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jasminedragonart · 1 year

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We all know that I think Brother Bear is the Magnum Opus of Disney and I've elaborated on that in a previous post. This one will therefore be dedicated to Pixar's Magnum Opus.

Moana, I hear you ask? Inside Out? Up?

No.

The Incredibles.

In order for it to be an amazing film there has to be layers to it. Inside Out, to me, is pretty one dimensional. I didn't get a lot out of it. Moana was okay, but nothing special, like I didn't hate it but I didn't love it.

But the Incredibles? It was amazing.

To start off with, this came out in 2004. Do you know what other superhero films were out in this era? Spider Man. Tobey McGuire's Spiderman. Other than that, the superhero franchise hadn't really hit off. It would be years until Iron Man, Captain America or even the Dark Knight would have the impact it would have on cinema. (The Dark Knight trilogy is great btw. I love and accept it as canon way more readily than I do the Snyder verse. That verse can go away and never see the light of day)

the point is, for this movie to have survived, nay, thrive, in a superhero-less world is astounding and I think that's just down to good writing, characterisation and the story itself.

To start off with, I didn't know this was set in the 60's until like, a month ago. But now I do know I love it. It fits so well and answers so many questions. The 60's were like the golden age of heros, or, what we call the golden age. You had the batman show in the 60's, you had the golden age of comics. It's just right that the Incredibles is set in the 60's too.

In terms of storytelling this is good too. We see that they still have phones and computers and tv's but they're limited. No smart phones, the technology that we would see in present day is high tech to them. I love it because it isolates the characters so well. The reason why a lot of shows these days die is because they set it in our modern world. The convenience we have in being able to send messages to each other is just ridiculous. In order to create a good story you need a way to isolate your characters. There needs to be mystery. By limiting the Incredibles to what was available in the 60's Brad Bird eliminated the questions on why Mr Incredible didn't just send a text to his wife or Edna that he was in danger. Why the other heros didn't ask for help. Their technology is limited, their data plan is nonexistent, they can't contact people across the world and this is great for creating an interesting story.

Starting back at the beginning, I think it's really interesting how we're introduced to Buddy. A lot of superhero sidekicks are literally found like Buddy was hoping to be found. He has the intelligence too. He basically did a Tim Drake. He tracked Mr Incredible down, he made himself available and he showed that he had the skills to at least be a good hero. The only difference here is that Mr Incredible's world isn't Batman's world. Buddy didn't persevere like Tim Drake did, he took his knowledge and he twisted it for evil which, again is such a good analysis or interpretation of what Tim Drake could have been if he didn't put on those Robin colours and force Batman to take him on board.

Then we get to the lawsuit. So, if you didn't get it, the Incredibles kind of honoured marvel here. I think X Men was out by now. It should have been. Yes. It was out in 2000. So the concept of mutants being second class citizens was known to those who watched the beginning of the MCU. The Incredibles is paying homage to this by making supers illegal. The supers are creating too much damage, they're doing more harm than good. Therefore the common people are fighting back and making them retreat back into the shadows. Again, an interesting concept because what happened to all these villains? What happened when Bon Voyage escaped prison again? How many people did he kill without Mr Incredible there to help catch him? We don't know but it's always been a wonder of mine as to how the world is as peaceful as it is when we catch up with the Incredibles in present day. How did they get to that point?

I'll never know.

Mr Incredible and Elastigirl, I think are Batman and Catwoman. I think. Meta Batman and Catwoman. They have the same feel, the same banter of Batman and Catoman but they could be another superhero couple. Either way, they have their happy ending by getting married and having kids

There's an interesting post out there explaining the kids names and the connection to their powers which I loved. So, yeah, dash- superspeed. He's the Flash, he's quicksilver. He's basically kid flash right now, or impulse since, is impulse born with his powers? Whatever the case, he doesn't quite know the extent of his powers just yet because he grew up in a world where supers are in hiding. Which, again, makes me question what happens to those heros who don't hide. There had to be a penalty for them beyond being sued. Back to the kids. Violet- ultraviolet light that can be invisible. There's also something about her being a teenager and keeping everyone out which is why she has her forcefields. She's also Susan Storm, that's the inspiration for her character's powers. Jack Jack is jack of all trades. His inspiration, I think, is Legion. I'm not too sure. Either way, I love their names and how they tie into their characters and powers.

