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#mark frost
simplyjustagirlsblog · 6 months
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i love laura palmer
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closetofcuriosities · 2 months
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Twin Peaks: Fire Walk with Me - 1992 - Dir. David Lynch
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slinkpinkiller · 2 months
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hacksawvelvet · 4 months
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an angel from twin peaks: fire walk with me (1992)
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wormhag · 6 months
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Twin Peaks Laserdisc Japanese Sleeves
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eatmythoughts · 10 months
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Sheryl Lee at the ABC Television Affiliates Party (1990) photographed by Ron Galella
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keanureves · 2 years
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What is going on in this house?
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crumbargento · 1 year
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grahamdollton · 3 months
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James Spader in Storyville (1992) dir. Mark Frost
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fog-world · 1 year
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mulhollanddriver · 10 months
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twin peaks
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renanmteles · 7 months
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Twin Peaks - Pilot
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hacksawvelvet · 4 months
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this is where i post from btw
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Sherilyn Fenn and Kyle McLachlan in Twin Peaks by David Lynch and Mark Frost (1991).
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fatecolossal · 6 months
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TWIN PEAKS - the Red Room x the Glass Box Room: eerie, interdimensional portals of coffee, kissing, & comfy armchairs... The Sam-and-Tracey scenes of Parts 1 & 2 are evocative of a number of other elements of the show, none more so than TP's various Red Room scenes.
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Tracey's black dress is redolent of RR-Laura's black dress, and the chalky, naked, humanlike figure that materializes in the Glass Box is shot in stances and at angles distinctly similar to those used by/for the white, naked sculptures in the Red Room...
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Notably, in Part 2 one of the RR sculptures transforms into a doppelgänger of the Evolution of the Arm, a sinister figure whose gaping maw and wrathful lashing-out are similar to those of the Glass Box's "Experiment"... (Apologies for the gore in the image.)
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Tracey carries coffee cups with a black-on-white "Z" figure drawn on them; likewise, her dress is later shown to feature a white-on-black "Z." Whatever else they may evoke, these zigzagging figures are visually like the iconic chevron zigzags of the Red Room's floor...
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The side table in the Glass Box Room ["GBR"] has a small bonsai tree which, while (as fans have noted) evocative of the bonsai Windham Earle uses in Season 2, also is evocative of the Red Room's own tree, the Evolution of the Arm...
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Like the Red Room, the Glass Box Room is a type of "waiting room," one likewise filled with "secrets." A picture of its primary secret, the Experiment, is viewed by Gordon et al in Part 3, its wraithlike figure floating over an oval much like the RR's oval owl cave ring...
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When the Glass Box Room is visited by Cooper in P2, we get a shot of the reflection of his floating figure looming over the empty seating in the room, a tableau curiously similar in framing to the superimposition of the Angel floating over the empty RR chairs in FWWM...
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One of the most intriguing aspects of Cooper's P2 visit to the GBR is that it means we get to watch a replay of Sam/Tracey scenes first seen in P1. A similar replay occurs in P18, this time of RR scenes first seen in P2. It all seems linked to the slipperiness of time in TP:TR...
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"Someone is here," Gerard says; "No one is here," Tracey says. These opposing lines get at the ways the RR & GBR scenes are also set up in certain ways to be subtly opposite of one each other...
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As always, more could be said about the subjects raised by the above posts—why the show is setting up these weird parallels, what we might make of the slippery, repetitive time elements of these scenes, etc. I'll likely post more on this parallel soon...
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TWIN PEAKS: THE RETURN - Part 1.
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