#marvel x mattel

[cissa-calls]

Countdown to Agatha: Darkhold Diaries: Day 699

Wanda: “When I first joined the Avengers, I kept having these really bad stomach aches-”

Y/N: “What was it? The change to American cuisine?”

Agatha: “The physical exhaustion of combat?”

Wanda: “-but then I went to the doctor and plot twist!? Anxiety”

#inspired by that one Trixie mattel makeup tutorial where she goes plot twist? depression! #wandavision #agatha harkness #house of harkness #agatha all along #hahndavision #house of harkness counter #marvel #wanda maximoff #agatha harkness x reader #wanda maximoff x reader #coven of chaos #coven of chaos counters #darkhold diaries #Darkhold diaries counter #incorrect marvel quotes

[fandomnerd9602]

Y/N holds Barbie close as she holds their twin boys…

Barbie: Oct 30th. (Giggles) I guess our boys wanted to celebrate their first Halloween with us

Y/N: they’re so amazing. Thank you, baby

Barbie giggles as Y/N kisses her forehead and nuzzles her…

#barbie mattel #barbie movie #barbie #barbie x reader #barbie imagine #spider man #spider man reader #spider society #across the spiderverse #beyond the spiderverse #marvel #marvel imagine #marvel fluff #mcu #mcu imagine #mcu fandom #pregnant barbie

[comicchannel]

Barbie Signature Marvel X-Men Mystique Mattel GLJ53

Link para compra BR: *Possível importar pelo Link abaixo

Buy here: https://amzn.to/3CYEVin

#Action Figure #outros #barbie #barbie signature #barbie doll #barbie movie #mattel #marvel #80th anniversary #xmen #x men #mystique #mistica

[disneyvoguemagazine]

#RileyKeough #TheRunaways #DisneyVogue #February2024 #Cover #MarvelComics @runaways #MarvelRunAways

#RileyKeoughDisneyVogue #RileyKeoughVoguecover #MMCXXII

#DanielleRileyKeough is an American actress. She made her feature film debut in a supporting part in the musical biopic The Runaways, portraying Marie Currie. Keough subsequently starred in the independent thriller The Good Doctor, before being cast in a minor role in Steven Soderbergh's comedy film Magic Mike. 

enxantingxmen

When she inquired the vogue Disney editors how she could be 'IN' the graphic novel ‘#enXanting’

i.e[A doujinshi in the likeness of Marvel Comics popular genre X-MEN series, a star crossing of collaborations and ambitions in brand ambassadorships for the celebrities who get to star within the pages for being from the Treacherous horrowing bullying has proved the characters who’s stories are told within the pages of this graphic novel are rewarded with the prize of being a face for a luxury brand or musical aspirational figures getting to participate in the rare slots being featured in the ever popular festival a celebration ‘Tomorrowland’ stages! Those who are suffering at the hands of monsterious bullies and out of control nettizens can find themselves being rescued by the ‘black cat glitch;Chanel’ of the Matrix’s trilogies anthologies. Many find themselves reaching out to the artist and writers of the online publication in hopes that they too will be dawned the spotlight in order to be bolstered by the courage and confidence the new edition has made a name for itself among comic book fans and in the communities for what the cultures about the subject matter captivate.]

Of the first she wasn't taken seriously as the editor politely smiled at her and brushed off the question as if she was asking where the restroom was located in a different language , then in a separate photo shoot, She asked again this time being pointed in the directions of the infamous #Marvel DiscJockey #DjHotWheels [ An ambassador of @MATTEL for the toy car collections this DJ and Disney promoter has helped many celebrities and Disney Stars make a name for themselves using an artist or actors works remixed into their sounds you’ll find this artist music empowering yet fringe.]