Helen and Bob are aliases. People know that right? I'm pretty sure they got different identities through the years after their covers were blown. They would have to. Even in the 60's people could be tracked down, that's why they have this rehoming program for supers. It makes me wonder what Bob and Helen's real names are. I think they're alias's anyway. Either way, their last name would have to have changed over the years. At the beginning of the movie it's Parr which means average.

Which is what they're trying to be. They're trying to be average. But they aren't, that's the whole point of the movie. They're the only ones who are capable of doing what the government, what ordinary people, can't. They're the only ones who can adapt and put themselves in danger to stop Syndrome who spent his entire teenage and adult life trying to destroy supers. The whole message of the movie is there at the beginning. Violet and Dash can't help but use their powers because it's a part of them. They aren't normal, they're never going to be normal and they shouldn't have to be.

Mirage is an interesting character to look at. She's very Bond esque. It felt like they were mixing genres by introducing her but it works. She's a powerful woman at the head of an organisation. But then there are layers to her. Her name is literally Mirage, she's not what she seems. She looks good but is secretly working for Syndrome. But the real message is that she's on the bad guy's team but she's not a bad person. She does what's right for Mr Incredible, she lets him and his family go. She also suffers the Bond girl trope where she's either killed off or injured but her character arc is kind of over at this point so it works. That's the point with some tropes, they're not necessarily good but they work because they serve a purpose. Mirage doesn't need to be in the picture anymore so she needs an excuse to not be there. She's injured, easy, she's out of the picture now. It's not bad writing, it's just practical writing. Otherwise we'd be asking where she was.

I think I want to dedicate this part of why the Incredibles is amazing to focus on the super's graveyard. Not only the one Syndrome made, but the ways the supers have died over the years. Edna describes so many supers dying from such mundane things like a costume malfunction. How many of them perished before Edna refused to give them a cape? How many funerals were there over the years?

I think it's also important we focus on the supers graveyard for another reason too. Bob isn't the only super out there that feels like his purpose in life was taken away. The reason why these people take such mundane jobs as covers is because they have something else in their lives that makes them feel fulfilled. By not being allowed to fulfill that purpose they're only left with the mundane, and for us it's okay because this is the only thing we know, but for them? With their powers? It must feel so... disheartening or another word I can't think of right now. But to be talked down to, to not be recognised. It's not narcissism that has them out there helping people. They're good people trying to do good in the world because they can. It's sad that they can't, and it's horrible that this good nature is took advantage of by Syndrome. He murdered them horrifically. He turned their strengths against them, he made a murder bot, isolated them on an island, and had them hunted down just because he was told to go home as a child. To not be put in danger like kids shouldn't be put in.

It begs the question again, what happened to the other villains? Where are they? Why is Syndrome the only one we see appear in this gap of superhero history? I was expecting the 2nd Incredibles to focus on more villains that had cropped up in the shadows while they were gone but it didn't. Not really. the 2nd one wasn't as good as the 1st one. It was good, but it was lacking the layers the 1st one has. The questions on why and where. A lot of the new one was focused more on the family than the plot where as the first one had a good balance of the two.

Anyway, back to the analysis. This is such a good origin movie for Violet, Dash and Jack Jack. You have the mentors in Mr and Mrs Incredible, the ones who are experienced and handling a lot of the action. Then you have the young ones finding their powers and discovering what they can do, what they're capable of. You feel happy when you see Violet protect her brother with her shield. You're elated when Dash can run on water. They're little things that an experienced hero isn't able to elicit because they're used to their powers and we see this in the ease Mr Incredible has in himself and his capabilities, same as Mrs Incredible when she's worming her way into the compound. This movie is both an origin movie as well as kind of like a comeback. Mr and Mrs Incredible are out of retirement and the kids are stepping up into roles they never dreamed they could have.

The colour story is good too. Mr Incredible's old suit is blue. It's the suit he wore as a standalone hero. It's the suit he wears when he goes out with Frozone and the suit he wears on the island for the first time. It's the suit he wears where he's separated from his family. He's blue, he's alone. Red is a danger colour, it's passion, it's what groups this family together. They are the danger to Syndrome. They also have the yellow there to lesson the impact of the red. It's a happy colour, very soothing and lets us know that they're on the good team. It's also Elastigirl's old colour, or one of them. It's Bob finally including Helen in his life

There's a lot more to this movie I can't think of it right now.

Pixar peaked with this movie though.

