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#maybe i'll live long
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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mobius-m-mobius · 2 months
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OWEN WILSON as MOBIUS M. MOBIUS in LOKI (2021 - )
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catlover4536 · 3 months
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Coming here to say masc presenting Julie is one of my favorite Julie ideas out there and that, of course, I needed to make a femme presenting Frank to compliment @cyanwyrmy and their wonderful Julie!
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wyvernquill · 2 months
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I'm rewatching Anastasia and this convo would really fit in your AU
Hob: look, Murphy, I'm just trying to help Murphy: do you really think I'm an Endless, Hob?
Hob: you know I do.
Murphy: then stop bossing me around
I'm sorry, this ask is already over a year old, but I finally got around to writing a scene based on it! (Plus some Murphy&Gil bits I wanted to put in somewhere, anyway.) Hope you enjoy!
[Mild warning for contemplation of one's potential death, and having once lost the will to life - I wouldn't call it suicidal ideation, it doesn't quite go there, but I figured I'd better be safe than sorry.]
Link to Anastasia AU Masterpost!
(Tag list, let me know if you want to be added or taken off: @10moonymhrivertam @martybaker @globglobglobglobob @anonymoustitans @sunshines-fabulous-legs @dreamsofapiratelife @malice-royaume @kcsandmanfan @acedragontype @okilokiwithpurpose @tharkuun @silver-dream89 @i-write-stories-not-sins-bitch)
“Hob.” Murphy interrupts, eyes flashing with frustration.
(Today’s how-to-be-a-Dream-Lord lessons are not going well - not that any of them have, but this one is a particular catastrophe. Gil has already given up on their contrary charge for the evening, and with the way Murphy’s shoulders are up and tension bristles between them, Hob is unlikely to make much more headway tonight.)
“Tell me. Do you truly believe I am him? The Prince of Stories? The Dream King?”
“Yes,” Hob lies, easily, unflinchingly, and with a smile on his face. A good lie has to be treated like the truth, and maybe, one day, it’ll actually turn into one. They’ve been trying so very hard to teach Murphy this, he should know it by now. “Of course.”
“Then, perhaps,” Murphy spits, and despite his feral arrogance, despite the way he holds his head high and squares his slender shoulders, it’s not the regal indignation of a King, but the helpless tantrum of an angry child who’s failing in class. “You ought to finally treat me with the fucking deference an Endless is owed, Hob Gadling!”
(There are tears in his pale-blueish eyes, Hob can see them, can hear the crack in Murphy’s hoarse voice.
Nobody has treated this man with respect in all the years he remembers, that much is obvious. Nobody but his birds. And he knows, they all know, that he’s no prince, that his blood runs red, not blue - runs at all, come to think of it. Endless don’t bleed.
But he wants to be. He wishes he was. Murphy is not Dream of the Endless, but he is ravenous for the spoils of such a role. Desperate to be respected, to be worshipped and revered, desperate to be owed the sort of treatment he has never received.
Hob ought to be ashamed of himself for taking advantage of that helpless hunger for kindness and decency… and he will be. For the rest of his immortal life, he’ll live with the shame of what he did to cheat Death, and still not regret it.)
Hob plasters a smile over his impatience and opens his mouth, gentle, calming words already on the tip of his tongue. Murphy is lonely and frightened and frustrated, that much is obvious. Fine. Hob knew it wouldn’t be easy, to teach their false Dream all he needs to know, and this is not an insurmountable roadblock. If Hob can only reassure him, earn his trust, be his friend, even, it will make everything much easier. Poor thing, lashing out like an injured animal. But Hob can surely coax him into-
Murphy recoils. Flinches back from the admittedly-half-faked warmth, his face, his entire bearing collapsing into itself like a heavy portcullis rattling shut.
“Don’t you dare,” he growls, pointing one of his stick-thin fingers at Hob’s face, “don’t you DARE! I have no need for your false pity, and I want no part of it! I want-” the white of his eyes is bloodshot, and in his terror, in his fury, in his desperation, awash in unshed tears “-I want out. This deal is off. Find some other poor sucker to teach how to play Endless, I won’t do it! I’ve had enough!”
And before Hob can say as much as a single word, Murphy has snatched up his coat and slipped out onto the rainy street, Matthew following - but not after awarding Hob with a colder glare than he would’ve thought a mere raven capable of.
Murphy does not manage to flee very far.
