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downthetubes · 27 days

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FOLD lineup adds comic creators Mark Stafford and William Potter to lineup

The first FOLD – Derby Zine Fest is shaping up into an amazing event jam packed with indie creators, coming to Derby on Saturday 13th April 2024

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#Déda #Derby #Derbyshire Zine Library #downthetubes News #Fold Derby Zine Fest #Mark Stafford #QUAD Derby #University of Derby #William Potter

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lisamarie-vee · 2 years

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#mark stafford #ramones #road to ruin #album #punk rock #comics #illustration #the ramones

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ginge1962 · 21 days

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The Lovecraft Anthology Volume 1 published by Self Made Hero in 2011.

Adaptations include the following:

Call of Cthulhu by Ian Eddington + D'Isreali

The Haunter of the Dark by Dan Lockwood + Shane Ivan Oakley

The Dunwich Horror by Rob Davis + INJ Culbard

The Colour Out of Space by David Hine + Mark Stafford

The Shadow over Innsmouth by Leah Moore, John Reppion & Leigh Gallagher

The Rats in the Walls by Dan Lockwood+ David Hartman

Dagon by Dan Lockwood+ Alice Duke.

#hp lovecraft #anthology #ian edington #dan lockwood #alice duke #d'isreali #mark stafford #inj culbard #leigh gallagher #david hine #leah moore #john reppion #rob davis #shane oakley #comic books #british comics #softback edition

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slingshotsandrosarybeads · 11 months

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Matt is me when playing games 😂

#newsies #newsies london #newsies uk #uksies #west endies #mukeni nel #Rory Stafford #matt trevorrow #mark samaras

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une-sanz-pluis · 5 months

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The same was found in later reigns; the Crown had inbuilt advantages which an energetic king could exploit when it came to securing land. Anne, countess of Stafford had little option but to accept the new division of the Bohun estates as laid down by Henry V. Joan, dowager countess of Hereford, who had held dower in the Bohun lands since the last earl's death in 1373, died in 1419. Henry V then brought a case for the redivision of the inheritance on the grounds that the profits of his share, inherited from his mother Mary de Bohun, were 100 marks less than those derived from the pourparty of Anne's mother Eleanor. Anne's arguments for accepting the original division were overruled and a new partition drawn up. Although this ostensibly still gave Anne greater profits than Henry, her responsibility for arrears due to the king from Brecon, which was allotted to her, and the growing problems of securing revenues from Welsh lordships, meant that she probably lost on the deal. Anne was also anxious to secure lands held by her father Thomas of Woodstock, and here persistence and determination paid off in the end and she secured the lordships of Oakham and Holderness. It is significant that when her father's attainder was reversed by Henry IV he 'forgot' Anne's claim and granted Holderness to his son Thomas, whose widow refused to surrender the lordship after his death in 1421. It appears that Anne did not secure the lordship until the year before she died.

Jennifer Ward, English Noblewomen in the Later Middle Ages

#rebecca holdorph has a breakdown of the bohun inheritance split in her thesis and henry v is correct that mary got less money than eleanor #(though it is debatable whether it was 'fair' for henry v to have gone after an extra 100 marks when he was king)#(that said anne was very wealthy herself so ¯\_(ツ)_/¯ )#henry v #joan de bohun countess of hereford #anne countess of stafford #mary de bohun #thomas duke of clarence #margaret holland duchess of clarence #thomas of woodstock duke of gloucester #henry iv #historian: jennifer ward

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thingsmk1120sayz · 1 year

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The 13 year old Sabres shirt from the last time they were in the playoffs

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willstafford · 4 months

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A Thing of Beauty

BEAUTY AND THE BEAST Gatehouse Theatre, Stafford, Tuesday 12th December 2023 Beauty and the Beast has increased in popularity as a pantomime since the 1991 release of Disney’s animated feature film and, inevitably, audience perceptions and expectations will be coloured by the pervasiveness of that version. Of course, for copyright reasons at least, there have to be differences in any…

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#Beauty and The Beast #Celyn Cartwright #David Phipps-Davis #Eric Potts #Gatehouse Theatre #Jonathan Alden #Mark Rhodes #Neil Moors #pantomime #review #Stafford #Theo the Mouse #Wendy Abrahams #Wink Taylor

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ultramarkmacsounds · 7 months