During her time at the #TomorrowlandPresents stages at a Disneyland event promoting their #HiddenStages DiscJockeys Tours Riley K, a VIP backstage lshe would ask the music artist between their sets about how to get into the pages. From here the disc jockey pointed her in the direction of Disney and Mattel’s superstar legend #DjParisHilton the princess herself who she got to attend one of the mogul’s famous brunchs located at the top of Disneyland magic castle recently decorated in a ‘Frozen’ theme the very top of the castle is where Paris Hiltons private penthouse is located says a MouseQuteers insider who passed Riley onto the guest list of this most iconic event. Here is where the best view of Disneyland parks epic Fireworks show can be seen from the best view of her Disney castles penthouse windows balcony. This year ‘Jubilation Lee’ also known as ‘Jubilee’ [Of the Marvel Avengers Academy located at California Adventure park] with her dazzling ability to manifest sparkling fireworks and lights from her hands, the popular X-MEN will be hosting the parks fireworks events at both times for the Disneyland parks! Don’t miss this spectacular most Uncanny event as she will only be hosting her show until the last performance being on the 4th of July, after that holiday the fireworks show will continue in its original way #MMCXXII X

#20XX #2024

Disneyland Parks will be hosting this event! When asked, Paris promised that she would get the cover feature for next issue of their online editorial and claim the feature story.

Trusting the alumni #MouseClub/ #MouseQuteer [DJ/ParisHilton: #secretmouseclub circa #20XX #MarvelComicsMouseQuteers ] When skeptics asked insider columnist #DeeryLou @Sanrio the journalist took a moment to call a source and confirmed that she would be gracing next months cover [#DisneyVogue Online Magazines #February2024 ] of the fringed #DisneyVogue a #DisneyMagazine and publication effort still in process / patent. Stay tuned to find out what #NickiMinaj had to say about her #Marvel debut for the magazines cover and the cluster of fumbles that made her miss her cover debut for the magazine, a series of unfortunate events. Riley was photographed by PIBE Magazine Nathaniel

#riley keough #rileykeough Disney vogue #vogue cover #February 2024 #happybirthday Riley keough #Disney Magazine #DisneyVogue #MMCXXII #20XX #marvel runaways #runaways #runaways Marie curry

[vavandeveresfan]

"‘Barbie’ is bad. There, I said it." Thank god, someone I can agree with!

Opinion by Pamela Paul for the NYT, January 24, 2024.

We can all agree 2023 was a good year for the movies. Critically and commercially, several movies did well, and only one of those successes took place within the Marvel cinematic universe. Even the 10 Oscar nominees for best picture, announced Tuesday, included nine actually good films.

Is it safe now to call “Barbie” the outlier? Can I say that, despite winsome leads and likable elements, it didn’t cohere or accomplish anything interesting, without being written off as a) mean, b) old, c) hateful or d) humorless?

Every once in a while, a movie is so broadly anticipated, so welcomed, so celebrated that to disparage it felt like a deliberate provocation. After “Barbie” so buoyantly lifted box office figures, it also felt like a willful dismissal of the need to make Hollywood solvent after a season of hell. And it felt like a political statement. Disliking “Barbie” meant either dismissing the power of The Patriarchy or dismissing Modern Feminism. You were either anti-feminist or too feminist or just not the right kind.

Few dared rain on Barbie’s hot pink parade.

Those who openly hated it mostly did so for reasons having to do with what it “stood for.” They abhorred its (oddly anachronistic) third-wave feminist politics. They despised its commercialism and dreaded the prospect of future films about Mattel properties such as Barney and American Girl dolls. They hated the idea of a movie about a sexualized pinup-shaped doll whose toy laptop or Working Woman (“I really talk!”) packaging couldn’t hide the stereotypes under the outfit.

For those who hailed it, there was a manic quality to the “Barbie” enthusiasm, less an “I enjoyed” and more of an “I endorse.” How fabulous its consumer-friendly politics, its I-can’t-believe-they-let-us-do-this micro-subversions, its prepackaged combo of gentle satire and you-go-girl gumption. They loved it for reclaiming dolls and Bazooka-gum pink, its Rainbow Magic diversity, its smug assurance that everything contained within was legitimately feminist/female/fine. They approved of the fact that Weird Barbie’s quirks could X out Stereotypical Barbie’s perfection on some unspoken political balance sheet. That by being everything to everyone, a plastic doll could validate every child’s own unique and irrepressible individuality. To each her own Barbie!

