. It also explores the unique challenges of a mixed-race family living in 1970s America including overt and subtle racism, feelings of not belonging, and questioning one’s own identity. On top of all this, Ng has also rolled in a gripping mystery.

42. The Japanese Lover / Isabel Allende Allende is one of my favourite authors, but this book fell flat. The dialogue felt forced and preachy, and the characters, especially the Japanese ones, were often stereotypes. A tale of illicit love and Japanese internment camps (sounds promising, right?) I would skip this one, especially if you’ve never read Allende before.

43. North American Lake Monsters / Nathan Ballingrud I was so excited to read this collection of strange and scary short stories, but it was a disappointment. Ballingrud does not take any of these stories far enough, and the endings were almost all vague and left things up in the air. I don’t consider this tactic all that artistic anymore, it just seems lazy. COMMIT TO AN ENDING, authors, COMMIT TO A DANG ENDING!

44. Cold Mountain / Charles Frazier Towards the end of the Civil War, soldier Inman has had enough. Recovering from a serious neck wound in hospital, he decides to defect and make his way home to Cold Mountain and his love, Ada. Meanwhile, back on Cold Mountain, Ada’s fallen on hard times and is in serious survival mode. As Inman makes his long way home, Frazier paints a broken and bloody countryside on the cusp of something new.

45. Mrs. Poe / Lynn Cullen This is a juicy historical fiction novel about the love triangle between Edgar Allan Poe, his wife, and his contemporary, writer Frances Osgood. Surprisingly, the delicate ingenue Mrs. Poe seems like the creepiest one of the three (whether or not this is based on fact, I don’t know). I loved the setting, the plot, and the literati cast of characters, but the style of writing was a bit fluffy. It felt as though Cullen was writing with a future movie deal in mind.

46. All My Puny Sorrows / Miriam Toews Set in Winnipeg and Toronto, this story follows a Mennonite family plagued by tragedy after tragedy. Toews explores issues of intergenerational trauma, suicide, mental health, the damaging effects of patriarchy, and how amidst all that, love still flourishes.

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