So like are Hetty and Trevor ever gonna fuck? The two of them are both equally so horny all the time and like do you expect me to believe that Trevor would not be into Hetty just because she's older? As if that man wouldn't have a whole fratboy speech about milfs and cougars or that Hetty the woman obsessed with stable boys wouldn't want to bone the only straight pretty boy around her who is literally pantsless for eternity? It's absolutely inconceivable
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I am fascinated by what makes something pornography. I think it can be defined by a core of fantasy. There is a gravity to it. As if everything in the story exists only so this particular scenario can happen.
Pornography breaks down when you extend it's borders. The eroticism of the Big Office Fuck N Suck starts to fade when you imagine everyone calmly going back to work. The pizza boy will get fired if he doesn't get back to work, and the nice young woman did in fact order that pizza because she is hungry.
Or maybe every stop on that pizza boys route is another Horny Milf or Hot Dad. Maybe nobody ever has money for pizza, and being a pizza guy requires significant athleticism. But if life in the Porn Universe is just an endless series of contrived happenstances, who grows all the food? Someone has to actually make the damn pizzas. Someone has to grow the flour for the dough, and drive the trains, and work the mills. Perhaps at its most extreme, the causality of the Porn Universe simply cannot proceed until someone busts a nut.
But in reality, people have wild encounters. There are office trysts and one-in-a-million flings with beautiful strangers. I am sure that every hour of every day, someone stumbles their way into a sexual mishap that would be panned as unrealistic if it were written for smut.
But then where's the line? When does a narrative become pornographic?
I think it has less to do with sex than it does with narrative contrivance. I think many video games are pornographic in this sense. When Raiden slices a missile in half with a glowing katana, the contrivance of the Rule-of-cool swallows itself, attains a narrative gravity that the tone cannot ever hope to escape.
I think the realm of pornography begins once questions of why become secondary. Why did he cut that missile in half? Because it's badass. Why did he get his dick out? Because it's hot. But more importantly, those things happen because the laws of the narrative demand it. It could not happen any other way. Raiden must cut the missile in half. She has to get her tits out. Otherwise, the story can't happen. But it does happen, and it fucks.
I think Pornography happens when the rules break down, when the ridiculous becomes not only necessary, but exalted.
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