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(markmacshow) Another chance to checkout last night’s show on 107.3 Stafford FM. Mark Mac - The Sounds Collective We are very proud to welcome back A Good friend of mine, And a brilliant Dj, An awesome Producer and The Owner of The Excellent South African Deep House Label DeepStitched, He did us an exclusive hour long guest mix all the way from Johannesburg South Africa it’s the amazing 2lani The Warrior. He has been filling dance floors all over the South African club scene since around 1997 and in that time, he has grown with his experiences and his talents 2lani has been one of the main people in South that has made distinct difference in the south African music scene. He has been responsible for expanding Deep house and Underground music throughout South Africa, and way beyond. We are so chuffed that 2Lani has found time to join us on The Sounds Collective this week and he did us an exclusive Brilliant One hour Guest mix... As for me I'm Jumped on the decks for the first hour and I mixed up a selection of brand new promos and brand new releases and a few awesome classics. All of which are coming from Some top quality artists and some outstanding underground labels. The show kicked off at Midnight and went on for two hours. on 107.3 Stafford FM Across the county. Online at www.stafford.fm/ And the new you can find the links for the brand new app at www.stafford.fm/daytimes/mobile-app/?_=412 I do hope you enjoy… MarkMark Mac Hour 1 1 Jordan Reece feat. Mellow Men - Moon Queen (Mark Mac Remix) - Sound Vessel Records 2 Atley Bestoren - Soulful (Original Mix) - DeepClass Records 3 Mark Mac – Across The Globe – 247 Re-edit. 4 Taleman - Second Date (Original 12") – Souksonic 5 Amarno - Structure - Original Mix - Oh! Records Stockholm 6 Marcus Kardos - Delusions - Erdi Irmak Remix - Bekool Records. 7 Lance Kearns - Ahoo Original Mix – Deepwit Recordings 8 Susana Lee, Lafreq, M-Sol DEEP - I Found You – Label M-Sol DEEP 9 Mishandinho – Socotra – Label Blur. Release Date: 13/10/2023 10 Khaaron - Extraneus - Original Mix - Ready Mix Records 11 Ismail Kizil, M-Sol DEEP - Silk Road - Label M-Sol DEEPMark Mac2Lani The WarriorThe Sounds CollectiveStafford FMDeep HouseHouseTechHouseDeepTechnoTechSpaceSpaceHousevibesChillMixDjProducedsmoothTranceClassHouseTunesTracksPromosMixeddeepdeephousemusicdeephousevibesdeephouselovers107.3StaffordFmOrganicHouse

#SoundCloud #music #markmacshow #Mark Mac #2Lani The Warrior #The Sounds Collective #Stafford FM

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metamorphesque · 1 year

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touch as a love language

Margaret Atwood, Christophe Vacher, William Stafford, Alphonse Osbert, Shauna Barbosa, Sherrie McGraw, Natalie Diaz, Mark English, John Keats, Megan Howland, Marya Hornbacher, Ron Hicks, Sanober Khan, Ron Hicks, Banana Yoshimoto, Ron Hicks, Ocean Vuong, Anne Magill, Mary Oliver

buy me a coffee

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downthetubes · 1 year

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London’s Bookery Gallery’s “All About Ink” exhibition opens this weekend

A smashing exhibition of comic art opens at the Bookery Gallery in London this weekend

London’s The Bookery Gallery hosts an inky extravaganza, All About The Ink!, this month, opening on Saturday 8th April and running until 6th May 2023. An exhibition of contemporary cartooning and comics art, the show will be a cavalcade of inky splendour, hanging original works by over 20 cartoonists, alongside digital displays of works in progress, coloured finishes and short films. The…

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diyeipetea · 2 years

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Terell Stafford & Bruce Barth Trio (XXIV Festival Internacional Jazz San Javier. 2022-07-20) por José Antonio García López y Pedro Sáez [Concierto de jazz]

XXIV Festival Internacional Jazz San Javier Lugar: Auditorio Parque Almansa Fecha: 20 de julio de 2022 Grupo: Terell Stafford & Bruce Barth Trio Terell Stafford: trompeta. Bruce Barth: piano. Mark Hodgson: contrabajo. Stephen Keogh: batería. Sara Dowling: vocalista. Aún quedaban conciertos y sorpresas en el XXIV Festival Internacional Jazz San Javier. Uno de ellos estuvo protagonizado por el…

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#Bruce Barth #Festival Internacional Jazz San Javier #José Antonio García López #Mark Hodgson #Pedro Sáez #Sara Dowling #Stephen Keogh #Terell Stafford #Terell Stafford and Bruce Barth Trio #XXIV Festival Internacional Jazz San Javier #XXIV Festival Internacional Jazz San Javier 2022

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familyabolisher · 10 months

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At the outset of H. G. Wells's The War of the Worlds (1898), Wells asks his English readers to compare the Martian invasion of Earth with the Europeans' genocidal invasion of the Tasmanians, thus demanding that the colonizers imagine themselves as the colonized, or the about-to-be-colonized. But in Wells this reversal of perspective entails something more, because the analogy rests on the logic prevalent in contemporary anthropology that the indigenous, primitive other's present is the colonizer's own past. Wells's Martians invading England are like Europeans in Tasmania not just because they are arrogant colonialists invading a technologically inferior civilization, but also because, with their hypertrophied brains and prosthetic machines, they are a version of the human race's own future.