He is in an unfamiliar town, with no money, no valuables besides the clothes on his back that are now slightly finer than he used to be; and the winter is cold and deep and stifling. He gets no further than a handful of streets until he slows halfway across a bridge, shaking with cold more than anger, snowflakes dancing around him. It is a quiet, windless night - and it has always calmed him, to stand underneath the dark sky at night, and know that most of the city lies asleep around him.
Matthew settles on the bridge’s parapet, caws. Hops closer, cocks his head to one side. There is a clear question in his bearing, a what now? glinting in his eyes. Birds are open and honest - unlike humans. Liars and hypocrites all.
“...I do not know, Matthew.” Murphy admits quietly. He has taken the coat, but forgotten the scarf in his haste, so he tugs at his collar, to keep the cold air from trickling down his spine. “I truly don’t.”
He does not have the means to return to London on his own - and at the same time, does not have much desire to do so. He had nothing and no-one there, but for the birds. Pockets can be picked anywhere - he could make a new start in this nameless town.
…if only it weren’t winter.
Murphy shivers, feeling his bones rattle with it. The night is calm, but bitterly cold, and it will not end well for him, sitting in the snow until morning. In the dark of winter, he cannot afford a night without shelter, a day without a sure way to come by some food to keep his strengths up. In London, he would have known where to go. Here, he is helpless.
Damn Hob Gadling, and may Destruction take him! Murphy will have no other choice but to crawl back to him, and hope he’ll be kept on as Endless-impersonator. Hope, because Murphy’s made a right pig’s ear of it so far, slow and clumsy to learn, and outright refusing to play at nobility. He will always be a gutter rat, Murphy knows it. They can’t fashion him into a Dream King, and perhaps this flare of temper will prove to Hob once and for all that there is no point in trying.
There is no point in trying.
Murphy gives up on his collar, and rests his hands on the parapet. Matthew caws, and presses his head against his arm, a far better reassurance than Hob’s false smiles. It comforts Murphy, at least a little. He’s not alone, never alone - no matter how lonely he might feel.
Underneath them, a foreign river flows just fast enough to avoid the freeze. The water does not reflect any stars, but the snow dancing over the surface makes it almost look as if. His own reflection wavers and breaks across the waves.
(Some nights, he dreams of a darkened shore and a sea stretching far past the horizon, black waters that fold up into the night sky, indistinguishable from each other. Of a wooden pier, and galaxies swirling underneath.
Whenever he leans out too far, the reflected eyes he meets are not his own, and he wakes with a scream lodged in his throat.)
Murphy shivers again, and savours the last remnants of his pride, before it, too, will have to be cast into the dirt and abandoned.
“I believe you forgot this, young friend.”
Murphy’s head snaps up.
Dreams and nightmares approach without a whisper, perfectly silent at night if they choose to be. Gilbert is no exception; and if Murphy were to pay attention to anything but his heart racing like a startled hare, he would perhaps be a little distressed by the fact that there are no fresh footprints in the snow beside his own.
But it’s only Gilbert, kind-eyed and not-human, holding out Murphy’s scarf like a peace offering.
Murphy does not take it.
“Did Gadling send you?” he asks, wary.
“Robert informed me what had transpired between you two.” Gilbert admits. “But rest assured, I am here on nobody’s behalf but my own - and, well, yours. Frightfully nippy tonight, wouldn’t you say?”
Murphy does not say. He trusts Gil as little as Hob, perhaps even less. A dream attempting to betray the memory of his master seems hardly like a paragon of virtue, and is perhaps even more suspicious than a deceitful human.
(He does, however, take the scarf now. It’s too cold to be stubborn, and when he winds it around his neck, it smells of sunshine on a summer meadow, warm and comforting.)
“And if you truly wish to leave… dear boy, I won’t stop you.” Murphy does not like the way Gilbert looks at him, as if trying to see someone else beneath his skin. He does not meet Murphy’s eyes, if he can help it. “In fact I would send you off with well-earned compensation for your time, and travel fare. Unless…”
Gil steps up to the parapet beside him.
“...unless I can convince you to stay…?”
“Why would you?” Murphy mutters, instead of why would I, if you’re offering to pay me off? “It should be perfectly obvious that I’ll never pass muster.”
