#mark friedberg
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The Amazing Spider-Man 2 (Marc Webb, 2014).
#the amazing spider-man 2#marc webb#andrew garfield#sally field#dan mindel#pietro scalia#mark friedberg
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Tech, utensils and other props from The Ice Storm (1997)
Production Design by Mark Friedberg
Art Direction by Bob Shaw
Set Decoration by Stephanie Carroll
#props#the ice storm#1997#1990s film#90s movies#films set in the 1970s#christina ricci#joan allen#ang lee#mark friedberg#bob shaw#stephanie caroll#nixon#old tech#70s tech#tiffany lamp#interior design#interiors#decor
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Broken Flowers | 2005 | USA - France
Director: Jim Jarmusch
Production designer: Mark Friedberg / Set decorator: Lydia Marks
#broken flowers#bill murray#jim jarmusch#production design#set design#interior design#interior and films#films#film frames#cinema#cinematography#2000s movies#2000s
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Coffee and Cigarettes (Jim Jarmusch, 2003)
Cast: Roberto Benigni, Steven Wright, Joie Lee, Cinqué Lee, Steve Buscemi, Iggy Pop, Tom Waits, Joseph Rigano, Vinny Vella, Vinny Vella Jr., Renee French, E.J. Rodriguez, Alex Descas, Isaach De Bankolé, Cate Blanchett, Michael Hogan, Jack White, Meg White, Alfred Molina, Steve Coogan, Katy Hansz, The GZA, RZA, Bill Murray, William Rice, Taylor Mead. Screenplay: Jim Jarmusch. Cinematography: Tom DiCillo, Frederick Elmes, Ellen Kuras, Robby Müller. Production design: Dan Bishop, Mark Friedberg, Tom Jarmusch.
For Jarmusch fans only. Coffee and Cigarettes, a collection of 11 black-and-white short films in which people sit at tables and drink coffee and smoke cigarettes, began as semi-improvisatory shorts spun off from Jarmusch's features by their crew and cast members and friends. Starting with Roberto Benigni and Steven Wright essentially winging it in "Strange to Meet You," the collection evolved from a series of shaggy-dog sketches into more structured narratives with a few motifs echoing throughout. The most structured is certainly "Cousins," in which Cate Blanchett plays two roles: the soigné movie star Cate and her blowsy cousin Shelly, who resents Cate's privileged life. They meet in the coffee shop of a luxury hotel, where Cate patiently endures Shelly's sniping until she's called away for an interview. Shelly has been smoking throughout their conversation, but when she lights up after Cate leaves, a waiter tells her that smoking is forbidden there. The episode "Cousins?" is a parallel story in which Alfred Molina and Steve Coogan, two British actors trying to make it in the States, meet for coffee, during which Molina reveals to a very unimpressed Coogan that he has done genealogical research which proves they are distant relations. After an excited fan asks for his autograph, Coogan becomes more and more condescending toward Molina. Then Molina receives a call on his cell phone from Spike Jonze, instantly deflating Coogan's ego to the point that Molina leaves him to pay the check. Amusing as these vignettes are, they don't rise much beyond the level of anecdotes, and some of the other episodes, such as the ones in which Jack White demonstrates his Tesla coil or Renee French fends off a too-attentive waiter, fall flat. Still, if you don't expect too much, there's an evanescent charm to the whole project.
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Discovering Your Dream Home: The Best Residential Project for Sale in Gurgaon
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#The Best Residential Project for Sale in Gurgaon#Best Residential Project in Gurgaon#Best Residential Project for Sale in Gurgaon#Residential Projects for sale#Residential Projects#Anaheeta Homes#Anaheeta Homes in Gurgaon#Real Estate#Top Residential Projects for sale#Top Residential Projects for sale in Gurgaon#Anaheeta Homes Projects
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Am Ottmaringer Weilerweg sollen 26 neue Wohnungen entstehen
Friedberg: „…Die Machbarkeitsstudie für zwei neue Häuser samt Tiefgarage stößt im Bauausschuss auf einhellige Zustimmung. Wie die Stadt das Millionenprojekt finanzieren könnte.