The confrontation of humans and Martians is thus a kind of anachronism, an incongruous co-habitation of the same moment by people and artifacts from different times. But this anachronism is the mark of anthropological difference, that is, the way late-nineteenth-century anthropology conceptualized the play of identity and difference between the scientific observer and the anthropological subject-both human, but inhabiting different moments in the history of civilization. As George Stocking puts it in his intellectual history of Victorian anthropology, Victorian anthropologists, while expressing shock at the devastating effects of European contact on the Tasmanians, were able to adopt an apologetic tone about it because they understood the Tasmanians as "living representatives of the early Stone Age," and thus their "extinction was simply a matter of … placing the Tasmanians back into the dead prehistoric world where they belonged" (282-83). The trope of the savage as a remnant of the past unites such authoritative and influential works as Lewis Henry Morgan's Ancient Society (1877), where the kinship structures of contemporaneous American Indians and Polynesian islanders are read as evidence of "our" past, with Sigmund Freud's Totem and Taboo (1913), where the sexual practices of "primitive" societies are interpreted as developmental stages leading to the mature sexuality of the West. Johannes Fabian has argued that the repression or denial of the real contemporaneity of so-called savage cultures with that of Western explorers, colonizers, and settlers is one of the pervasive, foundational assumptions of modern anthropology in general. The way colonialism made space into time gave the globe a geography not just of climates and cultures but of stages of human development that could confront and evaluate one another.

The anachronistic structure of anthropological difference is one of the key features that links emergent science fiction to colonialism. The crucial point is the way it sets into motion a vacillation between fantastic desires and critical estrangement that corresponds to the double-edged effects of the exotic. Robert Stafford, in an excellent essay on "Scientific Exploration and Empire" in the Oxford History of the British Empire, writes that, by the last decades of the century, "absorption in overseas wilderness represented a form of time travel" for the British explorer and, more to the point, for the reading public who seized upon the primitive, abundant, unzoned spaces described in the narratives of exploration as a veritable "fiefdom, calling new worlds into being to redress the balance of the old" (313, 315). Thus when Verne, Wells, and others wrote of voyages underground, under the sea, and into the heavens for the readers of the age of imperialism, the otherworldliness of the colonies provided a new kind of legibility and significance to an ancient plot. Colonial commerce and imperial politics often turned the marvelous voyage into a fantasy of appropriation alluding to real objects and real effects that pervaded and transformed life in the homelands. At the same time, the strange destinations of such voyages now also referred to a centuries-old project of cognitive appropriation, a reading of the exotic other that made possible, and perhaps even necessary, a rereading of oneself.

John Rieder, Colonialism and the Emergence of Science Fiction

#currently reading

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mystellenia · 2 months

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bet on it masterlist.

inspired by this request by @naoblack87

chapter 1: chit chat

in the bustling atmosphere of the field, amidst sports activities and the warm october weather, you bond with phoebe, sharing gossip about school cliques and observing the dynamics of your fellow classmates. later, during spanish class, a chance encounter with abby leads to an unexpected exchange, marking the beginning of a potential friendship

characters:

abigail (abby) anderson:

white. blue eyes. blonde hair. bi. 5'9" (1.75 m)

clara cane; may 5 ♉️

white. blue-grey eyes. black hair. lesbian. 5'8" (1.73 m)

phoebe stafford; july 30 ♌️

nigerian. brown eyes. brown hair. bi. 5'6" (1.68 m)

theodore stafford; july 30 ♌️

nigerian. brown eyes. black hair. straight. 6'0" (1.83 m)

adrienne (adri) newport; jan 03 ♑️

vietnamese-american. brown eyes. brown wavy hair. bi. 5'5" (1.65 m)

dylan hernandez; nov 11 ♏️

puerto rican. brown eyes. brown curly hair. lesbian. 5'7" (1.70 m)

elizabeth (liz/lizzy) woods; aug 26 ♍️

white. grey eyes. red hair. straight. 5'7" (1.70 m)

all pictures are from pinterest!!