“Ironically,” Gilbert smiles, but only at the man he pretends to see whenever he looks at Murphy, “it is well known among the former denizens of the Dreaming that His Lordship was often prone to very similar bouts of pessimism. I have faith in you, Murphy - and so does Robert Gadling. Please, do not leave. I rather doubt we will succeed without you.”
"You…" Murphy struggles with the words, the sentiment behind them lodging uncomfortably in his throat. "You have great respect, even love, for Dream of the Endless' memory. So why do you pretend? Why try to fool his siblings that I am him?"
For a moment, Gilbert seems ready to insist, as always, that Murphy is, or at least might be - but, to his credit, he does not play Murphy for a fool, in the end. Not this time. Not like Hob always, always does.
"You are quite correct. I loved His Lordship deeply, in a way that could never be understood by anyone but a dream and their creator." Gilbert sighs, his soft meadow-green eyes gazing far into the distance of better days, lined by old grief. "He made me to be the Heart of the Dreaming, and he was the Dreaming, so I knew his heart and self better than any other. The loss, when he… you cannot imagine it, young friend. I thought I would wither away and die. I thought that would be a mercy. To live as a dream in a universe that does not contain Dream of the Endless seemed entirely unthinkable, and to be quite frank, I did not think I would survive longer than a year at most in the Waking."
"I understand," says Murphy, quietly, and he does. He is no stranger to the feeling of being so untethered, only floating along with the end looming over him, death - not Death, no longer, the Endless have been cast from their domains - only biding its time.
(In the first year he can remember, Murphy did not think he would see another, either.)
"And yet, the year passed. And I lived." Gilbert smiles, faintly, taking off his glasses to polish them. "I suspect it was humanity which saved me, for all that they robbed me of my home and Lord, as well. I found… such joy, in this world. In my human form, wandering among them. Calling a few select individuals friends, even. Young Robert's companionship was a particular blessing, and I owe him more than he can ever know."
He sets the glasses back on his nose.
"Lord Morpheus is dead." Says Gilbert. Says it like fact, like something too absolute for the sort of dream-creature born of hypotheticals he is, like an unshakeable truth he has resigned himself to. His voice only barely breaks over the words. "And I shall grieve him for all the rest of my days… but I must live to mourn him. Life goes on, young friend, and we must all move along with it. And, well. I cannot speak for Robert's motivations, but the true reason why I have agreed to this mad scheme…"
Gilbert takes Murphy's freezing hands in his own. His fingertips are not lined quite right, they would not leave prints that look even remotely like those of a human - but aside from that, his grip is warm, avuncular, firm, reassuring.
"I fear that his siblings will not be able to live on without him." Gilbert confesses, quietly. "They are not made to accept change and move on from a loss as monumental as what humanity has wrought upon them. To have you… not him, not entirely, but perhaps enough… it is my most solemn hope that it might give them some form of closure at long last."
"So that's what it is?" Murphy laughs, bitterly. "Charitable concern for the well-being of personifications of abstract concepts!?"
"No." Gilbert corrects mildly. "Love. For my creator's family."
Murphy scoffs. His chest aches with it.
"What you, hmm. What you must understand, about Lord Morpheus…" Gilbert seems to be choosing his words very carefully. "...is that, for all that he was often harsh and commanding, he was so very loving, always. My Lord loved with all his self, even if he would attempt to turn a cold shoulder to the world - and I think you are much like him in temperament, young Murphy.”
Murphy does not acknowledge that. He doesn't think he can.
“He loved his family, and he loved the Dreaming, and all the beings in it. I was his heart, or near as, you must recall, I knew the truth at the core of him.
Memories or not, love as he did, and you will be a credit to his name, and a comfort to all who knew him."
(Murphy does not have it in himself to love like Dream of the Endless did. He already struggles to love at all.
But perhaps, for the sake of the entity whose memory he will dishonour, he can try.)
“So. Will you come back and resume your lessons?” Gil asks, very gently. “You may leave, now or any other time, of course you may. But it would be to your benefit, as well as to that of many others, if you did not.”
“I’ll stay,” Murphy forces out. He could blame the way his hands shake on the cold. “For now.”
“Thank you, dear child. Thank you.” This time, when Gilbert smiles, it very nearly feels like it is directed at him, after all. “Now, let’s get you out of this cold, hm? And Matthew as well.”
Murphy lets Gilbert herd him back to their inn, sits through Hob Gadling’s apology and wonders if it was sincere - he can never tell, with this infuriating man - and continues to learn as much as possible about the life of Dream of the Endless.