Die Liste der Bewerber für eine städtische Wohnung wird immer länger. Standen in der Vergangenheit noch unter 100 Namen darauf, so ist diese Marke inzwischen weit übertroffen. Friedberg will darum wieder in seinen…
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#Abriss#Friedberg#Häuser#Immobilie#Millionenprojekt#Sanierung#Statik#Tiefgarage#Wasserschaden#Wohnungen#Wohnungsbestand
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Review: The Naked Gun: From the Files of Police Squad! (1988)
The Naked Gun: From the Files of Police Squad! (1988)
Rated PG-13
Score: 5 out of 5
<Originally posted at https://kevinsreviewcatalogue.blogspot.com/2023/02/review-naked-gun-from-files-of-police.html>
The Naked Gun, a feature film version of the Zucker, Abrahams, and Zucker team's short-lived but well-remembered 1982 ABC cop show parody Police Squad! (as its subtitle suggests), was the final movie that the three of them all worked on together, and it stands as a testament to why Jim Abrahams and the brothers David and Jerry Zucker are still considered some of the best film comics of all time, the capstone to an excellent run of madcap comedy spoofs spanning the late '70s and the '80s. The story, about the elite Los Angeles cop Frank Drebin investigating a drug ring that evolves into him foiling a plot to assassinate Queen Elizabeth II during her goodwill tour of the US, is secondary to ZAZ's trademark rapid-fire humor, where they never waste an opportunity to cram in some funny jokes into every scene possible, and even craft some running gags out of them. Fart jokes, sex jokes, pee jokes, jokes about bad driving, jokes about bad parking, jokes about refrigerators full of spoiled food, jokes about expensive objects getting destroyed, jokes about the beautiful woman whose longing over-the-shoulder stare at the protagonist means that she trips up because she's not watching where she's going, and above all else, jokes about bumbling cops who seem to solve the case purely by accident. It's a style of comedy that's harder to get right than it looks, as evidenced by the many films in the '90s and '00s that tried to imitate the ZAZ style, to varying degrees of success ranging from the Wayans Brothers' more Black-focused spin on the style to the absolute hackery of Aaron Seltzer and Jason Friedberg.
The key ingredient here is Leslie Nielsen as Frank Drebin in his stock comedy persona. The thing about Nielsen is that, prior to the '80s, he was known as a serious dramatic actor, and even here, he carries with him a particular type of old-fashioned leading man flair straight out of the '50s and '60s, all the better for him to play a parody of the kind of upright police officer that Jack Webb idealized in Dragnet. The thing about Nielsen is that, even when his character is in the middle of humorous situations and being made the butt of countless jokes, you can still picture him as the serious version of this character, the straightforward detective protagonist of a CBS cop drama. It's like watching David Caruso or Mark Harmon do a spoof of CSI or NCIS without once winking at the camera to let you know that they're in on the joke, even though all the humorous mishaps they get into indicate that they very much are. Nielsen was a master at this sort of humor, blending a straight-man persona with zany antics that are made that much funnier by the guy they're happening to, and this film is an ample demonstration of just why he was so good at this sort of comedy.
The machine-gun speed of the jokes, meanwhile, ensures that even the occasional groaner would quickly be forgotten once the next ten or so zingers whipped by, while the jokes that work never stick around for too long and wear out their welcome. The film's sense of humor is filthy enough for a PG-13 rating, but in a decidedly schoolboy manner, too amused by the comic slapstick it does so well to get really mean-spirited or offensive; you won't really find this movie punching down and mocking people who don't clearly deserve it. It aims its barbs upwards at authority figures, Frank most of all, and mines humor out of amusing scenes like a scared teenage student driver being forced into a car chase and turning into a legitimately badass driver, or Frank forgetting to turn off his microphone during a... private moment. There is a plot, and a host of supporting characters played by talented actors like Priscilla Presley, Ricardo Montalbán, and, uh, O. J. Simpson (as an LA cop!), but none of that is important, and neither are any greater themes; barring some jokes making fun of Frank's trigger-happy ways, don't expect to find much satire of real-life issues surrounding law enforcement. After all, this movie's not a satire, it's a farce, and it's interested in mining as many gut-busting laughs as it can out of as many people as it can.