And now there is a new Barbie cause to rally around: the Great Oscar Snub and what it all means — and why it is wrong. Neither Margot Robbie nor Greta Gerwig was nominated for best actress or best director, respectively. “How is that even possible?” one TV host exclaimed.

“To many, the snubbing of the pair further validated the film’s message about how difficult it can be for women to succeed in —<em> and be recognized for </em>— their contributions in a society saturated by sexism,” CNN explained. Ryan Gosling, nominated as best supporting actor for his role as Ken, issued a statement denouncing the snubs and hailing his colleagues.

But hold on. Didn’t another woman, Justine Triet, get nominated for best director (for “Anatomy of a Fall”)? As for “Barbie,” didn’t Gerwig herself get nominated for best adapted screenplay and the always sublime America Ferrera get nominated for best supporting actress? A record three of the best picture nominees were directed by women. It’s not as if women were shut out.

Every time a woman fails to win an accolade doesn’t mean failure for womanhood. Surely women aren’t so pitiable as to need a participation certificate every time we try. We’re well beyond the point where a female artist can’t be criticized on the merits and can’t be expected to handle it as well as any man. (Which means it still hurts like hell for either sex — but not because of their sex.)

Robbie had far less to do in “Barbie” than she did in “I, Tonya,” for which she justifiably got an Oscar nod. In this movie, she was charming and utterly fine, but that doesn’t make it a rare dramatic achievement.

With “Barbie,” Gerwig upped her commercial game from acclaimed art house to bona fide blockbuster. She was demonstrably ambitious in her conception of what could have been an all-out disaster. She got people to go back to the movies. All of these are successes worthy of celebration. But they are not the same as directing a good film.

Surely it is possible to criticize “Barbie” as a creative endeavor. To state that despite its overstuffed playroom aesthetic and musical glaze, the movie was boring. There were no recognizable human characters, something four “Toy Story” movies have shown can be done in a movie populated by toys.

There were no actual stakes, no plot to follow in any real or pretend world that remotely made sense. In lieu of genuine laughs, there were only winking ha-has at a single joke improbably stretched into a feature-length movie. The result produced the forced jollity of a room in which the audience is strenuously urged to “sing along now!”

A few reviewers had the gall to call it. The New York Post described it as “exhausting” and a “self-absorbed and overwrought disappointment,” a judgment for which the reviewer was likely shunned as a houseguest for the remaining summer season.

In our culture of fandoms, hashtags, TikTok sensations, semi-ironic Instagrammable cosplay, embedded anonymous reviews, sponsored endorsements and online grassroots marketing campaigns, not every critical opinion is a deliberate commentary on the culture or the virtue-signaling of an open letter. Sometimes an opinion isn’t some kind of performance or signifier.

There’s a crucial difference between liking the idea of a movie and liking the movie itself. Just as you could like “Jaws” without wanting to instigate a decadeslong paranoia about shark attacks, you can dislike “Barbie” without hating on women. Sometimes a movie is just a movie. And sometimes, alas, not a good one.

#Barbie #Barbie salt #barbie critical

[barbaramillicentgordonroberts]