#the incredibles #pixar #disney

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spidermannotes · 2 months

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Two Massive DC/Marvel Omnibuses Coming this Summer

Covering around 25 years of DC/Marvel crossovers, the two comic book giants are giving fans young and old the chance to appreciate classic characters together in memorable tales.

Press release:

The vast and varied history of DC versus Marvel returns to print for the first time in decades with two massive volumes collecting the universe-bending comic book crossovers between the greatest characters in pop culture! These fantastic stories, originally co-presented by the two powerhouse comic book publishers, have been highly sought after and hard to find for most readers—but they��re making their return in DC Versus Marvel Omnibus and DC/Marvel: The Amalgam Age Omnibus,both publishing on August 6, 2024.

Who would win: Superman versus Spider-Man? Batman versus Captain America? The X-Men meeting the Teen Titans? DC Versus Marvel Omnibus collects crossovers between the core DC and Marvel characters, from 1976’s Superman vs. the Amazing Spider-Man to 2000’s Batman/Daredevil. Included are stories from some of comics’ most revered talents, namely Dennis O’Neil, George Pérez, Dan Jurgens, Chris Claremont, Walter Simonson, J.M. DeMatteis, Mark Bagley, Gerry Conway, John Romita Jr., and more. DC and Marvel fans alike can’t miss these thrilling pieces of unearthed comic book history!

DC/Marvel: The Amalgam Age Omnibus features stories, first told in 1996, of the two superhero universes fused together into a new Amalgam Universe, combining DC’s and Marvel’s heroes, villains, and mythologies. The result was a series of unforgettable one-shot comic books starring the likes of Dark Claw (Batman and Wolverine), Super Soldier (Superman and Captain America), Iron Lantern (Iron Man and Green Lantern), and many more! These stories, from creators such as Peter David, Dan Jurgens, Mark Waid, Dave Gibbons, Ron Marz, José Luis García-López, Gary Frank, Bill Sienkiewicz, Claudio Castellini, and more, represent one of the most fun and unlikely periods in comic book history, and now are available in one omnibus. Included in this volume are the historic DC Versus Marvel miniseries and its sequels, perfect for fans of both DC and Marvel!

DC Versus Marvel Omnibus collects Batman/Captain America #1, Batman/Daredevil #1, Batman/Punisher: Lake of Fire #1, Batman/Spider-Man #1, Daredevil/Batman #1, DC Special Series #27, Darkseid vs. Galactus: The Hunger #1, Green Lantern/Silver Surfer: Unholy Alliances #1, Incredible Hulk vs. Superman #1, Marvel and DC Present Featuring the Uncanny X-Men and the New Teen Titans #1, Marvel Treasury Edition #28, Punisher/Batman: Deadly Knights #1, Silver Surfer/Superman #1, Spider-Man and Batman #1, Superman vs. the Amazing Spider-Man #1, and Superman/Fantastic Four #1.

DC/Marvel: The Amalgam Age Omnibus collects DC Versus Marvel #1-4, DC/Marvel: All Access #1-4, Unlimited Access #1-4, Bat-Thing #1, Bruce Wayne: Agent of S.H.I.E.L.D. #1, Bullets and Bracelets #1, Challengers of the Fantastic #1, Doctor Strangefate #1, Iron Lantern #1, Legends of the Dark Claw #1, Lobo the Duck #1, Speed Demon #1, Spider-Boy #1, Super Soldier #1, Thorion of the New Asgods #1, X-Patrol #1, and more, plus a treasure trove of behind-the-scenes material.

DC Versus Marvel Omnibus (9781779523259) and DC/Marvel: The Amalgam Age Omnibus (9781779523266) will both be published on August 6. The two volumes will each have a direct-market-exclusive cover available only in local comic book shops, while supplies last.

#spiderman #superman #batman #comic book #news #notes

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sineala · 4 days

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18+ 616 Steve/Tony Discord Book Club: Captain America: The Chosen

It's Captain America week for Book Club and we've found yet another weird grimdark nihilistic Cap miniseries from the mid-2000s! We're reading Captain America: The Chosen, by David Morrell and Mitch Breitweiser, a six-issue miniseries from 2008, originally released under the Marvel Knights imprint.

In a world where the super-soldier serum has stopped working, Steve is dying in a hospital bed in DC, but as part of Project Multitude, he is using long-distance telepathy to fight one more battle. Literally. He uses his powers to project himself into the mind of a US soldier in Afghanistan and help give him the courage to fight on.

We do get a retelling of a lot of Steve's background here, with a version of Project Rebirth where Steve was never actually supposed to be chosen. And now, here, in the present, it's about who he chooses to follow after him.