The Bottom Line
The Naked Gun is another one of those quick reviews of a good comedy where there's not really much to say beyond "I laughed my ass off." Yeah, it's really funny, it still holds up, and I had a blast watching this at the Film Junkies' 35th anniversary screening. Not much more to say, except go check it out for yourself if you haven't.
#the naked gun#1988#movies#comedy#leslie nielsen#crime movies#o. j. simpson#george kennedy#david zucker#zucker abrahams and zucker#zaz#priscilla presley
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Rail maze limited budget
#Rail maze limited budget movie#
#Rail maze limited budget windows#
He goes on to describe how the appearance of movement was created: Poor Man’s works particularly well in The Double, the black void outside the subway car playing into the oppressive and nightmarish tone of the whole film. In an interview with Pushing Pixels, production designer David Crank explains how the subway carriage set was built out of an old bus. Used judiciously, this technique can be very convincing, but you would never get away with it for a whole movie. Then you create the illusion of motion with dynamic lighting, a shaky camera, and grips rocking the carriage on its suspension.
#Rail maze limited budget windows#
In order to hide the lack of motion, you keep the view outside your vehicle’s windows blank and featureless – typically a night sky, but a black subway tunnel or a grey daytime sky can also work. process photography), Poor Man’s Process is a big cheat. So named because it’s a cheap alternative to rear projection (a.k.a. Unlike the other movies on this list, The Double only has short sequences on a train, and that’s a key point. His last feature was a darkly beautiful adaptation of Dostoyevsky’s classic identity-crisis novella The Double. It was a train that moved… All of our actors were passengers on the train down the leafy lanes of Surrey, pretending to be the former Yugoslavia.Īlthough best known as The IT Crowd‘s Moss and the new host of the Crystal Maze, Richard Ayoade is also an accomplished director. They painstakingly built a fully functioning period authentic locomotive and carriages from the Orient Express during the golden, glamorous age of travel. Kenneth Branagh has stated that at least some of Murder on the Orient Express was shot on a real moving train too: It made it incredibly difficult to figure out how many crew, what crew, what gear… but what it did do is it made it real. It makes it more expensive, it makes the logistics impossible.
#Rail maze limited budget movie#
The big creative decision Wes made was that we were going to shoot this movie on a moving train. Production designer Mark Friedberg explains: Many of the usual Anderson tropes are present and correct – linear tracking shots, comical headgear, Jason Schwartzman – but surprisingly the moving train wasn’t done with some kind of cutesy stop-motion. Wes Anderson’s 2007 film The Darjeeling Limited sees three brothers embarking on a spiritual railway journey across India. All of these methods are equally applicable to scenes in cars or any other moving vehicle. There are a number of ways of realising such scenes, and today I’m going to look at five movies that demonstrate different techniques. The publicity machine is ramping up for Kenneth Branagh’s Murder on the Orient Express remake, and it’s got me thinking about the challenges of a script set largely on a moving train.
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Les nouveautés de la semaine (03/10/2022)
À la une : La tolérance pervertie / Raymond Massé
Cote de rangement : HM 1271 M 264687 / Domaine : Sociologie
« Garante d'un vivre-ensemble harmonieux, la tolérance s'impose comme le fondement éthique qui promeut toutes les diversités. Aujourd'hui, elle est menacée.
Par les intolérants bien sûr, qui nient sa pertinence. Mais tout autant par le dogmatisme de certains de ses défenseurs qui, militants du « diversitaire » et de la rectitude politique, en pervertissent le sens profond.