: Besides from us going to be able to be knowing all about for getting every single thing of all of the books, toys, all of the other stuff from all of the movies of this summer of 2023 as merchandise as well as for all of us doing everything else for the fandom such as fan edits, cosplay, fanfiction, fanart, fandubs, commentary reactions, etc. from Pixar's Elemental, The Little Halle Bailey Mermaid, Ruby Gillman "Normal Teenager" Teenage Kraken, Spiderman : Across The Spider Verse, Transformers : Rise Of The Beasts, Teenage Mutant Turtles : Mutant Mayhem, and Barbie : The Movie (The Wizard Of Oz + Female Buddy The Elf + The Lego Movie Prequel with The Man From Upstairs who runs a Mattel company, etc.), Fast X (my dad watched this one when it was first ever released online as a cam corded version somewhere from the release date for the movie), Guardians of the Galaxy Volume 3, The Flash movie, there is other stuff that some of us like myself have not ever heard of such as The Blackening, Joy Ride: The Movie, Gran Turismo, White Men Can't Jump (it is out in the internet, but I do not know much, since I have not watched the movie yet), About My Father, The Machine, You Hurt My Feelings, The Boogeyman, Extraction 2, Asteroid City, No Hard Feelings, Insidious : The Red Door, Mission Impossible : Dead Reckoning Part 1, Oppenheimer, They Cloned Tyrone, The Haunted Mansion (I am not so sure about if it is safe to be able to watch it, since I have a good faint of heart after I watched the official trailer for the movie that I did not laugh at, or scream, or anything at all, but it lead me to uneasy second thoughts, since this one, and a brand new tv show series is coming to Disney Plus called Pretty (an adjective, but it is a name of a boy) Freaking (a normal girl who is named Frankie who somehow took a horrid trip to the real underworld which is runned by a first ever female version of The Grim Reaper who gives Frankie tasks for when she comes back from the dead, and just got powers, and now has streaks of white in her hair unlike before, etc.) Scary (another adjective, but it is a name of a girl), if I watch this show that does not remind me of Fairly Odd Parents, but it does of Danny Phantom, but in a fear factor, or in fact anyone else will be able to choose to do it, this will be able to have to give me, of anyone total nightmare fuel unlike from all of the other stuff that Disney Channel has been doing for 40 years even the logo, and the poster looks retro like it was back in all of the days of the 1980s for when this channel all began leading to the 1990s, the 2000s, and the 2010s way before we have to the 2020s, and all of the other decades after), Talk To Me, The Meg 2 : The Trench, The Last Voyage Of The Demeter, Back On The Strip, Strays (the 2D style should have been for the movie instead of the stereotypical live action with talking animals that we are going to be able to get in this movie), White Bird, Lift, Love Again, Book Club : Next Chapter, BlackBerry, Rally Road Racers, Hypnotic, The Starling Girl, and The Mother! :

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: (A new scene of the movie has just been found (I guess that this was one of the things that Wade Ripple, and Ember Lumen did for their more exciting Memorial Day than how we had spent, I wonder what else that they did on that day along with how they would be able to be celebrating all of the national days, and all of the other holidays that we have in the calendar, it is the image from the little golden book that Wade Ripple is wearing with a nice pair of geeky nerdy glasses, a pretty tutu with two straps with one each side for the left, and the right of someone's arms for keeping it on in place for when someone like him wears it to take it on, and off with flags attached to the tutu piece, a little tiny bell hanging on a necklace, a wig, a cute 🧣 that it is almost too close to be able to true to the business causal tie that is from his other fancy outfit (👔) over the stylish sophisticated bow tie that he wore to the Cannes Festival in France, and two foam hands that he put one on each side to be able to act like the perfect gloves so that way he does not have anything happening to him at all such as when he was trying to give Ember a sporty 🧢, it did not go so well as he planned for this to be, since because Ember smoked everything again like how Wade's yellow bag was, I do not know why they used a far away shot to see the 💥, but I hope that this description is able to get what I just said to you all), if there is a longer version of the one that is shown 👆, I wonder how that will be able to look like besides from all of what this snippet of this source has so far to include in the longer version of this original material from wherever it could be able to found from) :

