Hey, can i request some of the horror characters react to a massive black shadow demon thing that can take any form of anything but mostly stays in a puppet form that is a human, the only thing is their eyes are a different colour so they wear sun glasses when out and about, but they hide what they are really well they seem so human? (I dont care who you add but can you please add max to this? pls i want a demon being soft and gentle with her, that would be so cute!)
Character's from horror reacting to a demon gn! reader.
Character's included in is (In order): Chucky/Charles, Maxine coleman, and Freddy kruger.
Requests: Are open!
Authour notes: This was fun to write, i did this as when you first met them. The one with max is after kate kills esther which is why i made kate distrusting with max hanging around adults because of what happened. I'm sorry if their ooc.
Word count: 588
Warnings: Swearing, Mention of murder. (i think thats it, tell me if i missed anything.)
Chucky/Charles.
When Chucky first saw you, he knew something was wrong with you. He just didnt know what.
He was sitting in alleyway by the bins as people passed by but than he saw you.
'You wore sunglasses on a cloudy day? What the hell is wrong with you? You blind or something?'
His suspicions were confirmed when you stopped walking than walked into the alley than looked down at him and spoke to him.
'I can hear you're heartbeat. You're a human in a doll's body.'
Chucky was simply glaring up at you, not trusting you one bit but also a bit unsettled.
'How the fuck can you tell? What the fuck are you? an ailen?'
When he saw you take off your sunglasses, than he noticed the fact you're eye's were fully black with a yellow pupli's.
'I think the word would be demon or entity.'
'Yeah, i guess entity explains it'
Maxine "Max" Coleman.
Max was playing in the park, being careful to not slip in the snow.
She was running around and accidently ran into someone, she turned around and looked up at the person.
You.
She signed to you, not thinking you probably didnt understand sign language.
'Sorry.'
She signned, it took you a second or two for you to understand it, once you did, you signed back to her.
'It's alright.'
You than crouched down to be at Max's eye level, you smiled at her, she was much cuter than any human child that you have seen.
'What's your name?'
'I'm Maxine.'
She was so happy you knew how to sign, she was happy she met someone other than he family that knew how to sign.
You two signned for a while before Max's mother, kate came over and quickly grabbed her hand gently and pulled her away from you.
You stood up as Kate grabbed max's hand.
'Sorry, i didn't mean to make you uncomfortable for talking with you're child.'
Max tried signning to her mother saying you were good, but kate didnt trust you.
Kate walked away from you with Max.
Max looked back at you and waved bye as she was dragged away by her mother.
Luckliy she didnt notice you're eyes, it wouldnt been bad.
'She was such a sweet and cute but naive child.'
You thought.
Freddy Kruger.
Freddy did notice you walking around when he was still alive, he didn't think too much about it.
But after he died, he couldn't find your dreams.
Like at all.
It confused him to no end but he was also frustrated that he couldn't get in you're dreams.
That was untill one day, he ended up in a weird place.
It looked like the living world, but it also didn't.
There were distant screaming from all sort of people.
Men, women, children.
It didn't scare him but it didn't make him feel at ease at all.
'Where the hell am i?'
He thought to himself as he looked around, than he noticed you.
Staring at him with your arm's crossed.
'You...?'
Freddy stares at you, he was ready to attack you but something stopped him, like he couldn't move.
'Mhm, Don't think i wouldn't pick up on your habit with killing kid's in their sleep, interesting way of killing if you asked me.'
You took off your sunglasses off and threw them somewhere.
Your eyes black with yellow puplis, you weren't human.
'That explain's it, you don't sleep, do you?'
'No, i don't need to. But i'm sure you understand that now. Don't you, freddy?'
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FIXING SISTER
1916
Fixing Sister is a four-act play by Lawrence Whitman (aka William Hodge). It was originally produced by Lee Shubert starring Mr. Hodge.
‘Fixing Sister’ tells how a devoted brother outwits a headstrong sister who has been carried away by the temptations of luxury, title-hunting, and bridge whist gambling, in the midst of the gay society life of the metropolitan rich. As a result of her foreign travels, she has almost annexed a foreign nobleman of untested lineage. Her brother. John Otis, a representative American of a shrewd and humorous sort, learning of his sister’s peril, hastens to New York from Kansas City. It Is his native common sense and shrewdness which effect a not sudden, but finally very effective, cure, including staging a police raid at her bridge party. He also rescues his own sweetheart, a tantalizingly Independent sort of American girl, from the wiles and the guiles of New York society and foreign nobility.
All four acts take place in New York City.