Raymond Massé, exemples à l'appui, analyse les questions liées aux multiculturalismes et aux libertés religieuses : les communautarismes et la promotion d'une laïcité ouverte servent-il les intérêts de la tolérance ? Toute différence commande-t-elle un respect inconditionnel ? Ce respect repose-t-il sur un relativisme radical ou sur des valeurs universelles partagées ?
Pour éviter les dérives d'une tolérance comme abdication indifférente face aux quêtes de reconnaissance identitaire, il est urgent de définir une tolérance qui relève le défi de la nuance. » - Quatrième de couverture
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Finance
L'indépendance des banques centrales à l'aune de l'histoire de la pensée et des pratiques / Adriano do Vale
Cote de rangement : HG 1811 D 264677
La course à la suprématie monétaire mondiale : à l'épreuve de la rivalité sino-américaine / Michel Aglietta, Guo Bai, Camille Macaire
Cote de rangement : HG 3881 A 264680
Missing the target : why stock-market short-termism is not the problem / Mark J. Roe
Cote de rangement : HG 4551 R 264698
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Économie
Kapital und Ressentiment : eine kurze Theorie der Gegenwart / Joseph Vogl
Cote de rangement : HB 501 V 264678
La nation, frontière du libéralisme : libre-échangistes et protectionnistes français, 1786-1914 / Francis Démier
Cote de rangement : HC 275 D 264679
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Écologie
Les communs : un autre récit pour la coopération territoriale / éditrices scientifiques : Sigrid Aubert et Aurélie Botta
Cote de rangement : GF 50 C 264681
Les arbres doivent-ils pouvoir plaider ? / Christopher Stone
Cote de rangement : KF 5505 S 264685
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Marketing
Marketing international du sport : digital, e-sport et pays émergents / sous la direction de Michel Desbordes
Cote de rangement : GV 716 M 264683
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Sciences politiques
Political philosophy, here and now : essays in honour of David Miller / edited by Daniel Butt, Sarah Fine, Zofia Stemplowska
Cote de rangement : JA 71 P 264688
On the concept of power : possibility, necessity, politics / Guido Parietti
Cote de rangement : JC 330 P 264699
Free speech / Andrew Doyle
Cote de rangement : JC 591 D 264686
The personalization of politics in the European union / Katjana Gattermann
Cote de rangement : JN 30 P 264696
Getting China wrong / Aaron L. Friedberg
Cote de rangement : JZ 1734 G 264690
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Sociologie
Les femmes, les jeunes et les enfants d'abord : investissement social et économie de la qualité / Clément Carbonnier, Bruno Palier
Cote de rangement : HN 425 .5 C 264676
Les sens de la ville : pour un urbanisme de la vie quotidienne / [coordonné par] Corinne Luxembourg, Damien Labruyère, Emmanuelle Faure
Cote de rangement : HT 169 .F7 L 264682
Every 90 seconds : our common cause ending violence against women / Anne P. DePrince
Cote de rangement : HV 6250 .4 D 264694
Governing security after war : the politics of institutional change in the security sector / Louis-Alexandre Berg
Cote de rangement : HV 6419 B 264695
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Philosophie
Le principe d'anarchie : Heidegger et la question de l'agir / Reiner Schürmann
Cote de rangement : B 3279 S 264684<
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Communication
Existential media : a media theory of the limit situation / Amanda Lagerkvist
Cote de rangement : P 91 L 264692
Face-to-face dialogue : theory, research, and applications / Janet Beavin Bavelas
Cote de rangement : P 95 .455 B 264691
How to lose the information war : Russia, fake news, and the future of conflict / Nina Jankowicz
Cote de rangement : PN 4784 .F27 J 264689
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Gestion
Global business in the age of destruction and distraction / Mahesh Joshi, Gaurav Rastogi, J.R. Klein
Cote de rangement : HD 30 .28 J 264693
Balanced leadership : making the best use of personal and team leadership in projects / Ralf Müller, Nathalie Drouin, and Shankar Sankaran
Cote de rangement : HD 57 .7 M 264697
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Tous ces ouvrages sont exposés sur le présentoir des nouveautés de la BSPO. Ceux-ci pourront être empruntés à domicile à partir du 17 octobre 2022.