But he’s slowly realising, if anything will convince the Endless siblings, then it certainly won’t be the trivia. He’ll have to learn to love like the Lord of Stories, for their deception to have a snowflake’s chance in hell.
(Oh, wonderful. As if this wasn’t difficult enough already…)
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lyxchen · 7 months
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They're siblings <33
(Please zoom in so you can see all the details)
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hungerpunch · 7 months
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stop engaging the person with a huge fanbase and giant platform about rpf ships!!!! stop engaging the person with [checks] almost 40k followers + monstrous amplification power through reposts, reblogs, screencaps, etc. about rpf ships!!! stop it stop it stop it STOP IT!!!!!!
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prince-liest · 28 days
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oh my god…. prince……. you can’t do this to me. you’re saying next fic has vox getting fucked, focuses on vox’s transness (AH), AND ALSO HES ON THE OFF SEE SAW OF HIS RELATIONSHIP WITH VAL?????? ARE YOU TRYING TO KILL MEE?!!?!!????? I THINK I MIGHT ACTUALLY COMBUST. and bc another anon asked abt how alastor views the violence in voxval’s relationship, i have Another thought on the matter. as much as alastor looks down on vox, they can be Very similar sometimes. they are both egomaniacs and very prideful. i don’t think vox, without outside interference, would ever ADMIT that the violence he faces is 1) something he truly hates AND 2) out of his control. he can’t admit he hates it, because then why isn’t he stopping it? that would be admitting to not being powerful enough or strong enough. and hello, 50’s toxic masculinity coming through, he CANT be a victim of domestic violence. he’s a powerful, rich, and important man. it all comes down to perceived weakness. so, the solution is to pretend he’s mostly fine with it. sure, he can act disgruntled and upset in the moment, but i don’t think he’d ever let himself take it seriously. because then he has to start drawing lines in the sand, and what happens then? will val look down on him? will he lose val? yeah, he is not risking that over a problem he mostly refuses to acknowledge exists. and as you said, this is all happening in the setting of hell, where ultra violence IS the norm, and vox himself is excessively violent. it’s the most delicious 50 layer cake of fucked up-ness.
RANT ASIDE THO. i have a question. 2. do you ever plan on having vox interact with the hotel crew outside of angel? ANDDDD what would charlie’s reaction be to their friendship/situationship/ kinda love affair. i think she could add SOOOOO much hilarity and Intense Emotions to this series. not that the boys haven’t been doing their part in that so far. charlie just intensifies everything she does, god bless her. -🌓
The "getting fucked" bit and the trans conversation bit are directly related to and relevant to each other, and frankly I'm just very happy to be out here writing the specific flavors of deeply queer shenanigans that I'm writing, and to have people actively enjoy that. It genuinely means a lot to me that I've strayed so goddamn far out of the bounds of good old top/bottom yaoi archetypes that introduced me to fandom and yet have a wildly enthusiastic audience nonetheless. So, that was my long way of saying that you bring me a lot of fucking joy, anon, hahaha.
As for everything you're saying about Vox, power, and masculinity: YOU! points dramatically at you YOU GET IT! YOU GET IT!!!!!! Everyone just read this, this is it, this is the thing. I have no notes to add. There is a reason that the main point he raises the moment he actually says something vulnerable about it (before he immediately cuts himself off) is a complaint that he's an overlord, so why—?
And with regards to your questions: I'm not gonna lie, my actual planning for 666 is usually, like, extremely by the seat of my pants. I plan nothing except, "Oh, shit, had an idea for the next one. Lesgoooo—" and that's been the case for literally every single installment. It's all just been evolving naturally and building on top of itself. So! I can't say that I plan to have Vox interact with the hotel crew or Charlie, but I also will never say that I'm actively opposed to it.
That said, I do think a lot of this fic is kinda structured around hitting specific topics that come up in intimate settings between Vox and Alastor specifically, with occasional tag-ins from Angel Dust, so I don't really know if there's anything in particular I'd like to write that I think would work better in this series if more characters got involved. But, hey! Never say never!
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genspiel · 6 months
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me, with hair down to my waist: maybe i should cut my hair short...?
me, after seeing level 20 caduceus with hair down to his waist: maybe i should not cut my hair short
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front-facing-pokemon · 3 months
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Yes, Honedge!