Bridge whist is a card game popular in the early 20th century. It was derived from whist with the additional rules that the players would take turns as dummy and that the trump suit would be deliberately chosen (including the option not to have one) on each deal rather than random.
"Next Thursday night will be ‘police night' at Maxine Elliott's Theater, when the members of the police department gambling squad will attend in a body to see the performance of William Hodge in ‘Fixing Sister,' in order to enjoy the spectacular police raid of a gambling party, which furnishes an exciting climax to the third act.” ~ EVENING STAR
The somewhat odd title was one of a dozen considered by Hodge. It was originally announced as The Social Climbers, but that seemed too similar to Clyde Fitch’s 1901 play The Climbers.
Fixing Sister opened in Atlantic City at Nixon’s Apollo Theatre on January 16, 1916. From there, it traveled to Wilmington DE, Altoona PA, Pittsburgh PA, and Boston MA.
After Beantown (Boston), Hodge and company went to the Motor City (Detroit) before returning to Boston’s Majestic, where business was brisk.
“As an indication of the volume of business being done, it was necessary, on Ash Wednesday, to place the orchestra on the stage and sell seats in the pit usually occupied by the musicians.”
In mid-March 1916, Hodge made a formal announcement confirming the rumors that he was indeed playwright Lawrence Whitman. At the end of March, Hodge took on a second play in his downtime: Hobson’s Choice at the Wilbur. He requested that Mr. Shubert cancel one of his Fixing Sister matinees so that he might perform in Hobson’s, but Shubert declined. Instead, he arranged a special benefit of Hobson’s at an alternate time.
Although the above item appears to be an article, it is actually a paid advertisement! Do not send Miss Maxwell-Conover stray cats!
The Boston engagement finally came to an end on April 22, 1916. Although Broadway seemed the next logical step, the play moved to Maine through the end of the month. Hodge then retired to his summer home on Long Island to be with his wife and three small children, looking forward to bringing the play to Broadway in the new season.
Getting the play back on its feet, Hodge chose Pittsburgh, returning to the Alvin, where the play initially enjoyed a brief stay.
Fixing Sister opened on Broadway at Maxine Elliott’s Theatre (109 West 39th Street) on October 4, 1916.
“Early in the play the audience is let into the secret. The onlooker is taken into the confidence of the leading character and the game is won. The audience plays the rest of the piece. The interest and enthusiasm is so alive that it comes in waves to me across the footlights. Such a play is bound to be a delight to both the folk who play it and those who are entertained by it.” ~ WILLIAM HODGE
“Mr. Whitman’s play dramatizes the yellow journal idea of society life in Manhattan.” ~ BROOKLYN DAILY EAGLE
“When will Missouri stop ‘showing’ us New York?” ~ CHARLES DARNTON
Hodge’s character, John Otis, is from Kansas City, Missouri (aka the ‘Show Me’ State)
“Interest is sustained as long as [Hodge] is on the stage, making droll remarks about everything in general in his inimitable manner, but it lags perceptibly when the other characters are depended upon to keep things going.” ~ BROOKLYN LIFE
In early November, the production cleverly addressed rumors that Hodge would close the New York production and tour. A week later, the play was extended, selling advance tickets for as far ahead as New Year’s.
Despite this, Hodge packed his tents and moved the play to Chicago a week before Christmas. It ran on Broadway for 85 performances.
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“Nonsense fantasy books are all chaos and fairy dust and phantasms. You get books with every monster, creature, and cryptid. Anything that appears under the lunar cycle and the ones that walk around during the day to boot. Nonsense fantasy books answer the question, “but why though” with “yes.” I hope you are ready for confusing or entertaining fantasy stories because if not, you are definitely in the wrong realm.
The “nonsense fantasy” category name comes from @darbyisescaping‘s video on nonsense fantasy book recommendations. Between you and me, @darbyisescaping has excellent content if you are a fan of science fiction and fantasy-focused booktokers. She describes nonsense fantasies as books with loose magic systems that are a mix of science fiction, fantasy, and other genres.
Nonsense and fantasy have often gone hand in hand. Things that are nonsensical or fantastical prop up the genre. The Book of Nonsense by Edward Lear first published in 1846 is a collection of surrealist poems that have entertained many generations of children. The book is a prime example of Literary Nonsense that brings together folk tales and intellectual absurdity. What you get is a bunch of logical statements immediately contradicted by a contradiction. So, what does that mean when it applies to fantasy novels? The fantasy world has to have no identifiable logic to it, or as @darbyisescaping puts it, whatever happens, happens because magic says so.“
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