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: (Nevermind with what I just said before, I just encountered this 👆 today, but before the video shows us the movie, it does show of Coco, The Incredibles 1, and 2, Up, Inside Out 1, Monsters University, Ratatouille, Brave, Toy Story 1, 2, 3, and 4, Finding Nemo, and Dory, Cars 1, 2, and 3, and Wall-E (way to go to show off these, but what is then forgetting to be able to put of all of the other stuff that is from this brand there because that is like how they put out of merchandise for these movies that I just listed, but not of the ones that are the 7 forgotten, but they have to be able to make sure that they still exist for keeping them alive than dead which that are not here on the video, but I hope that we all can be able to continue in the present, and future to be able to do everything like we have so far get all of the merchandise from all of the past, all of the present, and all of the future for the following of toys, books, etc. of building up the entire collection of these following which are A Bug's Life, The Good Dinosaur, Onward, Soul, Luca, Turning Red, and Lightyear, even if Elemental, and all of the future stuff that is from Pixar falls there, it is okay, but if it goes to the other list, it is sure to be a gift even with all of these 7/8/however much it would be besides from all of the mentioned mass production of the previous 18 ish I just said to you all after Elemental, I hope that these can be able to be inserted into their own games, and all of the other games, and all of the other stuff that we have so far that they can be able to put in) ! )

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: I get the part of knowing that we are not supposed to be able to be playing with 🔥, but does anyone notice that it looks like Wade can be able to drip with the way that he makes of his own sweat of not the surrounding heat turned up on him, but of a situation that he can be able to be in, does anyone also know what the rest of the saying 👆 means by how come that unless someone is💧, he/she gets to be able to play with fire because even if someone like Wade might be made out of water, he could still be able to feel fire as pain, plus there is new footage 👆 there as well! :

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: Part 2 in my next post!

#pixar elemental #elemental

[alanlechuszaauthor]

TALK TO ME, SISTER: TRIXIE MATTEL AS A POP SOCIAL LINGUIST

Alan Lechusza

In an era where banned books are up 30-40% nationwide overall (1,477 instances of banned books affecting 874 titles, PEN America 2023), the importance of contemporary cultural language – its use, dialectic, and multimedia reference – becomes evident. Pop cultural language bridges the growing divide between academia and the modern lingua franca. In this age where print media is being swept under the rug, the performative linguistic acrobatics of drag queen extraordinaire Trixie Mattel bring to life the living articulations of contemporary pop language. Through her expressions, videos, music, and drag queen identity – dragxploitation – Trixie Mattel challenges the status quo of formal language through her performance expression of linguistic pop cultural slang. Sociolinguists argue, through their academic works, for the compartmentalization of pop culture. As a counterpoint, Trixie Mattel provides a parfait d' experience on how to flip the script, manipulate, reframe, and perform the contemporary canon of social linguistic terms.

Trixie Mattel is the drag queen name of Brian Michael Firkus. Trixie Mattel has a flourishing career as a singer, actor, and highly regarded drag queen personality. After winning RuPaul’s Drag Race All Stars (season 3), Trixie Mattel gave American pop culture a dramatic inoculation into the current bloodline of the modern social fabric. Trixie Mattel thrives beyond the margins of post-modernism and firmly grasps the assumed representations of sex, gender, and power. According to Robert H. Fiske, pop culture language has historically focused on "the active process of generating and circulating meanings and pleasures within a social system" (Fiske 2011). Through the outlandish exposure of self – in this case, the identity of a drag queen, a dragxploitation – Trixie Mattel forces the circulating meanings and pleasures of pop vernaculars to be rescripted through the performative lens of queer and drag culture. The lexicon of pop culture thrives upon stability for its survival. To begin to understand the depth and breadth of the expressive arts of Trixie Mattel, it becomes necessary to indulge in the glamorous delicacy of queer politics. No longer can a blind eye be turned away from Trixie Mattel's active social dialectic statements. Pop culture is, as Fiske states, "Witnessing a turning point" (Fiske 2011). Trixie Mattel ruptures the epistemology sociolinguists have used to define pop culture. Her caricature persona uncovers institutional fears that straddle, cross over, and rupture socio-political borders. Highbrow linguistic academics find themselves at a loss for words to address, define, and deal with the glaring limelight of Trixie Mattel. Exit, stage right for standard English literature, and enter center stage, the discourse of Gen X, Y, and Z.