Something i'd like to point out about its face:
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It doesn't have a goofy face, the holes in the scabbard just make it look that way. In reality, it just has a single eye.
With that in mind, could you please do a version without the scabbard?
iiii figured this was common knowledge enough to not warrant an additional form, but alright:
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some of the guard disappeared but it's okay. i never even saw that part of the scabbard as a face—the blue eye is very obviously an eye. i don't know if anyone actually thought that was its face. however, i do find it interesting that even after removing the scabbard textures, it still has textures for that "face" remaining:
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which implies it's a face more than anything i've seen of the matter before this point
anyway there's so many asks in the box right now so let's just go through all of them:
in order from oldest to newest, here we go:
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this is true. most of the models are shiny, unless they have a "colladamax" variant
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ahh it's fine. i considered it might have been a request but i also doubted it considering pangoro was literally next so i assumed you were just excited. me complaining about requests was unrelated—another ask i got around the same time
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well then maybe it's not a bad thing. you certainly phrased it like one, it seems, but that might just be unfortunate connotations with the way you said it? glad we could clear up the confusion i guess
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we do need more snakes, but i also like the bipedal pokémon, as a furry. back when everyone was begging sprigatito not to stand up, i saw through their thinly-veiled furry hate and was begging sprigatito to go against the grain and stand up anyway. and then they did and now meowscarada is one of my favorite pokémon. get fucked, normies (i am sorry for saying this)
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↑ i didn't know this until i looked it up! this is interesting. stuff like the male version learning misty terrain but the female version learning more type coverage. this is very strange but i like it. only girls can use magical leaf and charge beam sorry boys
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thank you! i can explain it. it is because pokémon are getting very close and staring at you as for the inspiration for this blog, it was mostly snivy. i remember one day thinking that snivy's big nose would make it look very silly from the front, and being like "damn. someone should compile a list of what every pokémon looks like from the front. damn. that would make a good tumblr blog bc some of those would be really funny. damn. i should do that" and then i did. but that was back in 2020—pretty soon after i ended up starting college which didn't allot me a lot of time for updating this blog, and although i kept swearing i'd go back, somewhat soon after that i went through a breakup and just wanted to take a while for myself. a bit after that, tumblr user sewatari reblogged one of the posts on this blog again (the weedle post, i believe?) and singlehandedly revived this blog by reminding me that they still cared about it. and that's fucking awesome?? tbh?? so thank them for this blog's continued existence. if you scroll waaaayyyy back far enough in the archive, you'll probably see that miniature saga. the images back from the first gen and onwards were a little bit icky as i got grips on how to actually go about this blog and manipulate the models in the right way to get them to work, which is why i can never really recommend folks scroll all the way back in the blog, but it's a look back into my own personal history, i suppose
apologies for breaking the magic, although i don't think anyone keeps up with the "i am a pokémon taking real live pictures of other pokémon with the camera right in their face" lore because no one pays attention to the backgrounds of the images (which used to change much more than they do now, but that's just because no one ever noticed or pointed them out. the background is not the focus of the image—it's the pokémon itself; thus, why look at the background? staging the pokémon in a setting used to be important to me, but now i don't worry about it and cycle between the same few backgrounds) or the asks, really. it's the commentary in the tags everyone comes here for, of course
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she's a fully-grown woman with a house
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then you'll love the top of this post
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they probably wouldn't think it looks like anything because they aren't familiar with what honedge looks like so they would just picture nothing in their head. or they would just make up what they Think honedge might look like based on its name, or something, and then imagine that front-facing
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i don't know which one of these is the real one. but we have some discrepancy here. also apparently this is a wider-spread belief than i thought
OKAY. i think that's all of them. if you read all the way here to the end, that's. powerful. for those of you who stuck around this long, i'm live right now with a test stream having some breakfast and playing pokémon. come join in, if you're bored this morning!
edit: it's over but i'll probably do it again some time, more likely at a more reasonable hour next time. considering the idea of doing a fully voiced pmd series—perhaps that'll be the next stream. or i'll leave another test one for it. who knows!