Come join us on You Gave Me A Home, an 18+ comics Steve/Tony Discord server!

#posts i actually wrote #book club #stevetony

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morose-magnetrix · 3 months

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Hi I saw that you’re a big Lorna Dane fan and that you’ve read a lot of her comics. Do you have a recommended reading list for her?

Hey there! 💚🧲 Thanks for the ask!

I use Travis Starnes’ reading order for my Polaris-athon (https://cmro.travis-starnes.com/character_details.php?character=426) but if you’re just wanting to get into her stories it’s way too much tbh. She has a lot of appearances and it can be difficult to sort through the meaningful ones and the ones where she’s just on the page as a recognizable cameo.

I haven’t managed to read all of her appearances yet - I’ve gotten up to the early 90s, and I’ve read most of her appearances from, like, 2016 onwards. I’m a little behind on Fall of X as well. So there likely are going to be some gaps here, but this would be my recommended reading list for Polaris 🧲 :

Krakoan Age (2019-)

this is the golden age for Polaris in my opinion, and where I’d honestly recommend you start reading!

Leah Williams’ X-Factor: This is where the modern revitalization of Polaris into the It Girl of Krakoa really begins. There is controversy surrounding the final issue of the series due to Prodigy's storyline (see here, here, and here for more info), but overall I really love this run. It’s very queer and does a great job of taking Polaris’ spotty characterization and having her begin a journey of self discovery.

Gerry Duggan’s X-Men: Gerry follows up on Leah’s work here and Polaris really starts to shine. Issue #5 is a standout and a personal favorite, if you only read one issue, it should be this one. She’s in vol. 1 as a main member of the team, and the spin offs from this period (Devil’s Reign X-Men and Death of Doctor Strange: X-Men/Black Knight) are really fun. Plus, Pepe Larraz’s redesign of her for this book is STUNNING.

Alex Segura's 'Control' arc in X-Men Unlimited (#96-99) : this is exclusive to the Marvel Unlimited app, but it’s really great. Lorna’s a cameo queen after leaving Gerry’s book, so it’s a nice centering of her and revisits some of her greatest villains.

Steve Orlando’s Scarlet Witch: Issue #3 is a must read in my opinion, particularly if you’re interested in Lorna’s relationship with her family (it builds off of Williams’ Trial of Magneto, which I love and establishes her PhD, but ultimately I think you can probably skip, it’s more of a Wanda focus).

The Lost Era (2010s)

This is the time period following the Decimation, where a lot of stories... tread water, tbh! Nothing here is essential reading for Polaris.

Lorna spends a lot of this era in the hands of Peter David, who is a vile scum sack of a person (see here for an example). I've read All New X-Factor (2014), where he characterizes her as someone who is completely unhinged and a danger to animals. It's not a fun time tbh. And again, it's Peter David - so I would skip this. You aren't missing much.

Cullen Bunn's X-Men Blue (2017): I've only read the first arc of this run, but it focuses on the time-displaced O5 X-Men (Jean, Warren, Scott, Bobby, Hank). Magneto is mentoring them, so Polaris steps in to keep him from making them too ~evil~. I haven't heard anything good or bad about her appearances in this book, so I can't really recommend one way or another. It's probably safe to skip.

Ed Brisson's Uncanny X-Men (2018): Again, I haven't read this one yet! It's the lead up to the Age of X-Man event, where she also appears. Similarly to X-Men Blue, I haven't really heard anything good or bad about this one. You can skip it if you'd like, it's right before Krakoa pops off which is a soft reboot from the entire franchise.

Decimation Era (2000s)

John Byrne's X-Men the Hidden Years: I haven't read this either yet, but I know some people really like it. It fleshes out a lot of the Silver Age stuff, and it's where Polaris uses the codename Magnetrix (where I got my blog name from lol).

Apocalypse: the Twelve: I have not read this. I have heard only bad things about it lmao. Polaris and Magneto are part of a prophecy about defeating Apocalypse, but it doesn't turn out the way they expect. Skip.

Grant Morrison's New X-Men #132: A transformative issue for Polaris and a HUGE milestone in her character. It deals with the Genoshan genocide, of which Polaris was one of the few survivors. Highly recommend.