Girl’s Life magazine cites the comic character Ms. Marvel (Kamala Khan), who states that “[t]here is no normal. There’s just us and what we do with what we’ve been given… And if what you’ve been given isn’t like what the people around you have been given, do the world a favor and make the most of sharing everything that’s uniquely you with the rest of us.” (Roberts 2022) Trixie Mattel is the embodiment of this statement in more than the proverbial nutshell.

A recent conference held by the Sociolinguistics of Pop Culture (March 30-31, 2023) states, “Pop culture… in its diverse manifestations, is a ubiquitous phenomenon where the linguistic sign interacts with other modes of communication.” Trixie Mattel herself is a “diverse manifestation,” an “ubiquitous phenomenon,” and a living “linguistic sign” that not only “interacts with other nodes of communication,” she talks to – or, rather, yells at! - historical standards of scripting the self, forcing the gazing audience to directly and without apology contend with identity signifiers in an ambivalent space outlined and colored by her glamorous lipstick.

Kian Bakhtiari states that "[a]nti-social algorithms, [t]he abundance of [digital and media] information creates a poverty of attention. Finite time makes attention the most valuable commodity in the world… Social media is no longer a social experience; we have migrated into personal entertainment bubbles. There’s no shared space for public discourse and healthy disagreement. The outcome is deep divisions within democratic societies… [there’s] no room for collective memory because, unlike traditional media, we are not all experiencing the same thing at the same time" (2023).

More than a social phenomenon, Trixie Mattel is a dialectic pop icon rewriting the homogenous linguistic platform in a dynamic performative context. The lingua franca of Gen X, Y, and Z provides the necessary sociolinguistic tools to teach those who do not know what they need to know about their own discipline and its interconnectedness with social-cultural expression.

Alan Lechusza

Trixie Mattell’s revolution of dragxploitation is not a negative view of queer or drag culture. Rather, dragxploitation is the dynamic epicenter of drag culture that re-positions previous cultural norms. Dragxploitation is a constructed expressive reality that embodies a positive light, accurate articulation of how performing identity touches grass (read: grounds the attention of the moment) by reframing contemporary slang and pop vernacular. It’s giving (read: just great or an awesome vibe) to realize how Trixie Mattel has broken through the firm socio-political wall, smashing politically correct ideology and drawing attention to the currency of queer and drag culture. Trixie Mattel scripts an era (read: modern era) through her performative representations and updates definitions of previous unspoken cultures - drag, queer - and the sexualization of the body politic. There’s no denying that Trixie Mattel slays (read: takes advantage of a situation and restates by one’s own definitions) pop culture assumptions of gender. She provides a counter to the American culture eye of queer politics and further slays even the broadest incorporation of drag reality, all with those whipping eyelashes.

Trixie Mattel is not one who fell off (read: left out of the public view), resides as a gatekeeper (read: functions in the control of the knowledge and reference of culture), or does a bad take (read: presents an issue or reference that is assumed to be inconsistent with standard cultural norms) in producing a positive – and quite loud – reference of queer and drag culture and identity. She flips the script on being private, not secret (read: one who is secure being alone while displaying references of themselves in a voyeuristic manner). Embracing the exclusive norms of a patriarchal social society, Trixie Mattel plunges her style into this cultural pool, not being secret nor private, but rather being upfront, direct, serious, and firm about who she is, what she states, and what she presents. Inverting assumed masculine signifiers, Trixie Mattel resituates contemporary pop culture into a situationship (read: an uncomfortable in-between zone where the references are not certain of their time-honored positions). These current sociolinguistic Gen X, Y, and Z terms are not the lone epistemologies of youthful discourse. Trixie Mattel exemplifies the pulse of these phrases and how they each talk back to structured language. Trixie Mattel is someone who is rizz (read: has great charisma… super engaging… [with a superstar] knack for charming others). “Slang… [is understood as] words or phrases that have a cultural definition that is different from the literal definition.” (Shorelight 2023) Current sociolinguists remain wedded to historical, literal definitions of words and phrases. Through academic re-reading and forced rhetorical re-structuring, sociolinguists make a bad take (read: miss the mark or understanding of a point) when it comes to modern slang. “[S]lang changes constantly… where the meaning of certain word combinations is… different from their literal meaning.” (Shorelight 2023) This is the necessity of grasping the vast character traits and dynamic array of Trixie Mattel, as exemplified through her drag queen identity. Trixie Mattell’s works ensure that Iykyk (read: If You Know, You Know) and if you Dkwydk (read: Don’t Know What You Don’t Know). There’s no literary middle ground within Trixie Mattell’s performance expose. Though she may appear to be just another outlandish drag queen, it’s through her work, representation, and dragxploitation that Trixie Mattel captures the core relevance of what modern sociolinguists have been trying to do with their understanding of slang vernacular. By reviewing any image or work by Trixie Mattel, it’s obvious how she eloquently points to a necessary discourse, the need for updated knowledge, and direct open attention to embrace her extravagant glorified persona, regardless of the words she does or does not speak. Trixie Mattel disturbs and dismantles the American pop lexicon one hip twist and blown kiss at a time. “Ya feel me?”