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i've gotten several asks as to how i'm doing after the update, and uh.
well refer to This Image for your answer-
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solradguy · 7 months
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I need to watch more anime because it's a fun/easy way to improve at Japanese, but like 75% of shounen/shoujo anime doesn't appeal to me and the weird stuff I do like is usually only like 4-12 episodes or a single 3 hour movie. Agony forever 1000 years torment
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abnerkrill · 11 months
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im hereby issuing a challenge to my tumblr friends to find me some new blorbo material, just, like, for fun, for giggles. imagine this post as a kind of like a place for abandoned pets except it's your tall dark-haired tortured unhinged desperate weirdos that you think fit well in a spectrum of daddy issues -> mommy issues along with adar, abner krill, crais, loki, simon monroe, axe woves, boba fett, guy of gisborne, marcus kane, bucky barnes, peter hale, garcia flynn, cliff legrand, and the like. humor me. do your worst. i'd like to think i know the contemporary blorbo landscape pretty well but if there are men who fit the bill out there that i have yet to discover i would like to discover them.
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stfumons · 5 months
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why does the heart crave to be needy , does that mean we were born to be with people and not just ourselves? but I guess the dynamics of it has always stuck through , cause it says I maybe not be able to stay alive with this heart and mind of mine but can you please hold it for me while I would hold yours.
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In his den Mefistofeliks has a little stash of things that remind him of his human and of cats he's close with. It started when he was still a kitten because of his human and there's only a few cats who know this stash of mementos even exists.
The inspiration for it was his human, Erik, who made a little baby album of a sort after he adopted Feliks, and over the years has been adding pictures and other things such as his paw prints etc. So wanting to do the same Feliks stole a few of the printed pictures and scraps of paper with Erik's handwriting (the closest thing he could find as his human's paw print) and stashed them in his den at the studio. Over the years said stash grew, he kept stealing a picture or a note here and there, and few pieces of Erik's clothing including one of his favourite pairs of socks. He also got there his latest collar that he wore only once to please Erik. He doesn't like wearing it, but he still very much likes to have it (he knows Erik saved the very first collar he got for Feliks, tiny kitten one that also was worn only once).
Besides his human's things he has lots of mementos of other cats. Most weren't exactly gifts but more of a "oh you can keep it if you want" type of thing, but Ram Ram Tamek and Kasandra, who both knew about it for years have both gifted him things and would sometimes tell other cats that hey this specific thing you dont want to anymore, Mefistofeliks may want it. Eventually two more cats would learn about it, both by accident, said cats being Bombalurina and Munkustrap.
From Tam he's got a little round mirror, a scrap of an old blanket they often used to share as kittens and a photo of the two of them Tam stole from Erik (Tam may tease him a bit for being sentimental, but he still helps with getting the things, and he saved the other piece of that blanket and another copy of that photo too).
From Kasandra he's got two of her bracelets, a broken silver one he saved from when they first got together, and she didn't know about the stash yet (he gifted her a different one then), and a golden bangle with little stones she gave him when they finally and for good sorted their relationship out and went from partners to being just friends.
From his daughter, Wiktoria, he's got a piece of cardboard with her paw prints on it and red and black marble from a little stash of them she found in some forgotten corner of the studio (she saved herself a matching white one).
From his parents, he's got one of Bywalec' ascots and an old broken pair of glasses, and from Plameczka a couple of her hair rollers, plus a few feathers from her feather duster (it took a time to get those things to save, he doesn't see his parents as often anymore)
From Misto a long piece of the glittery rainbow he used in his tricks, from when it accidentally ripped one day and a few playing cards from his favourite, although very much no longer complete deck (Feliks wasn't the only one to receive cards from his cousin, few went to Tugger and Victoria as well).
From Victoria a gem that fell off her collar and a pink ribbon bow she made once for him so the 3 of them could match as family (Misto saved the one she made for him too).
From Bomba he's got her hair clip sometime after they become friends. It was an old one, with a broken clip part (she let him have it after he helped her find a replacement).
From Demeter he's got a silver and gold handkerchief which was bit of an "I'm sorry" note after she accidentally messed up his arm (he wore it over the bandages when it was still healing)
From Munkustrap he's got feathers, saved from every catch Munk would share with him all the times Feliks would visit his cousins at the Junkyard. Munk saw the arrangement Feliks made of the feathers several times when visiting before he realised they were from birds caught by him. It took for a very specific feather to appear there for him to catch on (Munk has saved all the flowers Feliks has ever conjured up for him too, took him one catnip fuelled visit to his den to learn that). Later, one of scarves Munk had in his den, a brilliant blue one, made it's way over to Feliks' (Feliks may or may not have said it reminded him of Munk the most of all things Munk's got and that he liked how soft it was)
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