#sociologie#finance#Economie#ecologie#marketing#sciences politiques#philosophie#communication#gestion
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Julianne Moore in Far From Heaven (2002)
#julianne moore#far from heaven#2002#todd haynes#costuming#period piece#2000s movies#2000s film#costume design#dennis quaid#dennis haysbert#viola davis#patricia clarkson#mark friedberg
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Article References
Ahmed, Harris and J. Bryan Carmody. 2020. “On The Looming Physician Shortage and Strategic Expansion of Graduate Medical Education.” Cureus 12(7).
Auerback, David I., Peter I. Buerhaus, Peggy G. Chen, Mark W. Friedberg, Christopher Lau, Ateev Mehrotra, and Rachel Reid, 2013. “Nurse-Managed Health Centers And Patient-Centered Medical Homes Could Mitigate Expected Primary Care Physician Shortage.” Health Affairs 32(11).
Kirch, Darrell G., and Kate Petelle. 2017. “Addressing the Physician Shortage: The Peril of Ignoring Demography.” JAMA: the Journal of the American Medical Association.
Salsberg, Edward S. 2015. "Is the Physician Shortage Real? Implications for the Recommendations of the Institute of Medicine Committee on the Governance and Financing of Graduate Medical Education." Journal of the Association of American Medical Colleges 90(9).
Corso, A. Kent, Kevin A. Dorrance, and Jeffrey LaRochelle. 2018. "The Physician Shortage: A Red Herring in American Health Care Reform." Military Medicine 180(3).
Dill, J. Michael, Stacie Pankow, Clese Erikson, and Scott Shipman. "Survey Shows Consumers Open To A Greater Role For Physician Assistants And Nurse Practitioners." Health Affairs Journal, Medicaid Expansion and Vulnerable Populations 32(6).
Keep in mind: posts with a whole number (ex. 1, 2, 3) correspond to the numbered peer reviewed journal articles mentioned above while posts with a decimal (ex. 1.1, 2.2, 2.3) correspond to the standard referenced items below.
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Identity (James Mangold, 2003).
#identity (2003)#identity#james mangold#ray liotta#phedon papamichael#david brenner#mark friedberg#jess gonchor#cindy carr#arianne phillips
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Adam Driver and Golshifteh Farahani in Paterson (Jim Jarmusch, 2016)
Cast: Adam Driver, Golshifteh Farahani, Barry Shabaka Henley, Rizwan Manji, William Jackson Harper, Chasten Harmon, Sterling Jerens, Method Man. Masatoshi Nagase. Screenplay: Jim Jarmusch. Poems by Ron Padgett. Cinematography: Frederick Elmes. Production design: Mark Friedberg.