[rosecreer]

The World Domination of Barbie: How the Sales of the Movie Became it’s Success

Mattel and Warner Bros. have partnered up with various consumer brands to provide exposure and almost world domination of Barbie pink to keep the movie in consumers minds even if they don’t plan to watch the film. With the limited-edition release of Barbie pink in luxury clothing and even food brands, Mattel encourage sales for the movie which now has a worldwide responsibility to be a massive success.

“For merchandisers, it’s only good if the movie is a success. If the movie is a thud, everyone is going to be putting a lot of pink merchandise on sale.” according to Allen Adamson of a marketing and branding agency.

The iconic doll has had her reign since 1959, and has been a massive success ever since creating a doll universe and even several animated movies all a staple of many late 1990s early 2000s children. By releasing movies, children would want the outfits Barbie wore in the film, even the sets and pets too. By continuously revitalising and reinventing Barbie’s looks and growing the Barbie universe, any child could start to love Barbie at any time, and one Barbie outfit could never be enough...

The live action Barbie is no different with Mattel releasing reinvented Barbie and Ken dolls inspired by the film.

“Clothing and jewelry makers such as French fashion house Balmain and jewelry maker Kendra Scott, pool float-maker Funboy and home-sharing service Airbnb have all teamed up with Mattel to create Barbie-themed products and experiences. Airbnb has a listing for a one-night stay at Barbie's Malibu Dreamhouse, while department store Neiman Marcus is exclusively selling a Balmain x Barbie collection. A hoodie from the limited-edition line retails for $1,350.”

Having characters like Barbie come to the screen takes a huge responsibility on representing positive and important teaching topics. Setting an example through a beloved character.

“Barbie's impact on the construct of femininity, for better or worse, is immeasurable and worth exploring in adulthood. Like the men who sit religiously through every Marvel and DC film, women deserve to take a piece of their childhood with them as they age. Given the unrealistic expectations society sets forth for women — in part because of Barbie — it's the least Hollywood could allow women to do: reclaim our girlhood.” - Alyssa Capri

If I am to look into merchandising behind animated character, it is important to reflect on the successes of characters that have inspired productions and how marketing and cinema go hand in hand in creating a popular character.

www.cbsnews.com. (2023). Seeing pink: Brands hop on ‘Barbie’ bandwagon amid movie buzz - CBS News. [online] Available at: https://www.cbsnews.com/news/mattel-barbie-themed-merchandise-brand-partnership/ [Accessed 24 Jul. 2023].

Film. (2023). Greta Gerwig’s Barbie Breaks Every Single Hollywood Rule About ‘Toy Movies’. [online] Available at: https://www.slashfilm.com/1346454/greta-gerwigs-barbie-breaks-hollywood-rule-toy-movies/ [Accessed 24 Jul. 2023].

[karenlacorte]

Check out this listing I just added to my Poshmark closet: The Amazing Spiderman.

[64bitgamer]

[elbowreveal]

bubbles, shiny, cozy?