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captain-price-unofficially · 1 month

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Corporal M. Piper of Stafford stands on an oil drum to service the front turret of a Vickers Wellington Mark X of No. 150 Squadron RAF, at Kairouan, Tunisia, prior to bombing operations in support of Operation Avalanche, the Allied landings at Salerno, Italy.

#wwii #aviation #strategic bombing campaign over Europe #mediterranean theater #italian campaign

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wonder-worker · 7 months

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“Women's efforts to provide for their younger sons and daughters often brought them into conflict with their oldest sons. As heirs, eldest sons frequently resented provisions for their siblings that reduced or burdened their inheritances. Mothers' efforts to provide for their younger children were particularly threatening to their eldest sons when they were heiresses and had power to dispose of their own property, but men's provisions for their widows also caused trouble between women and their sons. Indeed, husbands' provisions for their widows usually represented a much heavier burden on the family's estates than their bequests to their younger children. Furthermore, widows' dowers and jointures often interfered with the heir's power over his inheritance for years... Disputes about the provision for widows and women's efforts to secure the welfare of their daughters and younger sons often became intertwined when women served as their husbands' executors.

All of these factors played a part in the bitter quarrel between Cecily, dowager marchioness of Dorset, and her eldest son Thomas, the second marquess. In 1504, Lady Cecily, who was her father, William Lord Bonville's, sole heir and the executor of her husband's estate, announced her intention of marrying Lord Henry Stafford, the duke of Buckingham's younger brother. Stafford, who paid 2,000 to Henry VII for permission to marry her, obviously expected the match to be a profitable one. The young marquess was understandably concerned about the effect the marriage would have on his inheritance, given the legal rights his mother's new husband would acquire over her and her property. The dispute escalated until Henry VII intervened. The settlement they signed after appearing before the king's council permitted Cecily to continue as her first husband's executor despite her remarriage. Under the terms of his will, she would receive the income from the estates he wanted set aside to pay his debts. However, she would not receive her dower until the debts were paid and she had turned the property over to her son. In addition, the council severely limited Cecily's power to dispose of her own inheritance: after her death, she had to bequeath all of it to Thomas; until then she could grant only lands worth up to 1,000 marks a year, and then only for a limited period of years. The obvious intention was to prevent the marchioness from permanently endowing her new husband at the expense of her eldest son. Her rights as an heiress were severely limited in his favor and, in a larger sense, in favor of the institution of primogeniture.

By 1522, Lady Cecily and her son were openly feuding once again, this time about provision for her younger children. As a result of Cardinal Wolsey's mediation, they signed another elaborate agreement. Each of them promised to contribute to the dowries of the marquess's four sisters, while in addition Cecily agreed to create annuities from her estates for three of her younger sons.”

- Barbara J. Harris, “Property, Power, and Personal Relations: Elite Mothers and Sons in Yorkist and Early Tudor England"

#historicwomendaily #cecily bonville #i was looking for something on Cecily!#16th century #english history #tudors #kinda #gender tag #my post #queue

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lonestarflight · 9 months

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Saturn Apollo Program

"This artist's concept depicts the Apollo-Soyuz Test Project (ASTP), the first international docking of the U.S.'s Apollo spacecraft and the U.S.S.R.'s Soyuz spacecraft in space. The objective of the ASTP mission was to provide the basis for a standardized international system for docking of marned spacecraft. The Soyuz spacecraft, with Cosmonauts Alexei Leonov and Valeri Kubasov aboard, was launched from the Baikonur Cosmodrome near Tyuratam in the Kazakh, Soviet Socialist Republic, at 8:20 a.m. (EDT) on July 15, 1975. The Apollo spacecraft, with Astronauts Thomas Stafford, Vance Brand, and Donald Slayton aboard, was launched from Launch Complex 39B, Kennedy Space Center, Florida, at 3:50 p.m. (EDT) on July 15, 1975. The Primary objectives of the ASTP were achieved. They performed spacecraft rendezvous, docking and undocking, conducted intervehicular crew transfer, and demonstrated the interaction of U.S. and U.S.S.R. control centers and spacecraft crews. The mission marked the last use of a Saturn launch vehicle. The Marshall Space Flight Center was responsible for development and sustaining engineering of the Saturn IB launch vehicle during the mission."

Date: 1974

NASA ID: 9401759

#Apollo–Soyuz #Apollo Soyuz Test Project #ASTP #Apollo CSM Block II #CSM-111 #Docking Module #Rocket #Apollo Program #Apollo Application Program #Soyuz 19 #Soyuz 7K-TM #No.75 #Soyuz-U #Soviet Space Program #artwork #July #1975 #my post

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