Chuck Austen's Uncanny X-Men: So this run is very ~your mileage may vary~ - I haven't read it yet myself. BUT from what I know, Austen really builds on Morrison's trauma that they gave to Lorna, and really takes her away from the assimilationist characterization Peter David gave her. Plus, it has the iconic Magneto wedding dress panel (Uncanny X-Men (1981) #426)

House of M (2005): she's in it, she doesn't really do much! Skip.

Peter Milligan's X-Men: Polaris becomes Pestilence, the horseman of Apocalypse in the Blood of Apocalypse arc beginning in X-Men (1991) #181. I haven't read it, but tbh most Apocalypse storylines between the original X-Factor arc and the Krakoan age are bad, so it's probably safe to skip.

After her spin as Pestilence, Lorna goes to space and joins the Starjammers. I haven't read this yet either, but it seems like fun! Relevant titles would be Uncanny X-Men (1981) Rise and Fall of the Shi'Ar Empire (#475-486), X-Men: Emperor Vulcan #1-5 (2007), and then the War of Kings (2009) event.

1990s

Skip this entire era. She's basically just in Peter David's original run on X-Factor (1986). The artwork is pretty, but the writing comes off as very male gaze-y to me and her character arc is somewhat repetitive.

X-Factor (1986) #186 (eXaminations) is famous for being an in-depth character study of the entire team. It's where we first see Lorna's eating disorder pop up. It's well done, just, well - fuck the writer lol.

Claremont Run (1975-1980s)

Lorna's storyline is overall a little confusing and hard to follow in the Claremont era, mostly because she is a) mind-controlled for most of it and b) not the main plot. So she ends up appearing in random issues, sometimes gone for huge lengths at a time, and then reappears. It's really clear that Chris was interested in working with this character and had some great ideas for her, but she was never one of his main blorbos.

These are the issues you should check out:

Giant Size X-Men (1975): Claremont didn't write this, Len Wein did, but this is really the start of the Claremont run. It has some cool moments for Polaris, including an early example of a mutant circuit between her and Storm!

X-Men (1963) #97: Lorna and Havok are mind-controlled by Erik the Red (don't worry about it) to fight the X-Men.

X-Men (1963) #125-129: the Proteus arc, Lorna is on Muir island with Havok and helps out. Nothing super critical happens, she just sorta vibes (and enjoys not being mind controlled).

Uncanny X-Men (1981) #145-146: Arcade has kidnapped loved ones of the X-Men, tbh I would recommend reading this just for Polaris' outfit. It's this witchy purple thing that is INCREDIBLE.

Uncanny X-Men (1981) #218-219, 221-222, 239-241, 243, X-Factor (1986) #39: Polaris is possessed by Malice, so now she's fighting against the X-Men... and working for Sinister! It's not technically her, but it's iconic and is a prime example of a running motif of possession for her.

Uncanny X-Men (1981) #249-250: ZALADANE! An iconic retcon, we meet Lorna's long lost sister (again).

Uncanny X-Men (1981) #253-255, 257-258, 269, X-Factor (1986) #69, Uncanny X-Men (1981) #280, X-Factor (1986) #70: Big!Lorna and the Muir Island saga. It's very weird! But I love big!Lorna and her muscles, so we stan. This is also the very weird end of Chris Claremont's main run on the X-Men, where it's very clear the plots got messed with in the wrap-up.

After this, Peter David takes over X-Factor, and he's garbage!

The Silver Age (1960s)

So this is Lorna's debut era, she's an OG member of the X-Men! Unfortunately even here, they never quite know what to do with her. She's very much intended to function as Bobby's love interest, which... doesn't really work out lmao. But I do think this era is fun to read, especially knowing what retcons they're going to build out later on for her, particularly with regards to Magneto.

She's not in too many issues:

Arnold Drake's X-Men (1963) #49-52: Lorna's first appearance! It's super fun, definitely check it out.

Linda Fite's X-Men (1963) #57: Lorna fights a sentinel!

Roy Thomas's X-Men (1963) #58-62: Some more fun moments - Kazar/Sauron arc, and the first appearance of Havok!

Dennis O'Neil's X-Men (1963) #65-66: The Z'nox invasion, Lorna has some cool moments here. Still no codename tho lol.

I'll try to update this as I fill in my gaps, but happy reading!! 🧲💚

#asks #answered asks #lorna dane #polaris #x-men #marvel reading order #polaris reading order #shoutout to cerebro for helping me contextualize all her appearances #connor does the lords work #marvel comics

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sunburnacoustic · 1 year

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Muse full gigs

Some full shows that are available, for anyone who wants to partially relive the Muse live experience.