Bubbles - what color(s) best describes your current vibes?

Dark jewel tones. Warm colors like burnt orange and red.

Shiny - do you collect anything?

Oh I love this question. Before the pandemic I collected several things. Mainly breyer model horses, Mattel pixar cars diecasts, and hasbro marvel legends action figures (mainly X-Men characters). I have a few smaller collections too like I have every Disney infinity Star Wars figure for example.

Cozy - do you have a favorite light source? (natural light, fairy lights, etc)

I used to really love those color changing LED strips but now they’re too intense. I like Christmas lights and those mini-led wire strands. The sun and suncatchers are also favs.

#ask game #ask #reply #pebbltree

[fandomnerd9602]

Both Spider M!reader and Barbie announce that Spider-Ham and Hobie are the godfathers of the twin boys Bobby and buddy while Peni Parker and Spideypool will be cute babysitters or nannies

Barbie and Y/N hold their twin boys…

Barbie: we’re happy to announce Hobie and Peter Porker as our boys’ godfathers

Hobie: right on ‘mate

Y/N: Peni, you and Spideypool will be fantastic babysitters

Spideypool: can I be called godmother?

Barbie: but you’re not a-

Spideypool: I wanna bibbidi bobbidi blow bad guys away while sing that song

Y/N: sure why not?

Spideypool: thank you!! I’ll be a fantastic kick ass babysitter!!!

#marvel #marvel imagine #marvel fluff #mcu #mcu imagine #mcu fandom #marvel incorrect quotes #incorrect marvel quotes #barbie mattel #pregnant barbie #barbie movie #barbie x reader #barbie #spider man #spider society #spider man reader #across the spiderverse #beyond the spiderverse #margot robbie #barbie margot robbie #spideypool #Spideypool wuz here

[comicchannel]

Barbie Signature Marvel X-Men Dark Phoenix Mattel GLJ54

Link para compra BR: *Possível importar pelo Link abaixo

Buy here: https://amzn.to/3NYQjkF

#Action Figure #outros #barbie #barbie signature #barbie doll #barbie movie #mattel #marvel #80th anniversary #xmen #x men #dark phoenix #fenix negra

[fandomsleaveuemotionallyscarred]

Part 4.5 of the Winterprincess x Barbie Universe

Winterprincess x The Three Musketeers.... Again.... But different

This time around, the boys have a go at being musketeers.

Σ>―(〃°ω°〃)♡→♪ ♬ ヾ(´︶`♡)ﾉ ♬ ♪( ˘ ³˘)♥

"Why is my mask the only full faced one?" Bucky asked

"Because the Princess-"

"Queen!" Tony corrected

"Right, sorry the Queen has actually seen your face," Sam finished

(灬♥ω♥灬)(灬♥ω♥灬)（●´∀｀）ノ♡

"Sir Benard Ette" the man announced to the room.

"Really? Bernadette?" Tony scoffed

"Oh! Like you're one to talk Mister Awash Potts," Steve retorted.

"Well it's not I like was lying about that,"

♪☆＼(^０^＼) ♪(／^-^)／☆♪ ♬ ヾ(´︶`♡)ﾉ ♬ ♪

#sebtitia #shuri x bucky #james buchanan barnes #my edit #bucky x shuri #letitia wright #james “bucky” barnes #white wolf #shuri black panther #shuri and bucky barnes #shuri udaku #princess shuri #winterprincess #the winter soldier #winterprincess x barbie universe #winterprincess edit #marvel x mattel

[bonniegrrl]

Dark Phoenix, Mystique and Storm just got their own X-Men Barbie dolls

Mattel revealed the new dolls at Comic-Con to celebrate Marvel Comics 80th anniversary. 

Read more in my CNET article here.

#Marvel #Mattel #dolls #Barbie #X-Men #comics #movies #TV #superheroes #fandom #collectibles #CNET #Storm #dark phoenix #Mystique #SDCC

[barnivous]

Secret Wars Wishlist

#secret-wars #x-men #mattel #marvel-comics