There have been lots of movies about poets. Some of them, like Jane Campion's 2009 film about John Keats, Bright Star, are even good. But when have we ever seen a movie about poetry, let alone one as good as Jim Jarmusch's Paterson? It's an homage of sorts to William Carlos Williams, who is perhaps the greatest claim to fame for the city of Paterson, N.J., and especially to his minimalist meditations on the quotidian: celebrations of things like refrigerated plums and white chickens beside a rain-glazed wheelbarrow. The protagonist of Paterson (which is also the title of Williams's not-so-minimalist long poem) is Paterson, a bus driver in Paterson. He, too, writes poems about ordinary things such as Ohio Blue Tip matchboxes. His wife, Laura (who, as we are reminded, shares a name with the subject of Petrarch's sonnets), designs textiles with black-and-white patterns and longs to be a country-music singer and to start a cupcake business. They have a funny-clever-mischievous bulldog named Marvin. If all this sounds terribly cutesy, it doesn't feel that way while you're watching it. (No, I shouldn't speak for everyone. Let's just say it didn't feel that way for me.) It's kept grounded by Jarmusch's treatment of his characters, by a tinge of melancholy perhaps, or a sense that we're living in one of Jarmusch's urban constructs -- a Paterson of the imagination, like the Memphis or New Orleans or Cleveland Jarmusch imagined in his earlier films, places that look like the real thing but aren't. There are moments when Paterson gets sentimental, but it never gets mushy -- it gets Jarmuschy. It celebrates the poetic imagination that can find an emotional world in a familiar detail, as when Paterson, on one of his nighttime visits to the neighborhood bar, passes a laundromat where Method Man is composing a rap (or however you say it -- this is not my scene) to a beat provided by the slosh of a washing machine. The film would be nothing without surefooted direction, but it also benefits immeasurably from Adam Driver's sensitive, funny performance and from the delicacy of the interplay between him and Golshifteh Farahani as Laura. Watch, for example, the way Paterson struggles not to offend Laura after she serves him a brussels-sprout-and-cheddar-cheese pie for dinner and tries to beguile him into a compliment on her creation. Nothing really terrible happens in Paterson: A gun is pulled in a bar by a frustrated lover, but it turns out to be a toy; some guys in a passing car warn Paterson, who is walking Marvin, that bulldogs are prime targets for dognapping, but it seems to be just a warning and not a threat; Paterson's bus breaks down, causing him an anxious moment because he feels responsible for his passengers, but help arrives. The big calamity of the film occurs near the end: Laura has constantly urged Paterson to make photocopies of the poems he keeps in manuscript in his notebook, but before he can do this, Marvin, who seems to be jealous of anything not centered on him (he growls whenever Paterson and Laura kiss), chews up the notebook. Paterson is dejected by the loss of the poems, but an encounter with a Japanese professor* who is visiting the city to pay homage to Williams reminds him that the poetic imagination is universal and indestructible. (It also helps that the professor gives Paterson a fresh notebook.)
*Played by Masatoshi Nagase, who was the young Japanese tourist in Jarmusch's Mystery Train (1989).
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My Crew for the Hulk Movie we deserve but won’t get cause Kevin Feige is a puss
Director: Michael Dougherty
Composer: Craig Armstrong
Cinematographer: Larry Fong
Screenplay Writer: Rick Jaffa & Amanda Silver
Costume Designer: Sharen Davis
Production Designer: Mark Friedberg
Bonus: Edward Norton as Bruce Banner (he is...the one true Banner)
Tim Blake Nelson as Samuel Sterns
#Fancast#Hulk#michael dougherty#Godzilla KOTM#Krampus#Craig Armstrong#The Incredible Hulk#the bone collector#Larry Fong#The Predator#BVS#Rick Jaffa & Amanda Silver#rise of the planet of the apes#Mulan#Sharen Davis#Godzilla#Rush Hour#Mark Friedberg#Joker#The Amazing Spider-Man 2#Edward Norton#Fight Club#American History X#Tim Blake Nelson#The Ballad of Buster Scruggs#O Brother Where Art Thou
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The Darjeeling Limited, made by recreating objects from the film.
Prints available on Etsy
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#wes anderson#darjeelinglimited#thedarjeelinglimited#flatlay#jordanbolton#setdesign#productiondesign#movieposter#filmposter#mark friedberg
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Bathroom Dance by Hildur Guðnadóttir from Joker (Original Motion Picture Soundtrack)
#music#hildur guðnadóttir#joker#joaquin phoenix#todd phillips#bob kane#scott silver#bill finger#jerry robinson#dance#bathroom dance#lawrence sher#jeff groth#mark friedberg#laura ballinger#kris moran#mark bridges#simon goff#music video#soundtrack#laura ballinger gardner#bathroom#hildur gudnadottir#video
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