I figured no one's made lists in a while.

La Cigale, Paris By-Request gig 2018

youtube

rarities + I guarantee I'm gonna fuck up Space Dementia + water spitting + Matt and Dom playing Grammy hosts in the way they announced the winners of the by-request polls

Some cool and noteworthy gigs:

Live Lounge 2012

The Mayan 2015 (performance wise this gig was stunning)

Royal Albert Hall 2008 (Teenage Cancer Trust charity gig - Megalomania on the pipe organ!)

Reading Festival 2011 (10 years of Origin of Symmetry - played the album start to finish)

AOL Sessions 2006

Reading 2006 (Muse's first time headlining if I remember right. Plus, Matt's moves!)

Glastonbury 2004 (first Glasto headline and a must-watch! Of the iconic mad-scientist, white lab coat era. Muse had called it the best gig of their life so far, at the time) (*Ruled By Secrecy was played live but wasn't included in the concert footage DVD and isn't in this video upload either)

Montreaux Jazz 2002 (height of piano maniac-ery days. Would also recommend Pinkpop 2002 but they don't. have. the footage anymore :( Space Dementia at Pinkpop 2002 was phenomenal. 2004 is also good, but I never found 2002 again. Speaking of which,)

Pinkpop 2004 (most songs are in, a few performances missing unfortunately)

MCM Café 1999 (marvel at what a good live act this young band aged 21 already was—with about 4 years of gigging experience under their belts. Insane how good they are.)

Wembley 2007 (H.A.A.R.P. The first band to sell out the newly rebuilt Wembley Stadium. 90,000 people. You need to understand, seeing Chris lift up and point his bass at the crowd at the end of the slightly modified Jimmy Jam riff before Time Is Running Out was a religious experience that changed me and we're lucky enough to live in an age where you and I can witness it over and over and over again and I'd suggest that you do)

Rock Am Ring 2018, uploaded to the Internet Archive by the Muse Historical Society!

Austin City Limits 2013 Philipshalle 1999 Philipshalle 2001 (all suggested in notes, check out the crystal clear gifs from @hotbellamy! :O )

A few additions I remembered after publishing: Eurockeennes 2000 (opened with a then-unreleased New Born. Matt playing a full gig in red sunglasses. Treat to watch. Link's stretched up to fit modern screens but if you want a bit of clarity and don't mind the late 90s ratio stretch, here's a different link) 2002 (quality's a bit shit but that is literally what telly used to look like)

Shepherd's Bush Empire 2006 (Early gigs are always interesting because over time Muse develop different ways of playing songs that are fresh off new albums. The way they work through Take A Bow live is a bit different here, Dom's the one controlling the opening verse synths! During the Abso tour, Matt would play that bit on the piano as an intro to Space Dementia and if I'm remembering right, he does now on the pianos (correct me—this was on the ST tour as well). Also, Starlight in Bm at this gig)

Rock Werchter 2023 (Muse play Rock Werchter in Belgium almost every year, except for the pandemic and 2012 I think, but this year's was a bit special. Best performance of Madness I've seen in a while, I love what he does in the outro! MOTP returns to the set. Muse had tech troubles at the end that caused them to restart Knights of Cydonia twice, to no avail. They finally cut it back for a guitar-bass-drum-vocals-only performance of Showbiz, and Matt's voice sounds exceptional on it— the best in recent years)

Bizarre Fest 2000 (BLESS SOMEONE HAS RESTORED THIS FROM VHS TAPE IN HD, this is so much better than back in the day!! If the falsetto at 1:13 doesn't do it for you, you're into the wrong band, nothing else will help. What an electric performance this was!)

Gigs from WOTP 2022/23 festivals tour last summer:

Nova Rock Rock In Rio Ejekt Fest Isle of Wight Hurricane Festival 2023 (a festival at which Matt once complained that Muse's set was cut short by... hurricanes. But the audio mixing at this gig was really good!)

These are in no particular order, and obviously not complete, I just realised no one had put together a gig archive in a while so I thought I'd give it a stab!

Will edit and add others whenever, there are obviously glaring omissions still!

#gig archive #muse band #muse live #there was this ridiculous 360 cam footage of Reading 2011 and for some reason that was the only one I could find.#That was years and years ago of course so I'm thrilled to have a proper and full recording of this!#Youtube #for anyone that wants to get extra into the spirit before your gigs lol #muse #muse gigs #muse full gigs

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